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Lot 175
A Meissen (Marcolini) porcelain allegorical group of 'Die zerbrochene Brücke’ (The Broken Bridge), c.1780, blue crossed swords and star mark, blue || mark, modelled by Michel Victor Acier with a gallant stooping to support his female companion, a broken bridge and an attendant putto scattering roses before them, the reverse with Cupid lending his own support, the rocky mound base applied with flowers and foliage, the oval plinth below with two-tone gilt flutes divided by paterae, 24cm high Footnotes: Note: This group was first modelled by Acier (1736-99) in February 1777. For the engraved design by J. Joachim Friedrich Elasser of this group, see T.H. Clarke, ‘Marcolini Meissen Figures, Groups and Vases, The Outline Engravings (Contouren) 1785-1792 by J. Joachim Friedrich Elasser’ in Keramik-Freunde der Schweiz, no. 103, June 1988, no. 66.
Lot 178
A Meissen porcelain figure of an Imperial German Infantryman, c.1914, blue crossed swords mark, model no. E 284 and Pressnummer 122, wearing typical tunic and equipment, the pickel haulbe cover and shoulder straps numbered for the 102nd regiment, 3rd Royal Saxon Infantry, modelled holding a GEW 98 rifle and stepping onto a rock, the plinth base moulded with two cartouches and an iron cross, 19cm highCondition Report: The bayonet strapped to the back of the infantryman is missing the pommel. Surface dirt can be seen in the crevasses around the feet and brocade, and to the underside of the base. The footrim of the base with typical wear consistent with age. The overall decoration is in good condition.
Lot 179
A pair of Vienna porcelain small baluster vase table-decorations, c.1770, painter’s purple 30 mark to one, with waisted foliate necks, painted with flowers, each neck issuing bouquets of flowers and with trailing flowering stems applied at the shoulders, the fluted socles enriched with purple alternating with gilding, on square plinth bases, the tallest 15.9cm high (2)
Lot 188
A Staffordshire Enoch Wood pearlware group of the Madonna and Child, c.1785-90, the Madonna wearing gilt flowered white robes and with the Infant on her lap, seated on a purple and red stool, on a brightly marbled plinth base, 32.4cm highFootnotes: Note: This pearlware sculpture was modelled after Lucas Faydherbe’s sculpture of the Madonna and the Infant Jesus. For the terracotta bozzetto by Faydherbe of circa 1670 in the British Museum, London, see Hugh Tait, ‘An unknown Bozzetto of Lucas Faydherbe’ in Burlington Magazine, CIV, June 1962, pp.257-265.Condition Report: Several firing cracks present to the base and hollow interior of the figure group. A repaired and re-glued crack around the front neckline of the Madonna is visible, two more firing cracks are present to the garments gathered under the left arm of the Madonna, further firing cracks can be seen to the garments underneath the stool on which she sits. A hairline crack present to the forefinger of the Infant's left hand. Large areas of the figure group have heavy crazing. Some general surface dirt present to the top layer, and also some dirt under the top glaze to the back of the Madonna's robes. Decoration overall is in good condition with much of the gilt highlights intact, the colour of the seat and base is largely good.
Lot 195
A white glazed porcelain figure of Andromache weeping over the ashes of Hector, last quarter 18th century, modelled on the print by Thomas Burke after the painting by Angelica Kaufmann, decorated to the face with red lips, gilt floral sprays to her garments and gilded borders to the urn and plinth, 32cm highFootnotes: Note: Similar examples to this figure were produced by the Derby and Bristol factories in the late 18th century, of which examples can be found in the collections of the British Museum no.1905,0318.8, and the Fitzwilliam Museum, Cambridge, C.3079-1928. Condition Report: Large firing cracks to the underside and large chips to the base, a firing crack between her head and arm, and further firing cracks to her garment near her exposed foot, the figure crazed to the reverse and to the plinth.
Lot 239
A George III mahogany repeating table clock, John Lambert, last quarter 18th century, the case with inverted bell top surmounted by a brass swing handle and flanked by four acorn finials, the break arch door with Rococo style brass quadrants, the sides with glass panels, on a plinth base with brass bracket feet, the arched silvered dial with Roman numerals and Arabic five minute markers, the gilt matted centre with silvered plate signed Jn Lambert London and date aperture at six, with Strike / Silent subsidiary dial to arch and having C-scroll spandrels, the twin fusee movement with verge escapement, the backplate finely engraved with scrolling flowers and foliage, striking a bell and having pull cord repeat, the pendulum with pear shaped bob, with two case keys, 51cm high (handle extended), 27.5cm wide, 18.3cm deep Provenance: Private London collection, purchased by current owner from W. F. Turk in 2008. Please note that Roseberys do not guarantee the working order or time keeping of any timepiece. Footnotes: Note: Brian Loomes records John Lambert as working in Shug Lane, London in 1784, and Tichborne Street, Piccadilly, from 1805-1811 - Loomes, Brian, Watchmakers and Clockmakers of the World, Complete 21st Century Edition, N.A.G., 2022, pp460. Another John Lambert bracket clock was sold at Bonhams, London, 28 June 2011, lot 145.
Lot 271
An Italian bronze bust of Dionysus, cast by Fonderia Sommer, late 19th century, after the Antique, with cast foundry mark Sommer Napoli, on a waisted socle and octagonal base, 16cm high; together with a French bronze tazza, late 19th century, the circular shallow dish cast with a figure of a Classical male playing pipes and carrying a lyre, a dog at his side, the pierced handles with bearded masks, on slender spreading socle and circular foot, on later square black fossil marble plinth, 21cm high, 34cm wide (2)Footnotes: Note: The original bust of Dionysus was excavated from the ash and lava covered Villa Dei Papiri, on the outskirts of Herculaneum in 1759. It is now housed in the Naples Archaeological Museum and has been previously identified as Plato. The model came to prominence in the late 19th century when the Chiurazzi founders included it in their sale catalogue of antique style reproductions.
Lot 284
After Matthieu Jacquet, French, 1545-1611, late 19th century, a French bust of Henri IV, modelled wearing a laurel wreath and elaborate ruff, on a later mottled grey marble circular plinth, 18cm high overallFootnotes: Note: the present lot derives from a bronze bust by Mattieu Jacquet in the Louvre, Paris, inventory ref: MI 38.Condition Report: This bust is in good overall condition. It has an even dark brown patination with minor wear/rubbing to the extremities in areas. It has been later mounted on the marble plinth.
Lot 318
A French gilt and patinated bronze figural mantel clock, mid-19th century, modelled as a young man carrying a hay bale on his back while leaning on a cane and holding a pipe, on a plinth base with gilt-bronze mounts and four bun feet, the white enamel dial with Roman numerals and outer minute, signed Gerard a Paris, with Brequet hands, the twin train movement striking a bell on the hour and half hour, approx. 35.8cm high, 28cm wide, 10.5cm deepProvenance: Property of a Gentleman removed from a Knightsbridge Apartment.Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.Condition Report: Case: There is tarnishing to the bronze, particularly to the base, with engrained dirt, finger prints and scratches. The underside with two bun feet missing and the remaining four feet are heavily scratched. Base is marked and tarnished to underside. There is a crack approx. 5cm long with other minor cracks to the reverse of the base. Minor tarnishing to figure and clock case, with minor losses to gilt on the bale and to the trousers. Dial: There are hairline cracks to the dial, to includes hairlines issuing from the winding holes to between 7 and 8 and through 5, and another through 9. There are scratches and areas of dirt throughout, especially to dial centre. The signature is rubbed. Hands are slightly bent.Movement: Some minor tarnishing and scratching to backplate. Possible replaced bell. Suspension spring and pendulum leader missing. There is no pendulum or key. Please note that Roseberys do not guarantee the working order or time keeping of any timepiece.
Lot 358
A pair of Paris (Jacob Petit) porcelain figural flasks and covers, c.1845, blue j.P. marks, incised p marks, modelled as male and female chinoiserie figures, each in brightly-coloured clothes, his cape and her collar edged with tassels, the stoppers formed as conical hats moulded with dragons, standing on rectangular plinth bases with canted angles, restorations, 22.7cm high overall, on later shaped giltwood bases (2)Provenance: Property of a Gentleman removed from a Knightsbridge Apartment.Footnotes: Note: For a pair of Jacob Petit flasks modelled as a Sultan and Sultane, see Régine de Plinvalde Guillebon, Faïence et Porcelaine de Paris XVIIIe – XIXe Siècles, Dijon, 1995, p. 380, no. 367.Condition Report: Each figure with some damages and restoration. The cover modelled as a hat for the male figure has a repair to the finial and several chips to the rim, while the cover for the female figure is missing the finial, the part of the hat below the finial has also been repaired, and there is a large chip to the rim. The right hand of the male figure has some restorative glaze to the inside fingers, and the scroll in the left hand has been replaced. The back end of the green robe has some losses of paint and the gilded tassels are rubbed. The left hand of the female figure has been re-attached, the orb she holds is heavily rubbed. Examination under UV light shoes some evidence of overpainting to the face of the female figure. Further losses to gilding around the base of each figure.
Lot 447
A Victorian Aesthetic movement burr oak triple wardrobe, last quarter 19th century, ebony and boxwood anthemion inlay, the moulded cornice above central mirrored door, enclosing three linen trays and four drawers, flanked by two doors enclosing fitted hanging space, raised on plinth base, 214cm high, 215cm wide, 72cm deep
Lot 497
An Anglo-Indian carved oak box settle, third quarter 19th century, the back with three carved panels depicting an elephant fighting a tiger, a boat and figures in an ox drawn cart, with carved floral borders, the scrolling arms carved and pierced with mythical creature, hinged compartment above carved floral frieze, raised on plinth base, 98cm high, 135cm wide, 51cm deep
Lot 58
An Arts and Crafts silver centrepiece bowl by Albert Edward Jones (1878-1954), Birmingham, 1923, the planished circular body with twin handles and decorative twist band beneath rim, raised on a spreading circular foot to wooden plinth, approx. 15.5cm high (exc. plinth), 20.4cm high (inc. plinth), approx. weight 26.3ozCondition Report: the foot stamped 884V to underside
Lot 434
Four boxed limited edition Royal Doulton figures, comprising: HN2883 H.R.H. The Prince Of Wales, numbered 270 of 1500, with turned wooden plinth, 20cm high, with HN2885 Lady Diana Spencer, numbered 270 of 1500, with turned wooden plinth and certificate, 19.5cm high, HN2878 Her Majesty Queen Elizabeth II, numbered 270 of 2500, with certificate, 26.5cm high, and HN3086 The Duchess Of York, numbered 386 of 1500, with turned wooden plinth and certificate, 22cm high (4) CONDITION REPORT:All figures show fine surface wear, with rubbing to gilt highlights and small nibbles to floral encrustation where present, but no obvious chips, cracks or evidence of restoration.
Lot 445
A Beswick Large Racehorse in brown gloss, model number 1564 designed by Arthur Greddington, 28.5cm high, with a Large Hunter in brown gloss, model number 1734 by Arthur Greddington, 30cm high, and a limited edition Royal Doulton 'Red Rum', model number DA218, numbered 833 of 7500, set to a lozenge shaped wooden plinth with brass effect name plaque, 37cm high overall (plinth at fault) (3)
Lot 449
Two Beswick Connoisseur horse models, comprising: 'Grundy Racehorse of the Year 1975', model number 2558, discontinued in 1989, designed by Graham Tongue, on lozenge shaped wooden plinth, 19cm high overall, and 'Red Rum Winner of The Aintree Grand National 1973, 1974 & 1977', model number 2510, possibly second quality, on lozenge shaped wooden plinth, 32.5 cm high, with two Royal Doulton horse groups, each 18cm high (4)
Lot 467
Three Border Fine Arts figures, comprising: a 'Blackfaced Ram', model number A0734, signed 'C D McK' to base, 13.5cm high, a 'Red Grouse', model number A1279, signed Willis 2001' to base, 27cm high, and a 'Pintail', model number, A0478, by Don Bridell, 29.5cm high along with a Country Artists limited edition 'Trooping the Colour', numbered 2617 of 9500, designed by Rob Donaldson, with associated wooden plinth, 27cm high overall (4)Condition report: All figures show fine surface wear but no obvious chips, cracks, crazing or signs of restoration.
Lot 547
An illuminated "Perrier" advertising counter top display, late 20th century, comprising a shaped mirror behind four "Perrier" branded tumblers set to an illuminated plinth, 35.5cm high x 43cm wide overall, with six Art Deco style cocktail glasses, two further sets of Art Deco style glasses, and a Stretton Hills soda syphon (22)Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.Condition report: All glasses show minor surface scratching commensurate with age and use, but no obvious damage or signs of repair to the plinth, glasses or syphon.
Lot 614
A bronze floor standing jardinere stand, 20th century, modelled as Cupid arms aloft holding a boat shaped leaf, stood upon a shell and integral circular plinth base cast as a wreath applied with four winged masks, 110cm highCondition reportBoat trough measures 56cm x 32cmMinor water stain to the inside of the trough, otherwise general light tarnishing but no visible faults or damage.
Lot 638
A coin free table top 15 1/2" disc Polyphon music box, late 19th/early 20th century, the walnut and figured walnut case with ring turned pillars to the corners, above a flared apron applied with blind fretwork foliate detail, upon bracket feet, the underside of the hinged cover inset with a glazed monochrome print depicting putti playing instruments and making merry, the gilt metal plaque to the interior cast in relief with the text 'Polyphon' and the serial number 33586, cabinet measures 44cm H x 58cm W x 53cm D, along with a collection of 33 discsCondition reportJoint split to the top of the cabinet along with minor scuffs, marks, scratches and stains. Some minor splits to the veneer on the winder side of the cabinet, evidence of restoration and historic woodworm to the rear plinth ( please see additional images).Mechanism works and plays a disc when operated however this cannot be taken as a guarantee of working conditionDiscs are 40cm / 15 1/2", mechanism continues to play until unwound Video of Polyphon playing is available by request
Lot 673
A 19th century pine box, with a vacant interior, upon a plinth base with integral bracket feet, 26cm H x 44cm W x 25cm D, along with a 19th century carved oak box, the hinged top centred with a lozenge motif, carved lunettes to the front panel, opening to a vacant interior, 12cm H x 46cm W x 22cm D, and a primitive beech stool, the demi-lune slab top upon three bobbin turned supports, 29cm H x 29cm W x 21cm D (3)
Lot 678A
A Victorian figured walnut stationery/specimen cabinet, the top and doors inlaid with boxwood foliate detail, opening to three drawers applied with brass inset swing handles, upon a moulded plinth base, 31cm H x 31cm W x 20cm DWith key, drawers are cedar wood lined with no fabric or baize liners
Lot 689
A George III mahogany cased eight day longcase clock by Eardley Norton, London, mid to late 18th century, the pagoda shaped hood with pierced gilt metal side grilles and fluted freestanding pillars flanking the 31cm gilt metal and silvered dial, applied with integral Arabic date numerals to the outer track indicated by a third hand, below a strike/silent indicator, signed with the makers name, enclosing the four pillar two train movement striking on a saucer bell, the case with conforming quarter pilasters and an arched and moulded door over a panel applied with beaded detail, upon a plinth base, 244cm high, two weights and pendulum
Lot 692
A late George III mahogany cased eight day longcase clock signed R Fletcher, Chester, early 19th century, the 36cm painted break-arch dial with moon phase, subsidiary seconds dial and date crescent, signed with the makers name, enclosing the two train movement striking on a saucer bell, the case with an arcaded door flanked by quarter cluster columns, over a canted lower board, lacking feet/plinth, 220cm high, two weights and pendulum
Lot 751
A mid 19th century rosewood and marquetry work table, the moulded top centred with a marquetry panel depicting a bird on leafy branches, the two drop leaves inlaid with panels depicting rearing horses, over a pair of drawers opposed by faux drawers, upon an octagonal tapering pedestal, moulded collar and inverted quatre form plinth extending to scrolled feet, 74cm H x 40cm W x 41cm D
Lot 763
A Victorian country house painted pitch pine hall/storage cupboard, the moulded cornice above a pair of quatre panelled doors opening to a hanging rail and a lower shelf, upon a plinth base, 202cm H x 159cm W x 65cm DCondition reportSome minor under paint chips and faults, heavily re-painted which may conceal further minor repairs and faults.The cupboard appears to be structurally sound with some minor chips, flaking and faults to the paintwork
Lot 767
An ebonised hardwood jardinière stand, early 20th century, the fluted and ring turned column upon an integral plinth base, 98cm highCondition reportTop 24cm square.Minor cracks to the top with general light wear and very minor chip to the edge, plinth has several splits with brace added to the underside although the pedestal remains stable. Very minor scuffing wear to the column.
Lot 769
An Aesthetic Movement honey oak hall cupboard, late 19th century, the moulded and ebonised cornice over a pair of full length cupboard doors inlaid with geometric ebony stringing within a moulded periphery, opening to a later painted interior with three fixed shelves, the side panels with conforming detail upon an ebonised plinth base and bracket feet inset with castors, 186cm H x 111cm W x 53cm DCondition reportInterior has been re-painted and re-constructed with three shelves. Small chip to RH door moulding and to the edge of the door. General overall historic marks stains and scuffs commensurate with age and use. The cupboard appears to be in sound condition with no structural faults or damage
Lot 780
A 19th century mahogany partners desk, the rectangular moulded top inset with a later gilt tooled skiver, over three frieze drawers, upon twin pedestals each with three graduated drawers, applied with brass swan neck swing handles, upon a plinth base, with a corresponding arrangement to the opposite side, 74cm H x 145cm W x 140cm D
Lot 783
A contemporary collectors/specimen cabinet, late 20th century, the twin doors opening to an arrangement of forty glazed sliding trays, each with a detachable glazed cover enclosing a white painted interior, upon a plinth base, 128cm H x 133cm W x 57cm D (at fault) each drawer measures 5cm H x 61cm W x 53cm D
Lot 791
An Edwardian mahogany inlaid triple wardrobe, by Warings, of inverted breakfront form, the central mirrored door opening to an arrangement of drawers and sliding trays, flanked by convex full length wardrobe doors, upon a plinth base, outlined with chequered stringing, 210cm H x 213cm W x 65cm D
Lot 118
A PAIR OF FRENCH ART DECO GILT IRON CONSOLE TABLES CIRCA 1930, IN THE MANNER OF RAYMOND SUBES Each with banded onyx top and plinth each 67cm high, 56cm wide, 29cm deep overall Condition Report: Marks, knocks, scratches, abrasions consistent with age and useThe lower cuboid section one one is loose and rotates, the other appears more solid, these need to be fixed to a wall for use - these are currently screwed in at Guinevere's premises. The metal has some spotting and pitting, some dirt and discolouration and surface corrosionPlease see additional images for visual reference to conditionCondition Report Disclaimer
Lot 123
A PAIR OF CARVED AND PARCEL GILT DECORATED BAROQUE FIGURAL CANDLESTANDS ITALIAN, 17TH CENTURY The stems carved as winged putti, leaf scrolling pierced triform bases, decoration refreshed 73.5cm high, bases 19.5cm wide Condition Report: Typical signs of old worm damage- both with shrinkage and signs of remedial restorations including but not limited to: both sets of wings, legs/ankles to one, raised right arm of one- junction points with upper plinths. Some remedial retouching and restorations to surface throughout. The triform bases are single sided- designed to be seen from the front only with uncarved backs.Formerly mounted and used as lamps with remnants of drilled holes to later plinth bases- reverse of finials and tops from previous fitments and wiringPlease see additional images for visual references to condition which form part of this condition report.Please note viewing is at Guinevere (574-580 King's Road, London SW6 2DY). The auction takes place at Dreweatts Donnington Priory on Tuesday 23 May (10.30am BST). There will be no viewing or bidding at Guinevere on the day of the auction. Lots will be available for collection from Guinevere from Wednesday 24 - Friday 26 May (by appointment, 10am - 5pm). After Friday 26 May (5pm), all lots will be removed from Guinevere to commercial storage at Sackville-West Moving & Storing (Andover) and available for collection from Wednesday 31 May. All lots are available for inspection and Condition Reports are available on request. However, all lots are of an age and type which means that they may not be in perfect condition and should be viewed by prospective bidders; please refer to Condition 6 of the Conditions of Business for Buyers. Condition Report Disclaimer
Lot 138
TWO 'GRAND TOUR' BRONZE MODELS - THE LUXOR OBELISK AND LA COLONNE DE LA GRANDE ARMEE FRENCH, LATE 19TH CENTURY The Egyptian Obelisk of Luxor from the Place de la Concorde, Paris, decorated with Egyptian hieroglyphics and commemorative inscription panels, on black slate plinth surmounted by bronze railings, the Colonne de la Grande Armee in Place Vendome on a similar black slate plinth surmounted by bronze railings the taller 43.5cm high, base 14cm square
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