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Click here to subscribeA late 18th Century oak longcase clock by William Payne of Lenham, the 12ins arched painted dial with Roman numerals, subsidiary seconds dial and date aperture, strike/silent dial to arch and gilt decorated spandrels to the eight day two train movement striking on a bell, contained in plain oak case with moulded cornice and plain turned pillars to hood, arched trunk door and astragal panelled plinth, on bracket feet, 84ins high
An 18th Century oak longcase clock by Baddely of Tong, the 13ins arched brass dial with wide chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and showing phases of the moon to the arch to the eight day two train movement striking on a bell, contained in dark oak case with moulded scroll pediment and turned and fluted pillars to hood, the whole later carved with gadroon, leaf and scroll ornament, the shaped trunk door carved with an urn and mythical beasts and fluted quarter columns, carved raised panel to plinth, on shaped bracket feet, 94ins high (case split to plinth and in need of some repair - phases of the moon surface rubbed to arch)
A 19th Century mahogany longcase clock by Thomas Heywood of Bangor, the 14ins arched painted dial with Arabic numerals and subsidiary seconds dial and date aperture, the arch showing phases of the moon, and the dial and spandrels decorated with floral sprays to the eight day two train movement striking on a bell, contained in figured mahogany case crossbanded in rosewood, the hood with moulded scroll pediment and turned and spiral reeded columns to hood, the shaped trunk door with conforming turned columns, on plinth base with cant corners and ogee bracket feet, 97ins high
An early 19th Century mahogany longcase clock by Kleyser & Co, 4 Broad Street, Bloomsbury, the 12ins diameter painted metal dial with Roman numerals and subsidiary seconds dial to the eight day two train movement striking on a bell, contained in mahogany case, the front veneered in figured mahogany, the arched top with shaped and fretted cresting and fluted frieze, domed glass and cant corners, arched trunk door and the base with astragal panelled moulding and plinth base, 84ins high
A late 18th Century mahogany longcase clock by John Vidion of Faversham, the 12ins arched silvered dial with Roman and Arabic numerals, subsidiary seconds dial and date aperture, and strike/silent dial to the arch to the eight day two train movement striking on a bell, contained in good quality mahogany "London" style case with swept top and twin brass finials, turned, reeded and brass stopped pillars to hood, the arched trunk door with figured veneered panel flanked by quarter fluted and brass stopped columns, the base with raised astragal moulding, on double moulded plinth, 94ins high
A late Victorian satin birch dwarf display cabinet, the edge moulding carved with leaf ornament, fitted two shelves enclosed by a pair of glazed doors with carved circular paterae flanked by carved and moulded scroll brackets, on plinth base with ribbon and acanthus carved moulding, 48ins wide x 15.5ins deep x 38ins high
An 18th century oak longcase clock, the hood having an overlu cornice and twin three quarter turned pilasters flanking square brass dial (width 10"), the silver centre signed James Staples of Odiham (active 1757-1795), single pierced blue steel hand, brass chapter ring having Roman numerals, cast gilt brass corner spandrels, 30 hour weight driven four pillar movement striking on a bell, the trunk having plain panelled door to a box base raised upon a plinth, height 193cm (Illus.)
A late 19th century slate mantel clock of architectural form, having a cherub cast frieze above twin reeded columns flanking white enamel dial with Arabic numerals, twin winding holes for a French brass eight day cylinder movement striking on a gong, the whole raised upon a plinth, width 38cm (Illus.)
A Victorian mahogany twin pedestal partner's desk, the top having a gilt tooled leather inset writing surface, moulded edge above opposing kneeholes with arrangement of drawers, each pedestal having a single panel cupboard door with scroll pilasters and opposing fixed panel, all raised on a plinth with brass castors, 98cm x 137cm (Illus.)
An early Victorian mahogany chiffonier, the raised superstructure having a C-scroll and leaf moulded pediment above twin shelves on S-scroll supports, the base fitted blind frieze drawer over twin recessed arch panel doors, all within fluted pilasters and raised on a plinth with bun feet, width 94.5cm (Illus.)
A Victorian mahogany bookcase cabinet of narrow proportions, having a stepped cornice and plain frieze, the upper section having twin arch glazed doors enclosing adjustable shelves, the base fitted blind frieze drawer over twin recessed arch panel doors, all raised on a plinth, height 225cm, width 93cm
A 19th Century painted pine simulated mahogany housekeeperÕs cupboard of breakfront design, the upper section with two panelled doors enclosing a lined interior with single shelf flanked by two smaller cupboard doors, the base with two central doors enclosing six linen shelves flanked by two further cupboard doors each enclosing a bank of four drawers, the two upper drawers with sliding covers, the central deep drawer as two with an open top, the lower with sliding top again as two small drawers raised on a plinth base
A Victorian pine "Scotch" chest, the moulded rectangular top above "secret" frieze drawer above central deep drawer flanked by two short drawers to one side and a further deep drawer modelled as two short drawers to the other, overall raised on three long graduated drawers to a plinth base and squat bun feet, bears stencil verso "From J. Morgan, Builder, Cabinetmaker, North Parade, Aberystwyth" (ILLUSTRATED)
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