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Click here to subscribeTwo Paris (La Courtille) white biscuit allegorical groups. CIRCA 1780-90, INCISED FLAMING TORCHES AND W MARKS. Emblematic of the Seasons, modelled as four male and female figures with various attributes before a central classically-draped archeress raised on a plinth, on rocky-mound circular bases, applied with flowers and sprigs (damages and restoration). 15s in. (40 cm.) high max. (2).
A pair of (Paris) powdered purple-ground cups and saucers a Paris powdered lilac-ground cup and saucer and a Paris porcelain (Naples decorated) metal-mounted inkwell. CIRCA 1828, BOTH CUPS MARKED HULOT RUE ALBANY N2/Fb St. MARTIN; THE LILAC-GROUND CUP AND INKWELL FIRST QUARTER OF 19TH CENTURY,. The first painted with hunting scenes, with purple and gilt anthemion borders; painted with a bouquet within a raised-gilt scroll cartouche issuing flowering branches; the inkwell painted with ships in a harbour scene, with bronzed cover, pierced liner and square plinth. The inkwell 5s in. (14.5 cm.) high (7).
A simulated mahogany longcase clock, the eight-day two-train movement with anchor escapement and rack strike on a bell, the arched dial with silvered chapter ring with Roman numerals and Arabic five-minute divisions, date aperture and subsidiary seconds dial, the arch with silvered base inscribed James Smith London, the parcel-gilt case with arched door and plinth base, the hood with stepped pediment, 200cm high
A French gilt-metal mantel clock, the eight-day two-train movement with outside countwheel strike on a bell, the enamelled round dial with Roman numerals, Arabic five-minute divisions and inscribed Mabille A PARIS, set in a drum-case supported with a classical figure of a maiden with a serpent and looking glass, on a marble plinth base, 33cm high
Eric Gill, 1882-1940. working drawing for relief sculpture, signed with initials and dated 16.3.37, pencil, 24x18cm.; 9.5x7in. (2), The present work is a working drawing for a memorial relief sculpture to the Maharini of Bastar State, commissioned in 1936 by E.S. Hyde, administrator of Bastar. The sculpture was delivered in Jagdalpur, Bastar in 1939.. To be sold together with a sketch of a plinth by the same hand and letters from the sculptor to E.S.Hyde, variously dated between 1936-38.
Sir Jacob Epstein (1880-1959): A Bronze Portrait Head from First Portrait of Delores (La) Bohemienne] Signed "Epstein", 31cm high, upon a canted rectangular and stepped black slate plinth, 39cm overall *Literature: Evelyn Silber: "The Sculpture of Epstein", Phaidon, Oxford, 1986, catalogue No. 131
A French Boulle Writing Cabinet, circa 1850], rectangular section, the hinged and folding lid revealing stationery racks and an abbatant writing slope, the two frontal hinged doors with baroque style foliate inlays, on a concave sided plinth, with ormolu mounts and edging ornaments throughout, on knurl feet, 37cm by 34cm
A Walnut and Ebonised Striking Wall Clock, circa 1890], the case with shaped pediment and turned finials, fluted pilasters upon waisted plinth, 7-inch enamel dial with Roman numerals, subsidiary seconds, triangular shaped twin weighted movement with deadbeat escapement and striking on a gong, backplate numbered "34194", 120cm high
A Walnut and Ebonised Quarter Striking Wall Clock, circa 1890], the case with carved pediment and a central shell motif, fluted pilasters with carved capitals, sloping plinth with carved decoration, 61/2 inch enamel dial with Roman numerals and a recessed centre, the three train weighted movement with triangular shaped plates and deadbeat escapement, two hammers striking on gongs, backplate stamped "Gustav Becker, Medaille D'or" and numbered "254738", 126cm high
A Walnut and Ebonised Quarter Striking Wall Clock, circa 1890], the case with shaped pediment and turned finials, fluted pilasters with carved capitals, waisted plinth, 6 1/2-inch enamel dial with Roman numerals, and recessed centre, three train weighted movement with triangular shaped plates and deadbeat escapement, two hammers striking on gongs, backplate stamped "Goldene K Medaille" and "MP", 122cm high
A Rosewood and Brass Inlaid Bracket Clock, signed Webster, London, circa 1830], the brass inlaid case with a drum shaped top upon rectangular plinth supported by bun shaped feet, 7-inch white painted dial with Roman numerals signed "Webster, London", subsidiary seconds, spade hands, single fusee movement with anchor escapement, 45cm high, with associated rosewood brass inlaid wall bracket
An Oak Eight-Day Longcase Clock, signed Jno Bower, Kerrymuir, circa 1800], the case with swan neck pediment, shaped trunk door upon shortened plain rectangular plinth, 12-inch painted arched dial, centre field with subsidiary dials for date and seconds, the arch and corners with textured gilt and floral decoration, four pillar movement with anchor escapement and rack striking on a bell, 208cm high *John Bower is recorded as working in Kerrymuir 1802. See "Watchmakers & Clockmakers of the World", by G,H,Baillie, pg.36
A Mahogany Thirty Hour Longcase Clock, signed R Railton, Barnard Castle, circa 1840], case with swan neck pediment, wavy shaped trunk door, plinth with recessed panel upon shaped apron, 13-inch painted arched dial with Roman numerals, the arch and corners depicting hunting scenes, four pillar movement with anchor escapement, 215cm high
An Impressive Mahogany Inlaid Chiming Longcase Clock, circa 1890], the case with swan neck pediment and fluted columns, wavy shaped trunk door, rectangular plinth upon bracket feet, 17-inch arched silvered dial with engraved floral decoration, subsidiary seconds, the arch with Whittington/Westminster chimes and chime/silent, the massive three train movement with anchor escapement, eight hammers striking on nine tubular bells and a further one for the hour, backplate stamped "250", 272cm high
A Mahogany Eight Day Longcase Clock], the case with swan neck pediment, fluted pillars with corinthian capitals, wavy shape trunk door flanked by fluted inset pilasters, the plinth with raised panel upon bracket feet, 13-inch arched brass dial, dial centre with engraved decoration and subsidiary seconds, the arch with plaque inscribed "Ed Duncann, Newcastle", four pillar movement with anchor escapement and rack striking on a bell, later seatboard, dial and movement associated to the case, 240cm high
An Oak Thirty Hour Longcase Clock], the case with swan neck pediment, inlaid trunk door flanked by inset plain pilasters, inlaid rectangular plinth upon later feet, 11-inch square brass dial with chapter ring inscribed "Porthouse, Penrith", dial centre with engraved floral decoration and a cartouche inscribed "John & Eleanor, Ebdale", date aperture, four pillar movement with anchor escapement and outside countwheel striking on a bell, dial and movement associated to case, 214cm high
An Oak and Mahogany Eight Day Longcase Clock], the case with architectural breakarch pediment, wavy shaped mahogany crossbanded trunk door flanked by inset fluted pilasters, plain rectangular plinth upon bracket feet, 12-inch square brass dial with chapter ring signed "William Barnard, Newark", matted dial centre with date aperture and subsidiary seconds, later spandrels, four pillar movement with anchor escapement and inside countwheel striking on bell, dial and movement associated to case, 203cm high
An Oak Thirty Hour Longcase Clock, signed Coats, Wigan, circa 1770], the case hood with stepped pediment and gilded scroll decoration to the front, fluted pillars, wavy trunk door flanked by fluted inset pilasters, plinth with raised panel and later feet, 13-inch square brass dial with silvered chapter ring signed "Coats, Wigan", textured dial centre with subsidiary seconds and date aperture, four pillar movement with anchor escapement and outside countwheel striking on bell, 218cm high *Archibald Coates is recorded as working in Wigan between 1767-d.1797. See "Watchmakers & Clockmakers of the World", by G H Baillie, pg 62.
An Oak Eight Day Longcase Clock, signed Atkinson, Sheffield, circa 1740], the case with caddy hood, trunk door with glazed lenticle upon a plain rectangular plinth (slightly shortened), 12-inch square brass dial with chapter ring signed "Atkinson, Sheffield", dial centre with date aperture, subsidiary seconds and engraved floral decoration surrounding winding holes, four pillar movement with anchor escapement and rack striking on a bell, pendulum bob with presentation inscription dated "January 24th 1924", 218cm high
An Oak Thirty Hour Longcase Clock, signed Tho Talbott, Namptwich, circa 1715], case with later shaped pediment, twisted pillars and glazed side panels, rectangular trunk door with moulded edge and a lenticle, later rectangular plinth, 10-inch square brass dial with chapter ring signed "Tho Talbott, Namptwich", cherub spandrals, single hand, four pillar movement with anchor escapement and outside countwheel striking on a bell, 219cm high
A Mahogany Eight Day Longcase Clock, signed Thomas Watson, Blackburn, circa 1770], the case with swan neck pediment, wavy shaped door of good patination flanked by inset pilasters, the plinth with canted corners, raised quatre form panel upon shaped feet, 14-inch arched brass dial with Roman numerals, dial centre with subsidiary date dial and engraved crest, silvered arch signed "Thomas Watson, Blackburn", rolling moon disc for lunar scale with painted scenes, four pillar movement with anchor escapement and rack striking on bell, 230cm high *Thomas Watson, from Lancashire, is from a family of clock maker's and is recorded as working between 1770-95. See "Watchmakers & Clockmakers of the World" by G H Baillie.
A Mahogany Eight Day Longcase Clock, signed Cha Blanchard, London, circa 1760], the case with pagoda pediment, brass capped stop fluted pillars, break arch moulded trunk door with well figured wood flanked by inset fluted pilasters, plinth with moulded panel, 12-inch brass arched dial with silvered chapter ring, matted dial centre with subsidiary seconds, and a recessed silvered plaque signed "Cha Blanchard, London", the arch with subsidiary month dial and a sector date dial, five pillar movement with anchor escapement and rack striking on a bell, 237cm high *Charles Blanchard from London is recorded between b.1688-1768. See "Watchmakers & Clockmakers of the World", by G H Baillie, pg 29
An Impressive George III Musical Mahogany Longcase Clock, signed Paul Rimbault, London, circa 1780], the case with swan neck pediment and finely pierced fret work, glazed side panels, the moulded trunk door flanked by inset with stop brass fluted pilasters, plinth with raised moulded panel flanked by stop brass fluted pilasters upon bracket feet, 12-inch arched dial with blue painted background, white painted chapter ring with inner date ring with corresponding central date hand, dial centre signed "Paul Rimbault, London", floral decoration, the top corners with subsidiary dials for Both/Both Strike/Chime Silent and music tune selections Minuet/Air/Hymn/Hymn/Alemand/March, the arch with automaton scene of "Adam and Eve" below the tree life and background painted landscape scene, the massive three train movement with anchor escapement, fifteen hammers striking on eight bells and striking a further bell for the hour, 245cm high
A Victorian Walnut Davenport], having a pierced three-quarter gallery over a leather-lined slope enclosing a bird's eye maple interior, on twist-turned supports, with a pen drawer and four short drawers to one side, on a shaped plinth with compressed ball feet and castors, 86cm by 72cm by 62cm
A Late 19th Century Carved Oak Settle], the back with spindled top rail over four panels carved in the Renaissance style, the rails and muntins also carved between scrolled cheeks and leather padded arms with terminals carved as hunting dogs, the seat covered with antique close-nail painted leather over three carved drawers to the base, on a moulded plinth and bracket feet, 197cm wide
A Regency White-Painted Standing Corner Cupboard], with a moulded cornice over a moulded frieze and two multi-panelled doors enclosing a green-painted interior with shaped shelves, the base having two panelled doors, between moulded stiles with paterae to the top corners, on a plinth, 215cm by 125cm by 50cm
A Regency Rosewood and Faux Painted Regency Games Table], the rectangular top inlaid with chess board in satinwood and coromandel within a brass string frame, upon a knopped and writhen turned stem from a concave sided triangular plinth with gilt metal foliate whorl mounts and compressed sphere feet, 72cm by 45.5cm
An Edwardian Mahogany, Satinwood-Banded and Inlaid Bedroom Suite], comprising a large wardrobe, with a moulded cornice and inlaid fluted frieze over a central mirrored full-length door, flanked on each side by half-length bowed doors over three short drawers, on a plinth 211cm by 215cm by 70cm; a dressing table, with oval mirror flanked by jewellery drawers over seven drawers about the kneehole, on square tapered legs with spade feet, 190cm by 138cm by 66cm; two single beds, with arched inlaid head and footboards, wooden rails, sprung bases and 3 foot mattress
An Early Victorian Rosewood and Amboyna Side Cabinet], the raised mirrored back topped by a shelf and pierced brass gallery flanked by voluted brackets, the rectangular top over two clear-glazed doors enclosing shelves, flanked on each side by doors with arched fret-sawn panels, all between engaged pillars with lotus-leaf shafts and swelling bases, on a plinth, 136cm by 183cm by 44cm
A Regency Rosewood Chiffonier], the raised mirror back with a brass galleried shelf supported on reeded and lotus carved pillars, the base with a carved edge beneath the top over two brass grille doors back with pleated silk, between pilasters with lotus capitals, on a plinth, 132cm by 153cm by 41cm
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![Sir Jacob Epstein (1880-1959): A Bronze Head of Boy], 25cm high, on a canted rectangular polished black slate plinth, 33cm](http://lot-images.atgmedia.com/SR/10041/2349218/1416-25-10041_468x382.jpg)
![Sir Jacob Epstein (1880-1959): A Bronze Portrait Head from First Portrait of Delores (La) Bohemienne] Signed "Epstein", 31](http://lot-images.atgmedia.com/SR/10041/2349218/1417-25-10041_468x382.jpg)
![Tom Merrifield (1932-), Australian: Dame Alicia Markova], signed and "A/C", also titled on the plinth, 38cm high](http://lot-images.atgmedia.com/SR/10041/2349218/1418-25-10041_468x382.jpg)
![Annette Rowdon: A Bronze Bust of Sir Robert Mayer], initialled and dated 1982, 32cm high, on a polished green marble cylin](http://lot-images.atgmedia.com/SR/10041/2349218/1419-25-10041_468x382.jpg)
![A Brass Skeleton Timepiece with Passing Strike, circa 1880], 6 1/4-inch silvered chapter ring, single fusee movement with](http://lot-images.atgmedia.com/SR/10041/2349218/1547-25-10041_468x382.jpg)
![A Walnut and Ebonised Quarter Striking Wall Clock, circa 1890], the case with carved pediment and a central shell motif, fl](http://lot-images.atgmedia.com/SR/10041/2349218/1562-25-10041_468x382.jpg)
![A Rosewood and Brass Inlaid Bracket Clock, signed Webster, London, circa 1830], the brass inlaid case with a drum shaped top](http://lot-images.atgmedia.com/SR/10041/2349218/1568-25-10041_468x382.jpg)
![An Oak Eight-Day Longcase Clock, signed Jno Bower, Kerrymuir, circa 1800], the case with swan neck pediment, shaped trunk d](http://lot-images.atgmedia.com/SR/10041/2349218/1571-25-10041_468x382.jpg)
![An Impressive Mahogany Inlaid Chiming Longcase Clock, circa 1890], the case with swan neck pediment and fluted columns, wa](http://lot-images.atgmedia.com/SR/10041/2349218/1573-25-10041_468x382.jpg)
![A Mahogany Eight Day Longcase Clock], the case with swan neck pediment, fluted pillars with corinthian capitals, wavy shape](http://lot-images.atgmedia.com/SR/10041/2349218/1574-25-10041_468x382.jpg)
![An Oak Thirty Hour Longcase Clock, signed Coats, Wigan, circa 1770], the case hood with stepped pediment and gilded scroll](http://lot-images.atgmedia.com/SR/10041/2349218/1579-25-10041_468x382.jpg)
![An Oak Eight Day Longcase Clock, signed Atkinson, Sheffield, circa 1740], the case with caddy hood, trunk door with glazed](http://lot-images.atgmedia.com/SR/10041/2349218/1580-25-10041_468x382.jpg)
![An Oak Thirty Hour Longcase Clock, signed Tho Talbott, Namptwich, circa 1715], case with later shaped pediment, twisted pil](http://lot-images.atgmedia.com/SR/10041/2349218/1581-25-10041_468x382.jpg)
![A Mahogany Eight Day Longcase Clock, signed Thomas Watson, Blackburn, circa 1770], the case with swan neck pediment, wavy s](http://lot-images.atgmedia.com/SR/10041/2349218/1582-25-10041_468x382.jpg)
![A Mahogany Eight Day Longcase Clock, signed Cha Blanchard, London, circa 1760], the case with pagoda pediment, brass capped](http://lot-images.atgmedia.com/SR/10041/2349218/1583-25-10041_468x382.jpg)
![An Impressive George III Musical Mahogany Longcase Clock, signed Paul Rimbault, London, circa 1780], the case with swan nec](http://lot-images.atgmedia.com/SR/10041/2349218/1584-25-10041_468x382.jpg)
![A Carved Mahogany Aneroid Barometer, signed Jas White, Optician, Glasgow, circa 1880], the case with carved decoration and](http://lot-images.atgmedia.com/SR/10041/2349218/1585-25-10041_468x382.jpg)
![An Oak Carved Stick Barometer, signed Negretti & Zambra, London, circa 1860], the carved case with stepped pediment upon sc](http://lot-images.atgmedia.com/SR/10041/2349218/1591-25-10041_468x382.jpg)
![A Late 19th Century Carved Oak Settle], the back with spindled top rail over four panels carved in the Renaissance style, t](http://lot-images.atgmedia.com/SR/10041/2349218/1654-25-10041_468x382.jpg)
![A Regency White-Painted Standing Corner Cupboard], with a moulded cornice over a moulded frieze and two multi-panelled door](http://lot-images.atgmedia.com/SR/10041/2349218/1822-25-10041_468x382.jpg)
![An Early Victorian Mahogany Bookcase], the moulded cornice over four glazed doors enclosing adjustable shelves, between sun](http://lot-images.atgmedia.com/SR/10041/2349218/1833-25-10041_468x382.jpg)
![An Edwardian Mahogany, Satinwood-Banded and Inlaid Bedroom Suite], comprising a large wardrobe, with a moulded cornice and](http://lot-images.atgmedia.com/SR/10041/2349218/1895-25-10041_468x382.jpg)
![An Early Victorian Rosewood and Amboyna Side Cabinet], the raised mirrored back topped by a shelf and pierced brass gallery](http://lot-images.atgmedia.com/SR/10041/2349218/1909-25-10041_468x382.jpg)
![A Regency Rosewood Chiffonier], the raised mirror back with a brass galleried shelf supported on reeded and lotus carved pi](http://lot-images.atgmedia.com/SR/10041/2349218/1917-25-10041_468x382.jpg)