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WILLIAM CHATTAWAY (b.1927) - Mother and Child, bronze, signed indistinctly and numbered 2/6, black green patina, on marble plinth base, height 36cm. Notes: William Chattaway was born in Coventry in 1927 and attended Coventry School of Art and Design. He studied at the Slade School of Art in London from 1945 to 1948 before moving to Paris in 1950, where he is still based. From the estate of Vivienne & Arnold Haskell
A Victorian Blue John desk inkwell, the circular well with hinged domed Blue John cover, recessed pen rest above rectangular Blue John plinth base, the whole with canted corners, length 5.5cm x height 3.5cm x depth 4.8cm, together with associated square desk weight, length 5cm. (2) Provenance Dame Alicia Markova
A set of six miniature Royal Doulton character jugs comprising Catherine of Aragon D7041, Anne Boleyn D7042, Jane Seymour D7043, Anne of Cleeves D7044, Catherine Howard D7045 and Catherine Parr D7046, all numbered 785, together with a character jug Henry VIII D7047, complete with wooden plinth (7)
ROBERT WLERICK (1882-1944) - Mask 'Sourire de la France' (head of Genevieve) terracotta portrait study of a young woman, mounted on plinth base, circa 1942, mask height 34cm, height including base 46cm. Literature: Robert Wlerick 1882 - 1944 - a retrospective exhibition organised by the Bruton Gallery, item 14, illustrated. From the estate of Vivienne & Arnold Haskell
A 1940s patinated bronze head study of a young child with curled short hair, mounted on a square wooden plinth base, indistinctly signed with monogram and dated '42, together with a small bronze study of a boy cherub holding a goose in his arms mounted on a marble plinth base height 24cm (2) Provenance - Dame Alicia Markova
A Victorian flame mahogany chiffonier, the mirror back framed and surmounted by a carved foliate cartouche, the three frieze drawers with shaped moulding over a central panel door flanked by pillar cabinets opening to reveal cellerette drawer and shelves, raised on a plinth base, 160 by 54 by 160cm high.
A George III oak longcase clock, Newark, thirty hour movement striking on a bell, the painted domed dial bearing Arabic numerals, Arabic numeral minute quarter markers, and fan spandrels, date roller, the hood with broken swan neck pediment and turned columns, shaped and crossbanded trunk door, raised on a plinth base, a/f poor condition, 47 by 22 by 210cm high.
UN-NAMED A Victorian inlaid mahogany longcase clock, having hood with swan neck pediment over four candy twist pilasters, triple pointed waist door and box plinth on ogee bracket feet, eight day four pillar mechanism with anchor escapement faced by mixed silvered Arabic and Roman enumerated dial, 2.2m high
Two 19th Century white painted stick and umbrella stands, one in the manner of Coalbrookedale with twin bead finial circle enclosing a five point star, the back with a central moulded foliate design, flanked by turned and carved effect columns, the faces as ten point stars within a wheel, to a drip tray, raised on a pedestal base, 62 cm high, the second in the Classical Greco / Roman taste, white painted with brass foliate and decorated oval plaque to the entablature of the pediment, to single back splat decorated with six rose heads arranged linearly to two drip trays, raised on a stepped plinth base, 71 cm high
A pair of 19th Centure Sèvres porcelain urns and lids with ormolu and gilt metal mounts and ram's head handles, each raised on a gilt metal plinth, one painted with a scene of a lady in 18th Century dress wearing blue dress and striped petticoat with gentleman in pink outfit holding a spade and painted verso with a riverside scene, the other painted with a lady with fan wearing a pink and white dress with gentleman wearing green jacket and brown breeches and painted verso with a lake scene with castle in background, all on a cobalt and gilt decorated ground, the covers painted with floral sprays on a cobalt blue and gilt decorated ground, 47 cm high including cover and finial CONDITION REPORTS First vase -with gentleman in green coat and seated lady in pink dress: wear to the giltwork to the top, wear to giltwork all over, some light scratches all over, some pitted marks to the metal. Second vase - wear to giltwork, various pitting to the metal, light scratches throughout, general small signs of wear and tear. Both vases generally good. Lids - one lid is significantly broken and repaired and has missing sections, cracks all over. Other lid - chipped, wear to the giltwork, but lid in far better condition than the other one.
An early twentieth century Chinese export silver bowl, of lobed form, with decoration to three panels depicting birds on branches amidst flowers, marked to the underside for "LH", which is the maker's mark for Luen Hing of Shanghai, fineness mark "90" and oriental character mark, circa 1910, atop a circular wooden plinth with applied silver plaque, diameter of bowl 19 cm, weight of bowl (less stand) is 551 g / 17.7 ozt approx (2) Note: Luen Hing were an important firm of silversmiths operating in Shanghai at around the turn of the twentieth century.
An early twentieth century silver pipe tamper or desk seal, modelled in the form of a boy holding a bunch of flowers seated atop a rococo scroll and floral decorated plinth with faceted base, hall-marked for London, circa 1905, sponsor's mark and date letter are rubbed, however the style of the punch for the London town mark is that used until 1916, height 6.5 cm, weight 62 g / 2 ozt approx
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173487 item(s)/page