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EARLY TWENTIETH CENTURY GILT METAL MOUNTED OAK MANTEL CLOCK, by Winterhalter and Hoffmeister, the 6 1/2" brass dial with silvered chapter ring, matted centre, floral gilt spandrels and conforming design to the arch, powered by an eight day movement striking on two gongs, housed in an arch top case with pine cone finials, gilt pierced side panels and caryatid capped fore corners, raised on a plinth base with gilt scroll feet, 16" (40.7cm) high
LATE EIGHTEENTH CENTURY OAK AND MAHOGANY CROSSBANDED LONG CASE CLOCK, with rolling moonphase, the 14 1/2" painted roman dial with subsidiary dial to the centre and floral painted spandrels, powered by an eight day movement striking on a bell, housed in an arch top case with swan neck pediment, turned finals and gilt metal mounted free standing Corinthian fore columns, over a long trunk door with shaped top, flanked by conforming fluted quarter columns and raised on a raised panel base with shaped plinth, 93" (236.3cm) high
TWENTIETH CENTURY MARQUETRY AND BRASS LINE INLAID MAHOGANY MANTEL CLOCK by Gustav Becker, the 6 1/2" silvered Roman dial powered by an eight days movement with five hammers striking on five rods, housed in a lancet top case with ribbon tied floral inlay and moulded plinth base, 17 1/2" (44.5cm) high, (lacks pendulum bob)
EARLY TWENTIETH CENTURY INLAID MAHOGANY MANTEL CLOCK, the 6" brass dial with silvered roman chapter ring, scroll engravings to the spandrels and arch, powered by an eight day movement with five hammers striking on rods for the musical chime, housed in an arch top case with gilt pierced side frets and handles, raised on a moulded plinth base with compressed bun feet, 17" (43.2cm) high
EARLY TWENTIETH CENTURY MAHOGANY SMALL MANTEL CLOCK, retailed by Finnigans, the oblong, silvered dial with Roman chapter ring and engraved floral decoration, powered by a french drum shaped keywind spring driven movement, housed in an oblong case with carrying handle to the pagoda top, raised on a moulded plinth base, 8 1/2" (21.6cm) high
VICTORIAN RENAISSANCE REVIVAL CARVED OAK WELLINGTON TYPE CHEST, the moulded oblong top with foliate and scroll carved 3 /4 gallery, above an open shelf and eight short drawers, each carved with scroll work and mask handles, flanked by ribbon tied, floral carved and lockable uprights, raised on a shaped plinth base, 68 1/4" (173.4cm) high, 26 1/2" x 15" (67.3 x 38.1cm)
VICTORIAN RENAISSANCE REVIVAL CARVED OAK DAVENPORT DESK, the top set with lidded stationery compartments, flanked by a pair of ink bottle holders, above a gilt tooled antique green leather writing surface to the sloping front, enclosing two short drawers to the interior, over a geometric panelled front, enclosed by a pair of barley twist fore columns and flanked by three drawers and three faux drawers to the sides, each carved with mask handles and scrollwork, raised on a shaped plinth base, 32 1/2" (82.5cm) high, 26 1/2" (67.3cm) wide
AN EIGHTEENTH CENTURY MAHOGANY BACHELOR`S CHEST, with cavetto moulded borders to the top, a brushing slide over four graduated long drawers with cockbeaded borders and later wooden knob handle replacing the original brass drop handles, on plinth with moulded top and raised on bracket feet, 3`1" wide, 1`8" deep, 2`9" high
MID VICTORIAN BURR WALNUTWOOD DAVENPORT DESK, the 3/4 galleried top enclosing a secret writing compartment with lift-out tray, above a gilt tooled brown leather insert to the slope, opening to reveal a satinwood lined interior of four faux short drawers over a panelled front with moulded free standing columns, flanked by a panelled cupboard door containing a bank of four graduated drawers with flush turned handles, and the opposing faux cupboard door, raised on a shaped plinth base with cup turned feet and white pot castors, 34 1/4" (87cm) high, 23" (58.4cm) wide
EDWARDIAN MARQUETRY INLAID WALNUTWOOD DAVENPORT DESK, the 3/4 GALLERIED STATIONERY COMPARTMENT with fitted interior surmounting a polished, sloping front, enclosing a drawer and pigeon holes to the interior, above a paterae inlaid panel, enclosed by turned fore columns with four short drawers and matching faux drawers to the sides, fitted with brass handles and raised on a plinth base with pot castors, 34 1/2" (87.6cm) high
A late 18th century century continental reverse glass picture, still life of an urn of flowers and a dead bird, on a plinth, 13¼ x 10½in (33.7 x 26.7cm), in an ebonised and gilt frame; together with two other reverse glass pictures one of an urn of flowers the other depicting a pigeon. (3) Provenance: The Property of Dr & Mrs Emanuel.
Falconry - A bronze sculpture of a tethered falcon mid-20th century, unsigned, the falcon with wings outstretched and head inclined to one side, its legs tethered to the tip of a tree stump and a bell on its back, the remainder of the stump in carved wood on a wooden plinth base, wingspan 12¾in. (32.5cm.),
A good late 18th century Channel Islands longcase clock the brass arched dial with painted moonphase signed `Thos. Andre Naftel a Guernesey` along the top of the arch, with Roman chapter ring, arabic outer minutes, subsidiary seconds dial at noon, date aperture at six, pierced steel foliate hands, gilt metal foliate scroll spandrels, the eight day, twin train bell strike movement with four turned pillars, complete with the original lead Nicolas Blondel weights marked `NBD`, in the original plain dark stained oak case, the hood with flared stepped pediment on turned pilasters and arched side glasses, the trunk with moulded broken arch door, on a plain plinth base, 79¾in. (202.5cm.) high.
A George II walnut eight day longcase clock 18th century, by William Wright of London, the brass arched dial with matted centre, signed to the Roman chapter ring, subsidiary seconds dial at noon, date aperture at six, gilt cherub mask spandrels, penny moonphase to arch with Roman silvered dial within gilt dolphin spandrels, all within engraved borders, the bell strike movement with five turned pillars, the case with flared moulded pediment on turned pilasters to the hood, the trunk with cross banded and fielded panelled door, the base with later bracket plinth, 90½in. (230cm.) high, alterations.
An early 19th century banded mahogany oval wine cooler the satinwood banded top opening to reveal the original lead lining, the body also with satinwood banded decoration, on a moulded plinth and four square tapered supports with brass casters, 21 x 15½in. (53.25 x 39.5cm.), 25in. (63.5cm.) high.
A George IV mahogany campaign desk the top with low gallery with reeded edge and six drawers with turned bone handles, over a hinged top with inset gilt tooled dark red leather writing surface, the interior with original blue paper lining, the front with geometric boxwood stringing and rosewood and brass boulle style escutcheon tablet, over a kneehole with recessed cupboard flanked by doors with conforming inlay enclosing two banks of three drawers, some with later brasses, the sides of the desk with gilt brass carrying handles, on a plinth base, 43¼in. (110cm.) wide, 33in. (83.5cm.) high, 30¼in. (77cm.) deep. * Provenance: By family repute was the property of Major General J. R. Harvey (1832-1922).
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173444 item(s)/page