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Lot 1438
A vintage mid 20th century painted chest / trunk having carry handles to each side, hinged lid to the top opening to reveal a spacious interior raised on a plinth base. Together with a metal chest having a hinged lid with carry handles to the side. The painted chest has a collection of woodworking tools to the inside.
Lot 1491
A Victorian 19th century mahogany and milk glass shop display counter top cabinet. Raised on a mahogany plinth with single drawer to rear. Inset milk glass base, with glass panel upright sides, central glass shelf with sliding doors to rear. FInished with mahogany flared cabinet top above. Very much in the manner of a Cadbury's or Fry's Chocolate cabinet. 73cm h x 46cm w x 46cm d
Lot 1515
An Edwardian Art Nouveau large triple wardrobe armoire compactum. Raised on a plinth base with large central bevelled edge mirror glass door flanked by end wardrobe doors having fielded and raised panels with carved Art Nouveau detailing. Finished with a flared pediment top above. The inside with large double hanging space over drawer, the right hand side with linen slides and further drawers to the base. Measures 215cm H x 191cm W x 58cm D
Lot 1518
An Edwardian Art Nouveau large double wardrobe armoire. Raised on a plinth base with large central bevelled edge mirror glass flanked by end wardrobe doors having fielded and raised panels with carved Art Nouveau detailing. Finished with a flared pediment top above. Measures 235cm H x 139cm W x 56cm D
Lot 318
A National Time Recorder Co Limited clocking in and out timepiece with enamelled roman numeral dial behind glass with clocking in/out mechanism below, on wooden plinth base, clock face signed 'Aquinas Street London SE1', 34.5cm wide x 18.5cm deep x 98.5cm highCondition report: Surface marks and scratches to the wood, some watermarks, clock not tested, otherwise in good condition
Lot 243
A mahogany pedestal desk the green tooled leather top with nine drawers about the knee, on plinth base, 123cm wide x 58.5cm deep x 73cm highCondition report: Surface marks and scratches all over to the wood, water stain to the right hand side of the desk top, some slight cracks to the bases of the drawers
Lot 316
A set of three brass adjustable double candlesticks on turned column and tripod base, 36.5cm high together with a pair of five light metal and pink marble table candelabras, the candles on scrolled mounts, gothic style column and square plinth base, 54cm high excluding candles (5)Condition report: Some tarnishing to brass candles, chip to marble base on one candelabra
Lot 185
A small pine trunk with lift top over two drawers on plinth base, 85.5cm wide x 39cm deep x 52.5cm high together with a mahogany side table with single drawer and concave undertier, 88.5cm wide x 47cm deep x 72cm high (2)Condition report: Old water stains to the top and front of chest, chips to the edges of the drawer fronts; top of side table faded and with several watermarks, marks and scratches all over
Lot 246
An Indian hardwood cupboard, the pair of doors over two short drawers on a plinth base, with iron handles and hinges and wooden spinning latches, 98cm wide x 46cm deep x 148cm highCondition report: Surface marks and scratches to wood all over consistent with age and use, doors very stiff, in good solid condition
Lot 191
A group of three table lamps each formed as a classical column, one with blue and gilt foliate decoration to the column on a spread bronze base, 29cm high excluding fittings; a brass table lamp on an ebonised wooden plinth base, 57cm high excluding fittings and a marble and bronze table lamp on a square plinth base, 27cm high excluding fittings (3)Condition report: Bronze and brass tarnished on all lamps, electrics not tested, ebonised wooden base of largest lamp with surface scratches, otherwise in good condition
Lot 351
Circa 200-300 AD A remarkable example of Kushan artistry, richly carved in grey schist, combining naturalism of the classical Greek style with the Asian serenity of Buddhist art. He displays a serene expression recalling the compassionate disposition of the bodhisattva, who remains in the mortal realm to help sentient being free themselves from its grip of suffering. A beautifully carved statue of a bodhisattva with finely carved head, the nose is aquiline, ears decorated with stylised earrings, an elaborate coiffure that radiated from the top of the head and is fashioned in a loosely parted topknot and a moustache just about his mouth. The bodhisattva is adorned with braided necklace, He is backed by a rounded stylised halo. He is standing on a rectangular plinth which is decorated with another central Bodhisattva and four attendants. For similar see The Metropolitan Museum of Art; Accession Number: 1991.75. Size: L:1140mm / W:380mm ; 30+kg. Property of a Middlesex collector; acquired on the London art market before 2000; formerly in an old English collection since the 1970s.
Lot 451
Two Chinese jade carvings comprising a seladon green seal of an ox reclining on a plinth, the seal carved with the name Thomas in English and pinyin, height 5.9cm, and a pale green pierced flat pendant carved in the form of a flower basket, the stone with white and dark inclusions, height 6cm x diameter 5.8cm, together with a small round wood stand
Lot 140
A Continental brass striking bracket mantle clock, late 19th century, the movement stamped for Gustav Becker/Freiburg/758987, the engraved silvered dial with black Roman numerals to chapter ring, the front with pierced brass scroll and niello ornament, surmounted with a gadrooned urn on domed top mounted with stylised dolphins, the sides with beast masks suspending drops, on waisted plinth with acanthus and paw feet, with key, 44 cm high
Lot 142
Martin Jennings RSS (British, b. 1952), bronze Maquette of Sir Archibald Mindoe, Edition 7/30, marked MJ 7/30 PE to plinth base, 31.4cm highSir Archibald McIndoe (1900-1960) was a New Zealand plastic surgeon who worked for the Royal Air Force during the Second World War. His radical methods of treatment were aimed at healing severe burns alongside supporting crew members to recover both socially and emotionally. His patients formed The Guinea Pig Club while in hospital; this was designed to provide social support and aid rehabilitation.Acquired from Gallery Pangolin, Stroud, 2013.
Lot 144
Three Innuit carved sculptures, including a soapstone figure of a boy holding a goose by Thimoty Nayoumealuk, 1982, signed to underside, with labels, 10 cm high, a figure of a standing Inuit on wooden plinth and a long necked bird Condition Report: Dimensions: The standing figure: with wooden base 13 cm high, exc. base 10.5 cm high. No visible signature, losses to implements in hands minor surface chipping to tip and edge of hood, feet, and minor surface scratching. The bird - signed AARDVARK/CANADA/C.1972. 13 cm wide x 7 cm high. Overall in good order. The soapstone figure of a boy and bird in good order - see images and catalogue description for signature. 10 cm high.
Lot 183
Two Japanese ivory okimono, a stone mounted carved ivory model of an elephant and a carp, late 19th/early 20th century, the first okimono carved as a standing woman holding a flower, on a lotus shaped base, the second as three small figures climbing pierced rockwork, the elephant standing foresquare on a variegated stone plinth base, the miniature carp naturalistically carved, the first 13.5cm high
Lot 300
A large Victorian mahogany wardrobe-linen press, of architectural breakfront form, with pediment above four reeded column supports, the twin double doors mounted with a mirror, revealing four shelves and four drawers with brass handles, flanked by wardrobes either side, on moulded plinth base, 227cm x 236cm x 68cm Condition Report: This comes apart in multiple pieces: the top cornice and bottom plinth are separate, the central door can be detached, the central part comes apart in three sections. Overall this is of good decorative appearance. The colour of the mahogany is rich and deep.There is some slight deteriotation to the edge of the mirror in centre. Some minor surface scratching and wear overall commensurate with age and use. Chip to edge of one turned wooden handle, The mirrored door is currently very stiff and hard to open as the metal hinge is opening directly on to the top cornice. It may be that there is another element which fitted between the cornice and top of the door which is now lacking, or it may be possible to refit the mirrored door. There is some surface scratching where the metal hinge runs across the base of cornice, some adaptions have been made to the fiitted interior to accommodate the hinge. Internally two drawer bases have splits although they still function. The gilt metal handles could possibly be later replacements. Some old staining to the fabric lining of each wardrobe. There is a later pine baton which has been attached to the top right of the cornice, the purpose of this is unknown although it could be removed. Some minor scratching to surface (particularly where doors open and edges of door) and relatively minor losses to veneers.
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