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GARRETT - LONDON (possibly Charles or John) A LATE 17TH/EARLY 18TH CENTURY LONGCASE CLOCK, having period 11" dial with cast spandrels, subsidiary seconds, 8-day mechanism with anchor escapement, in a later case richly embellished with marquetry, ha ving moulded pediment, flank pilasters with brass capitals and a waist panel door, on plinth with moulded base, 1.99m
A mid 18c eight day longcase clock , the 12" arched brass dial signed Sam Buxton, Diss and having scroll spandrels, a matted dial centre and unmatched steel hands. There is a moon phase dial in the arch and seconds and date indicators. The five pillar movement is rack striking on a bell. It is housed in a mahogany case, the hood having a flat cresting with three finials and a row of Greek key moulding below. There are plain columns flanking the dial and fluted quarter columns to the trunk which has a long trunk door with arched top. The base has a later high plinth added with a wavy plinth beneath, 91" tall overall
A 19th Century mahogany architectural library bookcase:, the upper part with a moulded broken arch pediment and dentil cornice, enclosed by a pair of central glazed panel doors, flanked by an enclosed cupboard to either side, each with a fielded panel door, the lower part with a reeded edge, containing four central drawers flanked by an enclosed fielded panel cupboard to either side, on a plinth base, 195cm (6ft 4 3/4in) wide, 260cm (8ft 6 1/4in) high.
A pair of Victorian walnut, crossbanded and gilt metal mounted pier cabinets:, the tops with rounded corners and cushion friezes, enclosed by an arched glazed panel door flanked by rounded pilasters with gilt metal floral foliate and guilloche pendant capitals, on shaped plinth bases, 87cm (2ft 10 1/4in) wide, 106cm (3ft 5 3/4in) high.
A pair of late Victorian carved oak collectors cabinets:, with lunette and fleur de lys decorated cornices, one having seven sliding fitted trays, the other with twelve drawers, each enclosed by a pair of domed glazed panel doors (one damaged) in blind fret foliate surrounds on similar moulded plinth bases, 78cm (2ft 6 3/4in) and 79cm (2ft 7in) wide, 90cm (2ft 11 1/2in) high.
A Victorian walnut, banded, inlaid and gilt metal mounted credenza:, of D shaped breakfront outline, bordered with boxwood and ebonised lines, the top with a moulded edge, decorated with paterae, the frieze decorated with geometric foliate and husk ornament, enclosed by a pair of glazed panel doors, with gilt metal foliate bandings, flanked by an enclosed glazed cupboard of bowed outline to either side, between simulated fluted columns with gilt metal Corinthian capitals, on a plinth base with short tapered feet, 191cm (6ft 3in) long.
A Victorian ebonised, burr walnut banded, inlaid and gilt metal mounted credenza:, of breakfront outline, bordered with boxwood and ebonised lines and decorated with stylised foliate designs and medallions, the top with a moulded edge and projecting canted angles, enclosed by a central panel door decorated with an oval cartouche and surrounding spandrels, flanked by an enclosed glazed cupboard to either side between fluted columns with gilt metal Corinthian capitals on a plinth base, with short turned feet, 179cm (5ft 10 1/2in) long.
Shapland & Petter, Barnstaple - An Arts and Crafts mahogany sideboard:, the mirror back with shelf above and slatted sides, the base with oxidised copper heart shaped handles and pierced backplates to the two frieze drawers, two panelled doors flanking a central recess and on plinth base, 152cm (5ft 0in) wide, 174cm (5ft 8 1/2in) high.
A Victorian mahogany bookcase:, the upper part with a moulded cornice, fitted with adjustable shelves enclosed by a pair of domed moulded glazed panel doors, flanked by pilaster stiles headed with fluted scroll corbels, the lower part containing two moulded panel short drawers and with cupboard below, enclosed by a pair of moulded panel doors, flanked by similar pilaster stiles, on a plinth base, 130cm (4ft 3in) wide, 218cm (7ft 1 3/4in) high.
An Edwardian walnut, mahogany and floral marquetry partners kneehole desk:, crossbanded and bordered with boxwood lines and decorated with a marquetry of scrolling floral foliage, the rectangular top inset with a panel of tooled leather, fitted to one side with a central kneehole drawer, flanked by four short drawers to either side, to the other a false drawer and a pair of enclosed cupboards on plinth bases, the top 153cm (5ft 0 1/4in) x 94cm (3ft 1in).
A pair of 19th Century French ebonised and gilt metal and porcelain mounted pier cabinets:, the tops with applied foliate bandings and friezes decorated with central patera, each enclosed by a panel door with applied oval Sevres style blue and white floral plaques in gilt metal ribbon tied and husk surrounds, the sides with ribbon tied female masks, on shaped plinth bases, 81cm (2ft 7 3/4in) wide, 113cm (3ft 8 1/2in) high.
A French Sevres style porcelain inset gilt metal mantel clock garniture, retailed by Steel and Sons Limited, Belfast, late 19th century, the eight-day bell striking movement with blue ground porcelain Roman numeral cartouche dial decorated with cherub in flight beneath retail signature STEEL & SONS, BELFAST to centre, the case with gilt husk festoon decorated urn surmount above shaped panel painted with a couple in eighteenth century dress conversing flanked by column projections adorned with further husk festoons to sides, the shaped plinth base with further panel to front and curved side sections raised on foliate cast toupe feet, 38cm (15ins) high excluding giltwood stand, 42.5cm (16.75ins) high overall; with pair of matching ovoid urn side pieces each with gilt grotesque mask handles above figural panel painted blue ground oval porcelain body raised on conforming shaped base, 27cm (10.5ins) high excluding giltwood stands, 32cm (12.5ins) high overall.
A Victorian matched pair of mahogany bookcases by Maple & Co., circa 1880, each moulded cornice above a pair of glass panelled doors opening to adjustable shelves, each lower section with a pair of panelled cupboard doors, plinth bases, two of the doors bearing a circular enamel plaque titled “MANUFACTURED BY MAPLE & CO. .....”, the first 245 cm high, 122cm wide, 46cm deep, the second 243cm high, 106cm wide, 45cm deep
A French Belge noir marble and bronze figural mantel clock garniture, late 19th century, the eight-day bell striking movement with gilt on black circular Roman numeral dial within a bevel glazed cast brass bezel, the case with cast bronze figural surmount modelled as a seated Classical scholar above bound waisted side sections flanking projecting gilt scroll incised dial surround, on conforming skirt base, 48cm (19ins) high; the garniture side pieces formed as five light candelabra each with central sconce and four scroll cast branches hung with fine chains above conforming waisted black marble plinth base with gilt incised decoration, 59cm (23.25ins) high.
A Scottish William IV figured mahogany eight-day longcase clock, circa 1830, the four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and bearing signature W. ROBERTSON, FORFAR to centre, the case with ball finials to the shaped pediment above circular cushion moulded hinged glazed bezel flanked by rounded angles to hood, the trunk with shallow-arch crossbanded caddy-moulded doors flanked by conforming canted angles, on plain plinth base incorporating integral bracket feet with shaped apron between, 218cm (86ins) high overall.
A French brass inlaid ebonised portico clock, late 19th century, the eight-day countwheel bell striking movement with “gridiron” pendulum and circular white enamel Roman numeral dial with blued steel moon hands and ogee moulded gilt bezel, in a case with double-line bordered tablet upstand, gadroon moulded cornice and conforming panel inlaid frieze above dial set between pairs of brass strung columns with cast caps and bases, on stepped plinth base with conforming gadroon moulded tall skirt and block feet, 51cm (20ins) high.
A Neapolitan patinated bronze model of a Roman wine jug, late 19th century, cast after a Pompeiian find held at the Museo Nazionale, Naples, the handle modelled as a panther, 10cm high, on an associated marmo Siena plinth, 16cm high overall; and two Italian Grand Tour bronze souvenir models, third quarter 19th century, the Column of Phocas and the ruined Temple of Castor and Pollux, both on marmo giallo bases, 12.5 and 13.5cm high respectively
A Continental walnut and ebonised table cabinet, late 17th/ early 18th century, probably Flemish or Dutch, the central cupboard door decorated with a carved architectural arch and flanked by figures, opening to three drawers concealing three secret drawer, flanked by two further small cupboard doors and an arrangement of four small drawers, plinth base, 46cm high, 56cm wide, 33cm deep Provenance: The Property of the late Baron Osy de Zegwaart.
A Scottish Victorian figured mahogany eight-day longcase clock, Willocks, Brechin, mid 19th century, the four pillar rack and bell striking movement with 13 inch circular white painted Roman numeral dial with subsidiary seconds and calendar dials and signed Willocks, Brechin to centre, the case with ball finials to the shaped pediment above circular cavetto moulded hinged glazed brass bezel flanked by slender turned columns to hood, the trunk with shaped-top bowfronted flame figured door flanked by conforming columns standing on a swollen frieze, on panel outline plinth base incorporating integral bracket feet with shaped apron between, 218cm (86ins) high overall.
A French Empire ormolu figural mantel clock, Lepaute, Paris, early 19th century, the eight-day outside countwheel bell striking movement with silk suspension and circular white enamel Roman numeral dial signed LEPAUTE A PARIS to centre within engine-turned guilloche bezel, the plinth-form case with resting bow and quiver beside lovebird handled tazza surmount above ogee cornice and fine foliate cast infill around dial, to the left a standing figure of cupid holding a butterfly and flaming torch opposing staff applied with floral wreath bordered panel inscribed Fidelite, Constance, set on a plinth base adorned with ribbon tied floral swags interspersed with flaming torches to front, on lotus leaf cast skirt base with engine-turned bun feet, 37cm 14.5ins high; with giltwood plinth 42cm (16.5ins) high overall.
An Italian walnut prie dieu, 17th century, moulded rectangular top above an arrangement of five drawers, three carved with masks, above a pair of figured cupboards flanked by caryatids, opening to shelves, plinth base and block feet, approximately 99cm high, 105.5cm wide, 40cm deep Provenance: From the Estate of the late Dr. Yvonne Hackenbroch (former curator of the Metropolitan museum of Art)
A French brass mounted onyx mantel clock garniture, late 19th century, the eight-day bell striking movement with circular cream Arabic numeral enamel dial within bevel glazed cast brass bezel, the case with twin handled urn surmount above foliate scroll cast pierced mounts to crest and flanking dial, the sides with projecting gilt scroll decoration, on plinth base with brass paw feet, 44.5cm (17ins) high, the garniture side pieces formed as five light candelabra each with central sconce flanked by four scroll cast branches above twin handled urn upright and stepped plinth base with paw feet, 54cm (21.25ins) high.
An Austrian bronze and onyx mounted model of a dancing girl in the Art Deco style, almost certainly by Josef Lorenzl (1892-1950), circa 1930, portrayed nude with her weight on her right leg, the left leg raised, on a hexagonal socle, above a square section green onyx plinth base, 42.5cm high overall
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173444 item(s)/page