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MORRIS BROSE, BRONZE, ABSTRACT SCULPTURE, H 14", L 4", D 4", SEATED NUDE FEMALE FIGUREDepicts an abstract form of a woman on wood block plinth. Signed along seated figure's leg. Purchased from the Lee Hoffman.Appears in good condition. GA- For High Resolution Photos visit Dumouchelles website.
Victorian inlaid figured walnut credenza, moulded rounded rectangular top over frieze panel, quarter veneered door, flanked by ormalu mounts, glazed curved doors, plinth base raised on turned feet, W152cm, H113cm, D41 cm Condition Report Click here for further images, condition, auction times & delivery costs
A circa 1900 French lacquered brass four glass mantel clock, having white enamel dial (a/f) with Roman numerals, visible escapement, the twin barrel going eight day cylinder movement numbered to the backplate 18909, having mercury compensated pendulum and striking on a bell, h.30cm, the whole on giltwood and velvet topped plinth Condition Report / Extra Information Case with light tarnishing in places.All glass good.Several chips and cracks to dial around winding holes.In running order.
A late 19th century French gilt metal and alabaster mantel clock, mounted with a figure of a seated classical woman on stool, with further floral castings, to shaped base, on toupie feet, upon further velvet lined and giltwood shaped plinth, having white enamel convex dial, the movement with bell strike, gross h.35.5cm
A pair of Chinese Sancai glazed lion dogs, probably Kangxi period (1662 - 1722)Each modelled in relief and in standing position, with mouth open and tail raised, glazed in green, umber and rich yellow glazes, and raised on a leaf form plinth base, mounted on a later fitted carved wooden stand, 10 cm high, one with retailer's label to base 'J R Kidson, China Dealer, 116 Albion St, Leeds, Famille Verte Kylins, Kanghsi,1662 - 1722. CONDITION REPORT: Lot 3021st figure - head broken and restuckhairline cracks to the body and tailcrazing visible to the glazefiring cracks to the base2nd figure - extensive crazing visible to the glazes throughoutfiring cracks to below the feet areasmall loss to underside of base
A George III oak and mahogany crossbanded long case clockWith a twin swan neck pediment and ring turned finial above two reeded columns flanking a thirteen inch painted dial with a concave moon face aperture and painted floral spandrels, subsidiary second dial the dial indistinctly signed Blackburn, the clock with an eight day movement striking on a saucer bell, the case with a shaped crossbanded door flanked by two quarter reeded columns the lower part with canted and reeded corners above a shaped plinth base, with two weights and a pendulum, 217cm
An early 19th Century mahogany cased longcase clockWith a twin swan neck pediment and central urn finial over a pair of slender ring turned columns flanking a painted break arch dial, the dial painted with Britannia within an oval over a 12" dial with floral painted spandrels, painted Roman and Arabic numerals with a subsidiary second dial and date aperture, the dial unsigned, with an eight day movement striking on a saucer bell, the shaped mahogany case door flanked by quarter columns above a lower front panel with canted corners raised on a plinth base, complete with pendulum and two weights, height of clock 219cms
An early 19th Century oak cased longcase clock, Rea, WaltonWith moulded cornice above two ring turned columns flanking an eleven inch painted dial with Arabic numerals and concave date aperture, the dial signed Rea, Walton with a thirty hour movement striking on a saucer bell, the plain oak case with rectangular door above a plain panel and plinth base with bracket feet, with weight and pendulum, 190cm.
An early 20th Century figured walnut twin pedestal desk, stamped Brown & Lamont, ChesterThe rectangular top with rounded corners above a central frieze drawer and raised on two pedestals each with four drawers and mounted with brass flower head back plates and ring handles, raised on a plinth base, 137x77x60cms
An Edwardian ebonised DavenportThe rectangular hinged top concealing a compartmentalized stationary interior over the leather inset writing slope above four short drawers each with brass swing handles opposed by four faux drawers, the front panel of the desk painted with a bird amongst flowering branches and flanked by two ring incised tapering columns upon a plinth base and castors, 59x84x54cms
A William IV rosewood DavenportWith a spindled gallery above a leather inset and green tooled writing slope enclosing a compartmentalised interior above four small drawers each with turned button handles opposed by four faux drawers, the upper part raised on two cylindrical and ring turned columns upon a convex plinth and castors, 50 x 85 x 53cm.
A substantial Victorian pine kitchen dresserThe later pine dresser rack with two enclosed shelves above an over hanging rectangular slab top and a central panelled cupboard door within an arrangement of seven graduated drawers each with turned wooden handles ,raised on a plinth base, 200x202x63cms
A Victorian carved oak sideboardThe rectangular moulded break-arch top above two central concave drawers and a pair of cupboard doors flanked by a single frieze drawer and a cupboard door either side each with ornate brass swing handles and heavily carved panels, raised on a plinth base, 150 x 96 x 61cm.
A Victorian style oak twin pedestal desk, 20th Century The rectangular moulded top with canted corners and a green leather inset and gilt tooled writing surface above three frieze drawers each with a brass swan neck swing handle and raised on twin pedestals each with a sliding tray above three cock beaded drawer and opposed by three faux drawers and two panels, raised on a plinth base, 153 x 80 x 92cm.
An Edwardian walnut music cabinet With a rectangular galleried top above a single frieze drawer and a cupboard door inset with a half-moon mirrored plate enclosing three shelves raised on a plinth base with castors, also a 20th Century beech wood shoe cleaning box and effects, 59 x 100 x 36.
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173487 item(s)/page