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Click here to subscribeEugenio Pellini (Italian, 1864-1934),a prancing horse, bronze with green patina, bearing a cast signature to the base, raised on an ebonised wooden plinth,34cm wide38cm deep15cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportSome minor wear to the plinth. Minor wear to the patination in places. Please see the addition images.Approximately 8.2kg.
An Egyptian-style carved granite head of a man,20th century, on a white marble plinth, 12.5cm wide12.5cm deep28cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportNibbles and chips to the edges of the marble. The granite head is loose and comes off its stand. Natural wear to the granite. Please see the additional images.
After Gianfrancesco Susini,18th or 19th century, North Italian, a bronze model of a pacing bull, on a stepped wooden plinth, 20cm wide11cm deep31.5cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportThe bull slightly loose from the rectangular wooden base. The chest with a small knock, and some tarnish/discolouration to the finish in particular to the tail and to the back. The left hand shoulder of the front leg with disocloration and some casting imperfections. The base with two large scratches beneath the front lifted foot, and various other knocks and scratches throughout. Please see additional images.
A patinated bronze figure after the antique,early 19th century, Italian, The Ludovisi Ares, on a stepped Siena and black marble plinth, 14cm wide9cm deep25cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportGeneral light rubbing and wear to patina. Two apparent cracks to the bronze base. One small pinhole to the knee. Some old chips and knocks to the marble bases.
A pair of George III Derbyshire Blue John and ormolu 'Cleopatra' candle vases,c.1771, attributed to Matthew Boulton, each of neoclassical urn form, with a rectangular plinth set with portrait roundels, raised on a stepped square base terminating in ball feet, with restorations,11cm wide11cm deep24cm high (2)Provenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Literature: For similar examples, see N Goodison, 'Ormolu: The Work of Matthew Boulton', 1974, pl. 111 and 113. Condition ReportEvidence of repair and restoration, with likely alteration to the blue john columns, which appear to have been possibly cut down or reconstructed. Some splits and small holes to metal, with knocks and wear throughout. Some small knocks, cracks and fractures to fluorite. One wobbles a little on a flat surface. General surface wear and rubbing. Both structurally stable. Please see additional photos for reference to condition.Rectangular plinths, height of blue john visible between mounts - 4.9cmRectangular plinths, width of blue john - 4cm
After Giambologna, 18th century, a patinated bronze figure group, The Abduction of a Sabine Woman, on a cylindrical rouge marble plinth,19cm wide17cm deep42cm highProvenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportPossibly cast second half 18th century. Crack to the female's raised leg. Other apparent seams to arms and legs. General rubbing and wear to patina, which is greenish and reddish in tone. Some small areas of pitting. Some darker patches in places. Please see additional photos.
Three cloisonné cranes, Republic period (1912-1949), Chinese, each enamelled with white bodies and polychrome wings and tails, one standing on a marble plinth, 20 and 27cm high (3)Provenance: Maurice 'Dick' Turpin, Barons Keep, London W14.Condition ReportAll with surface scratches and minor enamel losses. One small crane with neck restored.Both dented to tails.
A similar near pair of Chinese weathered green carved Jade figures of horse heads, possibly Han Dynasty, each with curved lips, flared nostrils and bared teeth, each mounted on a lucite display plinth. See accompanying receipt and certificate of authenticity, 12 cm wide x 10 cm high the actual carvings
A pair of early Regency cut glass and ormolu candle lustres, each with an urn surmount above a cascade of prismatic lustres and a fitted a pair of candle sconces with scroll arms the glass drip pans with further lustres above a circular hollow plinth base with gadrooned spreading foot. 36 cm wide x 66cm overall height.A private estateSigns of old sympathetic repairs
Howard & Sons of 26-27 Berners St, London a Victorian walnut open credenza library bookcase of bow-fronted form with a figured top and architectural moulded outline, bearing a Howard & Sons paper label and numbered in ink 8190948, 181 cm wide x 31 cm deep x 88 cm overall height.A private estatePlinth missing
Richard Williams, "Masterpiece"; an English two-door walnut and tiger maple gentleman's compactum of small proportions, the door and carcass constructed from vertical concave panels, the doors opening to reveal a fitted interior veneered in maple, supported by a plinth, 113 cm wide x 60cm deep x 144 cm high.See craftsman's website for further details A private estate
Very Scarce Corgi Texaco-Marlboro McLaren M23F1 Formula 1 Racing Car 1:18 Scale Trophy, red/white body, with authentic decoration and take off wheels, mounted on wooden plinth, with brass plaque engraved Presented to the 1974 World Championship Winner by The Mettoy Co Ltd, in very good original condition, approx. size of wooden plinth 29.5 cms x 17.5cms. Only a very small quantity were made.
Doll's house interest - a brass inlaid mahogany display cabinet on French cabriole legs, signed and dated J Davenport '84, a walnut longcase clock signed with initials LM and Powell ? '88, and a bracket style clock on plinth stand standing on bracket feet signed Ernie Levy, 3/83 No.1 out of 8 types Kidney Clocks, the dial marked Chateau Swiss made A/F, along with a typed copy of a letter set by Gerald Chichester private secretary to HM Queen Mary, thanking and with payment, for two miniatures sent to the Queen, and the return of unwanted miniatures, letter dated 19th Oct 1937 Location:
A 19th Century mahogany free standing corner cupboard, the moulded dentil cornice above a blind fretwork frieze and two panelled cupboard doors enclosing three shaped shelves over two further cupboard doors enclosing a single shaped shelf on a plinth base 109 cm wide x 75 cm deep x 219 cm high CONDITION REPORTS width of the opening when doors are open for the upper cabinet is 188.5cm
A Victorian mahogany double pedestal desk, the red leather tooled and gilded writing surface within a moulded edge over three frieze drawers on two banks of three drawers with brass wreath ring handles, raised on plinth supports to castors, 120 cm wide x 71 cm deep x 73.5 cm high, together with a modern pine kneehole desk, the plain top above three frieze drawers on two banks of three drawers, 137.5 cm wide x 60.5 cm deep x 77.5 cm high (2)
A pair of Victorian oak panel seated hall chairs with pierced shield decorated backs on turned front legs, a 20th Century parquetry work decorated coffee table in the Louis XV taste, the cross-banded top with serpentine brass edge above a shaped frieze on square tapered cabriole legs to brass sabots, 92 cm wide x 45.5 cm deep x 46 cm high and a collage study, framed and glazed by ZOE HOPE "Friendship", signed and dated 1998, 53 cm x 22.5 cm, A 19th Century oak free-standing corner cupboard, the moulded cornice over two panelled cupboard doors, on a shallow plinth base, 80 cm wide x 46 cm deep x 193 cm high (5)
A Victorian embonised side cabinet, the plain top with moulded edge over a marquetry inlaid frieze and glazed door enclosing a green velvet lined shelved interior flanked by two further marquetry inlaid and gilt metal capped pilasters on a plinth base to turned feet 76 cm wide x 31.5 cm deep x 104 cm high
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