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Lot 1646
A Victorian Walnut Davenport with a short Brass gallery back and sloping front enclosing a Satinwood lined interior of four drawers, the whole top section slides, and is fitted on one side with a pen drawer, and also fitted on either side with drawers and dummy drawers on a plinth base, also mounted with a presentation plaque inscribed "Presented to John Moore by Frederick Young in memory of the services rendered by him with devoted fidelity and untiring zeal to Messrs Cox, Young & Co and Messrs Young, Dawson & Co during his successive connection with those firms from 1819 to 1877, a period of 58 years! and as a token of warm personal friendship and sincere regard", 24" wide
Lot 1392
A late 19th Century French Gilt Spelter and Alabaster figural Mantel Clock, the circular plinth shaped case flanked by a young maiden, with a pair of doves, to a shaped and stepped base, raised on scrolling feet, (some damage), to a circular Brass dial with gilt Roman numerals and moon hands, to a circular Brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 17"
Lot 1008
A Mahogany Quarter Striking Wall Clock, 20th Century, the nicely figured case with an architectural top and inlaid with boxwood stringing throughout, glazed side and front panels, waisted plinth, 6-inch white enamel dial with Roman numerals, recessed dial centre and bordered with a gilt cast bezel, triple weight driven movement with deadbeat escapement, two hammers striking on to two gong rods, 110cm high See illustration
Lot 1018
An Oak Thirty Hour Longcase Clock, signed Newby, Kendal, circa 1770, the case with swan neck pediment, turned columns, trunk door with crossbanding and flanked by inset fluted pilasters, the slightly reduced plinth with canted corners and crossbanding, 12-inch arched brass dial with silvered Roman and Arabic chapter ring, finely engraved dial centre with scrollwork and signed Newby, Kendal, subsidiary date dial, the arch with rocking painted scene of a sealing ship, above signed on a arched silvered plaque Sic Est Vita Hominis, four pillar movement with anchor escapement and outside countwheel striking on a bell, 215cm high See illustration James & William Newby are recorded working in Kendal 1765-1800. See Loomes (Brian) Watchmakers and Clockmakers of the World, pg 170.
Lot 1019
A Mahogany Eight Day Longcase Clock, the case with a later added pagoda top, fluted columns, arched trunk door, the reduced plinth with a quatre form moulding, 12-inch silvered dial with Roman and Arabic numerals and signed William Avenell, Portsmouth Common, date aperture, subsidiary seconds, the arch with a rocking figure depicting Tempus Fugit, five pillar movement with anchor escapement and rack striking on a bell, 228cm high (dial and movement associated to the case) See illustration
Lot 1020
A Mahogany Eight Day Longcase Clock, signed Robt Roskell, Liverpool, circa 1810, the nicely figured case with swan neck pediment, turned columns, wavy shaped trunk door flanked with fluted sides, inlaid plinth with canted corners and upon bracket shaped feet, 14-inch painted arched dial with Roman and Arabic chapter ring, dial centre with subsidiary seconds and date, the arch with rolling moonphase, four pillar movement with attached falseplate stamped Osborne, rack striking on a bell, 235cm high See illustration
Lot 1021
A Mahogany Domestic Regulator, Thos Cowham, 4 Engine St, Hull, the nicely figured case with arched top, side open door, front door with glazed panel and carved decoration, plinth with inlaid stringing, 11-inch painted dial, subsidiary seconds, aperture for hour indication and single minute hand, single weight driven movement with deadbeat escapement, maintaining power, 187cm high See illustration, Thomas Cowham is recorded working in Hull 1846-51. See Loomes (Brian) Watchmakers & Clockmakers of the World, pg 53.
Lot 1022
A Mahogany Eight Day Longcase Clock, the case with flat top pediment, fluted columns, arched trunk door with later inlay and flanked by canted corners, rectangular plinth raised upon bracket shaped feet, 13-inch arched brass dial with silvered Roman and Arabic numerals and a outer calendar ring with corresponding central calendar hand, dial centre with engraved scroll decoration and depicting a fish, subsidiary seconds, the arch with rolling moonphase and above signed Michael Heaton on a silvered arched plaque, four pillar movement with anchor escapement and rack striking on a bell, 235cm high (dial and movement associated to the case) See illustration
Lot 1023
A Mahogany Eight Day Longcase Clock, signed Thos Wiggan, Bristol, circa 1780, the later added swan neck pediment with fluted columns and Corinthian capitals, nicely figured wavy shaped trunk door, flanked by fluted canted corners, plinth with raised panel and upon bracket shaped feet, 12-inch arched brass dial with silvered Roman and Arabic chapter ring signed, matted and engraved dial centre with date aperture and subsidiary seconds, the arch with rolling moonphase and above on a arched silvered plaque High Water At Bristol Key, four pillar movement with anchor escapement and rack striking on a bell, 245cm high See illustration, Thomas Wiggan is recorded working in Bristol 1760-1790. See Baillie (GH) Watchmakers & Clockmakers of the World, pg 342.
Lot 1184
An 18th Century Chinese Cabinet, the whole with red, gold and yellow lacquer decoration of buildings, figures, birds, palm trees etc, the two double doors opening to reveal a painted interior of birds, vases and dragons on a red ground, on plinth base and fret cut scrolling shaped apron, 84cm by 49cm by 90cm See illustration
Lot 1274
A Walnut Double Pedestal Desk, stamped Gillow & Company, late 19th century, the rectangular top with moulded edge and inset green leather tooled writing surface, above three frieze drawers and six conforming small drawers, flanked by hinged fluted pilasters, on moulded plinth base, 130cm by 70cm by 74cm See illustration
Lot 1279
A Victorian Walnut and Inlaid Sideboard, the raised back with a central arched mirror surmounted by a carved cresting, flanked by rectangular mirrors all between inlaid pilasters, the breakfront D-shaped base with a moulded top and inlaid frieze over a panelled door flanked by clear-glazed quadrant cupboards, on a conforming plinth and turned feet, 216cm by 150cm by 40cm See illustration
Lot 1283
A Victorian Mahogany Four Door Wardrobe, of inverted breakfront form, the semi-domed top above a plain frieze flanked by two conforming arched cupboard doors headed by leaf carved scrolling terminals, the centre section with two panel doors enclosing three sliding trays above two short and two long drawers, raised on a plinth base, 206cm by 68cm by 208cm
Lot 1320
A Pair of Mahogany and Satinwood Bookcases, late 19th century, the fretwork and scrolling broken arched pediment above two glazed astragal doors enclosing four adjustable shelves, the base with two conforming frieze drawers with brass swan neck handles, the two cupboard doors inlaid with oval panels, raised on plinth bases, 123cm by 46cm by 258cm See illustration
Lot 33
A French Ormolu and Cut Glass Mounted Pedestal Jar and Cover, perhaps Baccarat, circa 1830-40, the spherical vessel with rose bloom finial with anthemion rim collar, the body deeply slice cut with repeat anthemion motifs, on a petalled wirework collar from three scroll legs with ram mask feet, on an anthemion slice cut cylindrical base with engine turned square plinth, 36cm high See illustration
Lot 54
A Royal Worcester Porcelain Model of Arkle, modelled by Doris Lindner, No.1327, 1967, standing and turning slightly to the right, on a rounded flat plinth, black printed crown and wheel mark and details, including Owned by Anne, Duchess of Westminster, upon the original wooden stand, 27cm high overall See illustration
Lot 55
A Royal Worcester Porcelain Appaloosa Stallion, modelled by Doris Lindner, No.985, 1969, naturalistically modelled and coloured, on a rounded flat plinth, black printed crown and wheel mark and inscription (as above), also incised DK985, inserting into the original wood stand, 26cm high See illustration
Lot 131
A Carl Thieme Encrusted Porcelain Pot Pourri Vase and Cover, circa 1870, the pierced and gently domed cover with an elaborate finial as a spray of flowers, on inswept fan pierced shoulders, veiled maiden mask side handles over encrusted fruits and flowers, the front and reverse painted with couples in 18th century costume dallying, on angular tripod legs linked by laurel swags and on a tri-concave flat plinth, blue painted crossed swords mark and T, 37.5cm See illustration
Lot 154
A Chinese Monochrome Blue Glazed Figure of a Seated Confucian Scholar, 19th century, holding a fly whisk in his right hand, tea bowl in his left, on a canted flat integral plinth (pierced on the reverse with a rectangular aperture), 27cm high An old ink written on the base Old Chinese turquoise blue Mrs Goddard`s Collection 799A
Lot 551
Peter J Bailey: A Bronze Figure of the Darley Arabian, 2001, upon a rectangular plinth, initialled, 25cm high, 39.5cm long, With artist`s label attached inscribed Following my work as a painter of equine subjects, particularly the Arabian horse and its history over the last 300 years, through to today`s thoroughbred. This bronze sculpture following the Arabian in my painting of The Darley. I have tried to capture the essence of this beautiful creature, as its cousins provide today in the Mid East & indeed all over the world.
Lot 552
A Cold Painted Bronze Inkwell as an Egyptian Pyramid, Franz Bergmann, Vienna, circa 1900, the upper section hinged to reveal a ceramic ink pot, a small entrance to the pyramid below flanked by a seated figure of a turbaned gentleman, on a canted square plinth, stamped vase rebus, 10cm high, 15.5cm square See illustration
Lot 554
Herbert Thomas Dicksee (1862-1942): A Bronze Study of a Prowling Male Lion, crouched menacingly on a gently angled rock, signed, 20.5cm high, 41cm long, raised upon a green marble rectangular plinth, 31cm See illustration, Herbert Thomas Dicksee (1862-1942) a painter specializing in oil paintings of dogs, and is perhaps best known for his prints and etchings. Dicksee also painted big cats at the London Zoo, of which he was a Fellow.
Lot 556
After Auguste Moreau: La Cigale, A Bronzed Spelter Figural Electrolier, French, circa 1890, as a pretty young girl in short diaphanous dress turning to the right and holding a three-limbed branch in her clenched hands, the three flowerheads of which form the light brackets, on a rustic base with faux marbled plinth with title plaque, 113cm high See illustration
Lot 559
A French Bronze Model of L`Arc de Triomphe, Paris, circa 1870, on a polished black slate rectangular flat plinth, 15cm high; A Gilt Brass Model of the Place Vend™me Column, on similar base to the preceding, 27.5cm high; and A Hand-Coloured Engraving of the Magnificent Triumphal Arch, 24.5cm by 19cm, in a modern frame (3)
Lot 568
An Edwardian Mahogany and Marquetry Inlaid Inkstand, incorporating a Timepiece, rectangular, with three-quarter waved gallery, centred by an arched timepiece with small circular white enamel dial over a double flowered tulip inlay, supporting two square ink receptacles fronted by a pen recess, a slim drawer to the plinth base, 36.3cm wide, 22cm high
Lot 628
A Derbyshire "Blue John" Spar Pedestal Vase, early 19th century, of classical ovoid form, the integral small and ogee domed cover with pear shape finial (possibly later associated?), with deep purple inclusions forming a concentric oval motif to one fascia, on a stepped short stem with circular foot, on a black marble square plinth, 37.5cm high
Lot 1081
A George III mahogany bracket clock with eight day twin fusee movement striking on a bell, the circular white painted dial with Roman numerals and inscribed `John Prentis London`, the arched case with ball finial and boxwood stringing, the sides with pierced brass fret panels above a fluted band and plinth base, height approx 52cm.
Lot 1093
An 18th Century and later Italian fruitwood bracket clock, probably mulberry, with later fusee movement, the brass dial with Roman numerals and inscribed `Alberto Fenici, Roma`, cornered with foliate scroll spandrels, the case with bell top and carry handle above pierced gilt fret panels and glazed door, on a moulded plinth base, height approx 49cm (faults), together with a mahogany bracket.
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172950 item(s)/page