We found 173444 price guide item(s) matching your search

Refine your search

Year

Filter by Price Range
  • List
  • Grid
  • 173444 item(s)
    /page

Lot 764

A Regency mahogany and marquetry inlaid longcase clockThe movement by Davies, North ShieldsThe hood with a swan neck pediment, surmounted by three brass finials, above an arched glazed panel door, flanked by cluster columns, the trunk with a ribbon-tied foliate inlaid apron above a trefoil arched door, flanked by cluster columns, on plinth base with canted angles; the 14in. arched white and polychrome painted dial, with 'rocking ship' automaton in the arch, inscribed 'DAVIES Nth SHIELDS', with gilt engraved latten hands, seconds and calendar subsidiary, the twin train movement with anchor escapement and striking on a bell, (2 weights, 1 pendulum, 1 key).227cm high. Illustrated

Lot 765

A brass skeleton timepieceCirca 1890The fusée movement with shaped plates and anchor escapement, on four baluster shaped feet, on an oval velvet-covered ebonised plinth below a glass dome, (1 pendulum, 1 key).The movement 29cm high; 39cm high overall. Illustrated

Lot 767

A rare and unusual pyramidical brass skeleton timepiece of eighteen-day durationBy John Pace, Bury St. Edmunds, No. 253, circa 1855The cast frame of good gauge, with chamfered edges on scrolled feet, the movement with going barrel and three wheels to the escape wheel, each of five or six crossings, with Graham's deadbeat escapement, inset jewelled pallets, surmounted by an arched bridge with fine knurled screw adjustment for regulating to the spring suspension, steel and brass halberd-shaped pendulum, the pierced and engine-turned gilt dial with Arabic numerals, blued steel spade hands, linked by a fine thread at the back to drive the hands, on an oval tapering base, signed 'John Pace BURY St. EDMUNDS No. 253', raised on a velvet plinth and rosewood stand, under a glass dome, (1 pendulum, 1 key).The timepiece 33cm high; 43cm high overall. IllustratedJohn Pace (d. 1867) lived and worked in Bury St. Edmunds. His workshop was at 19 Abbeygate Street. He exhibited a virtually identical skeleton timepiece, of three-month duration, at the 1851 Great Exhibition.See Antiquarian Horology, No. 1, Vol. 34, March 2013, for an article on the Pace family of Quaker clockmakers, by David Edmund Pace.This clock is illustrated in Derek Roberts' Skeleton Clocks, Britain 1800-1914, Antique Collectors Club, 1996, fig. 3/15a, p. 97, and other Pace clocks are discussed p. 89-97.

Lot 770

A French gilt brass four-glass mantel clockIn the Empire Revival style, circa 1900, Maple & Co., ParisThe rectangular case with a stepped pediment above arched bevelled glass panels with chimera to the front above fluted three-quarter uprights with baluster stems, on chimera relief-moulded plinth and four bracket feet, the 3½in. circular white enamel dial, with Roman chapters and Arabic 15-minute markers, pierced blued steel Breguet moon hands, the twin train movement by S. Marti, Paris No. 137 44, and stamped 'MAPLE & Co. LTD., PARIS', striking on a bell, (1 key, 1 pendulum).29cm high. Illustrated

Lot 779

A French gilt bronze and giallo marble mantel clockIn the Empire Revival style, second half 19th centuryModelled with a seated cuirassed figure, a child standing at his side, enclosing the circular enamel dial decorated with floral garlands, the twin train movement with outside countwheel on a bell, on a stepped plinth base, on bracket feet55cm high. Illustrated

Lot 780

A French ormolu-mounted mahogany Second Empire mantel clockIn the Neo-Classical style, by Laine, Paris, circa 1855The case in the form of a portico, the rectangular pediment with a stepped edge, raised on four columns, each with a gilt engine-turned capital and base, on a stepped conforming plinth, on bun feet, the convex gilt dial signed 'LAINE A PARIS' above the VI, centred with two raised winged lions, within a beaded surround, the twin train movement with outside countwheel strike on a bell, and bi-metallic grid-iron pendulum, cast with a bird-mounted lyre support, above a foliate cast bob, (1 pendulum, 1 key).54.5cm high. Illustrated

Lot 783

A French ormolu mantel clockIn the Louis XVI style, circa 1885The drum-shaped case surmounted by a swagged urn, with ribbon-tied surmount, on a stepped base with laurel festoons and scrolled acanthus, on shaped breakfront plinth, the white enamel dial with black Roman chapters and gilt fleur-de-lys, Arabic five-minute divisions, and pierced gilt latten hands, the twin train movement by S. Marti, No. 138, striking on a bell, (1 pendulum).62cm high. Illustrated

Lot 787

A French ormolu and white marble mantel clockIn the Louis XVI style, circa 1900The fluted arched case surmounted by a pair of doves on a flaming torch and cloud, on a shaped breakfront marble plinth with musical and military trophies to each side, on toupie feet, the circular 3¼in. white enamel dial with Arabic numerals, the twin train movement, No 1125 4.1, by Vincenti, striking on a bell (missing), (1 pendulum).25cm high. Illustrated

Lot 788

An Empire ormolu mantel clockBy L. Moinet, ParisThe case modelled with figures of Venus and Cupid, she holding a laurel wreath above his head; the arched case with a panel to the front raised with a Grecian urn, on a rectangular plinth inset with a panel cast in relief with the two lovers, on an anthemion cast edge and spreading foliate feet; the twin train movement with enamel dial and external countwheel strike on a bell (lost), the backplate stamped 'L. MOINET A PARIS', with silk suspension, (no bell).68cm high. IllustratedLouis Moinet (d. 1853) was the secrétaire of Abraham-Louis Breguet.

Lot 792

A Regency mahogany and brass-inlaid bracket clockThe case with a chamfered pediment surmounted by a pineapple finial, above the 8in. convex white painted dial, inscribed 'HEWITT LONDON', with blued steel hands, scroll brass inlay below, the sides each with a ring handle and laurel roundel escutcheon, above pierced grille panel, on a stepped plinth with quartered bobbin-turned moulding, raised on brass ball feet, the twin train fusée movement with arched top to the plates, anchor escapement, locking pendulum nut, striking on a bell, (1 pendulum).49cm high. Illustrated

Lot 793

A late Regency mahogany bracket clockIn the manner of Thomas Hope, by James Gorham, Kensington, circa 1820The case with gadrooned pediment, surmounted by a large pineapple finial, above anthemion angled brackets with reeded tapering angles, outlined with a line-inlaid half-beaded border, centred with the silvered 7in. dial, signed 'James Gorham / KENSINGTON / Clock & Watch Maker / to The Royal Family', with pierced blued steel moon hands, on a stepped plinth and gadrooned bracket feet, the twin train chain fusée movement with anchor escapement and brass locking nut to the pendulum, striking the hour on a bell, (1 pendulum, 1 key).47cm high. Illustrated

Lot 794

A late Victorian walnut Gothic Revival three train mantel clockBy Dent, London, No. 41210, circa 1890The arched case with three finials above a glazed door, flanked by turned pillars, on a stepped breakfront plinth, the arched gilt dial plate with foliate engraving and with a painted subsidiary in the arch for 'slow/fast', with 'silent/chime' lever below; the painted circular dial signed 'DENT' in a triangle '4, ROYAL EXCHANGE & 61, STRAND / LONDON / 41210'; the substantial three train chain fusée movement, similarly signed on the backplate and with locking pendulum bracket and nut, striking the hour on a gong and chiming the quarters on a carillon of eight bells, with anchor escapement and heavy brass pendulum, (1 pendulum, 1 key, 2 case keys)63cm high overall. Illustrated

Lot 795

A gilt metal-mounted ebonised quarter repeating table clockBy John Dickings, London, late 17th century and laterThe case now with a caddy top, surmounted by a scroll handle, above glazed front and back door, with glazed sides, on a stepped plinth with brass bun feet; the 7in. square brass dial with cherub head spandrels, silvered chapter ring with Roman numerals and Arabic five-minute markers, enclosing a matted centre with false pendulum aperture and signed behind on a panel, harboured winding holes and calendar aperture above the VI with strike/silent lever at the XII; the twin train fusée movement, with foliate engraved backplate, five ring-turned and shouldered pillars, re-converted verge escapement with bob pendulum, striking the hour on a bell and repeating the quarters on five bells, (1 key, 4 finials).42cm high. IllustratedProbably John Dickens, who was apprenticed to William Cattell in 1680 and obtained his Freedom of the Worshipful Company of Clockmakers in 1688 and is recorded as working until 1695.

Lot 853

A pair of patinated bronze models of bison, late 19th century, each modelled charging on a rectangular naturalistic base and stepped wooden plinth, the bronze 25.5cm wide, (2).

Lot 884

A quantity of small collectables including; a Victorian brass paper clip modelled as a lady's hand on an ebonised plinth, a Regency ivory and pique inlaid toothpick box with mirror to the interior (8.5cm), a Victorian ivory visiting card case, three basalt oval plaques relief moulded with classical figures, a French Art Nouveau patinated bronze figural seal (7.5cm), a George III Wedgwood jasperware oval portrait plaque and sundry. (qty)

Lot 900

A French gilt bronze Medici lion, circa 1820, after Vacca, modelled and cast standing with right foot raised on a ball, mounted on a griotte marble rectangular plinth, 28cm wide. Illustrated

Lot 917

A repousse white metal Indian figure, 19th century, modelled and cast as a female attendant in florid foliate dress (a.f), 60cm high, on a later ebonised pine circular plinth. Illustrated

Lot 918

A mahogany brass and glass rectangular display case, 43.5cm high, one further (lacking base) with dome top, a circular striated marble plinth of turned form, 23cm diameter, and three matching marble plinths of square section, 16cm x 16cm, (6).

Lot 925

Luca Madrassi (Italian 1848-1919) a gilt and patinated bronze figure group, late 19th century, modelled with Diana the Huntress with bow and quiver of arrows and hound on a tree trunk, with leafy foliage, signed 'MADRASSI' to the cast on a green vein marble plinth, 68cm high.

Lot 930

Georges Gardet (French 1863-1939) late 19th century, a patinated bronze figure of a retriever dog, modelled on a stone plinth, signed GEORGES GARDET, 59cm wide. Illustrated

Lot 942

A cast iron lawn jockey, mid-20th century, polychrome painted, depicting an African-American jockey on a rectangular plinth, 94cm high.

Lot 943

An Edwardian style polished steel twin division stick stand, with foliate loop handle over a tapering hexagonal shaft, with two removable drip trays, on a shaped plinth.

Lot 945

After the Antique, a French patinated bronze figure of a gladiator, late 19th century, modelled naked with sword in his right hand, on a white marble plinth, unsigned, 66cm high overall.

Lot 969

A Kashmiri wooden model of an oxen drawn carriage, early 20th century, polychrome painted on a later wooden plinth 60cm wide.

Lot 975

A Victorian cast iron boot scraper of plain rectangular iron form, mounted in a later stone plinth, 63cm wide.

Lot 977

A Victorian cast iron boot scraper, the square bar up-rights united by a recessed flat foot plate on a rectangular stone plinth, 58cm wide.

Lot 978

A pair of papier mâché fluted columns, faux Sienna marble on a square plinth, 122cm high, (2).

Lot 980

A pair of Victorian cast iron boot scrapers, each foliate pillar of quadralobe form united by a flat foot plate on a rectangular stone plinth, 60cm (2).

Lot 983

A pair of Continental 19th century style gilt brass andirons, each with turned finial over a foliate pierced sphere and relief carved mask terminating on two plinth feet, 62cm high, (2).

Lot 479

A FINE RARE FRENCH SOUFLETO DECORATED AND PARCEL GILT UPRIGHT PIANO, number 6873, decorated in the Neocassical style, the moulded hinged top, above a panel depicting musical cherubs, flanked to either side with a gilt panel decorated with scrolling foliage and flanked with two fluted Doric type pilasters, the 46" (117cm) wide keyboard with two candle panels, and a further decorated rectangular panel below, with scrolling foliage and floral swags, flanked to either side with two parcel gilt spiral fluted vase shaped columns, and conforming rear pilasters on a inverted breakfront plinth, each side with two parcel gilt panels, and ornate wreath cast brass carrying handles, probably an exhibition piece, 49" (125cm) high, 58" (147cm) wide. (1)

Lot 480

A VICTORIAN EBONISED AND BRASS MOUNTED CREDENZA, of breakfront outline, applied with porcelain panels, each within a gilt brass frame, the centre door with an oval portrait plaque and crested with a ribbon bow in brass, inside a moulded brass frame and cross banding, and two bowed glazed doors to either side, raised on a breakfront plinth, 39.5" (100cm) high, 5ft (152cm) wide. (1)

Lot 484

AN UNUSUAL CHINESE MOTHER O' PEARL INLAID AND CHERRY WOOD TABLE CUPBOARD, with an arrangement of drawers and doors, inlaid in the Chinoiserie style in mother-o-pearl, raised on a rectangular fixed plinth base, with shaped legs, 18" (46cm) high, 16" (41cm) wide. (1)

Lot 505

AFTER JOHN HOGAN (1800-1858), a fine plaster bust of Daniel O'Connell, 33" (84cm)h x 21" (53cm)w, on conforming pedestal with octagonal plinth, 41" (104cm) high, 74" (188cm) wide overall. (2)

Lot 52

A VICTORIAN DICKENS-TYPE WALNUT PEDESTAL WRITING DESK, the superstructure with shelf and gallery flanked to either side with four drawers, the slope front opening to reveal pigeonhole compartments and a drawer, inset with tooled leather surface and two conforming leather inset panels to either side, above three frieze drawers, raised on two pedestals each with three drawers, on a plinth base with castors, 49" (124cm) wide. (1)

Lot 535

A 19TH CENTURY FRENCH PORCELAIN VASE, with two gilt dragon handles, on a cobalt blue ground, decorated in gilt with birds, insects and scrolling foliage, on stem base and plinth, 22.5" (57cm). (2)

Lot 577

AN UNUSUAL GEORGE III STYLE MAHOGANY BOW-FRONTED SIDE BOARD, the moulded top above three centre frieze drawers and flanked to either side with a paneled cupboard and smaller drawer below, raised on a plinth, 51" (129cm). (1)

Lot 582

A VICTORIAN WALNUT AND MARQUETRY INLAID SIDEBOARD, with serpentine shaped white marble top, above four floral marquetry inlaid cupboard doors, flanked to either side with leaf carved corbels, each headed with a stylised dolphins, raised on a plinth base, 86" (212cm) wide, as is. (1)

Lot 62

A VICTORIAN MAHOGANY BOOKCASE, the moulded cornice above two arched and glazed doors, enclosing three adjustable shelves, on a conforming base with solid arched panel doors, raised on a plinth, 92" (234cm) high, 53"(134cm) wide. (1)

Lot 84

A FINE UNUSUAL ROSEWOOD, WALNUT AND SATINWOOD-BANDED CABINET-ON-STAND, the moulded top with a cartouche crest issuing scrolling foliage, above a glazed door with tapestry panel, depicting a parrot, two terriers and a cockatoo among flowering shrubs, on a conforming marquetry inlaid base, with floral panels, the canted corners with conforming floral marquetry, raised on a plinth base, 5ft (190cm) high, 41" (104cm) wide. (1)

Lot 101

AN EDWARDIAN WALNUT GENTLEMAN'S WARDROBE OR LINEN CUPBOARD, the moulded cornice above two fielded panel doors, opening to reveal linen slides on a chest base with two long and two short drawers raised on a plinth, 51" (130cm) wide. (1)

Lot 113

A MASSIVE PAIR OF EMPIRE STYLE GREEN VARIEGATED MARBLE VASE-SHAPED TABLE LAMPS, with ormolu mounts, applied with double interlaced serpent handles on a stem base with square brass moulded plinth, and topped with attractive pleated black and ivory silk shade, 37" (94cm) high. (2)

Lot 114

A LARGE CHIPPENDALE STYLE CARVED MAHOGANY BREAKFRONT SIDE CHEST OR SERVING TABLE, the guilloche-moulded frieze and centre section with two long and two short drawers, flanked to either side with a cupboard, the cupboard panels with ornate carvings in the form of hanging swags, ribbon bows, and roundels, raised on an elaborate triple breakfront plinth, the doors and drawers flanked to either side with fluted pilasters headed with oval partriae, 34" (86cm) high, 83" (211cm) wide. (1)

Lot 116

A VERY GOOD GEORGE III STYLE BURL WALNUT PEDESTAL DESK, O.R.M., with attractive tooled leather top above three frieze drawers, raised on two pedestals, each with three drawers, on a plinth, 54" (137cm) wide. (1)

Lot 119

A VICTORIAN MAHOGANY PEDESTAL SIDEBOARD, with three frieze drawers raised on two pedestals each with an arched door and turned pilasters, raised on a plinth base, 61” (155cm). (1)

Lot 134

A PINE THREE-DOOR BOOKCASE, early 20th century, the moulded cornice above three glazed doors on a base with three frieze drawers and three carved cupboard doors, raised on a plinth, 74" (188cm) wide. (1)

Lot 178

AN INLAID MAHOGANY BREAKFRONT OPEN BOOKCASE, in the George III style, O.R.M., the dentil-moulded cornice above an inlaid frieze with hanging bell flowers and ribbon bows, above an arrangement of adjustable shelves on a plinth base, 81” (206cm) high x 62” (167cm) wide. (1)

Lot 182

A LATE VICTORIAN STAINED PINE BEDROOM SUITE, comprising wardrobe with moulded cornice and a central mirror door, flanked to either side with two panels, each cross banded with specimen timbers, the base with one long drawer and raised on a plinth, 49” (125cm)w; together with a matching chest, with three long and two short drawers, 48” (122cm); a swing frame dressing table mirror, 48” (122cm); and a marble topped wash stand with tile back, 46” (117cm). (4)

Lot 209

A MAHOGANY OPEN BOOKCASE, early 20th century with three adjustable shelves, flanked with fluted pilasters and raised on plinth base, as is, 46” (117cm). (1)

Lot 218

A FINE CIRCULAR REGENCY PERIOD BRASS INLAID ROSEWOOD BREAKFAST TABLE, with bead edge, raised on a tri-form concave plinth with gadroon edge, and tri-form base with three reeded bun feet, 50" (127cm) diameter. (1)

Lot 278

A GOOD PAIR OF CARVED WOODEN FIGURES OF RECUMBENT LIONS, each raised on rectangular plinth, 17" (43cm) high. (2)

Lot 28

A VICTORIAN MAHOGANY WARDROBE, the moulded cornice above a central mirror panel door, with arched top and two conforming solid panel doors to either side, raised on a plinth base, 79" (201cm) wide. (1)

Lot 283

A GOOD QUALITY WALNUT PEDESTAL DESK, with oblong moulded top, above an arrangement of drawers, and pigeon hole compartments, lacking front, raised on two pedestals, each with three drawers and a slide, raised on a plinth base, 54" (257cm) wide. (1)

Lot 286

A VICTORIAN WALNUT WELLINGTON CHEST, with seven drawers locking with hinged pilaster on a plinth base, 40 ¼” (102cm) x 20” (51cm). (1)

Lot 290

A SMALL WILLIAM IV PERIOD MAHOGANY PEDESTAL, with frieze drawer above two arched panel doors, raised on a plinth, 39” (99cm) x 18 ½ “ (47cm). (1)

Lot 299

A GOOD GEORGIAN STYLE MAHOGANY PARTNERS PEDESTAL DESK, the rectangular moulded top with cross-banded edge and inset with tooled leather inset, above six frieze drawers, three to either side, raised on two pedestals each with three drawers and a cupboard, applied with heavy brass carrying handles, on tow plinth bases, 63" (160cm) high, 41" (104cm) deep. (1)

Lot 306

A LARGE GOOD QUALITY VICTORIAN MAHOGANY PEDESTAL SIDEBOARD, the shaped back with central shell crest, issuing scrolling foliage, above a serpentine front, with central frieze drawer, raised on two pedestals, each with a cupboard door, each enclosing bottle racks and shelf, raised on double moulded plinth, 94" (239cm) wide. (1)

Lot 315

A MAHOGANY WARDROBE LINEN CUPBOARD, in the George IV style, twentieth century, the gadroon and flute moulded cornice above two double panel doors, raised on short plinth, the interior with hanging compartment, drawers and shelves, 46" (117cm) wide. (1)

Lot 317

A NINETEENTH CENTURY INLAID AND BRASS-MOUNTED PIER CABINET, with front glazed door, and two glazed side panels, enclosing three shelves, on a plinth base, 48" (122cm) high, 28.5" (72cm) wide. (1)

Lot 356

A VERY LARGE PAIR OF VERY HEAVY CAST IRON GARDEN URNS, in the Neoclassical style, each with an egg-and-dart folded rim, over relief panels, depicting classical figures and two handles terminating in grotesque masks, on a leaf-cast stem with stepped base, raised on a tall conforming plinth, with further masks and cherubs, and leaf cast square base with canted corners, 7ft5 (191cm) high. (1)

Lot 360

A PAIR OF ATTRACTIVE LOW SIZE CAST IRON CAMPANA-SHAPED GARDEN URNS, each with a folded egg-and-dart moulded rim, the body with floral scrolls in relief and a half-reeded centre, with two mask handles, on a stem base, raised on a conforming upward tapering square plinth, with relief moulded panels and moulded foot, 41" (104cm) high. (1)

Loading...Loading...
  • 173444 item(s)
    /page

Recently Viewed Lots