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A Victorian rosewood four-glass mantel timepiece, with a single fusee movement and a silvered brass 5 inch square dial, signed J. H. ALLIS, Albion Chambers, Bristol, the door with a silvered bezel, the sides and top with bevelled glass, to an ogee moulded plinth base, 11.25in (28.5cm) h. John Hagger Allis, Bristol, 1850 - 70.
A Victorian carved oak twin pedestal partner`s desk, incorporating 16th century and later panels and appliques, the inverted breakfront top inset replaced brown cloth, the underside stamped `H. MAYNARD`, to a carved edge above three shallow frieze drawers applied earlier carved friezes of scrolling foliage, angels, putti, beasts, a dolphin and dragons, above cupboard doors, enclosing a shelf, on a plinth base, each pedestal with six earlier panels depicting mainly religious scenes, each flanked by female terms, 29.5in (75cm) h, 65 (165cm) w, 46.5in (118cm) d. Provenance: Purchased at the Woolley & Wallis sale of the contents of Landford Manor, May 1950. Landford Manor during the 19th century was owned by the Nelson Family. Francis Elizabeth Countess Nelson resided there from 1861-1878 she married Thomas the 2nd Earl in 1821. Thomas was the son of Lord Horatio Nelson`s sister Susannah.
A mahogany twin pedestal partner`s desk, the tooled leather inset top, above three frieze drawers and three drawers to each pedestal, fitted brass handles, the reverse with panelled cupboard doors, to a plinth base and castors, early 20th century, 30.5in (77.5cm) h, 61.25in (155.5cm) w, 37.25in (94.5cm) d.
A pair of Louis XVI ormolu and white marble figural three light candelabra, with a draped figure of a boy and girl holding aloft foliate branches with flowers terminating in beaded nozzles, on a turned socle hung with chains to a stiff leaf band and a square plinth, 27.25in (69cm) h, 13in (33cm) w. (2)
After Pierre Cartellier (French 1757-1831) and Louis Messidor-Lebon Petitot (French 1794-1862). Louis XIV on horseback, bronze, raised on an ebonised and brass boulle marquetry inlaid plinth, mid 19th century, 32in (81.3cm) h, 22.5in (57cm) w. The original sculpture commissioned by Louis-Phillippe in 1835 can be found at the Cour d`honneur, Versailles.
Sir Edgar Bertram Mackennal (Australian 1863-1931). A nude study of a lady leaning on a tree stump, plaster maquette, the reverse signed `B. Mackennal`, on an alabaster plinth, 18.5in (47cm) h, 10in (25.5cm) w. A bronze version of this sculpture was sold Christie`s Melbourne, 27th April 1998.
Equestrian bronze statue of Queen Victoria by Thomas Thornycroft (1814-1885) signed in the bronze 'T Thornycroft Fecit London 1853' raised on red boulle and ebonised plinth, length 67cm, height 55cm, overall height 72cm This is one of 50 casts produced by Thornycroft as a reduction of the large original shown at the 1851 Great Exhibition now standing outside the Walker Art Gallery, Liverpool
Nineteenth century style French marble and brass ormolu effect clock garniture, the drum shaped movement with white enamel dial painted with floral swags, having pierced brass hands with quiver of arrow torch and ribbon surmount, similar swag and trophy hanging below, on pair tapered columns, plinth base with ropetwist border, eight-day striking movement, 39cm high, and the pair gilt metal mounted urn vases on similar bases
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