A George III Mahogany Secretaire Bookcase, in the manner of Gillows, late 18th century, the architectural and dentil-moulded cornice above a dentil frieze and glazed doors enclosing adjustable shelves, the base with a two-as-one deep secretaire drawer with sliding leather-covered writing section with six hinged compartments below, above two moulded cupboard doors with tulipwood-crossbanded oval panels enclosing shelves, on a plinth base 135cm by 62cm by 244cmProvenance: Dutton Manor, Lancashire For a similar configuration of the private or secret drawers, see Stuart (Susan E) Gillows of Lancaster and London 1730-1840, pg.281, pl.295
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After the Antique: A Carved White Marble Figure of The Dying Gaul, the recumbent figure on oval base 65cm long First recorded in the Ludovisi Collection in 1623, the antique marble known as 'The Dying Gaul' was acquired for the Capitoline Museums by Pope Clement XII. Initially thought to be a Roman Gladiator it is now known to be a Roman copy of a Hellenistic bronze, probably by Epigonus, court sculptor to Attalus, depicting a wounded Galatian, whose army invaded the kingdom of Pergamon in the third century BC.Since the marble's discovery, it has become one of the most widely reproduced Classical figures with examples in bronze, marble and alabaster. 65cm by 32cm by 39cm Broken an honestly repaired. Head reatached, plinth broken in two next to the sword. right arm broken through bicep and wrist. Left leg broken through thigh and ankle. Numerous other cracks and chips.
A Regency Rosewood Breakfront Side Cabinet, early 19th century, the brass grille doors lined with dark pink watered silk, all between pilaster supports, the interior with later black velvet-lined adjustable shelves, on a moulded plinth base246cm by 42cm by 94cmGood quality timber and a good colour. Has general scratches, some ring marks and minor natural? split, as photographed. With three keys and working locks. Backboards seem original but have been ebonised. Modern felt on shelves. Some scuffs and small losses around the moulded base, as photographed. Right-hand moulding damaged. The fabric would not be easy to replace - we would recommend using a restorer for this.
A Late 17th Century Dutch Oak Chest, the hinged lid with raised moulded panels enclosing a later painted interior with candle box, engraved iron lockplate, the base with three moulded panels inlaid with marquetry sun burst emblems, all between part-spiral-turned uprights, on a moulded plinth base with compressed bun feet 122cm by 58cm by 68cmWith original invoice from Charles Angell, 34 Milsom Street, Bath, dated 10 September 1942, described as an antique Dutch offer. and a Postal Order dated 6 January 1943 for £17
A Late 17th Century Joined Oak Chest, the moulded top above two short and three long geometric-moulded drawers, on plinth base and bracket feet 94cm by 57cm by 93cmProvenance: Dutton Manor, Lancashire Later handles, previous marks visible to drawer fronts. Upper section with general scuffs and scratches, consistent with age. Discolouration and ring marks visible. Bracket feet with some strengthening work and later addiions. Structurally sound.
~ A Pair of Chinese Porcelain "Nodding Head" Figures, Qianlong, each modelled standing holding a square section baluster vase, wearing long robes with engraved gilt and patinated collars, on stepped square bases 30cm high Provenance: Spink & Son Ltd, 31 January 1956 For a similar pair see Christie's, South Kensington, 3 April 2012, lot 344Please note that there will be no internet bidding on this lot. All bidders on lots 1-10 will be required to provide identification and a deposit of £1,000. Registration for commission and telephone bidding on these lots will close on Wednesday 13th March at 12 noon. To register please email enquiry@tennants-ltd.co.uk First - head with one flowerhead lacking from hair bun, old yellowing repair around the neck and both ears. Body, old restoration around the neck opening, left hand supporting the square vase and both left corners of the plinth. Some flaking to the black enamel. Second - head with old yellowing repair to the neck and ears. Body with repair to the neck opening, left shoulder, shoulder blade at the rear, right hand and front right corner of the plinth. Firing cracks to the square vase. Some flaking to the black enamel. When assembled both figures nod, the heads sit a little high, the wire may have been replaced and not trimmed, neck mounts a little bent and may also benefit from slight adjustment. Porcelain of the head and body seem to match but originality cannot be guaranteed absolutely.The original receipt is available to the purchaser of this lot.
A Pair of Gilt-Metal-Mounted Green Variegated Marble Lamp Bases, in Louis XVI style, of baluster form, the ram's mask handles hung with foliate swags, on circular socles and square plinths, fitted for electricity42cm highMinor chip to bottom corner of one plinth base. Very minor chips to edges of both plinth bases and socles. General very minor wear and scratches. Discolouration to gilt-metal mounts. Electricity cables enter through side of plinth bases,
A Regency Mahogany, Ebony and Boxwood-Strung Four-Door Library Bookcase, early 19th century, the upper section with moulded cornice above open and adjustable shelves, all between moulded stiles, the base of breakfront form with reeded edge above moulded cupboard doors enclosing pine shelves, on a moulded plinth base308cm by 60cm by 245cmHeavily scuffed throughout, particularly to the shelves. The cupboard doors are slightly misaligned. There are some scuffs and faults around the moulded base and some small veneer losses. There are some further heavy scuffs to the shelves as well as some splitting to the moulding on the front of the shelves beneath the cornice. The right-hand central cupboard door has a small split. Some variations in colour.
An unusual and heavy bronze figure of a five-toed Dragon breathing fire and gazing up at a flaming pearl held aloft in its rear claw, raised on a plinth/pedestal resembling rolling waves and with Greek key details, the Dragon being flanked to either side by an arm with breaking wave detail and each supporting a sphere surrounded by writhing serpents. The pedestal features a four character detail to the front and the base has an impressed four-character mark beneath. On a label attached is written "Chinese Bronze Dragon figure Qing period with foundry mark under base". 12'' wide x 11 3/4'' high overall. 2.265 Kg approx.
"Abnormalities, the result of diseases of the pelvic supports" by Jackie Attwood - a sculpture depicting five different abnormalities as a result of the detailed diseases, small moulded heads on miniature display stands housed in glass fronted case, on wooden plinth, length 50cmGlass front is loose, currently held in with tape.
Victorian Gothic revival carved oak and polychrome bookcase, the rectangular moulded top over angled frieze with geometric carving on gilt ground and fitted four shelf interior flanked by painted and gilded blind lancet uprights, the side panels with gilt blind arches over geometric panels on polychrome painted ground, raised on plinth base with blind trefoil roundels, 95cm x 32cm x 138cm high
Antique South East Asian carved cream marble standing figure, probably of the Buddha, possibly Burmese, Shan States, with incised conical hairstyle, the hands clasped above, eyes closed in a state of nirvana, 42cm high, raised on later mount and plinth baseFormerly at Old Enton, Godalming, Surrey from circa 1990, thence by descent.
Cambodian Baphuon style carved brown sandstone figure of Uma, consort of Shiva, Angkor Wat type, probably Khmer Empire period (circa 11th-12th century), standing in samabhanga, her hair in a chignon, naked to the waist and dressed in an incised sampot, 'fishtail' flared at the hem, 42cm high, raised on later mount and plinth, 47cm overallPrivate collection, Barcelona thence by descent.Comparable figures: Galerie Zacke, Vienna / Wien, 5th March 2021, lots 706 and 707Christies, 12th October 2004, lot 174
Pair of early 20th century Continental porcelain figures, modelled as an 18th century gallant and companion, he leaning against a plinth upon which there are a pair of pistols, she holding a basket of flowers in her right hand, a floral spray in her left, each raised on grassy circular base, 51cm high overall and smaller
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