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A LATE GEORGE III MAHOGANY TWIN PEDESTAL WRITING DESK, the rectangular top with rounded corners and a central rising writing surface, above three frieze drawers with brass drop handles and Brahma locks on two pedestals of three further graduated short drawers on plinth bases, with dummy drawers to the other side, 51" wide.
A CONTINENTAL INLAID COFFER, the rectangular raised top with all over carved and inlaid decoration, the interior of the lid similarly decorated with birds, the front with carving within geometric borders, on plinth base, probably 16th century, 26" wide. See illustration and inside back cover
A VICTORIAN MAHOGANY ESTATE CABINET, the upper section with a fall front writing surface enclosing a fitted interior with pigeonholes, surrounded by six panelled cupboards, the base with a sliding writing surface to one side and two pedestals of four short graduated drawers on plinth bases, 50" wide.
AN EARLY 19TH CENTURY FIGURED MAHOGANY AND BRASS INLAID BRACKET CLOCK BY J BLAKEBOROUGH OF KEIGHLEY, having a circular enamelled dial painted with Roman numerals and signed, later 8 day timepiece movement; the case of angular arched outline with later turned finial, brass inlaid scrolls, brass ring carrying handles and pierced side grills, quarter beaded moulding to the plinth base, on bun feet, 48cms high
A 19TH CENTURY STYLE FRENCH GILT METAL PINK MARBLE CLOCK GARNITURE, of eight day movement, striking on a bell, the dial with Arabic numerals and painted with floral swags, the drum shaped movement supported on four pillars and with vase surmount on shaped plinth, together with a pair of two-light candelabra, 40cms and 34cms respectively
William Bowtell, London, a mahogany longcase clock, the hood with swan neck pediment and later gilt eagle finial and reeded columns, the break arch 12inch dial signed to a boss in the arch, mask spandrels, silvered chapter ring and seconds dial, date aperture, with 8 day four pillar movement, the trunk with rectangular door raised on a figured plinth and bracket feet (movement and dial early 18th century, the case later) 225cm high
A walnut marquetry and adapted longcase clock, the 12inch dial signed to the arch 'Ricd Daking Halstead', with seconds dial and date aperture, Rococo scroll spandrels and engraved centre, with 8 day five pillar movement, within an earlier adapted marquetry case circa 1700 having extended painted arch to the hood, lenticle to the trunk door within three floral panels, the plinth with replaced striking and reduced backboard, 227cm high * This maker recorded by Britten as working c.1780
An early 19th Century mahogany longcase clock with brass dial, inscribed to the arch "Thomas Currie, Edinburgh", with roman numerals and subsidiary seconds and date dials, fitted eight day movement striking on a single bell, the hood with swan neck pediment above applied pen work panels, flanked by fluted corinthian brass-mounted pilasters, further pilasters to the trunk below, raised on a plinth base with later bracket feet.
A 19th Century mahogany bracket clock, the 7in. silvered dial with roman numerals, inscribed R.H. Halford & Son, London, fitted eight day movement striking on a gong, the ornate case surmounted by brass pineapple finial, decorated with inlaid brass banding, scrolls and star motifs, applied brass ring handles to the sides above brass trellis pattern panels, raised on a plinth base with brass bun feet, 11 1/2in. x 7in. x 20in. high. See illustration
A 19th Century mahogany bracket clock with 5 1/2in. white enamel dial decorated with roman numerals, fitted eight day French movement, the arched case surmounted by a brass carrying handle with brass-mounted corners, raised on a plinth base and bun feet, 10in. x 6 1/2in. x 14 1/2in. high. See illustration
An early 19th Century Scottish oak longcase clock, the painted dial inscribed "Geo. Blackie, Mussleburgh", decorated with painted flowers, subsidiary seconds dial and date aperture, fitted eight day movement striking on a bell, the case with swan neck pediment and reeded pilasters to the hood and trunk below, raised on a plinth base, 17in. x 82in. high.
An early 19th Century Scottish oak longcase clock with 12in. brass dial, roman numerals and subsidiary seconds dial and date aperture, a circular boss to the arch engraved "John Wadderston, Earlstoun", fitted eight day movement striking on a single bell, the hood with swan neck pediment decorated with foliate motifs, turned brass-mounted pilasters below, plain arch to panelled door to the trunk, raised on a plinth base with bracket feet, 17in. x 86in. high.
A Georgian style mahogany breakfront secretaire bookcase with a dentil cornice above two pairs of astragal doors enclosing adjustable shelves, the central dummy drawer fall-flap enclosing a fitted interior of pigeon holes, small drawers and a cupboard, flanked by four short drawers fitted brass ring handles, two pairs of fielded panelled doors under, raised on a plinth base, 62in. x 75in. high.
A George IV mahogany pedestal sideboard with scrolling back, flanked by two deep drawers and two short drawers to the frieze fitted brass ring handles and decorated with diagonally reeded panels and bead moulding, each pedestal with a convex panel door, raised on a plinth base and turned feet, 71in. x 43 1/2in. high.
A Regency period mahogany breakfront side cabinet, the plain frieze decorated with lyre-shaped brass motifs, the central pair of panel doors with honeysuckle pattern lock escutcheons, flanked by moulded ormolu leaf pattern motifs, further leaf pattern motifs to the bottom of each pilaster, the two pairs of panelled doors with later centres and enclosing adjustable shelves, raised on a plinth base with turned feet, 58in. x 13 1/4in. x 38in. high. See illustration
An Indian brass figure of a nobleman wearing a square-shaped hat, with small semi-precious stone inlaid into his hand, raised on a circular base, 8in. high; together with a smaller female figure on square base, 5 1/2in. high; and an Indian brass deity with four arms sitting on a tiger, on rectangular plinth base, 3in. x 5in. high. (3)
A Mid 19th Century Lacquered Brass Monocular Compound Microscope, with rack and pinion coarse and fine focusing, mechanical sub-stage, convex mirror, on a flared U shaped base and shallow mahogany plinth, together with a bull's eye condenser, other accessories and additional lenses, in a mahogany fitted case, the base set with a drawer containing glass slides. **Believed to be a Society of Arts Prize Model by R Field & Son.
A Large Victorian Figured Walnut Table Top Stereo Viewer by The Stereoscopic Co., 106 & 108 Regent Street, London, the twin eyepieces with rack and pinion focusing, turned knobs to the side operating the revolving drum made to house fifty card holders (containing some cards), the top half hinged and opening to reveal a mirror to the interior, all on a plinth base, 56.5cm high
A late 19th century gilt metal cased four glass mantel clock, the rounded rectangular top above circular dial set with white enamelled chapter ring set with Roman numerals, the movement by J. Marti of Paris above visible mercury pendulum and raised on a plinth base, 25 x 15 x 12 cm (ILLUSTRATED)
A late 19th century French gilt brass cased carriage clock with swing loop top handle above white enamelled dial set with Roman numerals and Arabic seconds divisions inscribed "T. Martin & Co., 151 Regent Street, London, Fabrique de Paris", the movement with repeat similarly inscribed and raised on a stepped plinth base, 15 cm high (together with original leather travelling case) (ILLUSTRATED)
A 19th century oak cased long case clock, the broken swan neck pediment above 12" painted dial inscribed "William Halford, Northleach", with 30 hour movement, the short door centred with a conch shell inlay and flanked by fluted side pilasters above a mahogany cross banded plinth base, 200 cm high
A George III mahogany long case clock, the caddy top above arched dial set with strike/silent ring above silvered chapter ring set with Roman numerals and Arabic seconds division, inscribed "James Michell, London", above date aperture, flanked by brass stop fluted turned pilasters, the long arched door flanked by brass stop fluted quarter pilasters to a plinth base, 246 cm high
An early 19th century mahogany long case clock, the arched hood with carved Gothic detailing above a 14" circular silvered dial set with Roman numerals and subsidiary seconds hands inscribed "Jas Truscott, 7 Pier, STt, Aberystwyth", with eight day movement, the case with short arched door (missing) above a deep cross banded plinth base, 230 cm high
An oak cupboard in the Gothic revival taste, the castellated cornice with carved finials above four Gothic arch decorated doors enclosing adjustable shelving with key escutcheons of lion mask form, over a recess, the base with brushing slide over three frieze drawers and four further Gothic arch decorated cupboard doors on a plinth base, 169.5 cm wide x 260 cm high (ILLUSTRATED)
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173487 item(s)/page