ERTÉ (ROMAIN DE TIRTOFF) (1892-1990); a limited edition bronze figure 'La Coquette', stamped signature and fine art acquisitions, numbered 70/375 and dated 1986, height 47cm. (D)Additional InformationScuffs, scratches to the patina, especially on the stepped plinth base. Firing mark on the underside of the scrolling dress. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
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ERTÉ (ROMAIN DE TIRTOFF) (1892-1990); a limited edition cast bronze figure "L'amour Du Vin", impressed signature, stamped Sevenarts Ltd London, numbered AP10-12, c.1990, height 48cm. (D)Additional InformationLight scratches and scuffs, especially to the plinth base, minor wear to the gilding. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
AMBERG; the Amberg Imperial letter file, a walnut cabinet with moulded cornice above tambour front and forty-five drawers to a substantial plinth base, height 203cm, width 125cm, depth 43cm.Additional InformationThe tambour is seized and will not operate, heavy surface wear throughout as you would image, residue to the door fronts, each has an oval section where the named plaques would be and there are three pull-out slides around half way down each bank of drawers.
COUNTRY ARTISTS; a large limited edition figure group 'Views of the River', designed by David Ivey, numbered 191-850, circa 1998, raised on wooden plinth base, complete with brass certificate and box, overall height 29cm, length 48cm.Additional InformationThe piece is fitted in original box, there is a small chip to one of the flowerheads, otherwise the group appears good.
MEISSEN; a large late 19th century figure group representing a male playing the bagpipes beside a seated maiden playing a hurdy gurdy, with dancing figures and a seated couple sharing wine, raised on naturalistic plinth base, blue painted cross swords to the underside, height 47cm.Additional InformationOld restored chip to the base which has been regilded, losses to the floral encrusted decoration, the detachable tree has been heavily restored, the plaster joint has been broken into three pieces, one piece is missing. Restoration to the bagpipes and the hands of the figure playing them. Restoration and damage to the arms on both couple.
ROYAL WORCESTER; a blush ivory figural table lamp modelled as a female water carrier, raised on painted wooden plinth base, overall height 40cm.Additional InformationAs stated, the base is a later replacement, we are unable to see the marks though we o believe that this is definitely by Royal Worcester, there is an area underneath the column supporting the light fittings which is matte and is possibly restoration.
A large Japanese carved ivory okimono representing a fisherman holding a basket containing crabs, raised on circular naturalistic plinth base, bearing impressed seal signature, height 30cm.Additional InformationSplitting to the base and legs. Possible old repair to the base surrounding the seal signature, so the signature is possibly a later addition. Numerous cracks, missing part of the harpoon.
A large Japanese Maji period bronze vase, relief decorated with birds and floral detail, embossed seal mark to the underside, height 50cm, with a pair of bronze figures of Egyptian maidens, raised on black slate plinth bases, height of larger 40cm (3).Additional InformationSadly one of the Egyptian figures has been broken from its base, the base with a large sliver chip to the edge, also missing the bronze coloured foot rim. The Japanese vase with old splits and denting to the top, knocks to the body and the base. The second figure with minor chips to the slate base.
WILLIAM HUTTON & SONS; a pair of late Victorian hallmarked silver Corinthian column candlesticks with cast trailing decoration raised on a stepped plinth base, London 1896, weighted, height 20cm.Additional InformationEach have been drilled and are in poor condition, losses to the foot rims, numerous dents, knocks, tarnishing, the sconces are fixed in.
WALKER & HALL; an Edward VII hallmarked silver footed bowl of shaped form with pierced rim outside a panelled body, Sheffield 1906, approx. 3ozt/93g, with a pair of hallmarked silver candlesticks of squat form, raised on stepped square plinth bases, weighted.Additional InformationThe candlesticks are in poor condition with heavy denting, knocks and polish holes, the footed bowl with light surface wear and scratches and is slightly misshapen.
J INGRAM OF SPALDING FECIT; an 18th century oak cased thirty hour longcase clock, the brass dial with applied chapter ring bearing both Arabic and Roman numerals with subsidiary date and hour dials, set in oak case with arch door, raised on plinth base, height 187cm, width 44cm, depth 21cm.Additional InformationElements of the case are later replacements, such as the panel wood on top of the hood and the moulding around the plinth of the base. The locks and the hinges to the door are not original. No weights or pendulum. There is a chip to the top of the column on the left hand side of the hood and some old worm damage to the back of the hood.
A mid 19th century mahogany and inlaid longcase clock, the broken swan neck pediment above painted arch dial set with Roman numerals housing an eight day movement and signed 'T. Warburton & Son, Bollington', the case with short door above exaggerated plinth to bracket feet, height 228cm, sold with pendulum and two weights.
A early 19th century mahogany cellarette, the hinged domed lid above a base with two cupboard doors to a moulded plinth, height 73cm.Additional InformationThe interior has been changed from a cellarette, it has green lining, there is a hole cut for draining at some stage. Splits to the top, losses to bead work and veneer, splits to the side, large section of veneer missing to the back on both sides and the veneer is badly lifting and warped to the back. Heavy surface wear throughout.
A 19th century French oak display cabinet, the carved cornice decorated with a male and female mask, above a central glazed door flanked by two fixed glazed panels, with two fluted and turned column supports on plinth base and bun feet, height 159cm, width 132cm, depth 52cm.Additional InformationThe fluted column supports with some scuffs and scratches, the carcass with light wear here and there throughout but overall colour good and appearance OK, shelves are present, and the silk is easy to remove and use as full display.
A Victorian mahogany four drawer breakfront wardrobe, the replaced cornice above two central cupboard doors now enclosing hooks and hanging rail above four long graduated drawers flanked by full length hanging space each with a further drawer above the plinth base, width 212cm, height 204cm.
A FINE FRENCH 'SEVRES' PORCELAIN URN AND COVER, the detachable lid with flowerhead handle, applied with ormolu ram masks handles, and pierced collar, the blue ground body with oval gilt edged reserve filled with interlinking floral wreaths, on waisted leaf cast foot and plinth base. 15cm high
A Luneville faience lion19th century The seated beast decorated in blue and white, its mane picked out in orange and brown on a plinth base, damages and restorations, 50cm wide, 25cm deep, 52.5cm high (19 1/2in wide, 9 1/2in deep, 20 1/2in high) This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A Louis XVI style ormolu-mounted white marble mantel clockThe dial signed Tiffany & Co.With Flora and cupid surrounding the dial, mounted on a plinth base, The mechanism stamped 'Made in France / 208158 / Medale D'Argent', 27cm wide x 14cm deep x 34cm high, (10 1/2in wide x 5 1/2in deep x 13in high)Footnotes:Provenance: Bonhams, London, 15 December 2011, lot 144 (part).For further information on this lot please visit Bonhams.com
A model of HMS VictoryRealistically modelled with rigging, sails and cannons, on plinth base with plaque 'HMS Victory 1805', 99cm wide x 32cm deep x 82cm high, (38 1/2in wide x 12 1/2in deep x 32in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
LORD FREDERIC LEIGHTON (British, 1830-1896)A bronze figure of 'The Sluggard'The nude male stretching, on square plinth base, inscribed THE SLUGGARD to the front, and signed Fred Leighton, with J W Singer & Sons Frome, foundry mark, 27cm wide, 16.5cm deep, 53cm high (10 1/2in wide, 6in deep, 20 1/2in high) Footnotes:Although perhaps better known as a fashionable Royal Academy painter of the late 19th century, Leighton took up sculpture in the 1870s and today is regarded as the father of New Sculpture in England. Leighton's Sluggard, also known as 'Athlete Awakening from Sleeping', was first executed in 1882. Giuseppe Valona, the Italian model who posed for 'An Athlete Struggling with a Python', was again used for the Sluggard. Edgcumbe Staley described the moment when: 'Giuseppe Valona, the model, a man of fine proportions, weary one day of posing in the studio, threw himself back, stretched out his arms and gave a great yawn. Leighton saw the whole performance and fixed it roughly in clay straight off.'A more refined life-size plaster was later exhibited at the Royal Academy in 1886 and was awarded a medal of honour when it was shown at the Paris Exposition Universelle three years later. A bronze cast of this plaster, acquired by Henry Tate in 1896, is now in the Tate Gallery.The Sluggard has obvious parallels with Rodin's 'Age of Bronze', exhibited in 1884 and it was perhaps this work which encouraged Leighton to revive his earlier model. The work later became one of the most popular Victorian statuettes when reduced-scale bronze editions were made by Arthur Leslie Collie and cast by the Singer Foundry.As this bronze is marked with just the J W Singer foundry mark it means we know it can only have been cast prior to 1927. Exhibited at The Art Gallery of New South Wales.Literature: S. Beattie, p.189 and 260, n.59; Minneapolis Institute of Arts, cat. no.39S. Jones, C. Newall, et al., Frederic, Lord Leighton: Eminent Victorian Artist, Royal Academy of Arts, 1996This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Florentin Louis Chauvet (French, 1878-1958), Portrait en pied de Monsieur Bernard (Portrait of Mr Bernard)Bronze, brown patinationThe figure in standing position holding a cigar on a plinth base, signed, dated and inscribed: a mon aimable ami Marcus Bernard / F. Chauvet / 1904, 8cm wide, 7cm deep, 67cm high (3in wide, 2 1/2in deep, 26in high) This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
After the Antique, a bronze figure of Narcissus of PompeiiNeapolitan, late 19th centuryDark green patination, standing on a circular plinth, 20cm wide, 20cm deep, 58cm high (7 1/2in wide, 7 1/2in deep, 22 1/2in high) Footnotes:The figure of Narcissus is after the Roman bronze original excavated from Pompeii in 1862, now in the Museo Nazionale, Naples. Like many important discoveries from Pompeii, the figure was widely copied during the Grand Tour. A version cast by M.Amodio, Naples was sold by Christie's, London, From the Collection of King George I of the Hellenes, 24-25 January 2007, lot 592.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A pair of brass twin handled lamp bases in the 19th Centuy styleThe slender ovoid bodies with high scrolling mask head handles on circular socle and square plinth bases, fitted for electricity with cream card shades, 77 cm high overall (2)For further information on this lot please visit Bonhams.com
A PAIR OF 19TH CENTURY WHITE MARBLE PEDESTALSIn the manner of John SoaneOf tapering form on plinth bases, 30cm wide, 30cm deep, 120cm high (11 1/2in wide, 11 1/2in deep, 47in high) (2)Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 39.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A Large pair of alabaster urnsCirca 1930Of trumpet form with turned bodies on circular socles and square plinth bases, 51cm wide, 51.5cm deep, 89cm high (20in wide, 20in deep, 35in high) (2)Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 10.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A painted and gilt decorated side cabinetThe marble top above open shelves flanked by canted columns on a plinth base, 195cm wide x 47.5cm deep x 93.5cm high, (76 1/2in wide x 18 1/2in deep x 36 1/2in high)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
OF TRAFALGAR INTEREST, A REGENCY CARVED ALABASTER WARWICK VASECommemorating Admiral Lord Nelson, early 19th centuryOn an alabaster square section plinth carved with a commemorative inscription reading: HORATIO Viscount Nelson, Commander in Chief in the Mediterranean fell in the ..... of his duty Off Trafalgar in the moment of Victory. 21 October 1805. ALEXANDER DAVISON commissioned this urn as a tribute of respect to the Immortal Memory of his friend, and a ship behind with dolphins to each corner, on a later painted wood pedestal, the vase heavily weathered, 80cm wide, 77cm deep, 113cm high (31in wide, 30in deep, 44in high) The painted pedestal: 79cm high (2)Footnotes:Provenance: Alexander Davison Esq., (1750–1829) St. James's Square, sold 21 April 1817, lot 715.Sotheby's, London, 5 October 2005, 'Trafalgar', lot 104.Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 49.The Warwick Vase (2nd century AD) was excavated from Hadrian's Villa at Tivoli in 1771. Gavin Hamilton sold the vase to his nephew, the 2nd Earl of Warwick, who built a specially commissioned conservatory in the grounds of Warwick Castle to house it. The vase quickly became one of the most celebrated pieces of antiquity known in Britain and in 1778, Piranesi produced an engraving of the vase which subsequently served as inspiration for reproductions in a variety of medium. The present alabaster reproduction of the Warwick Vase was commissioned by Alexander Davison who was a businessman and government contractor and was a close friend of Admiral Lord Nelson. He was also partly responsible for preserving Nelson's memory after his death, including the creation of a medal commemorating the victory at the Battle of the Nile and the creation of the Nelson Memorial at his estate at Swarland in Northumberland.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A large 19th century composition stone stagIn a recumbent pose, resting on an integral plinth base, most likely to have originally been an architectural pediment, with rain water drainage holes to the base, 100cm wide, (39in wide, This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A VICTORIAN PLASTER FIGURAL TORCHEREBy L. Bruciotti, and dated 1857Together with a pedestal by Peter Hone, the Classical maiden holding aloft her left arm and previously a torch (now missing) on a plinth base, stamped to the reverse, The figural torchere: 47cm wide, 41cm deep, 135cm high (18 1/2in wide, 16in deep, 53in high) the pedestal: 122cm high (2)Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 84.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
CHARLES ROBINSON SYKES (BRITISH, 1875-1950) A bronze group of a Satyr and a BacchanteOn a naturalistic base and signed to the reverse, mounted on a square marble plinth base, Size including marble plinth: 20cm wide, 17.5cm deep, 37cm high (7 1/2in wide, 6 1/2in deep, 14 1/2in high) Footnotes:Charles Sykes is best known for his Rolls-Royce mascot design, the Spirit of Ecstasy.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
THÉODORE RIVIÈRE, FRENCH (1857-1912)A PATINATED BRONZE GROUP OF SALAMMBÔ AT MATHÔ'S ENTITLED CARTHAGEOn an oval base, signed THEODORE RIVIERE CARTHAGE, inscribed Susse Frères Paris with foundry stamp Susse Frères Editeurs Paris, together with a moulded walnut plinth, 19cm wide, 26cm deep, 42cm high (7in wide, 10in deep, 16 1/2in high) the plinth: 7cm high, Footnotes:This model was exhibited at the Salon des Artistes Français in 1895 and at the Paris 1900 Universal Exhibition, where it was considered as one of the Symbolist movement's key exhibits.A similar group is in the Musée d'Orsay in Paris and a plaster-model is in the collection of the Musée des Beaux Arts in Dijon.Mathô, the chief of the Barbarian soldiers, is depicted dying at the feet of Salammbô, the daughter of his Carthaginian enemy Hamilcar Barca, crying: 'I love you, I love you'. This scene is taken from Gustave Flaubert's novel, Salammbô, published in 1862.A bronze and ivory group also with foundry stamp for Susse Freres Editeurs Paris, was sold at Bonhams, New Bond Street, Fine European Furniture and Works of Art, 5 July 2012, lot 258. Provenance: Sotheby's London, 19th & 20th Century Sculpture, 21 May 2014, lot 75.Literature: Kjellberg Pierre, Les bronzes du XIXe siècle, Dictionnaire des sculpteurs, Paris, Les éditions de l'amateur, 1989;Laure de Margerie, Musée d'Orsay, catalogue sommaire illustré des sculptures, 1986.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A painted plaster bust of a Classical male19th centuryThe bearded figure clad in drapery on a square plinth base, 60cm wide, 30cm deep, 79cm high (23 1/2in wide, 11 1/2in deep, 31in high) This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A GEORGE III COADE STONE PEDESTALStamped COADE, LONDON, and dated 1789The rectangular top above rams heads to the front corners issuing trailing bellflower garlands on a plinth base, 46cm wide, 36cm deep, 74cm high (18in wide, 14in deep, 29in high) Footnotes:Provenance: Christie's, London, South Kensington, 26 October 2016, The Hone Collection, lot 12.For a square pedestal of corresponding design see Coade's A Descriptive Catalogue of Coade's Artificial Stone Manufactory, Section XXVII Pieces of Furniture and Various Ornaments, 1784, p. 7, no. 139.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An early 19th century carved marble figure of the Duke of Kent together with an early Victorian painted marble figure of the young Queen VictoriaThe Duke of Kent in standing position wearing ceremonial robes on an oval plinth base, 32cm wide, 38cm deep, 81cm high (12 1/2in wide, 14 1/2in deep, 31 1/2in high) Queen Victoria: 65cm high (2)Footnotes:Provenance: Christie's, The Hone Collection, London, South Kensington, 26 October 2016, lot 81.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A COADE STONE MODEL OF AN EAGLEBy Thomas Dubbin, dated 1836Stamped to one side, DUBBIN and 1836 standing on a naturalistic rectangular plinth base, 32cm wide, 49cm deep, 58cm high (12 1/2in wide, 19in deep, 22 1/2in high) 23 in. (58.5 cm.) highFootnotes:Provenance: Christie's, South Kensington, The Hone Collection, London, 26 October 2016, lot 54.Thomas Dubbin was foreman of Coade's Lambeth works. He was an experienced designer, whose name appears in the Coade record books 1813-1821.This lot is subject to the following lot symbols: * TP* VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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