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Oak longcased clock banded in mahogany , repainted square face with floral spandrels, roman hours, subsidiary seconds, date aperture, signed John Hayes Wrexham , two-train four-pillar movement, anchor escapement and rack strike on a Wilson false plate, in a flat topped hood with brass bals, fluted columns on quarter column trunk and canted inlaid plinth. Height 210cm. (Pendulum, two weights and key)
Oak longcased clock banded in mahogany, square brass dial with engraved spandrels and field, subsidiary seconds, date aperture, inscribed Evan Evans, Aberaeron , two train movement with rack strike, flat topped hood, plain columns, cavetto shoulders, on set out plinth and bracket feet. (Pendulum, two weights, key)
Oak longcased clock, late 18th century, banded in mahogany, brass brocken arch face, silvered chapter ring, engraved field with subsidiary seconds, signed Jno. Stanyer, Nantwich , silvered domed crest to the arch, twin-barrel four-pillar movement, anchor escapement, hour rack strike, in a swan neck hood with blind fret and fluted columns, on fluted trunk and canted plinth. Height 222cm. (Ticks, with pendulum two weights and key)
Oak longcased clock banded in mahogany , repainted broken arch face with floral spandrels, rolling moon, roman hours, subsidiary seconds, date aperture, signed Jas Barlow Northwich , twin-barrel four-pillar movement, rack strike, anchor escapement, on Ashworth false plate, in a swan neck hood with eglomise frieze and maker`s panel S Mason Cabinetmaker Weaverham , fluted columns, quarter column trunk, on set-out plinth. Ht 220cm.
A George III oak thirty-hour longcase clock, John Glazebrook, Mansfield, mid 18th century, the plated countwheel bell striking movement with 11 inch square brass dial with arched calendar aperture and signed Jno. Glavebrook, Mansfield within an oval reserve to the matted centre within an applied Roman numeral chapter ring with fleur-de-lys half hour marker and Arabic five minutes, the angles with applied bird-and-urn cast spandrels, the case with dentil cornice, blind fret frieze and turned pilasters to hood above shaped top trunk door and reduced plinth base, 203cm high. Visit www.dnfa.com for condition reports.
A Regency mahogany eight-day longcase clock, Thomas Chapman, Gravesend, early 19th century, the five pillar rack and bell striking movement with 12 inch circular single-sheet silvered brass dial with subsidiary seconds and calendar dials and signed Tho`s Chapman, Gravesend to centre, the case with shaped crest to the break-arch pediment above brass fillet inset dial aperture flanked by stop-fluted pilasters to hood, the trunk with break-arch door above panel fronted plinth base with shallow skirt and small bun feet, 200cm high excluding finial. Visit www.dnfa.com for condition reports.
An inlaid oak eight-day longcase clock, Allen, Wantage, early 19th century, the four pillar rack and bell striking movement with 12 inch white painted Roman numeral break-arch dial with subsidiary seconds and calendar apertures and signed Allen, Wantage to centre, with floral spray painted spandrels and nesting Ho-Ho birds to arch, the swan neck pedimented case with reeded pilasters to hood above short rectangular conch-shell centred door flanked by quarter columns to trunk, the conforming plinth base decorated with a circular banded panel, on bracket feet, 211cm high excluding finial. Visit www.dnfa.com for condition reports.
A Victorian mahogany bracket clock, unsigned, mid 19th century, the four-pillar twin fusee bell striking movement with 8 inch circular white painted Roman numeral dial, the case with shallow arch pediment and turned finials above canted front angles applied with projecting corner columns, on canted plinth base with compressed bun feet, 46cm high. Visit www.dnfa.com for condition reports.
A gilt brass five-glass `Atmos` timepiece, Jaeger-LeCoultre, 20th century, the single train movement with torsion escapement and automatic winding via expansion and contraction of an aneroid chamber at the rear of the mechanism, the top stamped numbered 620648, with white Roman numeral chapter ring housed in glazed case with rounded angles and shallow plinth base incorporating adjustable feet, 23cm high, with original box and instruction booklet. Visit www.dnfa.com for condition reports.
A carved mahogany quarter chiming bracket clock, Lawson and Co. Glasgow, late 19th century, the four pillar triple fusee movement with rise/fall regulation and chiming the quarters on either eight bells or four gongs, the 5 inch full-arch dial with fine foliate scroll engraved centre with signature plaque LAWSON & CO, GLASGOW within an applied silvered Roman numeral chapter ring and brass blind fret mask incorporating Strike/Silent and Westminster/ Whittington switches and Fast/Slow regulation square to arch, the case with drapery swag carved cavetto caddy above acanthus corbel applied repeating rosette carved arched door flanked by Corinthian pilasters to front, the sides with arched sound frets, on inverted breakfronted plinth base with block feet, 43cm high. Visit www.dnfa.com for condition reports.
A French Belge noir marble and malachite inset mantel clock, late 19th century, the eight-day bell-striking movement with visible Brocot escapement to the two piece white enamel Roman numeral dial in an arch top case flanked by carved side scrolls and on breakfronted plinth base decorated with gilt incised linework and inset malachite panels, 32cm high. Visit www.dnfa.com for condition reports.
A French brass four-glass mantel clock, late 19th century, the eight-day bell striking movement with mercury compensated pendulum and strapwork decorated circular cream enamel Roman numeral dial (cracked), in a bevel glazed case with fluted frieze to the cavetto cornice above caddy-moulded uprights and plinth base, 26.5cm high. Visit www.dnfa.com for condition reports.
A Regency rosewood, brass inlaid and marble mounted chiffonier, circa 1815, with mirror back top above porphyry mounted base incorporating a baize lined drawer with divisions, above two damask backed grille doors enclosing shelves, flanked by carved and reeded columns, above a plinth base, 125.5cm high, 92.5cm wide, 38.5cm deep Visit www.dnfa.com for condition reports.
A Regency mahogany and ebony strung library table, circa 1815, the rectangular top with tooled red leather inset above eight drawers, the tapering stem and plinth issuing four downswept legs, brass lion paw caps and castors, 70cm high, the top 93cm x 122cm Visit www.dnfa.com for condition reports.
A Victorian pollard oak, ebonised and marquetry inverted breakfront sideboard, circa 1860, in the manner of Gillows, bearing a retailers label `HARRIS & NORTON, BULL STREET, BIRMINGHAM, 6629`, the rectangular mirror plate held within a carved oak surround surmounted by a walnut crest centred by an ebonised shield surmounted with an eagle and carved with three eagles with wings outspread, above motto `NIL DE SPERANDUM`, the base with three drawers above a open undertier with parquetry and ebony marquetry with two cupboards on either side, with fluted columns throughout, on a plinth base, 275cm high, 200cm wide, 79cm deep Visit www.dnfa.com for condition reports.
A Victorian mahogany hall stand, circa 1860, with circular mirror surrounded by four arms with eight turned coat hooks, above a hinged compartment and stick stand with turned supports, above a plinth base with metal liner, 208cm high, 85cm wide, 35cm deep Visit www.dnfa.com for condition reports.
A satinwood and kingwood crossbanded breakfront wardrobe, circa 1910, in the manner of Edwards & Roberts, the moulded cornice above a central pair of doors enclosing shelves, above two short and three long drawers, flanked on either side by a cupboard door, on a plinth base, 210cm high, 220cm wide, 54cm deep Visit www.dnfa.com for condition reports.
A late 19th/early 20th century walnut cased mantel clock, with striking movement the reverse marked "HAC14 day strike" to the interior of the rear door, the architectural formed case with twin columns surrounding silvered dial with applied gilt spandrels and frieze, raised on shaped rectangular plinth base, height 42cm
A fine quality large mid 19th century eight day English strike repeating giant carriage clock, by Desbois of Grays Inn Passage, London, the plain MacCabe type case with canted corners and embellished with downward turning peaks on the front pillars and ogee moulding to plinth, finished in oxidised bronze to top of handle, the twin fusee chain driven movement with hour and half hour striking gong, makers name engraved to reverse, with English lever single roller type escapement, with original oak carrying case, height 24.5cm including handle (Illustrated)
Two Royal Copenhagen mat glazed figures comprising a farm girl with goose and stick with painted factory marks and no.528, on oval integral plinth base and a girl with bonnet and shawl seated knitting no.1314, with painted factory marks and faint artist signature to base, height 18cm and 15cm respectively
A Georgian twelve inch brass dial eight day striking longcase clock by Richard Key with engraved silvered chapter ring, engraved silver subsidiary dial, engraved silvered twin winding holes, date aperture and applied spandrels, the oak case having pierced frieze and shaped panelled trunk door, raised on a plinth base, height 104cm (Illustrated)
A Robert (Mouseman) Thompson light oak corner fitting tall bookcase, the upper section with three glass shelves enclosed by a glazed panelled single door flanked on either side by further glazed panelling, the base section incorporating the carved mouse motif and panelled single cupboard door, raised on a plinth base, width 75cm, height 190cm (Illustrated)
A Victorian mahogany reverse breakfronted sideboard having a carved and shaped raised back above central frieze drawer and two panelled cupboard doors under, flanked on either side by a further frieze drawer and cupboard beneath, the whole raised on plinth base, approx width 185cm (Illustrated)
FEMALE TORSO: A colour decorated demonstration and instructional composition model of the female form, sectioned in parts for anatomical study purposes, each organ and/or section labelled (some later additions) for medical analysis, on plinth base, 29" high (some damages). (See Illustration).
MALE TORSO: A colour decorated plaster model for demonstration and instructional purposes, the rib-cage removable revealing various individual components, numbered for lecture purposes, the half-skull with dissectional brain, possibly by Adam Rouilly, 38" high on plinth base. (See Illustration).
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173487 item(s)/page