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Lot 662
A Victorian walnut pedestal desk, the tooled green leather top over an arrangement of nine drawers with gothic style fittings, raised on plinth bases, 120 cm w x 68 cm x 72 cm hSeveral of the metal mounts around key holes are damaged and have losses, top right is upside down, veneer loss to bottom two left drawers each approx 1.5 cm possible restored, quite polished and differing locks
Lot 593
A late 19th century mahogany secretaire bookcase, the dentil moulded cornice over a pair of astragal glazed doors, enclosing tooled leather edged adjustable shelves, the secretaire fitted with drawers and niches over a pair of urn carved panelled doors, on a plinth base, 123 cm w x 49 cm x 235 cm h
Lot 997
A 19th Century mahogany longcase clock, the 13ins arched painted dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, the arch and spandrels painted with young women at various pursuits, to the eight day two train movement striking on a bell, contained in mahogany case with shaped pediment and turned and fluted pillars to hood, shaped trunk door flanked by reeded quarter columns, on plinth base, 85ins high (dial rubbed and in need of restoration)
Lot 1143
A Victorian figured walnut harlequin Davenport by Wilkinson & Son, 8 Old Bond Street, with tray top rising stationery rack fitted central cupboard, two small drawers and pigeon holes, the cover and drawer fronts inlaid with urns of flowers and floral ornament, the shaped front enclosing two interior drawers and pull-out writing surface, fitted four interior drawers to right hand side and cupboard to reverse, each enclosed by a panelled door with carved leaf scroll mouldings, panelled front flanked by scroll brackets, moulded uprights and conforming scroll feet, on plinth base with recessed castors, 27ins wide x 22ins deep x 39ins high
Lot 970
A modern Haddonstone composition stone circular fountain base, the moulded sides with tongue ornament, 91ins diameter x 17ins high (plinth base in eight sections, moulded rim in ten sections) and central liner for same, and a composition stone circular two tier fountain with shaped tiers, 48ins high
Lot 23
An Edward VIII silver circular two-handled bowl, the shaped and moulded rim with lion's mask and ring pattern handles, on four bold leaf cast and paw pattern feet, 12.5ins diameter x 5.75ins high, by Elkington & Co, Birmingham 1936 (weight 54ozs), engraved "Albert Bowkett Challenge Bowl R.I.B.I. No. 12 District Ladies Annual Golf Competition", and ebonised plinth stand for same, applied with shield plaques, each engraved with winner from 1949-2017, and black leather cloth case for same
Lot 891
William Reid Dick (1879-1961) - Brown patinated bronze figure - "The Slingshot" (or Sling Boy) - A naked young boy holding a catapult, on green antico marble rectangular plinth base, 7.25ins x 4.25ins x 15.5ins high, signed to base (one wire to slingshot broken) Provenance: The Canterbury Auction Galleries - 11th August 2015, Lot 692
Lot 1218
A Victorian mahogany sideboard, the shaped back with scroll carved cresting, fitted three frieze cushion fronted drawers, recessed central cupboard flanked by sliding trays and drawer, enclosed by four arched panelled doors with carved brackets to side, on plinth base, 72ins wide x 21ins deep x 59.5ins high
Lot 1214
A Victorian walnut and gilt brass mounted dwarf display cabinet, the top with incurved front edge inlaid with stringings, fitted two cloth lined shelves enclosed by a pair of arched glazed doors framed with gilt brass leaf mouldings, flanked by gilt brass brackets, on plinth base with bold gilt brass leaf moulding, 46ins wide x 14ins deep x 42ins high
Lot 1213
A Victorian mahogany break front sideboard, the shaped and moulded back with cartouche scroll and leaf carved cresting, fitted recess central shelf enclosed by a pair of arched panelled doors, flanked by bow front drawers and cupboards under, enclosed by shaped panelled doors, on plinth base, 74ins wide x 25ins deep x 53ins high
Lot 1228
A late Victorian walnut two tier corner cupboard, the upper part with spindle turned gallery and turned and reeded finials, moulded and dentil cornice, on slender turned front supports, incurved frieze carved with floral scroll ornament and cornucopia, fitted two shelves enclosed by a single door inset with five bevelled glass panels, fall front cover under with conforming carved front, the base fitted cupboard enclosed by a pair of raised panelled doors, on plinth base
Lot 134
LATE NINETEENTH CENTURY BLACK SLATE AND GILT METAL MANTLE CLOCK, the 4" Roman dial, indistinctly signed, powered by a drum shaped movement, stamped H&F, PARIS, striking on a bell, and housed in a flat topped case surmounted by a reclining classical figure, set above a heavy pair of captive lion mask ring side handles, and raised on a moulded plinth base, 10 ½" (26.7cm) high
Lot 136
EARLY TWENTIETH CENTURY JUNGHANS, GERMAN OAK CASED MANTLE CLOCK, the 6" brass dial with silvered Arabic chapter ring, matted centre and pierced gilt spandrels, powered by a movement striking on a gong, and housed in an architectural case with moulded arch cresting and egg and dart border to the shaped plinth base, 14 ½" (36.8cm) high
Lot 168
MID VICTORIAN INLAID FIGURED WALNUT AND ORMOLU MOUNTED CREDENZA, the moulded burr cut top above a scroll inlaid frieze and central panelled cupboard door with scroll work inlay and leaf moulded ormolu border, flanked by inlaid free standing columns, and pair of glazed bow fronted end cupboard doors, each enclosing two shelves to the plush lined interior, raised on a conforming shaped plinth base, 41" (104.1cm) high, 65" x 17 ¼" (165.1cm x 43.8cm)
Lot 13
A mahogany and marquetry inlaid watch stand in the form of an arched mantel clock, inlaid with Classical maidens flanking a central plinth with floral swags, the base with birds on oak branch, raised on base with shaped apron and splayed legs, H.41cm (total), together with an 8 day open face pocket watch (2)
Lot 710
moulded in relief depicting Neptune riding a dolphin with trailing rush reins, a band of stylised oak leaves above pointed leaves, the body terminating in a gadrooned tapering column onto a spreading circular foot adorned with leaf decoration, on a plinth base decorated with stylized anthemion ornaments, one leaf repaired, lacking one dot, impressed Wedgwood mark, impressed crescent mark 42cm highLITERATURE Clifford, T. “Some English Vases and their Sources Part I”, Transactions of the English Ceramic Circle, vol 10, part 3 (1978): 164 and passim Dawson, A. British Museum: Masterpieces of Wedgwood, London: British Museum Press, 1995, illustrated on p.35, figure 26This piece forms part of the V&A Collection and was modelled by John Flaxman Sen. (1726 - 1795) in 1776 and manufactured by Josiah Wedgwood and Sons in circa 1840. John Flaxman Sen. was one of a number of plaster makers in London who supplied Bentley and Wedgwood with models and casts, usually but not always copies from classical, French or Italian sources. “The plasters are preserved at the Wedgwood Museum and may be based on a French source by Claude Michel, called Clodion (1738-1814), a sculptor best known for his terracotta figures and bas reliefs. The basalt vases are known as the ‘wine and water ewers’ or the ewers ‘Sacred to Bacchus’ and ‘Sacred to Neptune’ (Fig. 26), the satyr symbolising wine, and the triton riding on a dolphin representing water. They are amongst the most elaborately modelled pieces ever produced by the Wedgwood factory. Both bear the Wedgwood & Bentley mark which occurs in an usual form on the water ewer (Fig. 27). The shape was popular during the eighteenth and nineteenth centuries in various materials including silver and even malachite. The Wedgwood vases were made in jasper ware in the late eighteenth century, and in majolica (lead-glazed earthenware) and bone china in the nineteenth century.” Dawson, A. British Museum: Masterpieces of Wedgwood, London: British Museum Press, 1995, p.35, figure 26
Lot 345
A WILLIAM IV ROSEWOOD BOOKCASE the outswept cornice surmounted by a rectangular pediment flanked by foliate pierced scrolls, plain frieze, a pair of glazed and panelled doors below enclosing four shelves, flanked by carved and fluted columns, shaped apron, on plinth feet 214cm high, 148cm wide, 53cm deep
Lot 712
AN ART DECO BRONZE DANCING FIGURE, JOSEF LORENZL (1892 - 1950), CIRCA 1930 modelled as a female dancer in costume striking a pose, green patina, on a moulded green onyx column, on a green onyx plinth base, stamped Argentor Wien, signed Lorenzl, wear to patina48cm highJosef Lorenzl (1982 -1950) was an Austrian sculptor and ceramicist of the Art Deco period, working during the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886 – 1947). Lorenzl started his career working at a foundry in the Vienna Arsenal where he learned the techniques of bronze casting. Specifically, the female form was a great source of inspiration, as seen in this example. Some figurines where incorporated into clocks, lamps and lighters amongst other things and some of his figurines were attached to Brazilian green onyx plinths. This particular work bears the Argentor foundry stamp, which was situated in Vienna. - S-L. F.
Lot 159
A VICTORIAN MAHOGANY PEDESTAL DESK the moulded rectangular top with a gilt-tooled leather-inset writing surface, a long frieze drawer below, flanked by a pair of short frieze drawers, each pedestal comprising three graduating drawers, on plinth feet, on castors 80cm high, 122cm wide, 75,5cm deep
Lot 100
EDWARDIAN MAHOGANY SECTIONAL BOOKCASE with a pair of outer panelled cupboard doors with moulded tops, the interiors with shelves, flanking a pair of breakfront central cupboards with moulded tops above two pairs of glass doors with adjustable shelves to the interiors, with four frieze drawers and two pairs of panelled cupboard doors below, standing on a plinth base, 193.5cm x 314cm
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173444 item(s)/page