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Lot 413

An oak three tier Globe Wernicke bookcase with drawer to plinth.

Lot 414

An oak three tier Globe Wernicke bookcase with drawer to plinth.

Lot 424

A Victorian mahogany washstand/pot cupboard, the hinged lid revealing mirror and provision for basin over panel door on plinth.

Lot 429

A Victorian mahogany North Country chest, having inverted breakfront rectangular top over cushion drawer, two short and three further long drawers within octagonal columns on plinth and turned feet.

Lot 432

A Victorian mahogany washstand, having upstand with reeded edge, over two drawers and pair of cupboard doors on plinth.

Lot 51

AN ANTIQUE STONE FIGURE OF A NAKED LADY SITTING ON A PLINTH ( APPROX. 16" HIGH )

Lot 292

A COLLECTION OF ASSORTED BRASS ITEMS INCL. TWO PONY AND TRAPS, AN EAGLE ON A PLINTH ETC.

Lot 450

A set of brass postage scales and weights on an oak plinth with squat bun feet, 26cm (10.25") wide and a smaller set

Lot 496

A mahogany chest of two short and four long drawers with canted corners on plinth base with castors, 117cm (46") wide, 136cm (53.5") high

Lot 546

A pair of 19th Century mahogany open bookcases, the rectangular tops above three shelves with Egyptian mask pilasters on a plinth, 83cm (32.5") wide/see illustration

Lot 1062

A George V Corinthian Column Oil Lamp Base, London 1914, with brass fitting, on a hobnail and slice cut glass reservoir, the stop fluted column with foliate and scroll capital, on a rectangular plinth with columns to the corners, the swept square base with urns and linen swags within gadrooned borders, 68cm high, loaded

Lot 1158

Mathurin Moreau (1822-1912): "Retour de Peche au Moule", a bronze figure of a mother carrying a small child in her left arm, a young girl with net and basket at her right side, on a rocky moulded base and circular plinth, signed MATH.MOREAU and inscribed HORS CONCOURS, 50cm high

Lot 1161

George H Laurent (French, circa 1930): A Bronze Study of a Horse Head, on a black slate base and plinth, signed G H LAURENT, founder`s mark L.N. PARIS J.L., stamped BRONZE 2, 30cm

Lot 1165

Gill Wiles (b.1942): Bronze Figure of a Galloping Horse, on a rocky base, onyx plinth, signed GILL WILES, 33cm

Lot 1167

Pierre-Jules Mene (1810-1879): "Chasse à la Perdrix", bronze group of two dogs flushing out a bird from undergrowth, on a rocky base with concave sided oval plinth, signed P J MENE 1847, 41cm long

Lot 1169

Jules Moigniez (1835-1894): "Chief Baron Par The Baron Caladenia", bronze figure of a standing horse, its right foreleg raised on a titled mound base and concave oval plinth, signed J MOIGNIEZ and inscribed GOELZER PARIS, 35.5cm high

Lot 1170

G Beaumont?: "Il Cavallo", modern, a bronze figure of a Renaissance soldier on a rearing horse, ebonised wood base, marks to plinth underneath base, 29cm high

Lot 1174

After Charles Gabriel Sauvage Lemire (1741-1827): A Bronze Group "Enfant a l`Arc", 19th century, as Cupid sitting on a rocky outcrop stringing his bow, a torch on the ground, on a rocky moulded base and rouge marble oval plinth, bears signature and title plaque, 44cm high

Lot 1176

A Bronze Figure of Napoleon, French, late 19th century, standing in military uniform, his arms crossed, on a white marble waisted socle and drum base on a square bronze plinth, 37.5cm high

Lot 1179

Rudolf Marcuse (1878-1930): "Edelmann", a bronze figure of a young man in Renaissance costume, his head turned to sinister, his left hand on his hip, a drinking bag in his right hand, on a circular base and rouge marble plinth, signed RUD.MARCUSE AKTIEN-GESELLSCHAFT EDITION, stamped GLADENBECK BERLIN D7170, 67cm high

Lot 1181

A Laplanche: A Bronze Group of Two German Shepherd Dogs, one seated, one recumbent, on a shaped and rustic plinth, signed, on a white and green veined marble shaped plinth, 38cm high overall

Lot 1182

A de Gerika: French Hussar on Horseback, on a white marble rounded flat plinth inscribed A DE GERIKA DES BEAUX ARTS, 46.5cm high

Lot 1184

Philip Blacker (b.1949): Study of a Racehorse, standing and turning its head to the left, on a rustic shaped rectangular plinth, incised PB 2/6 87©, 28.5cm high, upon a mahogany effect plinth, 31.5cm high overall

Lot 1185

Pierre-Jules Mene (1810-1879): A Bronze Group of an Italian Greyhound and King Charles Spaniel, in playful confrontation, a half open brieze fan at their feet, amongst foliage, on a concave edge moulded oval plinth, signed, 16cm high

Lot 1186

Pierre-Jules Mene (1810-1879): Bronze Study of an Adult and Juvenile Italian Greyhound, poised playfully over a ball, on a patterned shaped oval plinth, signed, 15.5cm high

Lot 1188

A Pair of George III Style Gilt Metal Urn Shaped Lamp Bases, of oval form with leaf sheathed finials and leaf scroll handles, on fluted column and circular leaf sheathed base and plinth, 23.5cm high, fitted for electricity

Lot 1206

A Late Victorian Rosewood Stationery Box, the hinged top and fall inlaid in coloured woods and bone with formal neo-classical scrolling foliage and ribbon tied swags, opening to reveal a writing slope and an arrangement of compartments, loop carrying handles, plinth base, 33cm wide

Lot 1217

A Late 19th Century French Gilt Metal and Porcelain Mounted Kingwood Jardiniere, of quatrelobed oval form, with foliate arcaded ring, the leaf sheathed handles and flower painted blue ground oval porcelain plaques within shaped panels, on a plinth base and a four ball feet, 43cm wide

Lot 1257

A White Marble Bust of "Poesie", by Professor Antonio Garella (1864-1919), the girl with head turned to sinister, her hair tied in a knot with bronze laurels in her hair, on a canted rectangular red marble base with title plaque, signed PROF.RE GARELLA, 35cm high, on a carved alabaster column with circular plinth wrythen stem, circular socle and octagonal base, 107cm high

Lot 1270

Snow Leopard or Ounce (Pardus uncia), circa 1920, full mount, in standing pose turning to the left and with snarling open jaw, on faux rockwork, on later mahogany effect flat plinth, 47cm high to shoulder, approx 180cm nose to tail tip CITES Appendix I Annex (Exempt) also USESA

Lot 1286

Coyote (Canis latrans), Enchanted Rock, North Texas, late 20th century, full mount, standing in barking pose, on a shaped wood naturalistic flat plinth with grasses, 83cm high, 100cm long

Lot 1287

A Group of Thirteen Foreign Butterflies, mounted on the ends of wires in decorative formation, on a mahogany effect oval plinth beneath a glass dome, 47cm high

Lot 1288

Black Bear (Ursus americanus), circa 1890, full mount, in anthropomorphic pose holding an ebonised wood tray, on an ebonised wood square plinth, 122cm high

Lot 1295

A Victorian Taxidermy Group of Twelve Exotic Birds, circa 1880, including Parakeets and Hummingbirds, on a lichen encrusted tree branch, beneath a period glass dome with mahogany circular plinth on button feet, 64cm high

Lot 1314

A Group of Eleven Foreign Butterflies, mounted on the ends of wires in decorative formation, on a mahogany effect oval plinth beneath a glass dome, 47cm high

Lot 1326

A Group of Fourteen Orange Tipped Foreign Butterflies, mounted on the ends of wires in decorative formation, on a mahogany effect oval plinth beneath a glass dome, 47cm high

Lot 1353

A Brass Skeleton Timepiece, circa 1880, single fusee movement with anchor escapement, 5-1/4-inch silvered dial with Roman numerals, four spoke wheels, upon an ebonised plinth, beneath glass dome, 40cm high

Lot 1382

A Mahogany Chiming Longcase Clock, pagoda hood with pierced side frets, fluted columns with Corinthian capitals, crossbanded trunk door flanked with Corinthian capped pilasters, rectangular plinth with a framed panel and upon bracket feet, 12-inch arched silvered dial with Roman and Arabic chapter, floral engraved dial centre with subsidiary seconds, date aperture and selections for Whittington chimes/Westminster chimes, the arch signed `James Brown, Portsmouth`, triple weight driven movement with anchor escapement and chiming with eight hammers striking on a nest of eight bells and a further hammer striking on a large gong for the hour, (dial associated to the movement and both are associated to the case), 225cm high

Lot 1383

A Scottish Mahogany Eight Day Longcase Clock, signed Cowan, Glasgow, circa 1820, the case with swan neck pediment, inlaid stringing and fluted columns, nicely figured trunk door, rectangular plinth raised upon later bracket feet, 14-inch one piece silvered dial with Roman numerals, dial centre with date and seconds, arch signed, four pillar movement with anchor escapement and rack striking on a bell, later seatboard, 224cm high

Lot 1384

A Mahogany Eight Day Longcase Clock, signed J.Wignall, Ormskirk, circa 1830, the case with swan neck pediment, turned columns, nicely figured arched trunk door with fluted pilasters, rectangular canted plinth raised upon bracket feet, 14-inch square painted dial with Roman numerals, corners painted with fruit, dial centre with subsidiary seconds, date dial and signed, four pillar movement with anchor escapement and rack striking on a bell, 224cm high

Lot 1386

A Walnut Eight Day Longcase Clock, the flat top case with brass capped columns, arched trunk door, rectangular plinth with bracket feet, 12-inch arched brass dial with silvered chapter ring, matted dial centre with subsidiary seconds and date aperture, arch with silvered plaque signed, `Thos Napier, Glasgow`, four pillar movement with anchor escapement and rack striking on a bell (dial and movement associated to the case), 212 cm high

Lot 1387

An Oak Eight Day Longcase Clock, signed Winder, Kirby Lonsdale, circa 1820, swan neck pediment, turned columns, arched trunk door flanked with fluted pilasters, rectangular plinth with canted corners, (bracket feet missing), 14-inch painted arched dial with Roman numerals, dial centre with subsidiary seconds and date, with signed, rolling moon in the arch, four pillar movement with rack striking on a bell, 226cm high

Lot 1388

A Rare Oak Eight Day Longcase Clock, the case with flat top pediment, glazed side windows, moulded trunk door with glazed lenticle, plain rectangular plinth upon a moulded skirting, 12-inch square brass dial with silvered chapter ring signed `John Green de Skipton`, matted dial centre with ringed winding holes, date aperture and subsidiary seconds, crown and cherub spandrels, four pillar movement with anchor escapement and inside countwheel striking on a bell, (case with restorations and possibly associated to the dial and movement circa 1720), 213cm high John Green is recorded working in Skipton around 1696. He died in 1742. His work rarely comes on the market and there is thought to be only three longcase clocks known to exist by him. See Loomes (Brian) Clockmakers of Northern England, pg.43.

Lot 1389

A Japanned Eight Day Longcase Clock, the case with a pagoda hood, turned columns and brass capped capitals, oriental gilt painted scenes throughout the case, arched moulded trunk door, rectangular plinth with a stepped skirting, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, matted dial centre with date aperture and subsidiary seconds, the arch with silvered disc inscribed `William Winrowe, London`, five pillar movement with anchor escapement and racking striking on a bell, (dial and movement associated to the case), 247cm high

Lot 1390

An Oak Eight Day Longcase Clock, signed Jno Lees Middleton, circa 1780, case with swan neck pediment, turned columns, wavy shaped trunk door flanked by inset pilasters, rectangular plinth with canted corners, upon bracket feet, the unusual painted 13-inch brass dial with Roman and Arabic chapter ring signed, dial centre painted with a landscape scene, arched date aperture and rolling moonphase, painted scene in the corners, four pillar movement with anchor escapement, inside countwheel striking on a bell, 229cm high

Lot 1391

A Mahogany Eight Day Longcase Clock, the case with a swan neck pediment, fluted columns, inlaid trunk door flanked by fluted and carved capital pilasters, rectangular canted plinth upon bracket feet, 15-inch painted dial with Arabic numerals, date aperture and inscribed `W.Dawes, Whitehaven`, subsidiary seconds, the arch with rolling moonphase, four pillar movement with anchor escapement and striking on a bell, (dial associated to the movement and both are associated to the case), 246cm high

Lot 1392

An Oak Thirty Hour Longcase Clock, signed Thos Lister, Halifax, circa 1780, the caddied hood with brass finials, turned columns, arched trunk door flanked by plain inset pilasters, plinth with raised panel and upon a later skirting, 12-inch square brass dial with a Roman and Arabic chapter ring, dial centre with floral engraving, date aperture, `Halifax` moonphase and signed, brass hands, four pillar movement with anchor escapement and outside countwheel striking on a bell, 223cm high

Lot 1393

A Mahogany Longcase Regulator, signed Geoe Stephenson, Warminster, circa 1830, the nicely figured case with a flat top pediment, carved cresting and canted corners, applied mounts throughout the case, glazed front door with canted corners, rectangular plinth with a raised carved and moulded frame upon a rectangular solid base, 13-inch regulator circular silvered dial with outer Arabic five minute markers, inner date ring with corresponding central date hand, dial centre with subsidiary seconds, hour dial and signed, single weight driven six pillar movement with deadbeat escapement, `Harrisons` maintaining power, glass tubed mercury pendulum (mercury has been removed from tube), 213cm high

Lot 1394

A Rare Brown Oak Eight Day Longcase Clock, signed Simcock, Prescot, circa 1780, the case with broken arched pediment and good figuration, turned columns, wavy shaped crossbanded trunk door flanked by inset pilasters, rectangular plinth with a raised quatre form panel and canted corners, later bracket feet, 13-inch arched brass dial with a silvered Roman and Arabic chapter ring signed, inner date ring with a corresponding central date hand, dial centre with subsidiary seconds and applied silvered floral and scrollwork with old sayings "On Times, Date:depends, Uncertain, Eternity", the arch with rolling moonphase, four pillar movement with deadbeat escapement and rack striking on a bell, 220cm high

Lot 1395

A Mahogany Eight Day Longcase Clock, signed Major Scholfield, Manchester, circa 1780, the case with Swan neck pediment and pierced fret to the front, fluted columns, trunk with good figuration, rectangular plinth with canted corners and bracket feet, 14-inch arched brass dial with silvered Roman and Arabic chapter ring, inner date ring with central corresponding date hand, nicely engraved dial centre with bird and floral decoration, centre seconds hand, arch with rolling moonphase and signed above, four pillar movement with anchor escapement and inside countwheel striking on a bell, 244cm high

Lot 1396

A Fine Shereton Revival Chiming Longcase Clock, signed S.Smith & Son, 9 Strand, London, circa 1900, the finely made case with a gadrooned caddied hood and acanthus leaf carved borders, satinwood inlaid swags to the front, pierced side sound frets, marquetry floral inlaid trunk door with moulded borders, rectangular plinth with an inlaid centre panel depicting floral fruit bowl and flanked by turned urn finials, 14-1/2-inch silvered dial with Roman and Arabic chapter, dial centre with subsidiary seconds and engraved with swag and scrollwork, signed `S.Smith & Son, 9 Strand, London`, sun burst decorated corners, the massive triple weight driven movement with deadbeat escapement, eight hammers quarter striking onto eight tubular bells and a further hammer striking a further tubular bell for the hours, 270cm high

Lot 1397

A Walnut Eight Day Longcase Clock, signed John Marsden, London, circa 1730, the case with flat top pediment, pierced frieze to the front, glazed side viewing windows, columns with brass capped capitals, feather crossbanded rectangular moulded trunk door, rectangular plinth upon a stepped base, 12-inch square brass dial with silvered Roman and Arabic chapter ring, matted dial centre with ringed winding holes, date aperture, subsidiary seconds and a oval silvered plaque signed `John Marsden, London`, five pillar movement with anchor escapement and inside countwheel striking on a bell, (case with restorations), 220cm high John Marsden is recorded working at St John`s Square, London. He was Free of the Clockmaker`s Company in 1698, and in 1731 became Master until 1741. He is known as specialising in repeating work. See Baillie (GH) Watchmakers & Clockmakers of the World, pg.210.

Lot 1398

A Fine and Extremely Rare Burr Elm and Walnut Three Month Duration Longcase Clock, signed Morgan Lowry in Leeds, circa 1715, the attractive and nicely figured case with a later built caddied top and pierced fretwork panels, glazed movement viewing windows to the sides, gilt wooden capitals with three-quarter columns flanking the hood door, case with burr elm panels and walnut crossbanding veneers on a oak carcass, moulded edged trunk door with glazed lenticle, rectangular plinth raised upon a later built double skirting, 13-inch square brass dial with silvered Roman numeral chapter ring signed `Morgan Lowry in Leeds`, finely matted dial centre with subsidiary seconds and engraved above on a silvered plaque depicting cherubs, dial with herringbone engraving around the perimeter, finely pierced hands, the large six pillar movement with a anchor escapement and outside countwheel striking on a bell, possibly later seatboard, 260cm high Morgan Lowry (Leeds, 1682-1757) was the son of Jeremy Lowry. He is recorded as a maker of repute, and was working in London c.1700 where he picked up his skills for producing quality movements, including long duration longcase clocks. In 1703 he married Ann Boyes in Leeds and they had a daughter named Anne in 1715. His wife died in 1726 and in 1737 he married Mary Thwaites. He worked in Briggate and in Boar Lane in Leeds. He was a Sergeant at Mace for the Borough of Leeds until 1755. His clocks are extremely rare. There is a walnut long duration clock and a year going longcase clock by him in the Leeds City Museum. For more information see Britten (FJ) Old Clocks & Watches And Their Makers, pg.791; Loomes (Brian) Yorkshire Clockmakers, pg.121); and Loomes (Brian) Watchmakers & Clockmakers of the World, pg.147.

Lot 1399

A Fine Late 17th Century Walnut Small Eight Day Longcase Clock, signed Joseph Knibb, London, circa 1690, the case with spiral twisted columns, (re-converted) back to rising hood, pierced frieze fretwork and surmounted by a later carved floral cresting, glazed side viewing windows, top of the backboard with a rising hood coiled spring and lever, rectangular trunk door with matching veneers and with moulded border, re-built plinth raised upon a moulded skirting, 10-inch square brass dial signed `Joseph Knibb, London` positioned below 6 o`clock, silvered chapter ring with Roman and Arabic numerals and typical trident half hour markers, finely engraved with floral decoration between the winged cherub spandrels, matted dial centre with date aperture below 12 o`clock position, finely pierced and sculpted blue steel hands, latches to the dial feet and to the five ringed pillars of the movement, anchor escapement, outside countwheel positioned to the movement backplate and striking on a bell, 199cm high Case backboard with a label inscribed Temple Newsam House Leeds, Exhibition of English Clocks 1949, No.21. This clock is recorded in the catalogue of Exhibition of English Clock 1600-1850, September 3rd - October 9th 1949, No.21. The catalogue states A William and Mary longcase clock by Joseph Knibb London, circa 1690, in a oak case with walnut veneer, formerly in the Fitzwilliam Museum, Cambridge and Lent by Harold Wildsmith Baxter, Esq. Harold Wildsmith Baxter was one of the great post war collectors of Early English Clocks. Sold together with a photocopy of the Exhibition of English Clocks catalogue entry No.21. Joseph Knibb, the most famous and inventive member of the celebrated Knibb clockmaking family, was born in 1640. In 1655 he was apprenticed to his cousin Samuel and after serving seven years he worked first at Oxford and then moved to London in 1670, where he was made Free of the Clockmaker`s Company. Records show he supplied a turret clock for Windsor Castle in 1677 and payments were made to him in 1682 by King Charles II. Towards the end of the 17th century Joseph Knibb moved to Hanslop in Buckinghamshire. By the early 18th century Knibb had virtually retired and he died in December 1711.

Lot 1404

A Fine and Rare 18th Century Walnut Stick Barometer, signed Jno Hallifax, Barnsley, Invt & Fecit, circa 1730, the finely figured case in the form of a longcase clock, caddied pediment with turned brass finials, inlaid stringing and turned side columns to the pediment, trunk with boxwood stringing and a central recording chapter ring with two hands, rectangular plinth with stringing and upon a waisted base, 6-inch arched brass dial with a silvered chapter ring and elaborately engraved with scrollwork to the dial centre, the arch with a circular silvered disc signed `Jno Hallifax, Barnsley, Invt & Fecit`, 130cm high John Hallifax (b.1694-d1750), the son of a vicar, he started in business in 1711. He became a notable clock and barometer maker and only a small number of his barometers survive today. His designs are distinctive and based on longcase clocks. See Banfield (Edwin) Barometer Makers and Retailers, pg.102

Lot 1518

A Victorian Mahogany Breakfront Wardrobe, 3rd quarter 19th century, the cavetto cornice above a plain frieze and two central cupboard doors, the interior with three sliding trays, the lower section of two short over three long graduated drawers, flanked by two large cupboard doors enclosing hanging space and two deep drawers, raised on plinth base, 260cm by 63cm by 226cm

Lot 1523

A George III Style Mahogany and Satinwood Banded Four Door Breakfront Bookcase, incorporating 19th Century elements with later additions, the fret cut swan neck pediment above a strung frieze, with four conforming astragal glazed doors enclosing six adjustable shelves, the lower section of two short over two long drawers flanked by cupboard doors, raised on plinth base, 246cm by 49cm by 220cm

Lot 1528

A Victorian Mahogany Bookcase, 3rd quarter 19th century, the cavetto cornice above triple-arch glazed doors enclosing six adjustable shelves, the base with three deep drawers flanked by two cupboard doors, raised on a plinth base, 196cm by 42cm by 220cm

Lot 1625

An Early 18th Century German Oak Serpentine Front Commode, the rosewood and tulip banded parquetry top above three deep crossbanded drawers, raised on a plinth base with squat toupie feet, 127cm by 70cm by 92cm

Lot 1644

A Mahogany Wellington Chest, 2nd quarter 19th century, with eight graduated drawers with brass drop handles, all between rectangular uprights with leaf cast Empire style mounts, raised on a plinth base, 64cm by 45cm by 135cm

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