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Lot 111
Pierre Antoine Patel the Younger (Paris 1648-1707)Italianate wooded landscape with ruins and a stag hunt beyond signed and dated 'AP.PATEL/ 1697' (on plinth, lower left, AP in ligature)oil on canvas90.1 x 116.7cm (35 1/2 x 45 15/16in).Footnotes:ProvenanceSale, Sotheby's, London, 14-15 May 1986, lot 49Private Collection, UKLiteratureN. Coural, Les Patel: Pierre Patel (1605-1676) et ses fils - le paysage de ruines à Paris au XVIIe siècle, Paris 2001, p. 219, cat. no. PAP 35Coural suggests that this painting could belong to a series of Seasons and represent Autumn. Another similar work of the same dimensions and also dated 1698, depicts a harvest scene and probably represents Summer (see: Coural,ibid, cat. no. PAP 36).For further information on this lot please visit Bonhams.com
Lot 342
A George V silver box, a silver and tortoiseshell trinket box and a silver Art Deco manicure set on standfirst Birmingham, 1920 by Henry Matthews, of plain oval serpentine outline with hinged domed cover on four legs, blue silk and velvet lined, second, Birmingham, 1918 by Levi & Salaman, circular with domed cover on feet, third, Birmingham, 1937 by Crisford & Norris, on an ebonised plinth base, (3)first width 11 cm., Condition: Serpentine trinket box with losses to paper covering of underside. Tortoiseshell trinket box with undeside pushed, one foot pushing side
Lot 48
A pair of late 19th century French Assyrian Revival patinated bronze figures of a king and queen in the manner of Emile Louis Picault, (French, 1833-1915)both standing in traditional attire, the kind holding a sword and scroll, the queen a fan, unsigned, on square black marble plinth bases, (2)height 37.5 cm.Condition: patination fair, lightly rubbed in to tunic and legs and of of king. light rubbing to lower part of Queen dress and front of dress around knees, The Kings sword has been broken and glued back into place. Small chips and losses to black marble bases
Lot 461
N Shaw (Sleaford). An early 19thC mahogany longcase clock , with swan neck pillared hood, canted trunk with full length door, flames base with plinth, the painted dial having a flower painted to the arch, Arabic numerals, date crescent, seconds ring and inscribed N. SHAW SLEAFORD, (with weights and pendulum), 225cm high (AF).
Lot 1225
BRUNO ZACH (act. 1918-1930); large bronze figure of a gladiator, set on an oval grey marble plinth, signed, height 53.5cm. Provenance: private collection, UK. Purchased Messrs. Sotheby's, lot 140, sale W02910.Additional InformationA dark patina ruby in parts and with some rubbing to raised / protruding areas. Slightly loose on base. Small chip to the base. Trances of labels to the underside of the base.
Lot 1248
A large pair of ormolu table lamps, probably fashioned from substantial andirons, with stylised dragon masks, swag adornment and stepped shaped plinth, height including fitment 73cm.Additional InformationThe returns on the side of the plinth bases is shaped so it appears that a section is missing to the right hand side of one and the left hand side of the other but this is purely where they would have been fixed to a fender at some stage. They are an impressive pair with general surface wear throughout.
Lot 1254
DAVID KEMP; a contemporary marble sculpture on circular plinth base, impressed silvered mark, height 30cm. (D)Additional InformationFigure is slightly loose when pushed on its base, light wear and scratches. This lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk or http://artistscollectingsociety.org
Lot 1441
Three early 19th century pearlware figures including an example of a farmhand holding a jug, on naturalistic plinth base, embossed marks Walton verso, height 20cm (af) (3).Additional InformationEach figure is damaged, the Walton example with old repairs and losses, she is also missing her hand, the figure of the maiden with flower basket with large areas of loss to the glaze, the final figure with large areas of loss to the glaze and to the naturalistic decoration, also she is missing her hand.
Lot 1447
STAFFORDSHIRE; a 19th century figure of a zebra, raised on oval naturalistic plinth base, length 12cm, with two further figures including 'Colin' and 'My Grandfather' (3).Additional InformationCrazing throughout, the zebra has had a possible chip ground on the foot rim, Colin with chip and crack to the flute, minor chipping to the foot rim.
Lot 1449
Three late 19th century Continental Blanc de Chine figures including Andromache, with blue painted mark to the underside, height 30cm, a figure group of seated children, on oval plinth base, width 16cm, three further 19th century Continental Blanc de Chine figures including a bust of a bearded gentleman, height 19cm, a figure group of a girl beside a bucket of water with pseudo Meissen marks to the base, height 14cm (6).Additional InformationThe large group with a large firing/modelling crack to the underside, extensive crazing throughout, chipping to the glaze, the remaining figures to the glaze.
Lot 1473
A pair of late 19th/early 20th century porcelain figures representing a seated gentleman and lady wearing cloaks on naturalistic plinth bases, height 22cm, and two late 19th century Staffordshire figures including a farmer beside dog (4).Additional InformationThe seated elder has had his right arm broken and reglued, chipping to the floral detail, the Staffordshire figure of the farmer has had old repairs and numerous cracks throughout, the figure holding the shovel with cracks through the shovel and chip to the hat.
Lot 1564
A late 19th century silver plated Corinthian column candlestick with detachable top section raised on a column terminating on a square plinth base with four rams head to the corners, height 54cm.Additional InformationTarnishing wear, the top is a possible replacement, minor knocks and dents to the foot rim especially.
Lot 1715
MAURICE SALKIND (PROBABLY); a pair of George V hallmarked silver candlesticks with repoussé floral decoration on shaped square plinth bases, London 1935, height 39cm, approx. 10.32ozt/321g (2).Additional InformationEach are slightly wobbly on their bases, denting, tarnishing, the detachable drip trays do not sit 100% straight, tarnishing and wear.
Lot 2031
A George III mahogany longcase clock, the swan neck pediment with verre églomisé above arched brass dial set with rolling moon phase, inscribed 'William Winstanley Within' with silvered chapter ring set with both Roman and Arabic numerals, subsidiary seconds dial and date aperture with eight day movement above fret carved frieze with long arched door flanked by fluted quarter pillars to a fret carved plinth base, height 238cm.Additional InformationCracking to the door and veneers, scuffs and knocks to case, losses to hood side and also a large chip/ area of loss.
Lot 2032
A George III mahogany longcase clock, the broken swan neck pediment above arched silvered dial set with rolling moon phase, inscribed 'Here I stand with all my might so take example now by me to tell the hours by day & night to serve thy God as I serve thee', the finely engraved main dial set with both Roman and Arabic numerals with twin subsidiary dials for seconds and date, inscribed 'John (iohn) Holt, Rochdale', further inscribed 'The trumpet shall sound incorruptible and the dead shall be raised, we shall be changed', the long arched door flanked by turned pillars to a plinth base, with eight day movement, height 230cm.Additional InformationCracks and splitting to case and veneer, finial is loose, no packing under seat board, seat board is warped, light wear to dial. We offer no guarantee of working order.
Lot 2033
DAVID COLLIER, GATLEY (CHESHIRE); an 18th century longcase clock, the brass face with applied scrolling detail to the corners and silvered chapter ring bearing Arabic and Roman numerals, with moon phase and date subsidiary dials, in oak case, the hood with blind fret decoration above a pair of columns and a shaped rectangular door with crossbanded detail, on plinth base, height 201cm.Additional InformationWe cannot guarantee that the clock is in full working order. The case cleaned and refinished throughout. some small elements of the fretwork on the hood are missing and the material backing has been over stained. The colt column mounts may be later and one is chipped. Plinth around the base is not original. Finials to the top lacking. Parts of the movement appear to be replacements.
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173487 item(s)/page