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Lot 185

A George III and later oak eight day longcase clock, the 12 inch arched brass dial with centred subsidiary seconds dial and date dial within an inner ring of Roman numerals and outer ring of Arabic numerals, signed to a silver disk to the arch 'Mich Wild, Doncaster', the later carved oak case with swan-neck pediment over fluted front corner hood pilasters over a leaf and portrait carved long trunk door and leaf carved box base, raised on short bracket plinth, 217.5cm high

Lot 189

An early 18th century and later eight day longcase clock, the 12 inch square brass dial signed 'Jos Kirk, Skegby', with centre subsidiary seconds dial and date aperture, within inner ring of Roman numerals, outer ring of Arabic numerals and pierced spandrels, the hood with square glazed hood door between turned front corner hood pilasters, over a figural later carved oak case, raised on a cut out skirting plinth, 194cm high

Lot 6

A West African Nigerian Yoruba painted equestrian figure on display plinth (some splits to side of head), 32cm high (excluding base)

Lot 395

A carved oak side cabinet with raised back below two drawers and two cupboard doors, supported on a plinth base. 92 cm wide

Lot 404

A mahogany Rose Brothers wardrobe with central glazed door flanked by two panelled doors, supported on a plinth base. 189 cm wide and 220 cm high

Lot 150

Bronze figure of a Classical lady on square plinth, height 12" and a similar bronze figure, (2).

Lot 279

A South German carved wood and ivory figure, man playing a pipe, on turned wood plinth, height 6.75".

Lot 49

A 1920s style figure of Cleopatra on alabaster plinth, height 11.25".

Lot 768

CONTEMPORARY GLASS OVAL DINING TABLE with oval top and an s-shaped plinth, 160cm long, 106cm wide

Lot 536

GEORGE III EBONISED BRACKET CLOCK maker William Baird, London circa 1801, the arched top surmounted by a brass handle, the body with two pierced brass side panels backed with red silk, glazed rear door, on square plinth with four brass bracket feet, with white painted dial, subsidiary strike/silent dial to the arch, twin train fusee movement, verge escapement, striking the hours on a bell, 46.5cm high

Lot 555

GEORGE III MAHOGANY CASED 8 DAY LONGCASE CLOCK by John Brand, Dumfries (fl. 1790-1814), the painted 13 inch arched gilt enamel dial with Roman numerals, Arabic numeral chapter ring showing seconds, subsidiary second and date dials to twelve and six respectively, 8 day movement chiming on a bell, the case with swan neck pediment, above an arched door flanked by columns, on a plinth with bracket feet, 221cms high

Lot 577

20TH CENTURY BAROGRAPH of typical rectangular form with plinth base, fitted with a single drawer opening to reveal original papers, the carved oak case with bevelled glass, 30cm high, 39.5cm long

Lot 122

A fine late Victorian mahogany longcase regulator H. and R. Millar, Edinburgh, late 19th century The substantial eight-day movement with bottle-shaped plates united by four massive double-screwed pillars, the train with Harrison's maintaining power, high pinion count, six-spoke wheel crossings throughout and Graham type deadbeat escapement with jewelled pallets regulated by mercury jar seconds pendulum suspended from an iron bracket fitted to the case backboard with fine beat adjustment to the crutch and amplitude scale applied to the backboard beneath the jar, the 12.5 inch circular silvered brass dial with subsidiary seconds and twenty-four hour Arabic numeral hour dials and signed H. & R. Millar, Edinburgh to centre within circumference with Arabic five minute annotations to outer track and canted silver bezel, the case with shallow triangular tympanum over circular dial aperture and canted angles to the full-width hood door, the trunk with convex throat moulding and rectangular bevel-glazed caddy moulded door flanked by further canted angles, on flame-figured plinth base with simple skirt, 197cm (77.5ins) high. The firm of H. and R. Millar are probably successors to the partnership of Robert Millar and Son who are recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as working in Edinburgh circa 1850. H. and R. Millar appear to have primarily supplied turret clocks including one now in the Royal Collection supplied for 'the Bothy' in 1902. The current lot is built to a high specification and features electrical contacts fitted to the frontplate which would have been opened and closed by a flag (or cam) formerly fitted to the seconds arbor. These electrical contacts would have allowed slave dials to be run from the current timepiece suggesting that it was originally intended as the 'master' timekeeper for a fairly large establishment. From this it may be appropriate to speculate that the current lot may have been the 'shop' regulator made by H. and R. Millar to test the timekeeping of turret and other clocks constructed in their own workshops.

Lot 123

A very rare mahogany electric longcase timepiece Unsigned but possibly by The Reason Manufacturing Company, Brighton, to a design by Murday, circa 1908 The four pillar movement enclosing solid minute wheel and crossed-out motionwork driven by a four-division stepped cam mounted behind the movement alternately pulled and shunted by a sprung two-arm armature connected to the long pendulum crutch suspended via independent pivot above the movement and incorporating electromagnetic coil Hipp-toggle switchgear at the base, the long steel-rod pendulum suspended from a substantial 'A' frame behind the movement and with iron bar supporting twin cylindrical brass bobs over a fixed electromagnetic two-part impulse coil at the base, the 12 by 13.75 inch rectangular brass dial with subsidiary seconds dial to the fine foliate scroll engraved centre within applied silvered Roman numeral chapter ring with Arabic five minutes to outer track, with scroll pierced steel hands and fine overlaid foliate scroll pierced and engraved decoration to upper and lower margins, the swan neck pedimented case with complex cornice mouldings over rectangular glazed hinged dial aperture and fielded panels to sides, the trunk with ogee moulded cornice over full-width rectangular glazed door inset with ogee fillet mouldings, on plinth base fronted with a fielded panel over a moulded skirt, 215cm (84.5ins) high. The design of the current lot can be compared to that of an electric pendulum mantel clock patented by Thomas John Murday in 1908 and manufactured by the Reason Manufacturing Company Limited, Brighton illustrated in Shenton, Alan and Rita THE PRICE GUIDE TO CLOCKS 1840-1940 on page 416 (figure 243). Another related mantel timepiece was sold at Sotheby's New York MASTERPIECES FROM THE TIME MUSEUM PART FOUR, VOLUME III on 14th October 2004 for $2,040. Such mantel timepieces are particularly rare as Murday soon went on to develop models using balance wheel regulation for which he obtained another patent in 1910. The current lot may be unique and is offered with file of correspondence which includes an old photograph of probably the same clock (or possibly an identical second example).

Lot 126

A George III mahogany longcase clock with unusual 'regulator' type dial layout J. Atkinson, Gateshead, Late 18th century The four pillar rack and bell striking movement with anchor escapement regulated by seconds period pendulum and fitted with an iron falseplate cast with SHAW & Co., the 12 inch wide dial with subsidiary seconds over Roman numeral hour dials and signed J. Atkinson, GATESHEAD to centre within outer minute ring annotated with Arabic numerals at the quarters, the angles with delicate raised gilt rococo scrolls onto a mid-blue ground beneath arch painted with an oval landscape view within conforming gilt surround and blue ground, the break-arch case with cavetto moulded cornice and brass stop-fluted columns flanking the hinged glazed dial aperture over break-arch flame figured trunk door and conforming plinth base with applied panel decoration and moulded double skirt, 223cm (88ins) high. Two makers with the surname Atkinson and the initial J. are recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Gateshead during the latter part of the 18th century; James who dates are noted as 1770-77 and Joseph who worked from circa 1775 until his death in 1804. It is probable that James and Joseph were brothers, the current clock is most likely to be by Joseph.

Lot 127

An unusual George III thirty-hour quarter-striking longcase clock The dial signed for Etherington, Driffield, late 18th century The plated movement comprising of two sections the first positioned to the left with three cylindrical steel pillars enclosing the going train opposing the second with conforming pillars enclosing the hour and ting-tang quarter striking trains incorporating quarter rack positioned on the frontplate and hour rack on the backplate, the centre with arched bridging piece at the top united by two further steel pillars and enclosing anchor escapement with inverted pallets regulated by seconds pendulum, the base with additional bracing, the 11.5 inch white painted break-arch dial of unusual layout with separate side-by-side arrangement of Roman numeral hour and Arabic five minute rings and bearing signature Etherington, Dryfield to centre, within circular line border and raised gilt rococo scroll painted spandrels to angles, the arch finely painted with landscape of figures before a cottage on a riverbank, in an oak case with dentil cornice and applied scrolls over break-arch glazed front door applied with three-quarter columns to angles, the trunk with concave throat over break-arch door, on plain plinth base with later tall skirt incorporating bracket feet (signature retouched), 216cm (85ins) high. John Etherington of Driffield is recorded in Loomes, Brian Watchmakers & Clockmakers of the World, Volume 2 as dying in 1790. The reason why the maker chose to produce such an unusual clock with regards to construction/layout of the movement and configuration of the dial appears to be a mystery.

Lot 162

A fine small George III mahogany domestic longcase regulator made for the Middle Eastern market George Prior with movement supplied by John Thwaites, London late 18th century The substantial eight-day centre-seconds movement with bottle-shaped plates united by six distinctive tapered baluster pillars and stamped T. THWAITES over indistinct number 1933 to frontplate, the train with Harrison's maintaining power, high pinion count, six-spoke wheel crossings throughout and Graham type deadbeat escapement with jewelled pallets regulated by wood-rod seconds pendulum with wide-jaw suspension, large brass-faced lenticular bob and calibrated rating nut, the 10 inch ogee-arch shaped brass dial with circular white enamel convex centre signed GEORGE PRIOR, LONDON within 'Turkish' numeral chapter ring and five minutes to outer track, with steel seconds hand and pierced brass hour and minute hands within applied engraved ogee-arch-shaped mask finely decorated with a pendant incense burner within crescent motif flanked by generous foliate scrolls to upper margin over conforming leafy sprays to lower spandrel areas, the case with ogee-arch shaped cavetto moulded cornice and conforming shaped frieze inset with fine scroll-pierced brass sound frets to front over glazed hood door flanked by fluted canted angles and with rectangular brass fishscale fret-backed glazed apertures to sides, the trunk with convex throat moulding over caddy-moulded ogee-arch flame figured veneered door, on plinth base with conforming raised panel to front and double skirt, 194cm (76.5ins) high. Provenance: The estate of a connoisseur collector of regional furniture, works of art and clocks. By repute acquired from a member of the diplomatic service who purchased it from a government department in Istanbul. Of George Prior relatively little is known other than he was born in 1732 and his working dates were 1762-1813. He was based at 31 Prescot Street, Goldman's Fields, London and was succeeded by his son Edward in 1814. John Thwaites was born in 1757 the son of Ainsworth Thwaites who was apprenticed in 1735 and worked from Rosoman Row, Clerkenwell, London 1751-80. Ainsworth was an accomplished maker who supplied the clock for the tower at the Horse Guards Parade, London. John Thwaites succeeded his father, presumably on the latter's death in 1780, before moving to Bowling Green Lane. He worked alone until 1817 when he took his wife s nephew, George Jeremiah Reed, into partnership. John Thwaites and the subsequent partnership were well known for supplying all forms of clocks and movements either wholesale for others to retail, or signed by themselves. The partnership continued under John Thwaite's leadership from several addresses in London until his death in 1842. George Prior predominantly specialised in the supply of clocks and watches to the Ottoman market trading through British merchants based in major Middle Eastern ports such as Istanbul. This lucrative market was built on the historic tradition of presenting clocks and watches to the Ottoman Court since the late 17th century. However, by the end of the 18th century, trade had expanded to the extent that George Prior could not satisfy demand for his products alone hence he collaborated with other makers in order to increase his supply. A natural choice of collaborator was John Thwaites who by the end of the 18th century had established himself as a fine maker willing to supply movements for retail by others. The movement of the current lot can be closely compared with that of a longcase regulator by John Thwaites sold at Christie's, King Street, Important Clocks and Marine Chronometers 13th December 2000, lot 65. Both timepieces share the same 'bottle-shaped' plates, distinctive tapered baluster pillars, wide jaw pendulum suspension, escapement and detailing to the wheelwork. Indeed the only significant difference between these two movements is in the positioning of the train between the plates which varies in order to allow the current lot to have centre seconds (versus standard regulator dial layout). Another example of the collaboration between John Thwaites and George Prior takes the form of an impressive musical table clock residing in the collection of The Victoria and Albert Museum (Museum number W.1:1, 2-1971). This table clock was bequeathed by Lady Lorraine in 1971 and features an almost identical circular enamel dial centre to the current lot, and is housed in a fine gilt brass mounted cream japanned case with cut glass spherical dome surmount and finials. A comparable longcase regulator also made for the Middle-Eastern market by Markwick Markham Borrell, London (with movement probably supplied by John Thwaites) was sold at Christies, King Street, London on the 23rd May 2010 (lot 38) for £23,750.

Lot 173

A fine Queen Anne green japanned eight-day longcase clock with moonphase Thomas Martin, London, early 18th century The five finned pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch brass break-arch dial with subsidiary seconds dial and shaped herringbone border engraved calendar aperture to the matted centre within applied Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and signed Tho. Martin, London to lower edge, with pierced steel hands and Indian mask and scroll cast spandrels to angles within herringbone engraved border, the arch centred with a penny moon aperture and pierced steel hand within applied ring calibrated for the lunar month flanked by dolphin cast mounts beneath a conforming herringbone border, the case with large giltwood urn finials to the tall ogee superstructure over wide break-arch pediment fronted by a deep foliate scroll pierced blind fret frieze above columns flanking the gilt foliate spray decorated hood door, the sides with rectangular glazed apertures and conforming quarter columns set against bargeboards to the rear, the trunk with floral trail decorated throat moulding over rectangular door decorated in raised polychrome and gilt with pagodas and figures within an oriental landscape centred with a brass-edged lenticle and bordered by further gilt foliate scroll borders, the sides painted with full-sized flowering branches and Ho-Ho birds, the conforming plinth base adorned with cranes before a garden pavilion to front and with moulded double skirt applied with squab feet, (unrestored, wear and losses to decoration), 255cm (100.5ins) high excluding top finial; 273cm (107ins) high overall. Thomas Martin (II) is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in around 1678 and apprenticed in May 1692 to Jeremiah Martin until 1699 (but not freed). He worked from Fleet Street, London and was the victim of the theft of a number of watches in September 1723; the culprits were subsequently apprehended and sentenced to transportation.

Lot 175

A rare thirty-hour longcase clock movement and dial Daniel Quare and Stephen Horseman, London, circa 1725 The single-handed posted countwheel bell striking movement with rectangular section corner uprights and anchor escapement regulated by seconds pendulum, the 11 inch square brass dial with engraved shaped signature cartouche inscribed Dan: Quare, & Ste: Horseman, London and numbered 231 to matted centre within applied Roman numeral chapter ring with stylised fleur-de-lys half hour markers, with pierced blued steel hand and female mask and scroll cast and pierced spandrels to angles, now in a late 18th century case with shallow ogee shaped caddy upstand, moulded cornice and foliate fretwork frieze over turned Doric columns flanking the crossbanded glazed hood door, the trunk with rectangular caddy-moulded crossbanded door above conforming plinth base with moulded skirt incorporating bracket feet with shaped apron between, 204cm (80.5ins) high. Daniel Quare is recorded on Loomes, Brian The Early CLOCKMAKERS of Great Britain as born in Somerset circa 1678, he was admitted as a Free Brother to the Clockmakers' Company in April 1671 and by 1683 was working from Exchange Alley, London. Quare was selected as a member of the Court of Assistants in 1698 later becoming Master in 1708. In 1709 he took his former apprentice, Stephen Horseman, into partnership which presumably lasted until Quare's death in 1724. Daniel Quare was a fine and inventive maker who supplied clocks and barometers to significant European royal and aristocratic clients as well as the court of William III. Daniel Quare is believed to have started numbering his clocks and barometers in around 1704 (see Garnier, Richard and Carter, Jonathan The Golden Age of English Horology - Masterpieces from The Tom Scott Collection page 308), this numbering sequence continued into Quare's partnership with Stephen Horseman with the last known clock in the sequence being number 299 - a walnut eight-day longcase clock which was sold in these rooms on Wednesday 20th February 2013, lot 152.

Lot 176

A Queen Anne oak eight-day longcase clock Abraham Pilson, Plymouth, early 18th century The five finned pillar inside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with ringed winding holes, subsidiary seconds dial and herringbone border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed Abra. Pilson, Plymouth to lower edge, with pierced blued steel hands and twin cherub and crown decorated scroll cast spandrels to angles, the case with shallow domed caddy surmount and deep ogee moulded cornice over slender integral three-quarter twist columns to the glazed hood door, the sides with rectangular windows and conforming quarter columns applied to bargeboards at the rear, the trunk with full-width door centred with a lenticle and applied with half round outline mouldings to form a rectangular panel, the plinth base with ogee top moulding over conforming panel to front and moulded skirt, 208cm (82ins) high. Provenance: The estate of a connoisseur collector of regional furniture, works of art and clocks. Abraham Pilson is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Plymouth circa 1700. The case of the current lot is noteworthy in that it appears to be a regional interpretation of the contemporary London style (probably made by a local joiner) which has generally survived in fine original condition.

Lot 177

A George II oak thirty-hour longcase clock Edward Bilbie, Chew Stoke, circa 1740 The two-handed posted countwheel bell striking movement with slender column-turned corner posts and anchor escapement regulated by seconds pendulum, the 11 inch square brass dial with calendar aperture and arched signature plate engraved Edw. Bilbie Chew Stoke to the bright-cut rosette decorated matted centre within applied Roman numeral chapter ring with stylised fleur-de-lys half hour markers and Arabic five minutes to outer track, with pierced blued steel hands and rococo scroll cast and pierced spandrels to angles, in a case with moulded cornice and plain frieze over integral three-quarter columns to the glazed hood door, the trunk with rectangular caddy-moulded door above plain plinth base with shallow moulded skirt and bracket feet, 188cm (74ins) high. Literature: The dial is illustrated in Moore, Rice and Hucker BILBIE and THE CHEW VALLEY CLOCKMAKERS on page 322. Edward Bilbie is recorded in Moore, A.J THE CLOCKMAKERS OF SOMERSET 1650-1900 (Appendix vii) as born 1666 and probably working from circa 1695 as he is thought to have learnt the clockmaking trade from Edward Webb who died in 1694; by 1698 he had certainly become established in Chew Stoke as a bellfounder. Edward Bilbie had two sons, Edward II (born 1694) who assisted his father but unfortunately died within six months of his father in 1725, and Thomas (born 1702) who inherited his father's business in 1725 and worked until 1768. Edward II had a son who he also named Edward (III - born circa 1715), who is thought to have been brought up by his uncle Thomas, and worked alongside him until around 1768.

Lot 188

A William III scumbled pine thirty-hour longcase clock Jeremiah Johnson, London, circa 1695 The four finned pillar two-handed outside countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 11 inch square brass dial with matted centre within applied Roman numeral chapter ring with stylised sword hilt half hour markers, Arabic five minutes to outer track and signed Jere. Johnson, in Exchange Alley to lower margin, the angles applied with winged cherub mask and foliate scroll cast and pierced spandrels, the painted pine case with moulded cornice and foliate-pierced blind fret to frieze over columns flanking the glazed hood dial aperture, the sides with rectangular windows and conforming quarter columns applied at the rear, over trunk with convex throat moulding and 40 inch rectangular door centred with a lenticle and applied with half-round edge mouldings above plinth base with later skirt, 193cm (76ins) high. Jeremiah Johnson is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born circa 1646 and apprenticed to Nicholas Payne in 1660 before being passed onto Abraham Beckner and then Ahasuerus Fromanteel (II) finally gaining his freedom of the Clockmakers' Company in 1668. He lived in St. Margaret's, Lothbury and took many apprentices including his son of the same name in 1697. From around 1707 Johnson received charitable payments from the Clockmakers' Company which were maintained until his death in late 1709. The current lot was probably made for ºckstairs' use in a wealthy household. The case echoes the proportions seen on high-status walnut or marquetry cases of the period and was probably originally painted to resemble walnut.

Lot 189

A Queen Anne ebonised longcase clock of one month duration Andrew Dunlop, London, early 18th century The five finned pillar high-position internal countwheel bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with ringed winding holes, recessed silvered subsidiary seconds ring and foliate-border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and signed And'r Dunlop, London to lower margin, with foliate pierced blued steel hands and unusual winged cherub head and drapery lambrequin decorated foliate cast spandrels to angles, in an ebonised case with moulded cornice over integral three-quarter columns to the glazed hood door, the sides with rectangular windows and quarter columns applied to bargeboards at the rear, the trunk with rectangular door bordered with half-round mouldings and centred with a circular brass lenticle, on plain plinth base now applied with a moulded skirt and standing on bracket feet, 219cm (86ins) high. Andrew Dunlop is recorded in Loomes Clockmakers of Britain 1286-1700 as working in Aberdeen until around 1700 before moving to London where he worked from Spread Eagle Court, Grey's Inn. He joined the Clockmakers' Company in 1701 and took in Thomas Hague as an apprentice in 1719 followed by his son, Conyers, in 1725. He is thought to have died in 1732 and was succeeded by his son. The work of Andrew Dunlop is described in Maxwell-Irving, A.M.T ANDREW DUNLOP, C.C. 1701-32 (see ANTIQUARIAN HOROLOGY Vol. XV, No. 1 pages 36-46) where particular focus is given to his watches which are described as being of the 'finest quality'. A fine silver mounted ebony grande sonnerie striking table clock made by Andrew Dunlop for Daniel Delander was sold in these rooms on Tuesday 17th March 2015 lot 82 for a hammer price of £20,000.

Lot 190

A William III walnut and floral marquetry eight-day longcase clock Christopher Gould, London, circa 1695 and later The five finned pillar inside-rack and bell striking movement with anchor escapement regulated by seconds pendulum and 11 inch square brass dial with ringed winding holes, subsidiary seconds dial and scroll border engraved calendar aperture to the rosette decorated matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers and Arabic five minutes to outer track, with fine pierced blued steel hands and winged cherub head and leafy scroll cast spandrels to angles within a fine scrolling foliate engraved border interrupted with signature Chr: Gould Londini fecit to lower margin, in a case with ogee moulded cornice and blind foliate fretwork frieze above floral trial inlaid hood door applied with spiral twist turned three-quarter columns to angles, the trunk with conforming leafy trail decorated convex throat above 42 inch door centred with a lenticle and decorated with three shaped marquetry bird and angel figure inhabited flowering foliage panels into an ebonised ground within a figured walnut field, the surround with stylised leaf decoration above conforming panel outline plinth base with compressed bun feet, (case with faults), 206cm (81ins) high. Provenance: The property of a private collector, purchased from Phillips Fine Art Auctioneers sale of Clocks and Watches including Scientific Instruments and Barometers London, 8th December 1998, lot 177 for £12,000. Christopher Gould is generally regarded as one of the leading makers from the 'Golden Period' of English clockmaking. He gained his freedom of the Clockmakers' Company in 1682 but by 1713 had become destitute and received charity from the Company until his death in 1718. Christopher Gould's work invariably demonstrates a level of quality and elaboration that could only be afforded by the most wealthy of patrons, with the movement and dial of the current lot being no exception with well thought-out internal rack striking mechanism and fine engraved detail around the spandrels - a feature often only found on Gould's best work.

Lot 193

A fine Queen Anne ebonised eight-day longcase clock Richard Street, London, circa 1705 The substantial five fully latched and crisply turned finned pillar inside rack and bell striking movement with anchor escapement, unusually long crutch and 12 inch square brass dial with subsidiary seconds dial and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with cruciform half hour markers, Arabic five minutes to outer track and signed Rich. Street, London to lower edge, with delicate pierced steel hands and rare gilt twin cherub and female cast spandrels to angles, the ebonised case with gilt ball and spire finials to the domed caddy surmounted fine foliate fretwork fronted box upstand above moulded cornice and further conforming foliate pierced fret to frieze, generous three-quarter columns with gilt caps and bases to glazed hood door, the sides with rectangular windows and rear quarter columns each set against bargeboard rising up to the underside of the cornice projection, the trunk with convex throat above 42 inch rectangular door pasted with rare original paper Equation of Time table with printed repeat signature Sold By RICH STREET Clockmaker at ye Dial & Two Crowns over againft St. Dunftans Church in Fleet-Street LONDON, on plain plinth base with two-tier moulded skirt, 234cm (92ins) high excluding finials, 244cm (96ins) high overall. Richard Street is an important but relatively enigmatic maker who is recorded in Baillie G.H. Watchmakers & Clockmakers of the World as gaining his freedom of the Clockmakers' Company in 1687, made Assistant in 1713 and appointed Warden 1716. He was a fine maker who had close working connections with Thomas Tompion for whom it is thought he made repeating watch movements (see Evans, Jeremy THOMAS TOMPION at the Dial and Three Crowns page 114). Street is perhaps best known for his commission by Sir Isaac Newton to supply a monumental month duration longcase clock for presentation to Dr. Bentley for the Observatory at Trinity College Cambridge in 1708; he also, alongside William Wright, took over the maintenance of the turret clock at St. Pauls Cathedral from Langley Bradley in 1716. A year going clock in an Arabesque marquetry case by Street also survives in the Collection of the National Trust at Melford Hall, Suffolk. The current lot is very rare in that the original paper Equation of Time table survives almost entirely intact pasted to the inside of the trunk door. A less complete but otherwise identical table is illustrated Robinson, Tom THE LONGCASE CLOCK on page 170 (fig. 8/16) where it is noted that the design is the same as those produced by Tompion at this time. The complete nature of the example supplied with the current lot allows all the text to be made out, including the name of the engraver. Above the table; A Table, OF THE, Equation of Days, SHEWING, How much a good, Pendulum Watch Ought to be faster, or slower than a, True Sun Dial, Every Day in ye Year. Sold By RICH STREET Clockmaker at ye Dial & Two Crowns over againft St. Dunftans Church in Fleet-Street LONDON. Below the table; Let the Watch so much Faster or Slower than ye Time by the, Sun according to the Table for the Day of the Month when you, set it and if the Watch go true the Difference of it from ye Sun, any Day afterward will be the same with the Table. I Sturt Sculp. Tompion's influence/connection with Richard Street becomes even more apparent when the rest of the current lot is examined. The fully latched movement is very well made with exceptional pillars and large plates measuring almost 8 by 6 inches. The use of inside rack and the delicate functionality of the wheelwork echoes Tompion's exacting standards however Street has detailed the movement in such a way as to give it his own identity. The dial is clean and refined in its design and utilises a rare pattern of spandrel which is generally only found on the finest of twelve inch dials from this period. The proportions and external detailing of the case is almost indistinguishable from those supplied to Tompion and again is very well made.

Lot 194

A rare William and Mary scumbled pine thirty-hour longcase clock John Drew, London, circa 1690 The single-handed posted countwheel bell striking movement with rectangular section corner uprights and anchor escapement regulated by seconds pendulum, the 10 inch square brass dial with pierced iron hand and concentric ring of turned buttons to the matted centre within applied Roman numeral chapter ring with stylised sword-hilt half hour markers and signed John Drew, Londini Fecit to lower margin, the angles applied with winged cherub mask and scroll cast and pierced spandrels with foliate engraved infill between the painted pine case with moulded cornice and brass foliate-pierced repousse frieze over solomonic turned Doric columns flanking the glazed hood dial aperture, the sides with rectangular windows and conforming quarter columns applied to bargeboards at the rear, over trunk with convex throat moulding and 43 inch rectangular door centred with an oval lenticle and applied with half-round edge mouldings above plinth base with moulded double-skirt (formerly with alarm), 203cm (80ins) high. John Drew is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born circa 1663 and apprenticed to Joseph Knibb in 1676 gaining his freedom of the Clockmakers' Company in 1684. He lived in Johnson's Court, St. Dunstan's Parish and took many apprentices including Isaac Lowndes in 1699/1700. In 1712 Drew was appointed Beadle to the Clockmakers' Company (a position normally reserved to destitute clockmakers) and received charity in July 1713 but died the following month. His widow, Eleanor (nee Ferentine), continued to receive Charity from the Company until her death in 1715. The current lot is a rare survivor being a clock probably made for ºckstairs' use in a wealthy household with the original provision of an alarm serving to alert the staff. The case echoes the fine proportions and architectural detailing seen on high-status walnut or marquetry cases of the period and may have probably originally had an ebonised finish which has subsequently been over painted with a 'scumbled' finish.

Lot 203

A fine William III walnut and floral marquetry eight-day longcase clock Jasper Taylor, London, circa 1700 The five finned pillar outside countwheel bell striking movement with anchor escapement regulated by seconds pendulum and 12 inch square brass dial with ringed winding holes, subsidiary seconds dial and scroll border engraved calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with stylised sword hilt hour markers, Arabic five minutes to outer track and signed Jasper Taylor, in Grays Inn to lower margin, with fine pierced blued steel hands and twin cherub and crown leafy cast spandrels to angles the case with moulded cornice and plain frieze above floral trial inlaid hood door applied with three-quarter columns to angles, the sides with rectangular windows and quarter columns applied to bargeboards at the rear, the trunk with conforming leafy trail decorated concave throat above 42 inch door centred with a lenticle and decorated with marquetry bird and angel figure inhabited flowering foliage into an ebonised ground, the surround with stylised leaf decoration, the sides with two line-edged panels within crossbanded borders, on conforming panel outline marquetry fronted plinth base with shallow moulded skirt, 213cm (84ins) high. Jasper Taylor is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as born in 1671 to the clockmaker Thomas Taylor to whom he was subsequently apprenticed gaining his Freedom of The Clockmakers Company in 1695. He worked at Grays Inn, London and took many apprentices (including Thomas Fitter in 1699) with his last being George Freeman in 1711. The design of marquetry decoration to case of the current lot can be directly compared to that on a clock by Isaac Lowndes illustrated in Bruton, Eric The Wetherfield Collection of Clocks on page 170 (fig. 132). Please note: In order to clarify any doubt (possibly inferred by the catalogue description) we would like to state that we are of the firm opinion that the movement and dial are original to the case; in other words the movement and dial are not associated to the case.      

Lot 204

A fine Queen Anne ebonised longcase clock of six-week duration John Lowndes, London, circa 1705 The substantial five thickly turned finned pillar rack and bell striking movement with anchor escapement regulated by seconds pendulum, the 12 inch square brass dial with ringed winding holes, subsidiary seconds dial and calendar aperture to the matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and signed John Lowndes, London to lower edge, with pierced steel hands and gilt Indian mask and scroll cast spandrels to angles with foliate scroll infill between incorporating S/N strike selection lever at 12 o'clock, in an ebonised case with gilt ball finials to the ogee caddy surmounted fine foliate fretwork fronted box upstand above moulded cornice and further conforming foliate pierced fret to frieze, generous three-quarter columns with gilt caps and bases to glazed hood door, the sides with rectangular windows and rear quarter columns set against bargeboards, the trunk with convex throat above 42 inch rectangular trunk door centred with a brass lenticle, on plain plinth base with two-tier moulded skirt and brass squab feet, 262cm cm (103ins) high excluding finials, 270cm (106.5ins) high overall. John Lowndes is recorded in Loomes, Brian Clockmakers of Britain 1286-1700 as believed to have been born in Marthall, Cheshire in 1673. He was probably cousin to the clockmaking brothers Jonathan, Charles, Samuel and Isaac Lowndes. By the end of the first decade of the 18th century he was working in London, probably alongside his cousin, Jonathan, whose business he is believed to have inherited before passing it onto Thomas Smith in 1714 (when he returned to Chesire due to ill heath). The movement of the current lot is substantially framed and delicately trained as such is reminiscent of some of Tompions apprentice's work including Michael Knight. The case is also generously proportioned with confident detailing resulting in a clock which would grace the entrance hall of any Queen-Anne mansion.

Lot 43

A French gilt brass and patinated steel novelty 'quarterdeck' mantel clock Guilmet, Paris, late 19th century The eight-day gong striking movement with anchor escapement regulated by compound pendulum with upper crossed spring suspension for the figural bob and stamped GLT, BREVETTE, S.G.D.G. trademark over serial number 1313 to backplate, the circular gilt Roman numeral dial with steel spade hands and canted bezel set into the cabin elevation of the case modelled as the stern of a ship with upper poop deck applied with binnacle compass before a figure cast as a sailor at the helm rocking from side-to-side with the motion of the pendulum, with curved balustrading behind terminating with lantern posts to sides over lower deck accessed via a ladder to the left and with another figure of a mariner gathering rope from a coil to the right, on moulded gilt base applied onto black marble plinth with gilt block feet, 29cm (11.5ins) high; with green velvet lined ebonised wood stand, 34cm (13.5ins) high overall. Relatively little is known about Andre Romain Guilmet other than he specialised in producing highly fashionable mystery clocks and industrial timepieces during the last quarter of the 19th century. Another example to this design by Guilmet is illustrated in Roberts, Derek Mystery Novelty and Fantasy Clocks on page 225 (figs. 22-2 a-d).

Lot 44

A German gilt metal mounted walnut 'swinging cherub' mantel timepiece Lenzkirch, Germany, circa 1905 The small single train going barrel movement with inverted wheel train regulated by upside-down anchor escapement connected via a brass wire cranked armature to the back-and-forth swinging pendulum pivoted beneath the movement, the backplate stamped with Lenzkirch A.U.G., 1 Million trademark over serial number 13463, the silvered Arabic numeral dial decorated with a rosette to centre and with cartouche numerals within applied gilt bezel, the case of architectural form with concave-sided pediment surmounted by a vase finial and applied with foliate cast panel mount to front over ogee cornice and gilt stud decorated shaped panel around dial, the base with baluster-turned columns flanking recess enclosing the pendulum the with bob cast as a child on a swing fronting foliate gilt surround decorated back panel flanked by incised scroll-shaped side projections capped with gilt finials, on ogee- moulded plinth base with curved side sections and disc feet, 43cm (17ins) high. The Lenzkirch clock factory was founded in 1849 by clockmaker Eduard Hauser and organ maker Ignaz Schpperle who decided to make clock movements and parts of the highest quality using line production in order supply individual clockmakers for finishing and casing. Within a few years the factory was producing complete clocks, however towards the end of the century the business went into decline due to failure in keeping up with new production techniques. This resulted in the firm being sold to the Junghans brothers who continued it as an off-shoot until its final closure in 1932

Lot 45

A French alabaster and gilt metal novelty mantel clock with conical pendulum The movement by Samuel Marti, Paris, late 19th century The circular eight-day countwheel bell striking movement stamped with S. Marti et Cie, MEDALLE DE BRONZE roundel and serial number 4745, 4 6 to backplate, the dial with open centre revealing motionwork within white enamel Roman numeral chapter ring and with blued steel moon hands set within a gilt bezel and white alabaster shield-shaped housing with surmount cast as a standing putto holding aloft a silk suspended pendulum with star decorated blue spherical bob driven in a rotating conical motion by the movement via a rotating wire crank engaging with a pin at the base, the whole set on moulded shaped gilt-edged platform plinth applied with mounts cast as an easel flanking a lyre to sides, with musical trophy to centre and gilt disc-shaped feet, 37cm (14.5ins) high overall. This type of clock was made popular by Eugene Farcot (1830-96) who started producing such clocks in 1861, his output included some of monumental proportions most probably made for exhibition purposes (see Roberts, Derek Mystery, Novelty & Fantasy Clocks pages 123-130).

Lot 54

A French Empire ormolu small figural mantel timepiece Unsigned, early 19th century The circular eight-day movement with silk pendulum suspension and circular white enamel Roman numeral dial set within a rope twist engine-turned bezel, the case modelled as cupid riding in a chariot being drawn by a pair of poodles incorporating the timepiece as the wheel beneath foliate trail cast side panel and with lions mask terminal for the yoke, the oval plinth base applied with a rosette centred floral spray cast mount flanked by ribbon tied laurel wreaths, on engine-turned ball feet (unrestored, lacking pendulum, minute hand and one foot, chariot detached), 27cm (10.5ins) high.

Lot 55

A rare French Empire ormolu and patinated bronze small figural mantel timepiece 'au négre portefaix' incorporating musical mechanism to plinth The stand signed for Alibert, Paris, early 19th century, the timepiece movement later The later circular movement with gilt Arabic numeral dial and bevel-glazed bezel, in a case modelled as an African American male with glass eyes wearing a rimmed hat, jacket and pantaloons set in a walking pose carrying an envelope and using a cane in his left hand whilst transporting a tied cotton-bale housing the timepiece movement on his back, the rectangular plinth base inset with a panel cast in relief with three cherubs aboard a punt raised on four gilt engine-turned feet, the integral oval outline burr maple veneered stand cut with a groove to take a glass dome cover to top surface and with Swiss made musical mechanism playing a choice of two airs via a 2.5 inch pinned cylinder and a tuned steel comb to interior, the exterior with pull-wind cord to right hand side and mother of pear panel incorporating operating levers annotated Changer and Jouer flanking signature Alibert a Paris to lower margin, on four button-turned feet, the clock 26cm (10.25ins) high; the clock and base 32cm (12.5ins) high overall. Provenance: The estate of a connoisseur collector of regional furniture, works of art and clocks. The form of the current lot is based on a design registered by Jean-Andre Reiche in January 1808 (see Niehuser, Elke FRENCH BRONZE CLOCKS page 149).

Lot 56

A rare French Empire ormolu and patinated bronze figural mantel clock 'au négre portefaix' The movement signed for Stevenard, Boulogne, early 19th century The circular eight-day outside countwheel bell striking movement with anchor escapement, silk pendulum suspension and signed Stevenard a Boulogne over serial number 4775 to backplate, the circular engine-turned silvered brass dial inscribed with repeat signature STEVENARD A BOULOGNE in a downward curve between the winding holes within Roman numeral chapter ring and moulded gilt brass bezel, in a case modelled as an African American male wearing a rimmed hat, pantaloons and with a gourd suspended from his waist set in a walking pose using a cane in his left hand whilst carrying a tied cotton-bale housing the clock movement on his back, the oval patinated bronze plinth base decorated in relief with a monkey seated on a rope between two palm fronds flanked by pairs birds feeding from fruit-filled baskets, on four gilt domed feet (unrestored, pendulum lacking), 36cm (14.25ins) high. Provenance: The estate of a connoisseur collector of regional furniture, works of art and clocks. The design of the current lot was registered by Jean-Andre Reiche in January 1808 (see Niehuser, Elke FRENCH BRONZE CLOCKS page 149).

Lot 61

An impressive gilt brass mounted Parian porcelain mantel timepiece 'The Three Graces' The movement signed for Le Roy, Paris, late 19th century The circular eight-day movement with replaced platform lever escapement regulated by sprung bimetallic balance and stamped 6785 to backplate, the 2.5 inch circular convex white enamel Arabic numeral dial indistinctly signed LE ROY, A PARIS to centre and with scroll-pierced gilt hands within engine-turned hinged convex glazed bezel, the case modelled with a large two-handled urn with military trophies to the convex top section over repeating medallion decorated collar flanked by acanthus scroll handles with dial between, standing via fluted socle onto a circular moulding plinth decorated with a band scrolling foliage to waist, the foreground applied with three standing scantily clad Classical female figures draped with floral encrustations, the whole on rectangular plinth base inset with gilt brass frieze panels relief decorated with cherubs cavorting within billowing clouds to each side over cast cavetto moulded shallow skirt, (damage and losses to case), 66cm (26ins) high. The firm of 'Le Roy & Fils' can be traced back to 1785 when the business was founded by Basille Charles Le Roy at 60 Galerie de Pierre, Palais Royal, Paris. During the Revolutionary years the firm relocated to 88 Rue de L'Egalite before finally settling at Galerie Montpensier, 13 and 15 Palais Royal. In 1828 Basille Charles died leaving the business to his son, Charles-Louis, who continued producing clocks signed 'Le Roy & Fils' until 1845 when the firm was sold to his former employee Casimir Halley Desfontaines; who was in-turn succeeded by his son M. George Halley Desfontaines in 1883. In 1888 M. George Halley died leaving the business to his brother Jules Halley who then took-in as partner Louis Leroy (apparently no relation to the founders of the firm). In 1899 the firm left the Palais Royal and moved to Boulevard de La Madeleine from where it continued trading in the hands of various successors well into the twentieth century. The figural form of the current lot is based on an Imperial era Roman marble sculpture (after a Hellenistic original) housed in the in the collection of the Louvre, Paris.

Lot 63

An early Victorian small gilt and patinated brass four-glass mantel clock Jose Rodriguez Losada, London, circa 1840 The circular twin chain fusee movement with five column-turned pillars and horizontal platform English lever escapement incorporating sprung split bimetallic balance and silvered SLOW/FAST curved regulation scale to rear, the backplate with engraved signature J. R. Losada, 105 Regent St., London over vertically positioned hour bell, the silvered brass single sheet Roman numeral dial with heart-pierced blued steel hands over shaped double-line border engraved reserve enclosing repeat signature J. R. Losada, 105 Regent St., London, 6514, to lower margin, the bevel-glazed case with rectangular aperture to the cavetto moulded top over full width front door incorporating 3.75 inch wide complex ogee pointed arch glazed dial aperture with raised triangular profile surround to exterior and canted silvered brass fillet to interior, the sides with generous bevel-glazed panels, the rear with conforming panel set into ah hinged door with spring clasp, the two tier plinth base applied with band of cast patinated brass stylised acanthus foliage over cavetto moulded skirt fitted with compressed bun feet, 25.5cm (10ins) high. Jose Rodriguez Losada is recorded in Loomes, Brian Watchmakers & Clockmakers of the World as working in London 1839-75. Losada was a Spanish émigré who moved to London in 1835; he initially worked for James Moore French before setting up on his own specialising in complex precision clocks and marine chronometers for export to Spanish speaking countries. In 1864 he supplied 36 marine chronometers to the Spanish Government through the Royal Observatory at Cadiz. Losada died in 1875 leaving the business in the hands of his nephews José and Miguel Rodriguez who continued up until around 1890.

Lot 128

A London-decorated teacup and saucer c.1815-20, perhaps Nantgarw, finely painted with arrangements of large windswept flowers including tulip, auricula, rose and lilac in vases on a marbled plinth, within gilt and yellow flowerhead borders, the cup's exterior with further flower sprays, unmarked, some gilt wear, a small rim chip, 13.8cm. (2)

Lot 245

A Meissen figure of a Classical musician late 19th/early 20th century, standing and wearing a lilac tunic, holding two long gilded pipes or horns, a low square plinth behind, blue crossed swords mark, incised J46, a repair to the pipes, 15.5cm.

Lot 255

A large Derby figure of John Wilkes c.1765-70, standing and resting one hand on a square plinth, atop of which rests a scroll, draped in a long pink cloak over a gilt patterned waistcoat, a putto to his right, holding a phrygian cap on the end of a stick and supporting a book titled 'Lock [sic] on Gov't', raised on a scrolled base, minor damages, 31.5cm. Provenance: The Property of the late Anthony Hobson, The Glebe House, Whitsbury, Hampshire. John Wilkes (1725-1797) was an English politician and radical journalist whose criticism of the King in his magazine The North Briton earned him a warrant for his arrest for libel in 1763. Citing parliamentary privilege he was cleared of the charge and went on to become Lord Mayor of London in 1774.

Lot 566

A Victorian mahogany bedside cabinet with single panel door on plinth base

Lot 306

Marco de Caro (Italian, mid 18th century) A STILL LIFE OF FRUIT AND FLOWERS IN A BASKET, A PARROT ON A PLINTH AND A LANDSCAPE BEYONDSigned c.r., oil on canvas99 x 124cmThe Old Rectory, Edgcote.

Lot 31

A Staffordshire Cow Creamer, early 19th century, possibly Scottish, the cow flanked by a diminutive milkmaid, sponged magenta and black, on a raised plinth sponged green and white,12cmThe Starling Collection.

Lot 32

A Cow Creamer, c.1800, the cow flanked by a diminutive milkmaid on a flat plinth, in sponged ochre and black,14cm high, andanother Cow Creamer,c.1800, in Prattware ochre and brown on a flat plinth,12.5cm high (2)The Starling Collection.

Lot 33

A Cow Creamer and Cover, early 19th century, the cow named 'Chrysanthemum' and flanked by a diminutive milkmaid on a flat plinth, sponged ochre and black,14cm high (2)The Starling Collection.

Lot 420

A Regency rosewood bracket clock,of lancet shape with strung and inlaid decoration, striking on a gong, now with a marble plinth,35cm high

Lot 65

An Egyptian bronze figure of a seated cat, 4th century BC, probably 26th dynasty,with rich brown patination, mounted on a wooden plinth,15cm high Provenance:  With Arieh Klein Limited, Jerusalem, 1996. The Starling Collection.

Lot 663

A Victorian walnut credenza,with gilt bronze mounts, marquetry frieze, open shelves and a plinth base,295cm long45cm deep100cm high

Lot 101

An Italian marble bust of a lady,signed 'C Cipriani', on a tapering green marble plinth,49cm high

Lot 104

After Charles Ferville-Suan (1847-1925),'Le Secret', a bronze, signed 'Ferville-Suan', titled on the gilt plinth,79cm high, and a carved oak pedestal,92.5cm high (2)

Lot 1154

Yonge & Son, Strand, London: a Regency giltmetal and marble mantel timepiece, the gilt cylindrical body with brass roman dial and matted centre, leafy surround, supported on scrolls, signed to the backplate, the marble base with applied brass floral swag decoration and gilt brass feet, with associated glass dome and ebonised plinth on ball feet, height of clock 7 1/2in. (19cms). See illustration

Lot 1163

A pair of 19th Century composition stone sphinxes, by Austin & Seeley, each with ribbon tied hair and wearing scrolling saddle, on plinth bases, 49 x 17 1/2 x 36in. high. PROVENANCE The Sikes Family, Chauntry House, Newark. Then by marriage in 1862 to the Wallis family and thence by descent. NB A pair of sphinxes of matching design can be seen at the National Trust property Blinkling Hall, Norfolk. See illustration

Lot 1166

A pair of 19th Century cast lead garden urns, each decorated with a frieze of classical figures above wreath and floral decorated base, standing on composition plinth, 28 x 21in. (71 x 53cms) diameter. PROVENANCE The Sikes Family, Chauntry House, Newark. Then by marriage in 1862 to the Wallis family and thence by descent.

Lot 1169

An Arts & Crafts oak bureau, by Liberty & Co., with two bookshelves above fall flap enclosing pigeon holes, single long drawer under fitted shaped brass handles, alcove and single cupboard door below, raised on plinth base, 59 x 18 x 57 1/2in. high.

Lot 1180

A late 19th Century ebonised breakfront credenza, decorated with applied ormolu moulding, corbels, roundels and masks, the solid central panel door flanked by glazed panel doors surrounded with red boulle banding, raised on a plinth base and turned ormolu mounted feet, 77 x 18 x 45in. high.

Lot 1184

A pair of late Victorian stained softwood specimen cabinets, each fitted eight glazed top drawers with turned wooden handles raised on plinth base, 16 x 10 x 22in. high.

Lot 1188

A Victorian burr elm teapoy, the caddy top revealing paper lined interior, raised on turned support with lotiform collar above the quatrefoil plinth terminating in claw feet, 19 x 13 x 13 1/2in.

Lot 1211

A cast metal sundial on stone stand, the sundial inscribed "Ray Brown '83, on a square plinth fluted tapering stem with moulded base, stone part 42in. high.

Lot 1225

A Victorian mahogany bookcase, the flared cornice above a pair of glazed panelled doors enclosing shelves, two frieze drawers below above arched cupboard doors enclosing shelf and drawers with inset brass handles, flanked by carved corbels, raised on a plinth base, 45 x 20 x 65in. high.

Lot 1228

A late 19th Century Northern European green painted pine corner cabinet, the flared cornice above floral decorated panel cupboard door, flanked by two further panels, alcove below, another cupboard and smaller recess under, raised on a stepped plinth base, 33 x 22 x 74in. high.

Lot 1249

A 19th Century French figured walnut pedestal cabinet, decorated with stringing, banding and applied gilt brass beadwork and leaf designs, glazed sides and door panel enclosing adjustable shelves, raised on plinth base, 38x 18 x 54in. high.

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