A George III Oak Longcase Clock, the brass dial with moon phase movement, the silvered dial with Roman and Arabic numerals with subsidiary seconds dial and date aperture, inscribed `Aaron Austin, Bristol`, the engraved dial depicting ships at sea and with corner spandrels, with eight day two train striking movement, the case with shaped door above a conforming plinth base
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JOHN WATSON, KIRBY, A LATE 18TH CENTURY OAK LONGCASE CLOCK, the arched brass dial with circular name boss to arch, subsidiary seconds and date supporting an 8 day movement, the arched moulded top hood with freestanding corinthian capped pillars, long trunk door, on a stepped base and shaped plinth, 79 ins high, (lacks pendulum and weights).
An early 20th Century lacquered Brass electric four glass Timepiece, Eureka Clock Co Ltd, London, Patent No 14614, No 7878, 1906, the plinth-shaped case set with four bevelled glass panels to a plinth base and gilt bezel, enclosing a signed 4 ½" Arabic enamel dial, with outside minute track and blued steel spade hands, to a battery activated mechanism with oversize balance wheel, to a 2 ball bearing, and star-shaped regulation wheel, height 12 ¾"
A late 19th Century gilt Brass four glass Mantel Clock, the plinth-shaped case set with four bevelled glass panels, to a brass bezel enclosing a 3 ¾" Roman enamel chapter ring, with outside minute track and blued steel moon hands, to a white enamel centre (A/F), and visible brocot escapement, to a circular brass movement, signed Roblin and Fils Freres, with twin mercury pot pendulum and anchor escapement strike on a bell, height 11 ¾"
An early 20th Century Oak cased triple barrel Musical Bracket Clock, Winterhalter & Hoffmyer, the architectural pediment set with a blind frieze over brickwork detail, to flat fronted Corinthian columns and pierced sound frets, raised on a further plinth base, to an 8" rectangular brass dial, set with subsidiaries for chime/silent, regulation & chime on 8 bells/chime on 4 gongs, to a Roman and Arabic silvered chapter ring, with outside minute track to a matted centre with blued steel fancy hands, the triple spring-driven movement with plates united by four heavy pillars, and anchor escapement with strike on 8 bells and 4 gongs, height 21"
A late 19th Century American Walnut "Bible" Mantel Clock, the overhanging cornice with fluted columns to a broken plinth base, with ring turned wooden bezel enclosing a 3 ½" reverse painted on glass Arabic chapter ring, with fleur-de-lys brass hands, and visible brocot type escapement, to a circular brass movement and hinged door to the back containing a leather bound copy of the Holy Bible, height 13 ½"
A late 20th Century Mahogany cased Mantel Timepiece, the caddy top set with a cast and applied Brass handle to an over hanging cornice, the single arched glazed door with plinth base and flared bracket feet, to a 3 ¾" arched Brass dial with silvered boss, signed Tempus Fugit, with mask spandrels enclosing a silvered Roman and Arabic chapter ring and blue steel hands, to a circular Brass movement with platform escapement, height 10"
A late 20th Century Mahogany cased Mantel Timepiece, signed for Knight & Gibbins of London, the case with caddy top and Brass carry handle, to a glazed front and a Brass sound fret on a plinth base with compressed bun feet, to a signed dial, with outside minute track and blue steel moon hands, and circular Brass movement, signed Franz Hermle, with strike on a bell, height 11"
A third quarter of the 20th Century Mahogany and Boxwood line inlaid Mantel Clock, the arched and waisted case with plinth base to a spun Brass bezel enclosing a 6" silvered Roman dial with outside minute track and steel spade hands, to a Brass movement with anchor escapements and strike on a coiled gong, height 10 ½"
A late 19th Century American Black painted cast metal Mantel Clock Ansonia, the plinth shaped case with overhanging cornice flanked by Rams mask detail, with gilt highlights and raised on scrolling front feet, to a cast bezel enclosing an Arabic enamel chapter ring, with outside minute track and fancy black painted hands, to a visible Brocot type escapement and spring driven movement with anchor escapement strike on a coiled going, width 16 ½"
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