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Lot 3300
A late 19th century French mahogany hall table with frieze drawer above two further drawers flanked by freestanding turned columns above a concave moulded plinth base, width 64.25cm.Additional InformationSome wear to the top, a few surface scratches and slightly discoloured, a couple of chips to veneer throughout.
Lot 3400
An Art Deco walnut display cabinet of oval form, the single glazed door enclosing two fixed shelves, raised on plinth base, height 144cm, diameter 98cm, depth 35cm.Additional InformationThere is one glass shelf missing, the internal fixtures are a little bit loose, losses to the veneer throughout most notably in the central panel on the door, and around the outside, chips/losses to the corners. The piece is not lockable. Please note, the handle is a replacement and the internal lock has been removed. It is not lockable.
Lot 53
A large and impressive pair of late 19th century bronzed mixed-metal lamps modelled as Cavaliers, each set upon an oak leaf and acorn decorated integral circular plinth and mounted on impressive carved oak columns, unsigned, height of lamps 104cm, height of columns 110cm.Provenance: Private collection in North West.Additional InformationThe square section at the top of each plinth is 34 x 34cm. There are a few scuffs to the plinths, but nothing untoward. The figures themselves have some light rubbing to the raised parts, such as tips of boots, fingers, brims of hats. There is a little bit of pitting to each figure and some light surface wear, but overall an impressive, well modelled and good quality pair of lamps and plinths.
Lot 55
VANJA RADAUS (Croatian 1906-1975); a large bronze sculpture, 'Kosac (The Reaper)', male nude, raised on a rectangular marble plinth, cast by Fanjo Antolic, signed and dated 1934, and inscribed 'Ljevao-Antolic' height including base 88cm. (D)The vendor's great uncle, Professor Valecic, sent the bronze from Zagreb in 1977 to the vendor's father.We would like to thank Bozidar Pejkovic of the Augustincic Collection in Klanjec for his assistance with cataloguing this lot.Additional InformationThere are a few chips to the marble base. The bronze is in good original condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 59
BECKER; an Art Nouveau bronze figure of a girl clutching her doll, wearing a floral dress, raised on a rouge marble plinth base, impressed signature to body, height 12cm.Additional InformationThere is a large section/chip missing from the base. The figure has turned on the base, light scratches, scuffs and numerous further chips to the base.
Lot 60
JOHN FARNHAM; a contemporary bronze sculpture, signed and numbered 3/7 to rim, raised on ebonised plinth base, height 23cm. (D)Additional InformationMinor knocks and wear to the base. The sculpture is in good order.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 62
VIVIEN MALLOCK; a large contemporary limited edition bronze 'Toby', numbered 4/9, impressed signature to plinth base, height 48cm. (D)Additional InformationThere is minimal wear, but the piece is in good condition.This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 146
A RARE BRONZE FIGURE OF AN OFFICIALMid Ming DynastyWell cast standing on a slightly flared rectangular plinth raised on shaped supports, wearing long flowing robes adorned at the front with a quatrelobed cartouche enclosing floral decoration, holding in his right hand a belt above his slightly rotund belly, his neck framed by a collar, gazing forward with his head crowned by an official's hat, traces of gilding remaining.25.6cm (10 2/16in) high.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價明中期 銅文官像Published, Illustrated and Exhibited: Roger Keverne Ltd., Summer Exhibition, London, 2006, no.10展覽著錄：Roger Keverne Ltd.，《夏季展覽》，倫敦，2006年，編號10Such attire represented the typical dress code for civil officials of high rank. Following the sumptuary laws of 1391, which regulated Ming dynasty dress, the classical Chinese clothing traditions of the Tang and Song dynasties were revived. Tang and Song official costumes themselves can be traced even further back, to the Han dynasty. The long robe with wide sleeves, the sash embellished with beaded jewellery, the rectangular office plaque across the chest were all part of Han dynasty court apparel. One can, therefore, find a close similarity between traditional attires of Chinese court officials over many centuries. Nowhere can this be observed as clearly as on the larger-than-life stone figures of civil officials lining the spirit roads leading to their emperors' mausoleums. See Ann Paludan, The Chinese Spirit Road, New Haven and London, 1991, pl.142 a Tang example, pls 167- 8; two Song examples, pls 202, 205, 213, 228 and 230; several Ming examples.See a similar bronze figure of a eunuch, Ming dynasty, from the collection of Wang Shixiang, illustrated in Zi zhen ji: Wang Shixiang ji, Beijing, 2017, p.63.For further information on this lot please visit Bonhams.com
Lot 171
A LARGE BRONZE FIGURE OF ZHENWU16th/17th centuryThe Daoist god cast seated on a faceted plinth raised on short curling legs, with a tortoise and snake at his bare feet, wearing over his armour long flowing robes adorned at the hems with foliate scrolls, with lotus decoration around his rotund belly, holding in his raised right hand his belt against his chest, with his left hand held in karana mudra, the bearded face with eyes downcast, the finely-incised hair flowing long at the back framed by a celestial scarf.33.8cm (13 1/4in) high.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價十六/十七世紀 銅真武大帝像The cult for the Daoist god Zhenwu may have originated during the Warring States period or Han dynasty, when he was referred to as Xuanwu (Dark Warrior). By the early Northern Song period, the deity was transformed into the anthropomorphic god known as the 'perfected warrior'. However, it was in the early Ming dynasty that Zhenwu's status was elevated to its highest influence and popularity. Compare with a related bronze figure of Zhenwu, 15th/16th century, illustrated by S.Little, Taoism and the Arts of China, Chicago, 2000, no.104.For further information on this lot please visit Bonhams.com
Lot 172
THREE BRONZE BUDDHIST AND DAOIST FIGURESMing DynastyThe figure of Zhenwu cast seated on a rectangular plinth raised on four supports with reticulated foliate scroll front corners, with a cylindrical joss-stick holder to the right of the deity, the god typically cast wearing armour and holding a sword in his right hand with his left hand raised, with eyes downcast and framed by an elaborate celestial scarf, 24.8cm (9 3/4in) high; the figure of Buddha cast seated in dhayanasana raised on a double-lotus pedestal, his right hand in bhumisparsa mudra and his left hand in dhyana mudra, the head with eyes downcast flanked by pendulous earlobes and crowned with tight curls, an incised inscription on the reverse of the pedestal, 18.2cm (7 3/16in) high; and a gilt-lacquered bronze figure of a seated official, Ming dynasty, wood stand, 28cm (11in) high.(4).Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價明 銅真武大帝坐像 及 銅釋迦牟尼坐像、銅漆金文官像 一組三件Published, Illustrated and Exhibited: Roger Keverne Ltd., Summer Exhibition, London, 2012, no.10 (bronze figure of Zhenwu)展覽著錄：Roger Keverne Ltd.，《夏季展覽》，倫敦，2012年，編號10（真武大帝坐像）The inscription on the reverse of the Buddha can be partially read as: '進李氏...喜拾佛一尊...日慶', which may be translated as 'Presented to Mr Li, on the joyous day, one statue of Buddha.'For further information on this lot please visit Bonhams.com
Lot 58
A DOCUMENTARY MARBLE FIGURE OF A LOKAPALADated by inscription to the Eighth Year of the Eastern Wei Dynasty (550 AD) and of the periodThe guardian figure standing on a lotus base over a rectangular plinth, clad in long flowing robes tied at the waist with a loose sash, the pugnacious expression of his face defined by bulging eyes and raised eyebrows, his right hand positioned and hollowed to hold a halberd.27.5cm (10 6/8in) high.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價東魏 理石雕天王像「武定八年」楷書刻款The inscription may be read as '武定八年二月八日 賈安民 為身眷屬造玉像一軀 息祖囗楊尊', which may be translated as '8th day of the second month of the eighth year of the Wuding Era (corresponding to 550 AD), Jia Anming made [this statue] for the Yang family'.See a related marble sculpture of dvarapala of similar height, Northern Qi and Northern Zhou dynasties (550-581), illustrated by O.Siren, Chinese Sculpture from the Fifth to the Fourteenth Century, Bangkok, 1998, pl.250A.For further information on this lot please visit Bonhams.com
Lot 82
A LARGE SANCAI-GLAZED POTTERY FIGURE OF AN OFFICIALTang DynastyThe tall figure modelled standing on a pierced rockwork plinth the hands concealed within a textured muff in front of the chest, wearing high-collared, belted robes ending in a row of pleats above the knees, the long ruffle-hemmed under-robe pooling at the base revealing the tips of shoes, the robes and base applied and splashed with green, amber and straw glazes, the unglazed head with alert expression below a wedge-shaped cap decorated with a descending bird. 83.2cm (32 3/4in) high.Footnotes:Please note this Lot is to be sold at No Reserve. 本拍品不設底價唐 三彩武官俑Provenance: Christie's London, 20 June 2002, lot 558.Published, Illustrated and Exhibited: Roger Keverne, Summer Exhibition, London, 2003, no.40 來源：倫敦佳士得，2002年6月20日，拍品編號558展覽著錄：Roger Keverne Ltd.，《夏季展覽》，倫敦，2003年，編號40See a similar sancai-glazed pottery figure of a civil official, Tang dynasty, in the Henan Provincial Museum, illustrated by Liu Liang-yu, A Survey of Chinese Ceramics 1, Early Wares: Prehistoric to Tenth Century,Taipei, 1991, p.247; see also Lü Chenglong and Yang Jingrong, Ceramics Gallery of the Palace Museum, Part I, Beijing, 2008, pl.84.For further information on this lot please visit Bonhams.com
Lot 324
THREE SMALL GILT BRONZE BUDDHIST FIGURESTang Dynasty or later Comprising: a figure of Avalokitesvara atop a lion, the shoulders and head surrounded by a flaming mandorla, a small seated figure of Buddha on a lotus throne, and a further standing figure of Avalokiteshvara, also surrounded by a mandorla, each of the figures standing on a square plinth.The tallest: 12cm (4 3/4in) high (3).Footnotes:Provenance: from a European private collection, purchased in the London art market in the late 1960s.For further information on this lot please visit Bonhams.comAll with expected surface wear, including flaking and encrustation to gilt and surface. The Avalokitesvara on lion with some cracking and repair to the mandorla. The figure of Buddha with some losses to the lotus seat, loss of mandorla, and some loss to the lower reverse stretcher of the plinth. Extensive gilt loss and verdigris to patina.
Lot 325
A GROUP OF THREE NORTHERN WEI-STYLE BRONZE FIGURES OF BUDDHALate Qing DynastyEach on a square plinth with four corner legs, the first cast standing, clad in thickly-folded robes and surrounded by a full body mandorla; the second, seated on a lotus throne, the mandorla surrounding the head and shoulders; the third standing figure thinly cast and covered overall in gilt. The tallest: 11.2cm (4 1/2in) high (3).For further information on this lot please visit Bonhams.comThe first with some areas of rough casting, general expected surface wear and some scattered encrustations, minor nibbling to edges and traces of red pigment to mandorla and of gilt to the edges of the figure. Approx. 3mm diam, drill hole to reverse. Seated buddha with nibbling to edges, cracks to two legs, some bruising to tip of mandorla and some losses to the top right edge of the mandorla. loss to fingers of raised hand. Smallest Buddha with general surface wear and deep pitting to the edge of the feet.
Lot 377
A ROYAL DOULTON/COUNTRY ARTISTS LIMITED EDITION SCULPTURE 'WATERS EDGE' BY MICHAEL ABBERLEY, sculpture marked CA and unnumberred, mounted on a plinth, the bullrushes loose and a.f., height 22cm, with Royal Doulton certificate numbered 024/1500, together with a Country Artists limited edition sculpture 'The Old Mill' no 234/350, mounted on a plinth, height 31cm, chipped (2)
Lot 586
A LATE 19TH CENTURY BLACK SLATE, MARBLE AND BRONZED CLOCK GARNITURE, the clock with figural surmount of a man standing beside a plinth, the circular enamel dial with Arabic numerals and named 'Man Brundett Blanchetier Sucr Toulon', eight day movement with bell strike, approximate height 50cm, with pendulum and key, the garnitures are five branch candelabra, height approximately 54cm (3) (Condition:- bronzed finish worn and almost worn off in several places, one candelabrum branch has a crack, clock ticks and chimes but not correct number to correspond with the hour)
Lot 217
A LATE VICTORIAN SILVER TROPHY CUP, engraved foliate and bird design, engraved inscription 'Presented by New Cross Greyhounds Ltd', tapered bead work stem, on a circular base with a beaded rim, gilt interior, hallmarked 'Holland, Son & Slater' London 1883, approximate height 19cm, approximate gross weight 244.9 grams, 7.87ozt, together with a circular wooden plinth
Lot 617
* DAVID SHRIGLEY, VIBES offset lithograph on paper, signed, unnumbered edition of 250, published for The Big Issue 70cm x 50 cm Mounted, framed and under glass. Note: David Shrigley attended Glasgow School of Art from 1988-91 where he studied environmental art. He works in many disciplines including drawing, photography, painting, sculpture, animation and music. The variety of projects he is involved with are multi-faceted ranging from the video for Blur’s ‘Good Song’ to ‘Kingsley’ Shigley’s mascot for the Scottish football team Partick Thistle to ‘Really Good’ a sculpture of a bronze fist with upraised, out of proportion thumb which he created for the Fourth plinth in Trafalgar Square. Shrigley was created an O.B.E. in 2020 for services to the visual arts. Recent notable exhibitions include those in Glasgow, Germany and Sweden and he was nominated for the Turner Prize in 2013. His work is held in a number of important public collections including National Galleries of Scotland and Tate.
Lot 317
A Victorian bronze equestrian figure of the young Queen Victoria modelled riding side saddle, on a naturalistic plinth base, inscribed 'Ct D'orsay Sculp 1848' and with applied presentation label inscribed 'Presented to R.E. Officers Mess Chatham by Captain T.T Grove R.E. 1909', cast from the model by ALFRED GUILLAUME-GABRIEL (Comte D'orsay) (1801-1852) French. 73 cm high x 63 cm long. Together with a print out from The Library Curator of the Royal Engineers Library Brompton Barracks, Chatham relating to Captain Thomas Grove and also stating that the bronze was purchased by Major (later Colonel) J C Peacey (the current vendor's father) at an auction held in January 1965 by the Headquarter Mess, Royal Engineers at being surplus to requirements.
Lot 204
Henri Chapu, large bronze Sculpture La JeunesseHenri Michel Antoine Chapu, (1833 - 1891)La Jeunesse. Große Ausführung. 118 x 35 x 32 cm. Bronze, patiniert. Stehende weibliche Figur, in ihrer erhobenen linken Hand ein Lorbeerzweig. Auf der Plinthe signiert: h. Chapu. Am linken Rand bezeichnet: F.BARBEDIENNE Fondeur. Henri Chapu entwarf diese Figur ursprünglich für das Marmor-Denkmal des 1871 mit 27 Jahren in der Schlacht von Buzenval gefallenen Malers Henri Regnault im Hof der École des Beaux Arts in Paris. Regnault erntete viel Lob für diese Arbeit, die er 1875 im Salon ausstellte. Ein Bronzeexemplar dieses Themas befindet sich im Musée d'Orsay in Paris. Henri Chapu, large bronze Sculpture La JeunesseHenri Michel Antoine Chapu, (1833 - 1891)La Jeunesse. Large version. 118 x 35 x 32 cm. Bronze, patinated. Standing female figure, in her raised left hand a branch of laurel. Signed on the plinth: h. Chapu. Inscribed on the left margin: F.BARBEDIENNE Fondeur.Henri Chapu originally designed this figure for the marble monument of the painter Henri Regnault, who died in the Battle of Buzenval in 1871 at the age of 27, in the courtyard of the École des Beaux Arts in Paris. Regnault received much praise for this work, which he exhibited in the Salon in 1875. A bronze copy of this theme is in the Musée d'Orsay in Paris.
Lot 205
Le Verrier tablelamp ClartéMax Le Verrier, ParisTischleuchte Clarté. Metall, grünlich patiniert, Glas. 62 x 35 x 16 cm. Rückseitig auf der Plinthe im Guss bezeichnet: Le Verrier. Le Verrier tablelamp ClartéMax Le Verrier, ParisTable lamp Clarté. Metal, greenish patina, glass. 62 x 35 x 16 cm. Marked in the cast on the reverse of the plinth: Le Verrier.
Lot 206
Le Verrier, 2 bookends La cueilletteMax Le Verrier, Paris2 Buchstützen La Cueillette. Metall, grünlich patiniert, Marmorplinthe. 16,5 x 14 x 6,8 cm. Rückseitig am Sockel im Guss bezeichnet: Le Verrier und Gießerstempel LE VERRIER PARIS. Le Verrier, 2 bookends La cueilletteMax Le Verrier, Paris2 bookends La Cueillette. Metal, greenish patina, marble plinth. 16.5 x 14 x 6.8 cm. Inscribed in the cast on the reverse of the base: Le Verrier and foundry mark LE VERRIER PARIS.
Lot 208
Adam Antes, Sitting female Torso, TerrakottaAdam Antes, (1891-1984)Design 1918Sitzendes weiblicher Torso. Terrakotta. 57 x 23 x 35 cm. Oberhalb der Plinthe signiert: antes (vertieft). Adam Antes, Sitting female Torso, TerrakottaAdam Antes, (1891-1984)Design 1918Sitting female torso. Terracotta. 57 x 23 x 35 cm. Signed above the plinth: antes (deepened).
Lot 250
Unikat-Porzellanplastik von Olaf Fieber Weißporzellan mit sparsamer Aufglasurmalerei in Schwarz und Rot. Unglasierte, bemalte Rückseite. Auf quadratischer, grün gefasster Holzplinthe langgestreckte, umrisshaft wiedergegebene, abstrahierte Darstellung einer männlichen Figur, komponiert aus flachen, verschiedenförmig geschwungenen Porzellanplatten. Entw. Olaf Fieber (geb. 1966). Künstler-Sign. und dat. "O. Fieber (19)95". Unikat-Nr. 660/1996. Auf dem Boden Ausstellungsetikett "Sapporo Meissen Museum". Schwertermarke. H. 80,5 cm. Der künstlerische Werdegang des ehemaligen Meisterschülers von Peter Strang ist gekennzeichnet von der intensiven Zusammenarbeit mit den Formgestaltern und Malern der "Künstlerische Entwicklung" an der Meissener Porzellanmanufaktur. Seit 1990 ist er freiberuflich mit eigenen Arbeiten tätig und arbeitet zudem im Bereich der Fotografie, Malerei und Grafik. 2015 rief er in Kooperation mit der Albrechtsburg Meissen die Porzellanbiennale zur Förderung zeitgenössischer Porzellankünstler ins Leben. Vgl. Sonntag, Kat. Erlebte Kunst, Nr. 103 (vergleichbare Stücke).Provenienz: Ausst. Olaf Fieber Special Exhibition 1.2.2000 - 30.11.2000 des Sapporo Meissen Museum, Japan.An unique elongated abstracted porcelain figure mounted on a wooden plinth, modelled by O. Fieber. Signed and dated. Unique no.; Crossed swords mark.Meissen. Um 1995 - 1996.
Lot 710
Léon Morice (1868 Angers - nach 1947 Spanien)MadonnaBronze, goldbraun patiniert bzw. vergoldet; Elfenbein geschnitzt. Rötlich-grau geäderter Marmorsockel. Sign.; An der Plinthe Inschrift mit Dat. "OFFERT PAR LE BON PAPA EN SOUVENIER DE SA MÉMÉ MADELEINE LACHEVRE 1934". Harmonisch gestaltete Chryselephantin-Statuette mit subtilem Ausdruck von Innnerlichkeit. Morice stellte mehrfach im Salon aus, wo er 1910 und 1914 ausgezeichnet wurde; in den 1930er Jahren ließ sich der Bildhauer in Paris nieder. H. 21 cm.Carved ivory and bronze chryselephantine figure of the Virgin and Child. Signed. Marble base. Inscription to the plinth, dated 1934.
Lot 1190
A 19th century mahogany and flame mahogany bookcase cupboard, having twin glazed upper doors enclosing adjustable shelves over twin panelled lower cupboard doors, width 118cmCondition report: Depth 45cm, height 200cm.Missing section of moulding to glazed good and another section is loose.Otherwise doors good and with keys.Some scuffs and scratches to sides and plinth.Stands well.Colour good.Shelves good.
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