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Lot 1

A Victorian figured mahogany breakfront wardrobe, the stepped pediment above a central mirrored door enclosing trays and drawers, flanked by arched panel doors, on a plinth base.

Lot 1

A late Victorian walnut twin pedestal desk with a green tooled leather writing surface above nine drawers on plinth bases.

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A modern pine chest fitted with two short and four long drawers on a plinth base, together with a chest fitted with six drawers on a plinth base.

Lot 1

A mid/late 20th Century walnut breakfront display cabinet, the moulded pediment above two lattice glazed doors flanked by cupboards, the base fitted with a slide above three drawers and cupboards, on a plinth base.

Lot 1

A modern pine dresser, the two-tier plate rack over three drawers and cupboards, resting on a plinth base, 135 cm wide.

Lot 1

A 19th Century marble bust of a lady, signed indistinctly 'Michelotti', raised on a plinth, approx. 53 cm high.

Lot 1

A 19TH CENTURY CONTINENTAL MAHOGANY BOOK CASE CABINET with carved crest and full length glazed and panel doors, standing on a plinth base, 46 1/2" x 75".

Lot 1

A 19TH CENTURY IRISH CIRCULAR MAHOGANY BREAKFAST TABLE with four frieze drawers, one of the drawers with ink bottle and pen holder and previously with fitted writing slide, supported on a baluster octagonal column and shaped plinth base with four turned feet and brass castors, 54" diameter (see illustration).

Lot 1

A VICTORIAN MAHOGANY POT CUPBOARD with single flame veneered panel door, plinth base and turned bun feet, 14 1/2" wide.

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A BRASS AND SILVER PLATED COPY OF THE WARRICK VASE standing on a slate plinth, 9 3/4" high (see illustration).

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A 19th Century pine Dresser with boarded canopied plate rack, above 3 frieze drawers with 3 cupboards under on a plinth. 6' 5" (196cms) wide.

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A large Victorian oak Library Bookcase, the upper section with stepped cornice fitted with adjustable shelving and enclosed by 4 clear glass doors, the base enclosed by 4 cupboard doors and raised on plinth. 7' 11" (242cms) wide x 9' 2" (280cms) high.

Lot 1

A pine Bookcase the upper section enclosed by pair of panelled doors with cupboards under on a plinth base. 3' 11" (120cms) wide.

Lot 1

An early Victorian mahogany Chiffonier, fitted 2 frieze drawers with arch panelled cupboards under on a plinth base, 4' 8" (143cms) wide (originally with bookcase).

Lot 1

A Victorian mahogany Chiffonier, the raised back with an open back above a serpentine fronted base with single drawer and cupboards under on a plinth base. 3' 6" (107cms) wide.

Lot 1

A Victorian grained and painted pine Dressing Chest with arched upright and mirror and 2 trinket drawers and 2 long and 2 short drawers under on plinth base. 2' 10" (86cms) wide.

Lot 1

BRITISH COMMEMORATIVE MEDALS, Great Britain, George III, George III, Golden Jubilee, Silver Medal, 1810, published by N Hyde, uniformed bust left in periwig, rev Britannia with three infants, who hold heart, the cloud-like plinth inscribed FROGMORE, 48mm (BHM 686). Brilliant, virtually mint state and in original metal protection shells. The reverse of the first was designed by Princess Elizabeth, Landgravine of Hesse-Homburg (1770-1840) and third daughter of George III

Lot 1

BRITISH COMMEMORATIVE MEDALS, Great Britain, George III, George III, Golden Jubilee, Copper Medal, 1810, published by N Hyde, uniformed bust left in periwig, rev Britannia with three infants, who hold heart, the cloud-like plinth inscribed FROGMORE, 48mm (BHM 686); The Celebrations for the Signing of the Peace of Paris, Copper Medal, 1814, bust of the Prince Regent left, rev inscription in wreath, 46mm (BHM 830). Extremely fine and nearly so. (2)

Lot 1

COMMEMORATIVE MEDALS, Denmark, Frederick V (1723-1746-1766), 300th Anniversary of the Incorporation of the House of Oldenburg with Denmark, large Silver Medal, 1749, by Magnus Gustavus Arbien, bust on a cenral plinth, within a hanging of the busts of the previous monarchs, HIS EGO NEC METAS …, rev legend in twenty-one lines, below small helm and trophies, 77mm (Galster 453). Very fine, the reverse showing some metal flaws.

Lot 1

COMMEMORATIVE MEDALS, France,Louis XVI, The King Abandons his Privileges, Copper Medal, 1789 by B Duvivier and [reverse] N M Gatteaux, bust of the King right, with ermine stolle, rev the King at plinth, hand raised, surrounded by members of the National Assembly, 63mm (BDM II, 211). A contemporary striking, very fine.

Lot 1

COMMEMORATIVE MEDALS, Germany, World War II, General Erwin Rommel (1891-1944) ‘The Desert Fox’, The North African Campaign, Base Metal Portrait Medal, 1941, by Karl Goetz, uniformed bust left wearing cap, rev camel stands by plinth, 60mm (Kienast 582). Extremely fine and rare.

Lot 1

Oriental carved wood figure, of a Buddha in a meditative stance on a tiered plinth, probably early 19th century, 60cm high

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Art Deco plated figure of a naked woman, modelled kneeling and holding a round dish, on a later stepped circular plinth, 21cm diameter

Lot 1

A Pine Chest, of two short and three graduated long drawers, on plinth base, 100 cm

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A Late Victorian Mahogany Chiffionere Base, with two frieze drawers above a pair of panelled doors, on plinth base, 107 cm

Lot 1

A George III Style Mahogany Cabinet, with two drawers, on a plinth base, a nest of three yew tables, the largest 52 cm, and a mahogany side table, with two frieze drawers on tapering square legs, 72 cm (3)

Lot 1

A Pair of Pine Bedside Cabinets, with three short drawers, on plinth base, 55 cm (2)

Lot 1

A Pine Chest, of two short and three graduated long drawers on a plinth base, 100 cm

Lot 1

A Spelter Sphinx, on wooden plinth, 25 cm

Lot 1

An Edwardian Mahogany Double Wardrobe, the twin panel doors with satinwood stringing, on plinth base, 130 cm

Lot 1

A pair of Paris double-handled Krater vases circa 1820-30 each decorated with a continuous landscape of figures and ruins near a lake, the handles and lower body of the vase gilt, set on a marbled plinth height: 35cm., 13 3/4in. two handles broken off and restuck (2)

Lot 1

a yew veneered gun cabinet, designed as a Wellington chest, on a plinth base, 144cm high, 59.5cm wide, 33cm deep

Lot 1

a cold painted matchbox holder, with a figure of a hunter standing beside his horse and a hound, mounted on a white marble plinth, 7cm high, 13cm long (see illustration on website)

Lot 1

a bronze model of a seated hound, late 19th century, the bitch with articulated lower jaw, dark brown-black patination, on a Sienna marble stepped plinth, unsigned, 43cm high overall provenance: from the home of a late gentleman of title, Worcestershire

Lot 1

A cricket ball signed by Darren Gough mounted to a wooden plinth together with one signed by Andrew Caddick. (2)

Lot 1

Italian, late 17th/ early 18th century Mercury gilt-bonze, on a later black stepped marble plinth, Caduceus lacking h.38cm. W

Lot 1

A gilt alarm clock, Zenith, early 20th century With back-wound lever movement and silvered Arabic numeral dial signed ZENITH and W.A. Perry & Co. Birmingham, in engine-turned drum shaped case with rectangular plinth base, 8cm high, in original leather-covered carrying case.

Lot 1

A French ebonised carriage timepiece, Unsigned, circa 1900 The eight-day movement with lever escapement regulated via a mono-metallic balance mounted on the backplate stamped V.A.P. BREVETE S.G.D.G. within an oval cartouche, with rectangular white enamel Roman numeral dial and gilt surround in rectangular ebonised case with brass carrying handle, on moulded plinth base, 19cm high including handle.

Lot 1

A French lacquered brass four-glass mantel clock, Unsigned, early 20th century The eight-day gong-striking movement with white enamel Roman numeral dial and engine-turned bezel in rectangular bevel glazed case with shallow cavetto cornice and caddy moulded angles, on plinth base, pendulum lacking, 25.5cm high.

Lot 1

A lacquered brass Atmos clock, Jaeger-Le Coultre, 1970s The single train movement with torsion escapement and wound via expansion and contraction of an aneroid vacuum vessel housed behind the movement, the square gilt on white baton numeral chapter ring signed JAEGER-LE COULTRE, ATMOS and with Arabic quarters, in five-glass case with removable panel to front and canted angles, on plinth base, 23.5cm high.

Lot 1

A French Louis Philippe ormolu figural mantel clock, Unsigned, mid 19th century With bell-striking movement and Roman numeral silvered dial, in case modelled as a rocky outcrop surmounted by a dog carrying a young boy towards a gabled doorway, with acanthus moulded apron on shallow plinth base with scroll feet, 40cm high.

Lot 1

A French inlaid rosewood portico mantel clock, Lequinial, mid 19th century The outside countwheel bell-striking movement with heavy grid-iron pendulum and engine-turned silvered Roman numeral dial indistinctly signed Lequinial... within a foliate cast gilt bezel, the case with foliate inlaid frieze to entablature above four conforming columns with gilt capitals and bases, on floral decorated stepped plinth base with disc feet, 51cm high.

Lot 1

A French belge noir marble drum-head mantel clock, Henry Marc, Paris, late 19th century The eight-day outside countwheel bell-striking movement stamped H.Y. MARC PARIS to backplate with similarly signed two-piece white enamel Roman numeral dial with visible brocot escapement to the recessed centre, in a fluted drum case with mottled red marble bezel flanked by supporting scrolls, on panel fronted plinth base with turned feet, 32cm high.

Lot 1

A French porcelain inset gilt metal mantel clock, Retailed by Manning, Worcester The eight-day countwheel bell-striking movement with Roman numeral cartouche porcelain dial with blue ground chapter ring and cherub painted centre signed MANNING WORCESTER, the spelter case with lovebird surmount above drum mounted on a rectangular plinth fronted by a porcelain lambrequin painted with a classical maiden flanked by foliate scroll cast putto terms, on floral panel fronted shaped base with lion paw and disc cast feet, the rear stamped P.H. MOUREY 69, 38cm high, on original giltwood stand.

Lot 1

A French marble mantel clock, Unsigned, late 19th century The eight-day gong-striking movement with white enamel Roman numeral circular dial in belge noir marble break-arch case with mottled red/beige marble mouldings and panel beneath dial, on plinth base with block feet, 33cm high.

Lot 1

A French gilt metal mounted belge noir marble mantel clock, Retailed by Sir John Bennett Ltd, London, late 19th century The eight-day gong-striking movement with gilt on black Roman numeral chapter ring and signed SIR JOHN BENNETT LTD 65 CHEAPSIDE, LONDON, PARIS MADE, the stepped-top rectangular case with applied rusticated gilt pilasters flanking dial, on moulded plinth base, 35cm high.

Lot 1

A brass skeleton clock, Unsigned, 20th century The six-pillar single fusee movement with anchor escapement set between scroll pierced waisted plates, with silvered Roman numeral cartouche chapter ring and on turned bell shaped feet, 43cm high, mounted on foliate scroll inlaid burr walnut plinth with brass ball feet.

Lot 1

A brass inlaid mahogany quarter chiming bracket clock, J.W. Benson, circa 1900 The four-pillar triple fusee trip repeating movement chiming the quarters on four gongs and striking the hour on a further gong, the 7 inch circular silvered Roman numeral dial signed J.W. BENSON LTD PARIS, in break-arch case with ball finial to the concave sided upstand above foliate scroll pierced arched frets to sides, the front with line inlaid shaped panel beneath dial flanked by reeded quarter pilasters, on line bordered plinth base with brass ball feet, 60cm high.

Lot 1

A Regency brass inlaid mahogany bracket clock, Thwaites and Reed, London, early 19th century The five-pillar twin fusee rack and bell striking movement with anchor escapement and trip repeat, signed Thwaites & Reed, Clerkenwell, LONDON to the foliate border engraved shaped backplate, with similarly signed cream 8 inch circular Roman numeral convex dial with strike/silent lever at 12 oclock, the break-arch top case with canted angles and lozenge scroll inlaid brass lined recessed panel beneath dial, the sides with cornucopia cast brass ring handles above arched fishscale frets, on plinth base with brass pad feet, 41cm high. The firm of Thwaites & Reed is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working from 1828.

Lot 1

A Victorian carved oak quarter chiming bracket clock, Reid & Sons, Newcastle-on-Tyne, late 19th century The substantial four-pillar triple fusee movement with anchor escapement, rise/fall regulation and chiming the quarters on eight bells or four gongs, striking the hour on a further gong, the 7 inch brass arch dial with matted centre, applied silvered Roman numeral chapter ring signed REID & SONS, NEWCASTLE-ON-TYNE, with foliate scroll cast spandrel applied angles and subsidiary chime/silent, slow/fast and chime selection dials to arch within conforming gilt mounts, the foliate carved case with grotesque mask centred dome top above caryatid applied front and foliate decorated fretwork panel inset sides, on moulded plinth base with block feet, 56cm high.

Lot 1

An oak and mahogany thirty-hour longcase clock, T.W. Cade, Northallerton, early 19th century The outside countwheel bell-striking movement with 13 inch cream painted Roman numeral dial with subsidiary seconds dial and signed T.W. CADE Northallerton to centre, the spandrels polychrome painted with church and cottage views and with equestrian huntsman and hounds to arch, the swan neck pedimented case with baluster turned pilasters to hood above inlaid shaped-top short trunk door flanked by rounded angles, on conforming plinth base with bracket feet, 224cm high.

Lot 1

An oak cased eight-day longcase clock, Thomas Kefford, Royston, circa 1750 The five-pillar rack and bell striking movement with 12 inch square brass dial with calendar aperture and subsidiary seconds dial to the foliate engraved matted centre within an applied Roman numeral chapter ring with fleur de lys half hour markers, Arabic five minutes and signed Thomas Kefford, ROYSTON to lower edge, the angles with bird and urn pattern spandrels, the case with domed caddy above blind fret frieze and integral pilasters to hood, rectangular trunk door and on reduced plinth base with bracket feet, 207cm high. Thomas Kefford is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Royston during the early 18th century.

Lot 1

A carved oak eight-day longcase clock, Jno Richards, Wisbech, 18th century The four-pillar rack-striking movement now sounding on a gong, with 12 inch square brass dial with calendar aperture, star centre engraved subsidiary seconds dial and silvered oval plaque signed Jno Richards Wisbech within an applied silvered Roman numeral chapter ring with Arabic five minutes and bird and urn cast spandrels to angles, the case with swan neck pediment above shaped-top trunk door and conforming plinth base, now carved with foliate designs throughout, on ogee bracket feet, 227cm high.

Lot 1

A mahogany crossbanded oak eight-day longcase clock, Blurton, Stourbridge, early 19th century The four-pillar rack and bell striking movement with 13 inch white painted Roman numeral dial with arched calendar aperture, subsidiary seconds dial and indistinctly signed Blurton, STOURBRIDGE to centre, with fruit painted spandrels and scene of a naval engagement to arch, the swan neck pedimented case with fluted pilasters to hood above short door flanked by quarter columns to trunk, on plinth base with later bracket feet, 235cm high. Probably John Blurton who is recorded in Loomes, Brian Watchmakers and Clockmakers of the World Volume 2 as working in Stourbridge 1828-50.

Lot 1

An oak eight-day longcase clock, Daniel Keddon, London, 18th century The five finned pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and subsidiary seconds dial to the matted centre within an applied silvered Roman numeral chapter ring with diamond half hour markers and Arabic five minutes with female mask and scroll cast spandrels to angles, the arch with boss signed Daniel Keddon, London between dolphin cast mounts, in a case with break-arch pediment and integral pilasters to hood, rectangular trunk door and plain plinth base, 202cm high.

Lot 1

A japanned eight-day longcase clock, 18th century and later The four-pillar rack and bell striking movement with 12 inch brass break-arch dial with subsidiary seconds dial and bearing silvered plaque inscribed John Worthington LONDON to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes and twin cherub and crown pattern spandrels to angles, with strike/silent dial between dolphin mounts to arch, now in a pagoda pedimented case with integral pilasters to hood and break-arch trunk door finely polychrome and gilt decorated with figures within pagoda terraces on a dark background within hatched and foliate trail borders, on conforming landscape panel decorated plinth base with double moulded skirt, case circa 1770, movement and dial 19th century, 232cm high.

Lot 1

A Scottish oak eight-day longcase clock, D. Morison, Aughtermughty, late 18th century The four-pillar rack and bell striking movement with 12 inch single-sheet Roman numeral brass break-arch dial with star centred subsidiary seconds dial and calendar aperture to the scroll engraved centre and with Arabic five minutes, the angles with further foliate scroll engraved decoration beneath signature D. Morison AUGHTERMUGHTY within leafy scrolls to arch, the case with moulded cornice and geometric blind fret infill above integral reeded pilasters to hood, break-arch trunk door, on plinth base with moulded skirt, 201cm high excluding later feet.

Lot 1

A mahogany crossbanded oak eight-day longcase clock, Brandreth Middlewich, circa 1780 The four-pillar rack-striking movement with 11 inch square brass dial with oval nameplate Brandreth Middlewich incorporating calendar aperture to the matted and lozenge hatched centre within an applied Roman numeral chapter ring with Arabic five minutes and foliate scroll cast spandrel applied angles, the case with moulded cornice and blind fret frieze above turned hood pilasters and rectangular trunk door, on raised panel fronted plinth base, 202cm high. Obadiah Brandreth is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working 1766-95.

Lot 1

A carved oak eight-day longcase clock, Part 18th century The nineteenth century four-pillar rack and bell striking movement with earlier 10 inch square brass dial bearing signature Charles King, Winston to the foliate scroll engraved centre within an applied silvered Roman numeral chapter ring and foliate scroll cast spandrels, the case with moulded caddy, blind fret frieze and turned pilasters to hood above rectangular trunk door and panel fronted plinth base, now carved with foliate designs throughout, 207cm high.

Lot 1

An inlaid oak eight-day longcase clock with moonphase Indistinctly signed, early 19th century The four-pillar rack and bell striking movement with WALKER & HUGHES falseplate, the 12 inch white painted Arabic numeral break-arch dial with subsidiary seconds dial and arched calendar aperture to centre, with polychrome and gilt floral painted spandrels and rolling moonphase to arch, the case with turned pilasters to hood above conch shell inlaid shaped-top trunk door, on raised panel fronted plinth base, hood reduced in height, 206cm high.

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