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A pair of Victorian hallmarked silver candlesticks of cylindrical form, having chased decoration rim, made by John Green, Roberts, Mosley & Co Sheffield 1841, height 15.5cm CONDITION REPORT: Condition poor. Overall bruised. One candlestick split, lacking hardwood inner plinth, the second candlestick bruised, lacking sconces.
A Victorian blue opaque glass vase painted with a raised oval of a stag at bay after Landseer against a pale blue ground applied with white enamel and gilt leaves, circular base raised upon a black glass and gilt highlighted plinth 36cms high x 20cms CONDITION REPORT: Possible restoration, looking at the interior of the vase where the shaped top joins the circular base there is a fixing screw internally and appears to be around the edge a large crack, looking just below the oval portrait of the stag is joined onto a circular plinth with overlaps slightly at the back and the base of the top section of the vase is visible, the oval panel good condition, paintwork good condition, gilt to the frame bright and good, white enamel and gilt around the border some minor scratching otherwise good which probably indicates internal damage, rectangular black and gilt plinth gilt minor rubbing, possibly hair line crack not visible but sounds to that effect.
A 19th century Vienna two handled vase and cover restored with a bell shaped top, leaf and fruit finial above a panel painted with a classical maiden and a winged cherub, the reverse painted with a classical maiden beside her companion against a blue and crimson ground raised upon a stepped plinth base, blue shield mark 50cms high, cover possibly associated
A choice Victorian brass standard lamp with an ogee shaped brass reservoir, single adjustable burner enclosed within a leaf and scroll vase shape holder raised upon a cylindrical shaft with a pierced leaf and roundel tray, lions mask and leaf down swept scrolling triform supports, terminating in paw feet joined by a circular plinth 143cms(Illustrated)
An attractive 19th early 20th century pattinated metal and glass liquor stand, modelled as a camel with a gilt metal saddle cloth with scrolling loops each supporting a cut glass barrel with fluted ends, and a panel engraved with grapes and vine each with taps above a scrolling metal two division stand with twelve leaf engraved liquor glasses above a loop handle raised on an oval plinth base, 46cms high (illustrated) CONDITION REPORT: barrel on the right hand side gilding rubbed to edges of the glass, central reserve rubbing to white enamel grapes and vine,e stopper possibly original but does not fit flush, left hand barrel quite extensive rubbing to gilt rims of the barrel, rubbing to the white enamel grapes and vine, some scratching, stopper flush with top probably original, rubbing to the gilt metal of the loop handle and overall rubbing to the gilt metalwork, some oxidisation showing through on the gilt saddle cloth over the over the camels back, some bending to the gilt wirework holders of the glasses, Glasses engraved no damage with a leaf and flower border, cannot confirm that these are original but they have age. One or two pinpricks rubbing's to the camel, some minor discolouration to the oval glass base, otherwise in good condition.
A table top 6, steamer route distances, 15cm terrestial globe by Geographica (1923) Limited 55 Fleet Street, London showing rialways, raised upon ebonised baluster shaft and a circular plinth base 32cms high CONDITION REPORT: No cracks or indents to the globe. 8 or 10 very minor pin prick scratches showing white, outer ring in good condition, minor scratches to the baluster central shaft, minor scratching to the circular base otherwise in good condition.
A Victorian bur walnut and marquetry inlaid polyphon circa 1880 playing 39.5cm discs, the gilt metal bed stamped polyphon No: 64088 with applied labels, Nicole Freres and a gilt metal roundel stamped with a maiden with a 16.5cm comb, the hinged crossbanded walnut panel top centred with a marquetry panel of flowers and leaves with a plain frieze with canted angles above a plinth base and turned feet with 19 discs, (illustrated)
An early 20th century oak cabinet Singer sewing machine the rectangular top with a moulded hinged cover ,enclosing singer sewing machine No: f8577639, the platform painted with flowers and roundel's, with a rise and fall mechanism above cupboard doors enclosing a cast iron treadle, a hinged compartment on the right hand side with a wheel opposed on the left hand side by a shaped drawer above a hinged door enclosing four short drawers with recessed roundel hinges raised upon a plinth base stamped number 192 , raised upon a plinth base and casters 84cms x 81cms x 45cms
A wall barometer, 20th century with a white dial the reserve stamped JC, hardwood frame and an easel thermometer within an ornate silver leafy figural frame,lacking tube, 17cms, a students brass coated microscope in a walnut hinged case 16cms, a Salter spring balance and a Victorian balance scale supported on a plinth enclosing a drawer with weights and accessories 35cms high (5)
A Victorian black slate architectural mantel clock with 12cm dial with Arabic numerals, foliate pierced centre the two train movement striking on a coiled gong, the architectural case with a leaf and mask frieze above leaf and flower chisseled columns flanked by cupolas with reeded fluted columns raised upon a plinth base, 32cms x 44cms x 16.5cms
A late 19th century french brass cased four glass manTEL clock with a 9cm white dial with arabic numerals, the two train spring driven movement striking on a coiled gong, the upright rectangular case with a shaped cornice, bow front ends, bevelled glass panels, raised upon a plinth base, presentation inscription dated 1897 with a mercurial pendulum and a key 25.5cms x 15cms x 12cms (illustrated)
A late 19th century gilt metal and marble mantEL clock garniture, the clock with an 8.5 white enamel dial with arabic numerals painted with festoons, the two train eight day movement with outside count wheel striking on a saucer bell, number 2518, the drum case surmounted with a bird perched on a nest with eggs, supported on a bow front white marble plinth with pineapple finials, supported by gilt metal mounted columns, gilt mask pendulum raised upon a bow front plinth applied with gilt metal leaves and fruit raised upon toupie feet 39cms high and a pair of conforming two branch candleabra raised upon circular white marble plinths 26cms high (illustrated)
A 19th century French gilt metal figural mantel clock with a 7.5cm white dial with Roman numerals, the two train AC and B Paris movement No: 4207 with an outside countwheel striking on a saucer bell, the case with an alabaster and gilt metal fruit finial supported on a drum case flanked by maidens emblematic of industry raised upon a breakfront plinth with a sickle and other implements raised upon an alabaster gilt metal plinth base shaped tupie feet, 39cms x 53cms (illustrated)
A 20th century walnut cased ICI presentation clock with a 15cm brass dial with a silver chaptering Roman and Arabic numerals, the three train English movement No: 213467 striking on four gongs contained within a bell topped case with a brass handle raised on a plinth base with pendulum and key, 33cm x 22cm x 17cm
A 19th century brass steeple skeleton timepiece with a 13cm silvered chapter ring with Roman numerals, single fusee and chain movement, four pillar architectural case with crossing terminals raised on compressed bell shaped feet raised on a marble plinth with an ebonised stand with bun feet and a glass dome cracked, with a pendulum, a screw adjust and an associated key, 35cm, 39cm including dome, (illustrated)
A 19th century French porcelain mantel clock, with a 8.5cm chaptering, the porcelain panel cracked painted a gallant and his companion in landscape, with a two train gong striking movement contained in an ornate gilt brass case with a spire finial raised upon a plinth base 39.5 x 24.5 x 15cms
A Victorian gilt spelter and black slate figural mantel clock with an 8.5cm white enamel dial with Roman numerals, the two train Japy Fils French movement with out side count wheel striking on a saucer bell No: 1373, the drum case with a quiver, bird and flower cresting flanked by a seated maiden, raised upon an architectural plinth, 36cm x 40cm 14.75cm
A Victorian slate noir and malachite mantel clock with a 12cm white dial indistinctly signed with Roman numerals, the two train bell striking movement, stamped Gay Vicarino Paris, striking on a saucer bell, the architectural case inset with malachite raised upon a fluted plinth base 32.5cm x 38cm x 16.5cm, pendulum lacking
A choice 19th century French four glass and white marble figural mantel clock with a 9.5cm white enamel dial with Arabic numerals painted with festoons, the two train Brevete movement .Sgdg stamped Bartlet Demontale and a roundel stamped Sonnerie Proores Btsdg, also stamped No: 12848 the case with a gilt metal scantily clad archer seated on a white marble plinth above a bevelled glass door, bevelled glass sides raised upon a shaped plinth with scantily clad maidens raised upon gilt metal scrolling feet, approximately 50 high x 27 x 16cms with a pendulum and a key, (illustrated)
A 19th century gilt metal and alabaster mantel clock with an 8cm convex white dial with Roman numerals, the two train eight day movement No: 4341 with an outside count wheel striking on a saucer bell, the drum case surmounted with a classical maiden with an eagle perched on her shoulder, holding a ewer, her foot raised on a cushion beside a lamp and musical instruments, supported on an onyx shaped plinth, the porcelain panel painted with birds flanked by ovals amidst ribbon tied frames, raised upon bell shaped feet, with a gilt wood stand and an ebonised plinth, damaged glass dome, the clock 40cm overall height including dome and plinths approximately 59cm high
A Victorian black slate and gilt brass mantel clock with a 9cm brass dial signed A Reynoldson, Salisbury, the two train key wound movement striking on a gong within an architectural case applied with masks leaves and leaf decorated columns raised upon a plinth base, 26 x 13 x 20cms with pendulum
An early 19th century French ebonised and inlaid mantel clock with an 8.5cm silvered dial with Roman numerals, gilded centre, signed W Bofenschen, Senior Hannover with outer calendar ring and a subsidiary dial above twelve, retard, and advance with pointer, the two train F G Brevete movement with outside count wheel number 274 striking on a saucer bell supported on a lyre shape inlaid case raised upon a circular ebony inlaid plinth with a gilt metal band under a glazed dome, with a key (Illustrated)
A walnut cased bracket clock, 20th century with a 15cm brass coated dial, silver chaptering, Roman and Arabic numerals, mask spandrels, signed Goldsmith and Silversmiths, 112 Regent Street, London with an ICI Industries presentation plaque 1949, the three train English movement striking on four gongs in a bell top case raised upon a plinth base, minor veneer missing to door with a key, 33cms including handle x 21.5 x 17cms.
An early 19th century oak and mahogany cross banded long case clock with a 33.5cm white enamel dial indistinctly signed Ellesmere with subsidiary seconds and date aperture, rose and leaf painted spandrels, the two train eight day movement with anchor escapement, rack striking on a bell, the case with a swan neck cresting, brass rosette finial's above brass capped fluted columns, the trunk with a shaped cross banded door, flanked by fluted quarter columns raised upon an inlaid plinth base, reduced bracket feet, requires restoration approximately 212cms with two weights and a pendulum
A George III oak and mahogany crossbanded longcase clock with a 30.5cm white arched dial signed W Godfrey, Winterton with subsidiary seconds, dial and date aperture, the arch painted with a classical maiden holding a garland, leaf and flower spandrels the two train eight day movement with anchor escapement rack striking on a saucer bell, the case with a pagoda top, two brass eagle finials above an oval stamped with an open fan, brass capped fluted columns, the trunk with a shaped door raised upon a plinth base and bracket feet, approximately 229cms with two weights, pendulum, loose base plinth side moulding, lacking side moulding to top of trunk and lacking rear supports.
A George III mahogany and walnut longcase clock with a 31cm brass and silvered dial signed in the arch James Leckie, Glasgow, flanked by dolphin spandrels, the dial with subsidiary seconds dial, and date aperture, mask, leaf and shell spandrels the two train eight day movement with anchor escapement rack striking on a bell, bell lacking, the case with a swan neck cresting, foliate terminals, brass vase finial, the hood with brass capped columns, the trunk with a plain long door raised upon a plinth base, clock lacking side glazed panel, 214 cms high, with two weights and a pendulum CONDITION REPORT: Swan neck cresting a crack running through the left on right hand side of the swanneck approaching the floral rosette, glass lacking to clock door, glass lacking to left aperture, glass intact on right aperture, door straight in line, arched dial movement lacking saucer bell, original foot board, the case generally in good condition, it is now raised upon a plinth possibly bracket feet may have been removed, case door locked.
A mid 19th century oak and mahogany and rosewood inlaid longcase clock with a 31cm white dial signed Alexander Simmons, Warwick with date aperture, the centre painted with a galleon, strawberry and leafy spandrels, the single train movement with outside countwheel striking on a bell, the case with a swan neck cresting with brass foliate terminals, brass capped fluted columns, the trunk door inlaid with rosewood raised upon an inlaid plinth base, 207cms high with a weight pendulum and door key
A William IV mahogany longcase clock with a 30.5cm silvered dial signed Addis, London, with subsidiary seconds dial and outer date calendar, Roman and Arabic numerals, leaf and fruit spandrels the two train eight day movement with anchor escapement, rack striking on a saucer bell, the case with swan neck cresting, brass finials, the hood with brass capped reeded columns the trunk with a shaped long door, well figured wood raised upon a crossbanded plinth, shaped apron and bracket feet, 214cms with two weights pendulum, door and winding key
A George III mahogany longcase clock with 35.5cm brass and silvered arched dial signed in the centre, Harrison, Liverpool with subsidiary seconds dial engraved with scrolling leaves, rococo spandrels, the arch with a silvered ring engraved On Time's uncertain date, eternal hours depend, rack striking on a saucer bell, the ring with a calendar painted with figures outside a dwelling and a figure fishing in the harbour, the two train eight day movement with anchor escapement, the case with an architectural pediment above turned hood columns, crossbanded frieze, shaped long door raised upon a plinth base inlaid with line inlays, 238cms high, with two weights and a winding key, (illustrated)
A 19th century inlaid mahogany three train longcase clock with a 35.5cm brass and silvered dial signed in the centre J Callcot, Cotton with subsidiary seconds dial and outer date calendar, eagle, urn and leaf spandrels, the lunar calendar painted with a masted vessel and a castle in landscape, the three train movement striking on a saucer bell and eight graduated bells, the case with a swan neck cresting above fluted hood columns, the trunk with a shaped crossbanded door, fluted quarter columns raised upon a plinth base, well figured wood and bracket feet, overall inlaid with line inlays and checkering, approximately 229cms high, with pendulum, three weights and a winding key, (illustrated) CONDITION REPORT: Swan neck cresting good condition. The door original glass, a piece of veneer possibly replaced on the right hand side, small piece on the bottom right hand corner. paint work to the lunar calendar good condition. The case in good condition. Original back board, plinth on good condition. Minor scratches to the canted angles. The seat board replaced, movement not checked.
A George III mahogany longcase clock with a 33cm brass and silvered dial signed with a plaque J.Kaye, Liverpool with subsidiary seconds ring against a leaf and lattice ground, outer date calendar, Roman and Arabic numerals, cast leafy spandrels, the arch painted with a dwelling in landscape, the case with a swan neck and leafy cresting, minor reductions, fluted columns above a blind fret work carved frieze, shaped long door in well figured wood, fluted quarter columns raised upon a panelled plinth base and ogee bracket feet, 226cms high with pendulum, two weights and a winding key, (illustrated) CONDITION REPORT: The centre above the swan neck and flower cresting has been cut, glazed door original, glazing to door original, chaptering bright, centre and spandrels good bright condition, some dentil moulding missing beneath the hood, right hand side approx. 14cms, small piece to the left approx 2cm, small piece on the angle on the left hand side 5cms, right hand side going back to the wall three small pieces, blind fret carving on the front frieze good, blind fret frieze left hand side section missing at the back approx. 8cms, some blind fret cover missing on the right hand side approx. 7 cms, good well figured door, well figured plinth, bracket foot on the right front missing, original back board, original seat board, just below the seat board there is a rectangular section cut away possibly infilled with later piece of wood.
A 20th century mahogany long case clock with a 29cm brass coated dial silvered chaperting, the three train movement with Westminster and Ave Maria De Fatima chimes on six gongs the case with a swan neck cresting above a trunk door with bevelled glass panels raised upon a panelled plinth base and bracket feet. Three weights and a pendulum 224 cms high
An 18th century oak 30 hour longcase clock, with a 12 30cms brass dial signed Ed Rawling, the single train movement with outside count wheel striking on an overhead bell, Dover with Roman numerals, cast urn eagle and leafy spandrels, the case with a cavetto cornice above a plain frieze attached columns above a panelled long door raised upon a plinth base with pendulum weight and door key 200 cms 78½ (illustrated)
A 19th century North Walian hall cupboard with alterations the cavetto cornice above a mahogany crossbanded frieze and two panels flanked by two cupboard doors, later shelves, the lower part with three faux drawers, two short and one long drawer, brass handles raised upon a plinth base lacking feet 194 x 134 x 51cms
An 18th century oak and fruitwood artists press, the rectangular plinth enclosing two frieze drawers later handles with a central fruitwood worm with turned baluster handles ****** this press is believed to have been used by Mabel Lucie Attwell and is direct descent from her grandson, 83cms x 77cms x 45cms,
A mid 19th century oak and mahogany North Walian high back dresser with an ovolu cornice above a plain frieze and three enclosed plate rails, the lower part with a rectangular moulded top above three frieze drawers and a pair of panelled cupboard doors flanking a drawer and two false drawers each with brass swan neck handles raised upon a plinth base and stile feet 199cms x 141 x 49 (Illustrated)
A Victorian carved oak sideboard in the Jacobean style with a cavetto cornice above a leaf gadroon and scale frieze above a pair of panels each centred with roundel's, outset lions mask and female leafy columns, the lower part with a rectangular leaf carved border above a lions mask frieze drawer with five divisions above a panelled cupboard door enclosing a shelf flanked by outset lions mask columns raised upon inverted break front plinth 188 x 107 x 52cms (Illustrated)
A George IV inlaid mahogany cellaret, the square hinged top with an ebony and line inlaid checkered border with satinwood fan shape angles with an inlaid frieze enclosing a fitted interior with two trays forming nine apertures for bottles, lions mask ring handles raised upon a plinth base, tapering legs, brass shoes and castors, 62cms x 36cms x 33cms, (illustrated)
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172950 item(s)/page