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Lot 30
A large Japanese bottle vase on hardwood plinth. With tall knopped slender neck over a globular body. Decorated in coloured enamels with mountainous landscapes with buildings and fishermen under stylized bands. Seal mark, 60cm. Condition Report. To be used as a guide only. Converted to a lamp at some point with a drill hole in the base. U shaped section of the neck re glued.
Lot 227
A pair of early nineteenth century Paris porcelain twin handled pedestal potpourri vases. Painted in coloured enamels with continuing landscapes and with bands of gilt scrollwork, 14cm. Condition Report. To be used as a guide only. Covers lacking. One seperated from the plinth but these were originally seperately made.
Lot 960
A very fine Regency rosewood twin pedestal chess table and accompanying carved ivory chess set in the single fitted drawer. The canted gaming top with penwork decoration has a checkered centre board with each square decorated with a flower head and under a wide border of acanthus scrolls and with two panels decorated with Classical farming scenes. The plain frieze is edged with bobbin turned moulding above double baluster supports over a swan neck plinth with further bobbin moulds and raised on squat bun feet, 74.5cm high, 71cm wide, king pieces 12.5cm. Condition Report. To be used as a guide only. Chess set intact, red king with a chip to the crown, white king finial re glued, red bishop with a rough patch to one side of the reeded column otherwise all pieces in good condition. The table is in overall very good condition. With expected marks and wear. Penwork top has survived remarkably well. Structurally sound. The loop handle to the original key is broken but still functioning.
Lot 317
A late nineteenth century Meissen allegorical figure emblematic of sight from the four senses. Modelled as a woman seated by a table and gazing into a mirror. Raised on a bow fronted plinth with fluted moulding. Underglazed cross swords mark, 14cm. Condition Report. To be used as a guide only. Head broken and crudely re attached. Mirror broken and re glued. Chipping to the base edge and loss to the lace work.
Lot 232
A 1930s plaster cast and painted figural fish bowl. Formed as a young boy holding a glass oblong vessel and raised on a rectangular plinth. Impressed registration numbers verso, 55cm. Condition Report. To be used as a guide only. Minor abrasion to the paint on one of the folds of his hair. No breaks.
Lot 319
A late nineteenth century Meissen allegorical figure emblematic of touch from the four senses. Modelled as a woman seated by a table with a Macaw parrot in a cage. Raised on a bow fronted plinth with fluted moulding. Underglazed cross swords mark, 14cm. Condition Report. To be used as a guide only. Some edge chipping to the base and loss to the lacework.
Lot 231
A nineteenth century Parian figure group. Esther and the King. Formed on a stepped oval plinth with the King, Esther and an attendant. Inscribed 'and the King loved Esther above all the women', 40cm. Condition Report. To be used as a guide only. Some loss to the crown of Esther and the King. Tiny crack across on of the Kings fingers. A small object missing from the rear of the group in the attendants hands.
Lot 55
A Japanese carved ivory okimono formed as a man with a child upon his back, supporting the infant with one arm and holding a bowl of food in the other. Raised on a circular plinth, 17.5cm. Condition Report. To be used as a guide only. Signature tablet lacking. Infant with loss to his right fingers. Hair cracks.
Lot 145
A William IV mahogany and crossbanded longcase clock, by W B Cornforth, Macclesfield, eight day movement striking on a bell, the domed painted face with Roman numerals, minute markers, and floral spandrels, moon roller, date aperture and subsidiary seconds dial, the hood with broken swan neck pediment, brass fittings and turned columns, the trunk door flanked by turned columns, raised on a plinth base and small ogee shaped feet, 58 by 25 by 243cm high.
Lot 143
A 19th century oak, figured mahogany and crossbanded longcase clock, by J & E Mason, Worcester, eight day movement striking on a bell, the painted face with Roman numerals, minute markers, and floral spandrels, date aperture and subsidiary seconds dial, the hood with broken swan neck pediment, brass fittings and turned columns, the trunk door flanked by fluted columns with brass fittings, raised on a plinth base, 54 by 26 by 208cm high.
Lot 146
A George III oak longcase clock, by Herring, Newark, later eight day movement striking on a bell, the domed painted face with Roman numerals, Arabic numeral minute markers, a basket of fruit, and floral spandrels, date aperture, the hood with broken swan neck pediment, brass fittings and plain turned columns, the trunk door with shaped top, raised on a plinth base, 48 by 25 by 202cm high.
Lot 147
A Victorian figured mahogany and crossbanded longcase clock, by Kilham, Holbeach, eight day movement striking on a bell, the domed painted face with Roman numerals, minute markers, a basket of flowers, and floral spandrels, subsidiary seconds dial, the hood with broken swan neck pediment and turned columns, the trunk door with shaped top, chamfered trunk, raised on a plinth base, 52 by 26 by 198cm high.
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173444 item(s)/page