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A George V Corinthian Column Oil Lamp Base, London 1914, with brass fitting, on a hobnail and slice cut glass reservoir, the stop fluted column with foliate and scroll capital, on a rectangular plinth with columns to the corners, the swept square base with urns and linen swags within gadrooned borders, 68cm high, loaded
Rudolf Marcuse (1878-1930): "Edelmann", a bronze figure of a young man in Renaissance costume, his head turned to sinister, his left hand on his hip, a drinking bag in his right hand, on a circular base and rouge marble plinth, signed RUD.MARCUSE AKTIEN-GESELLSCHAFT EDITION, stamped GLADENBECK BERLIN D7170, 67cm high
A White Marble Bust of "Poesie", by Professor Antonio Garella (1864-1919), the girl with head turned to sinister, her hair tied in a knot with bronze laurels in her hair, on a canted rectangular red marble base with title plaque, signed PROF.RE GARELLA, 35cm high, on a carved alabaster column with circular plinth wrythen stem, circular socle and octagonal base, 107cm high
A Mahogany Chiming Longcase Clock, pagoda hood with pierced side frets, fluted columns with Corinthian capitals, crossbanded trunk door flanked with Corinthian capped pilasters, rectangular plinth with a framed panel and upon bracket feet, 12-inch arched silvered dial with Roman and Arabic chapter, floral engraved dial centre with subsidiary seconds, date aperture and selections for Whittington chimes/Westminster chimes, the arch signed `James Brown, Portsmouth`, triple weight driven movement with anchor escapement and chiming with eight hammers striking on a nest of eight bells and a further hammer striking on a large gong for the hour, (dial associated to the movement and both are associated to the case), 225cm high
A Scottish Mahogany Eight Day Longcase Clock, signed Cowan, Glasgow, circa 1820, the case with swan neck pediment, inlaid stringing and fluted columns, nicely figured trunk door, rectangular plinth raised upon later bracket feet, 14-inch one piece silvered dial with Roman numerals, dial centre with date and seconds, arch signed, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 224cm high
A Mahogany Eight Day Longcase Clock, signed J.Wignall, Ormskirk, circa 1830, the case with swan neck pediment, turned columns, nicely figured arched trunk door with fluted pilasters, rectangular canted plinth raised upon bracket feet, 14-inch square painted dial with Roman numerals, corners painted with fruit, dial centre with subsidiary seconds, date dial and signed, four pillar movement with anchor escapement and rack striking on a bell, 224cm high
A Walnut Eight Day Longcase Clock, the flat top case with brass capped columns, arched trunk door, rectangular plinth with bracket feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with subsidiary seconds and date aperture, arch with silvered plaque signed, `Thos Napier, Glasgow`, four pillar movement with anchor escapement and rack striking on a bell (dial and movement associated to the case), 212 cm high
An Oak Eight Day Longcase Clock, signed Winder, Kirby Lonsdale, circa 1820, swan neck pediment, turned columns, arched trunk door flanked with fluted pilasters, rectangular plinth with canted corners, (bracket feet missing), 14-inch painted arched dial with Roman numerals, dial centre with subsidiary seconds and date, with signed, rolling moon in the arch, four pillar movement with rack striking on a bell, 226cm high
A Rare Oak Eight Day Longcase Clock, the case with flat top pediment, glazed side windows, moulded trunk door with glazed lenticle, plain rectangular plinth upon a moulded skirting, 12-inch square brass dial with silvered chapter ring signed `John Green de Skipton`, matted dial centre with ringed winding holes, date aperture and subsidiary seconds, crown and cherub spandrels, four pillar movement with anchor escapement and inside countwheel striking on a bell, (case with restorations and possibly associated to the dial and movement circa 1720), 213cm high John Green is recorded working in Skipton around 1696. He died in 1742. His work rarely comes on the market and there is thought to be only three longcase clocks known to exist by him. See Loomes (Brian) Clockmakers of Northern England, pg.43.
A Japanned Eight Day Longcase Clock, the case with a pagoda hood, turned columns and brass capped capitals, oriental gilt painted scenes throughout the case, arched moulded trunk door, rectangular plinth with a stepped skirting, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with date aperture and subsidiary seconds, the arch with silvered disc inscribed `William Winrowe, London`, five pillar movement with anchor escapement and racking striking on a bell, (dial and movement associated to the case), 247cm high
An Oak Eight Day Longcase Clock, signed Jno Lees Middleton, circa 1780, case with swan neck pediment, turned columns, wavy shaped trunk door flanked by inset pilasters, rectangular plinth with canted corners, upon bracket feet, the unusual painted 13-inch brass dial with Roman and Arabic chapter ring signed, dial centre painted with a landscape scene, arched date aperture and rolling moonphase, painted scene in the corners, four pillar movement with anchor escapement, inside countwheel striking on a bell, 229cm high
A Mahogany Eight Day Longcase Clock, the case with a swan neck pediment, fluted columns, inlaid trunk door flanked by fluted and carved capital pilasters, rectangular canted plinth upon bracket feet, 15-inch painted dial with Arabic numerals, date aperture and inscribed `W.Dawes, Whitehaven`, subsidiary seconds, the arch with rolling moonphase, four pillar movement with anchor escapement and striking on a bell, (dial associated to the movement and both are associated to the case), 246cm high
An Oak Thirty Hour Longcase Clock, signed Thos Lister, Halifax, circa 1780, the caddied hood with brass finials, turned columns, arched trunk door flanked by plain inset pilasters, plinth with raised panel and upon a later skirting, 12-inch square brass dial with a Roman and Arabic chapter ring, dial centre with floral engraving, date aperture, `Halifax` moonphase and signed, brass hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, 223cm high
A Mahogany Longcase Regulator, signed Geoe Stephenson, Warminster, circa 1830, the nicely figured case with a flat top pediment, carved cresting and canted corners, applied mounts throughout the case, glazed front door with canted corners, rectangular plinth with a raised carved and moulded frame upon a rectangular solid base, 13-inch regulator circular silvered dial with outer Arabic five minute markers, inner date ring with corresponding central date hand, dial centre with subsidiary seconds, hour dial and signed, single weight driven six pillar movement with deadbeat escapement, `Harrisons` maintaining power, glass tubed mercury pendulum (mercury has been removed from tube), 213cm high
A Rare Brown Oak Eight Day Longcase Clock, signed Simcock, Prescot, circa 1780, the case with broken arched pediment and good figuration, turned columns, wavy shaped crossbanded trunk door flanked by inset pilasters, rectangular plinth with a raised quatre form panel and canted corners, later bracket feet, 13-inch arched brass dial with a silvered Roman and Arabic chapter ring signed, inner date ring with a corresponding central date hand, dial centre with subsidiary seconds and applied silvered floral and scrollwork with old sayings "On Times, Date:depends, Uncertain, Eternity", the arch with rolling moonphase, four pillar movement with deadbeat escapement and rack striking on a bell, 220cm high
A Mahogany Eight Day Longcase Clock, signed Major Scholfield, Manchester, circa 1780, the case with Swan neck pediment and pierced fret to the front, fluted columns, trunk with good figuration, rectangular plinth with canted corners and bracket feet, 14-inch arched brass dial with silvered Roman and Arabic chapter ring, inner date ring with central corresponding date hand, nicely engraved dial centre with bird and floral decoration, centre seconds hand, arch with rolling moonphase and signed above, four pillar movement with anchor escapement and inside countwheel striking on a bell, 244cm high
A Fine Shereton Revival Chiming Longcase Clock, signed S.Smith & Son, 9 Strand, London, circa 1900, the finely made case with a gadrooned caddied hood and acanthus leaf carved borders, satinwood inlaid swags to the front, pierced side sound frets, marquetry floral inlaid trunk door with moulded borders, rectangular plinth with an inlaid centre panel depicting floral fruit bowl and flanked by turned urn finials, 14-1/2-inch silvered dial with Roman and Arabic chapter, dial centre with subsidiary seconds and engraved with swag and scrollwork, signed `S.Smith & Son, 9 Strand, London`, sun burst decorated corners, the massive triple weight driven movement with deadbeat escapement, eight hammers quarter striking onto eight tubular bells and a further hammer striking a further tubular bell for the hours, 270cm high
A Walnut Eight Day Longcase Clock, signed John Marsden, London, circa 1730, the case with flat top pediment, pierced frieze to the front, glazed side viewing windows, columns with brass capped capitals, feather crossbanded rectangular moulded trunk door, rectangular plinth upon a stepped base, 12-inch square brass dial with silvered Roman and Arabic chapter ring, matted dial centre with ringed winding holes, date aperture, subsidiary seconds and a oval silvered plaque signed `John Marsden, London`, five pillar movement with anchor escapement and inside countwheel striking on a bell, (case with restorations), 220cm high John Marsden is recorded working at St John`s Square, London. He was Free of the Clockmaker`s Company in 1698, and in 1731 became Master until 1741. He is known as specialising in repeating work. See Baillie (GH) Watchmakers & Clockmakers of the World, pg.210.
A Fine and Extremely Rare Burr Elm and Walnut Three Month Duration Longcase Clock, signed Morgan Lowry in Leeds, circa 1715, the attractive and nicely figured case with a later built caddied top and pierced fretwork panels, glazed movement viewing windows to the sides, gilt wooden capitals with three-quarter columns flanking the hood door, case with burr elm panels and walnut crossbanding veneers on a oak carcass, moulded edged trunk door with glazed lenticle, rectangular plinth raised upon a later built double skirting, 13-inch square brass dial with silvered Roman numeral chapter ring signed `Morgan Lowry in Leeds`, finely matted dial centre with subsidiary seconds and engraved above on a silvered plaque depicting cherubs, dial with herringbone engraving around the perimeter, finely pierced hands, the large six pillar movement with a anchor escapement and outside countwheel striking on a bell, possibly later seatboard, 260cm high Morgan Lowry (Leeds, 1682-1757) was the son of Jeremy Lowry. He is recorded as a maker of repute, and was working in London c.1700 where he picked up his skills for producing quality movements, including long duration longcase clocks. In 1703 he married Ann Boyes in Leeds and they had a daughter named Anne in 1715. His wife died in 1726 and in 1737 he married Mary Thwaites. He worked in Briggate and in Boar Lane in Leeds. He was a Sergeant at Mace for the Borough of Leeds until 1755. His clocks are extremely rare. There is a walnut long duration clock and a year going longcase clock by him in the Leeds City Museum. For more information see Britten (FJ) Old Clocks & Watches And Their Makers, pg.791; Loomes (Brian) Yorkshire Clockmakers, pg.121); and Loomes (Brian) Watchmakers & Clockmakers of the World, pg.147.
A Fine Late 17th Century Walnut Small Eight Day Longcase Clock, signed Joseph Knibb, London, circa 1690, the case with spiral twisted columns, (re-converted) back to rising hood, pierced frieze fretwork and surmounted by a later carved floral cresting, glazed side viewing windows, top of the backboard with a rising hood coiled spring and lever, rectangular trunk door with matching veneers and with moulded border, re-built plinth raised upon a moulded skirting, 10-inch square brass dial signed `Joseph Knibb, London` positioned below 6 o`clock, silvered chapter ring with Roman and Arabic numerals and typical trident half hour markers, finely engraved with floral decoration between the winged cherub spandrels, matted dial centre with date aperture below 12 o`clock position, finely pierced and sculpted blue steel hands, latches to the dial feet and to the five ringed pillars of the movement, anchor escapement, outside countwheel positioned to the movement backplate and striking on a bell, 199cm high Case backboard with a label inscribed Temple Newsam House Leeds, Exhibition of English Clocks 1949, No.21. This clock is recorded in the catalogue of Exhibition of English Clock 1600-1850, September 3rd - October 9th 1949, No.21. The catalogue states A William and Mary longcase clock by Joseph Knibb London, circa 1690, in a oak case with walnut veneer, formerly in the Fitzwilliam Museum, Cambridge and Lent by Harold Wildsmith Baxter, Esq. Harold Wildsmith Baxter was one of the great post war collectors of Early English Clocks. Sold together with a photocopy of the Exhibition of English Clocks catalogue entry No.21. Joseph Knibb, the most famous and inventive member of the celebrated Knibb clockmaking family, was born in 1640. In 1655 he was apprenticed to his cousin Samuel and after serving seven years he worked first at Oxford and then moved to London in 1670, where he was made Free of the Clockmaker`s Company. Records show he supplied a turret clock for Windsor Castle in 1677 and payments were made to him in 1682 by King Charles II. Towards the end of the 17th century Joseph Knibb moved to Hanslop in Buckinghamshire. By the early 18th century Knibb had virtually retired and he died in December 1711.
A Fine and Rare 18th Century Walnut Stick Barometer, signed Jno Hallifax, Barnsley, Invt & Fecit, circa 1730, the finely figured case in the form of a longcase clock, caddied pediment with turned brass finials, inlaid stringing and turned side columns to the pediment, trunk with boxwood stringing and a central recording chapter ring with two hands, rectangular plinth with stringing and upon a waisted base, 6-inch arched brass dial with a silvered chapter ring and elaborately engraved with scrollwork to the dial centre, the arch with a circular silvered disc signed `Jno Hallifax, Barnsley, Invt & Fecit`, 130cm high John Hallifax (b.1694-d1750), the son of a vicar, he started in business in 1711. He became a notable clock and barometer maker and only a small number of his barometers survive today. His designs are distinctive and based on longcase clocks. See Banfield (Edwin) Barometer Makers and Retailers, pg.102
A Victorian Mahogany Breakfront Wardrobe, 3rd quarter 19th century, the cavetto cornice above a plain frieze and two central cupboard doors, the interior with three sliding trays, the lower section of two short over three long graduated drawers, flanked by two large cupboard doors enclosing hanging space and two deep drawers, raised on plinth base, 260cm by 63cm by 226cm
A George III Style Mahogany and Satinwood Banded Four Door Breakfront Bookcase, incorporating 19th Century elements with later additions, the fret cut swan neck pediment above a strung frieze, with four conforming astragal glazed doors enclosing six adjustable shelves, the lower section of two short over two long drawers flanked by cupboard doors, raised on plinth base, 246cm by 49cm by 220cm
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173487 item(s)/page