We found 173487 price guide item(s) matching your search
There are 173487 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
173487 item(s)/page
To be Sold Without ReserveA very large Chola-style bronze statue of Siva and Parvati dancing, South India, Shiva standing on a prostrate dwarf, on bronze and copper rectangular plinth, lacking central offering tray, weight 600lbs, 86.3cm. diam x 28cm. deep, Siva is 109cm. high, Parvati is 99cm. high.Provenance: Purchased by the vendor's mother from S.S. Raghava Chari in Sabauda Vilas, Vepay, Madras, South India on 29th March 1954 with receipt of purchase. The statue has been in the UK since 1982.
A large grey schist of a standing bodhisattva, Gandhara, superbly carved in the round standing on a plinth with flower heads flanking a stupa, dressed in Sanghati pooling over his voluminous trousers, bejewelled and with left hand lowered, his right forearm lost in antiquity, his face in a benevolent expression with finely delineated features, heavy eye lids and pendulous earlobes, his hair arranged in locks rising over the ushnisha, his face backed by a smooth nimbus, the whole raised upon black plinth, 164 cm. high x 46 cm. x 34 cm.Provenance: Private UK Collection
A PAIR OF VICTORIAN MAHOGANY BEDSIDE CABINETS of cylindrical form with inset veined white marble top, single door with turned wood handle, on moulded plinth, William Smee & Sons, Finsbury Pavement, London stamp,15 1/2" x 28 1/2" (Est. plus 24% premium inc. VAT)Very good condition, both stamped.
AN ART DECO GOLDSCHEIDER EARTHENWARE FIGURE modelled as a young fashionable lady wearing a wide brimmed green hat and flower painted dress, holding her gloved right hand up to her hat, her left hand resting on her hip, standing on an oval black base, original label, 15 1/4" high, fixed onto a black painted oblong wood platform with chrome "lamp post" light fitting (Est. plus 24% premium inc. VAT)No chips, cracks or restoration. Unable to take off plinth to see marks, have partly taken felt off base and the figure appears to be glued to base not screwed
A CAST IRON BOOT SCRAPER, c. 1900, on horse shoe support, the wrythen turned square hand rest with pierced cone finial, raised on sandstone plinth, 10 1/2" x 42", together with another Regency scraper, the anthemion supports on saucer base with leaf moulded edge, on turned tapering feet, 14 3/4" x 9" (2) (Est. plus 24% premium inc. VAT)Some rust to surface of Regency one, otherwise good.
A VICTORIAN CARVED OAK SIDEBOARD BY MARSH, JONES & CRIBB, LEEDS, the raised panelled back with shelf on scrolled brackets and twin Ionic style columns either end, three gadrooned frieze drawers with heavy brass drop handles, on four columns fronting three recessed cupboard doors with geometric moulding, on moulded plinth with three drawers, manufacturer's label, 80 3/4" x 27 3/4" x 76 3/4" (Est. plus 24% premium inc. VAT)Good condition bar some minor scuffing consistant with age and use and some dark staining centre front of plinth.
A ROSEWOOD TWO STAGE BOOKCASE, mid 20th century, the upper section with straight top and chamfered edging enclosing adjustable shelving with central division, protruding base with ten shallow drawers arranged in banks with inset square wooden handles, on plinth, 39 1/2" x 27 3/4" x 73" (Illustrated) (Est. plus 24% premium inc. VAT)Very good, no damage to veneers.(This item requires a CITES Article 10 certificate which is available for inspection particularly for those buying for commercial purposes)
A FRENCH SKELETON TIMEPIECE, the single barrel movement with anchor escapement striking on a bell, 2 1/4" white enamel chapter ring with Roman numerals, the base inscribed "Ms Honorable Exp. Paris Londres", on ebonised wood plinth and oval base on bun feet, under glass dome, 12 1/4" to top of dome (Est. plus 24% premium inc. VAT)
A VICTORIAN MAHOGANY PEDESTAL DESK, the moulded edged rounded oblong top inset with tooled green leather, three frieze drawers with gadrooned turned handles over two pedestal cupboard doors, on moulded plinth and china castors, stamped T. WIlson, Great Queen Street, London, 53" x 23" x 30 3/4" (Est. plus 24% premium inc. VAT)Good restored condition, all original handles intact.
A Georgian oak longcase clock, by Baker of Appleby, square brass dial, with mask and foliate scroll spandrels, silvered chapter ring bearing Roman numerals, date aperture, 30 hour movement, with bell strike, the hood with outswept pediment, raised on turned columns, over a plain trunk, raised on a plinth base, with pendulum and weights, 183.5cm high.
An early 14th century silver seal matrix, finely carved to depict a Lady standing on a plinth beneath a gothic canopy, facing left, and wearing a long robe and outer cloak, her headdress tied under the chin, her right hand raised, a hawk perched on her left hand, within outer legend: ‘s’agacie d’ :talemaehe’, with suspension loop to the reverse, dimensions 35 x 21mm. £2,000-£3,000 --- Provenance: The seal matrix was found by the vendor’s father on his farm in Suffolk in the 1960’s. The seal translates as ‘the seal of Agacie Talemache’ which is derived from an old French word meaning ‘knapsack’. The English noble family of Talemache were first found in Suffolk, owners of a Manor house at Bentley, near Ipswich, and later at Helmingham Hall. They have had an important influence in East Anglia both politically and economically since the reign of Edward I. An impression of a seal of Alice Talemache is recorded in the Public Records Office (Reference P774). In the Middle Ages, hawking was a popular pursuit amongst wealthy noble women. Condition Report Very fine and a deeply engraved highly detailed design.
A Derbyshire Blue John and gilt-bronze pedestal vase, late 19th century, possibly French, the ovoid body of shouldered form beneath a wavy spool-shaped neck, the reeded scroll handles with horned mask terminals, the stepped circular base on a square plinth with a coat of arms, 9.5cm wide9.5cm deep24cm highProvenance: The personal collection of David and Elizabeth Hacker.
A pair of red Lucite and brass table lamps,mid/late 20th century, each turned column on a square plinth and shaped square base, raised on ball feet, each with a satin ribbon shade,8cm wide53cm high including shades shades 25cm diameter (2)Condition ReportPat Test Passed on one.Pat Test Failed on one.
A miniature plaster bust,20th century, in classical dress, raised on a sectional turned column and fluted supports, under a glass dome on a wooden stand,39.5cm high including plinthdome 45cm high (4)Condition ReportGlass dome slightly wobbly and does not sit securely. The actual plinth for the bust splits into two pieces (plinth being quite crudely painted in areas). Some slight green mottled discoloration to the surface and glue residue to where bust meets plinth - either crude manufacture or has been repaired. The square base of the plinth with baize lining underneath.
A patinated spelter figure in the manner of Émile Guillemin,early 20th century, French, in the form of a neoclassical female holding a torch aloft, 40cm wide40cm deep128cm high,on a modern painted wooden plinth,198cm high in total (2)Condition ReportThere are small areas of marks and loss to surface finish throughout - see additional photos for reference. Some small drilled holes to the base of the torch. Missing its glass flame/shade.
A Derbyshire Blue John tazza,19th century, the bowl with a flared rim, above a turned stem and spreading circular base, on a square Ashford black marble plinth,15cm diameter13.5cm high Provenance: The personal collection of David and Elizabeth Hacker.Condition ReportRepair and restoration to the column, with it presently feeling quite wobbly. Some chips and filling to the rim. Some stress fractures. Some tiny chips and a fine crack to the base. Please see photos.
A simulated porphyry scaglioli column,19th century, on a turned and square wooden plinth,30cm diameter115.5cm highCondition ReportNumerous chips to the edge of the top. Pierced through the top where there has been a previous fitting. One large chip to the lower edge, 10cm long. Wear and rubbing to plinths.
A George III Derbyshire Blue John urn,late 18th/early 19th century, of cylindrical tapering form, on an alabaster and Blue John plinth with a black marble base,9.5cm wide9.5cm deep32cm highProvenance: The personal collection of David and Elizabeth Hacker;purchased by the above from Woolley & Wallis. Condition ReportThe piece has seen recent restoration, with some later elements and areas of repair, including the finial and the base. Three chips to the rim of the cover and the urn has been reattached to the socle. Infills to the lower section of the plinth. Please see additional images.
A grand tour rosso antico marble model of a lion, 19th century, depicted standing with the tail woven between its legs, on a rectangular green marble plinth,5cm wide14.5cm deep12.5cm highCondition ReportThe tail restored, the marble base also with restoration, good colour very slight striation visible to the reverse, chips to the teeth.
A large Victorian painted cast iron urn, with an egg-and-dart border and gadrooned body, raised on a square plinth,104cm diameter130cm high overall (2)PLEASE NOTEThe pedestal the urn was placed upon in the saleroom and in the physical catalogue is incorrect. The image online is correct. Condition Report**Please note that the pedestal the urn was placed upon in the saleroom and physical catalogue is incorrect. The image online is correct.
An Ashford black marble pedestal vase,19th century, Derbyshire, inlaid with dog roses amongst flowering foliage, the vase of tapering ovoid form, with a turned stem and spreading circular foot, on a square plinth base,9.5cm wide9.5cm deep31cm highProvenance: The personal collection of David and Elizabeth Hacker.
A large pair of bronze grand tour figures,19th century, depicting Augustus of Prima Porta and Minerva, each figure rotating on a red-veined and black marble plinth,69 and 65cm high (2) Condition ReportChips and losses to edge of marble bases. Augustus with an added metal rod to the upturned arm.
An alabaster figure of the Venus de Milo,19th century, on a circular plinth base,11.5cm wide12cm deep45cm highCondition ReportThe neck restored alongside the circular base, the facial features and hair slightly worn. Minor nibbles to the surface. Able to stand unaided. Possible additional base added with coloured baize underside.
A pair of white marble and malachite obelisks,first half 20th century, possibly Carrara, each on a stepped and canted block plinth,8.5cm wide8.5cm deep38.5cm high (2)Condition ReportA few very small nibbles to the edges and corners. Both sit stable on a flat surface. Overall in very good cosmetic condition.
A pair of Egyptian Revival bronze figures after Émile Louis Picault,early 20th century, each modelled as an attendant holding a staff, on a square and canted black stone base,11cm wide11cm deep40.5cm high (2) Condition ReportThe male's staff is slightly misshapen, is a little loose to the base and the base doesn't sit flat. Both are tarnished in areas and show wear to the brass baseplate of the plinth. Unsigned. Residue and dust to crevices.
A pair of painted and parcel-gilt wooden putti,probably 19th century, Italian, each standing contrapposto and blowing a horn, on a later wooden plinth,65cm wide65cm deep131cm high (2)Condition ReportEvidence of repainting and restoration. The horns are probably later replacements. Each with one piece of dowel added for adoption to later bases. Some heavy chips, knocks and losses to paint and gilt. Dirt and marks. Rot and woodworm damage to feet. Cracks and possible repair to arms and wings. Knocks, splits and woodworm damage to stands.
-
173487 item(s)/page