A mid 19th century mahogany bracket clock in the Gothic stylethe dial signed J. Hutton, Londonthe rectangular case with foliate carved swept ogee top with corresponding finial, flanked by a pair of pedimented narrow rectangular pilasters, on moulded plinth and lobed bracket feet, the sides with pierced arched sound grills, the 7'' engraved brass dial with silvered Roman chapter ring with outer five minute Arabic track, the brass four pillar twin fusee movement with anchor escapement striking on a bell with pendulum, case key and winder, 63cm highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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Hippolyte Francois Moreau (French, 1832-1927): A patinated bronze figure entitled 'Captive'formed as a seated slave girl clad in drapery and wearing a coin headdress, her arms resting on flowering tree boughs, signed to one end of the her seat Hip Moreau, the rear with Société des Bronzes de Paris pastille mark, raised on a separate circular rotating plinth with title plaque CAPTIVE, Salon des Beaux-Arts, 60.5cm high overallThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Louis-Ernest Barrius (French, 1841-1905): A gilt bronze figure of 'Nature Revealing herself to Science,'the semi-nude figure with downcast gaze clad in a draped robe on rectangular shallow plinth base signed E.Barrius and with Susse Freres foundry mark and pastille stamp, 24cm highFootnotes:Barrias began his artistic training as a painter but moved on to study sculpture under P. J. Cavalier. He partook in the sculptural decoration of the Paris Opéra, executing a marble statue of Virgil (1865).Numerous editions of La Nature exist, Barrias's most popular design. The first example was a large-scale version, admitted to the Salon in 1893. Examples can now be found in bronze and marble in various heights (97, 73, 58, 43, and 24cm) and tones.For further information on this lot please visit Bonhams.com
A good George III Siena and white marble chimneypiecethe moulded inverted breakfront shelf above an egg and dart border, the faux fluted frieze with twin inset oval foliate patera centred by a rectangular tablet carved with a roundel depicting three amorous putti, one holding a bow, the other two a quiver of arrows, within ribbon-tied swagged drapery, the jambs with faux fluted half columns with composite ionic capitals below rectangular headers carved with draped putti, on socle and block plinth bases, 159cm high, 188 cm wide, 33cm deep, the inner aperture 99cm high, 119cm wideThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A good late 18th century ormolu mantel clocksigned Noel Baltazarthe drum-case surmounted with a winged putto on a reeded column decorated with a pair of doves and flowers on a stepped plinth with boldly cast acanthus leaf moulding on squat-bun feet, the 4.5 signed white enamel Roman and Arabic dial with pierced gilt hands, the movement with signed backplate with flattened edges, with verge escapement and silk suspension and numbered countwheel with star crossings striking the hours and half hours on a bell, with pendulum 38cms high (2)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
An 18th century and later yellow ground Chinoiserie japanned longcase clockthe dial signed for Soloman Collins, Chertseythe hood with moulded cornice above a pair of columns surmounted by a moulded caddy top with brass onion finials, the trunk with lenticle to the moulded door on plinth base, the later decorated case with all-over pagoda landscape and figural scenes within floral and foliate trellis borders, the 12' brass dial with silvered Roman chapter ring with outer Arabic five minute track and decorative spandrels, the matted centre with subsidiary seconds and ring turned winding holes, the five pillar eight day brass movement with anchor escapement striking on a bell, with pendulum, winder and two lead weights, 224cm approximately overallFootnotes:Soloman Collins of Chertsey is recorded by Loomes as working circa 1730.This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A pair of Chinese Sang de Boeuf glazed porcelain and vases, adapted as lamp basesthe porcelain probably late 19th/early 20h centurythe vases of compressed globular form with elongated waisted necks mounted on gilt wood moulded circular plinth bases, the vases drilled for electricity and with brass electrical fittings, 32.5cm high approximately (not including the upper part of the electrical fitting) (2)For further information on this lot please visit Bonhams.com
Three Burmese carved and giltwood standing figures of Buddha of varying sizesprobably 19th / early 20th centuryeach depicting a Mandalay-style image of Shakyamuni Buddha standing with out-stretched hands clutching the hems of their robes and with painted eyes and features and inset coloured mirror glass accents, the largest two on later square stained wood plinths, the smallest on later tapering square blacked painted wood plinth, the smallest figure with detached hand, the figures 80.5cm high, 74cm high and 57cm high (96cm high, 88cm high and 71.cm high including bases) (3)This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
After James Pradier (French, 1790-1852): A late 19th Century French patinated bronze figure of a classical maidenclad in a draped robe, her hair adorned with a veil and diadem and holding a laurel in her left hand leaning against a tripartite pedestal and raised on shallow integral plinth base, 51.5cm high approximately This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A late 19th century Italian carved marble figural fountain groupformed as an infant putto and faun before a rustic tree stump, supporting a scallop shell on their backs, on naturalistic canted square base, raised a moulded shallow plinth, 59cm, 56cm wide and 35cm deep This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A contemporary painted bronze figure of a female pipersigned Bern P., on a wooden square plinth, 48.5cm highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A second half 19th century Italian carved marble figural group of Ariadne and the Pantherthe nude Princess seated on the draped big cat, on rectangular integral plinth base, apparently signed indistinctly, 57cm highFootnotes:The current lot after the model by Johann Heinrich von Dannecker (German, Stuttgart 1758–1841).This lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
After Carl Kauba (Austrian / American, 1865-1922): A large cold painted and patinated bronze figure of 'Amerika'depicting a native Indian chief with feathered headdress, the figure wrapped in a cloak and fringed shawl and holding a shield and tomahawk, on a rusticated veined marble oval plinth with polished top, 49cm highThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
Auguste Nicolas Cain, French (1822-1894): A patinated bronze model of 'Lion et Lionne se Disputant un Sanglier'Lion, Lioness and boarmodelled as a lion and a lioness fighting over a boar on naturalistic oval base signed A. Cain to the front right hand side and with integral moulded plinth, 36cm high, 63cm wide, 31cm deep approximately overallThis lot is subject to the following lot symbols: TPTP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
A RARE STAFFORDSHIRE POTTERY DAME SCHOOL ARBOUR GROUP, c.1825, the dame centrally seated and flanked by two boys and two girls at their lessons below a brick arbour with colonades, on a green stepped plinth, 6" high (Est. plus 21% premium inc. VAT)Arbour has been broken off in at least six pieces and has very old glue repairs but with apparent minor losses, firing crack to base of arbour at back, tip of dame's "staff" is broken and "repaired", no damage or restoration to pupils or base per se
A PAIR OF ERNST WAHLISS ROYAL VIENNA FIGURE GROUPS, c.1900, the pair of winged children walking together with a basket of flowers and the same pair kissing, both on waisted square section flower moulded plinths, impressed applied blue pad, 11 1/2" and 12" high (Est. plus 21% premium inc. VAT)All wings restored. Kissing pair restored across legs and stump (probably been in two). Walking pair has poor repairs to corners of plinth, arms restored, losses to flowers etc
A mahogany and stained wood large shops cabinet/ library bookcase with moulded cornice and 4 glass doors over 4 sliding doors, on plinth, width 260 cm, height 230 cm. Generally in good condition with some renovation to the polished finished required, particularly the top of the lower base. Can separate to two pieces + cornice.
A Chinese famille verte figure of a bearded man, 19th Century, on a square plinth, 29.5cm high CONDITION REPORT: Slight chip to tip of 'tail' of headdress at shoulder. Bad chipping/losses to plinth, to front left upper lip and to rear left upper and lower lip. Otherwise condition in line with age and usage.
A jade carving of a figure standing by a crane among pierced scrolling foliage, 7cm high, a jade pendant of oval pierced shape, 6cm x 5cm, a spinach jade pendant of archaistic form and a jadeite figure of Guanyin, 19cm high CONDITION REPORT: The standing figure has a few very minor knocks including to plinth. Otherwise pieces all in good condition.
A late 17th Century eight-day longcase clock, John Long, London, the 12" dial with decorated spandrels, subsidiary seconds and date aperture, fitted a five-pillar movement, the arabesque marquetry case with square hood and brass bezel bullseye to the door, 215cm high/see illustration CONDITION REPORT: Slight damage to blind fret frieze and some veneer lifting to hood, trunk sides re-veneered, later door hinges, repair to trunk door beading, trunk base split to right hand side, later plinth base, pendulum original
A Dutch floral marquetry chest of bombé shape, fitted four long drawers on ball and claw feet, 108cm wide, 84cm high, 53cm deep CONDITION REPORT: minor marquetry lifting in places throughout, left hand side split, right hand split and repaired, moulding missing from left hand border, top drawer missing from left hand border, top drawer missing lock and with split to front. All drawer bases split. Bottom drawer missing lock, plinth base with replaced and loose moulding. Feet scuffed. Left hand side pillar shows signs of glue.
Kükenpaar, Rosenthal, Selb-Bavaria, Marke 1922-33, Entwurf Karl Himmelstoss (1878-1967) im Jahr 1917, polychrome Unterglasurmalerei, Modellnr. K 478, auf Naturplinthe, auf dem Sockel Malersign. H. Krebs, H. 9 cm Pair of chicken, Rosenthal, Selb-Bavaria, mark 1922-33, designed by Karl Himmelstoss (1878-1967) in 1917, polychrome underglaze painting, model no. K 478, on a natural plinth, h. 9 cm
Emmanuel Villanis (1858-1914), frz. Bildhauer des Art Nouveau, "Capture", Die Gefangennahme, braun patinierte Bronze einer gefesselten Frauenbüste, sign. u. am Postament betitelt, etwas narbig, Kette fehlt, auf Marmorplinthe, Ges.-H. 19 cm Emmanuel Villanis (1858-1914), French sculptor of Art Nouveau, ''Capture'', The capture, brown patinated bronze of a bound bust of a woman, signed. u. titled on the pedestal, somewhat pitted, chain missing, on marble plinth, Ges.-H. 19 cm
Monogrammist KYJ, Bildhauer 2. H. 20. Jh., stehender Geiger, Bronze patiniert, auf dem Stand num. 107 sowie bez. KYJ, auf Marmorplinthe, Ges.-H. 37 cm Monogrammist KYJ, sculptor 2nd half of the 20th century, standing violinist, patinated bronze, on stand no. 107 as well as KYJ, on marble plinth, Ges.-H. 37 cm
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173487 item(s)/page