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Lot 958
A Victorian mahogany bookcase cabinet, the moulded cornice above two glazed panelled doors with flowerhead and foliate spandrels opening to reveal adjustable shelving, the base with fall front secretaire drawer with basic fitted interior of pigeon holes and drawers over two panelled cupboard doors enclosing a shelf on a plinth base to bun feet
Lot 190
A late 19th / early 20th Century mantel timepiece, the circular enamelled dial mounted on a cast metal palm tree decorated stand, raised on a square mahogany plinth base, bearing brass finials, applied canon decoration and brass figure (one figure lacking), together with three various cast metal figures (ILLUSTRATED)
Lot 755
A FRENCH BRONZE STUDY OF A GREYHOUND cast from a model by Christophe Fratin, on rectangular base, brown patina with darker areas, stamped FRATIN (the N reversed), on associated marble plinth, 12.5cm high overall ++Believed to be of late 19th/early 20th c date but not examined off the plinth. In fine condition, no apparent signs of repair, eg at the tail, two corners of the marble plinth broken off and restuck, the bronze with some general accretion of dirt and grime in the crevices of the base, etc. Consigned by the executors of a local deceased`s estate
Lot 773
A PAIR OF REGENCY BRONZE AND MARBLE CANDLESTICKS the beaded urnular sconce on griffin base and stepped plinth, 22cm h ++Small casting flaw in one creatures wing on one candlestick but this is not too noticeable, generally with a build up of dust and grime on the upper surfaces, the marble unevenly discoloured and worn on the corners, etc
Lot 42
FIVE PRATTWARE AND OTHER EARTHENWARE WINDOW STOPS OR FURNITURE RESTS one modelled as a tree man, the Prattware example with the head of a gentleman, 9-13.5cm h and an earthenware screw top snuff box in the form of the head of soldier, all early 19th c (6) ++Prattware example -damage to one of the two protruding lion`s paws. Tree man example with some flaking of the enamel, larger of the two bearded man examples with chip to rear corner of the plinth. Snuff box - nose chipped, rebuilt around the neck, lacking lid
Lot 138
A FRENCH ART DECO BRONZE STATUETTE OF THE MESSAGE OF LOVE CAST FROM THE MODEL BY PIERRE LE FAGUAYS on Portor marble plinth, 45cm h, engraved Le Faguays and with contemporary engraved bronze presentation tablet, c1930 The inscription reads: EN SOUVENIR DES 25 ANS DE SERVICE A LA CIE. DES WAGONS-LITS OF FERT PAR LES CADRES DE LYON ET DE MARSEILLE 1930. A similar example is illustrated Catley (B), Art Deco and Other Figures, Woodbridge 1978, p194. ++Marble plinth chipped on one side. Minor old fatigue crack developing in one arm but stable. The old varnish somewhat discoloured over time
Lot 299
ROYAL. A PAIR OF GEORGE V 18CT GOLD TABLE PLACE STANDS formed of the initials H and C beneath a royal crown and entwined with a ribbon bearing the dates 1866 and 1916, on ivory plinth, 6cm h, by B H Jopseph & Co, Birmingham 1915 Provenance: The initials are those of Princess Helena (1846-1923), fifth child of Queen Victoria and Prince Albert, and Prince Christian of Schleswig-Holstein (1831-1917). These stands are from a set made for a dinner given to celebrate the royal couple`s Golden Wedding in 1916. Acquired in Norfolk in the 1960s by the present vendor`s late husband from the family of a former member of the Royal Household. ++One slightly distorted. The ivory base of one with a chip to the corner, the piece having been cleanly restuck, also another small flat old chip on the underside of the ivory base. The odd small spot of staining and ingrained dirt in the ivory but entirely unrestored. Of impeccable provenance, extremely rare and not previously offered for sale
Lot 115
AN ORMOLU URN-SHAPE VASE, with an everted foliate cast rim above a relief decorated frieze of Bacchanalian cherubs and goats amongst fruiting vines, with fluted calyx and knopped stem from on square base with indented corners, the whole on a conforming green marble plinth, numbered 8160 to underside, 26cm high. See illustration
Lot 122
A REGENCY MAHOGANY BRACKET CLOCK, BY WILLIAM VALE, LICHFIELD, the double fusee movement striking on a bell, the circular cream dial with Roman numerals and signed Wm Vale Lichfield, the domed case with pagoda cresting from a square plinth, centred by a gilt metal pineapple finial, the sides applied with a pair of ring handles with foliate back plates above arched fretted brass panels lined in red silk, the fascia inlaid with brass detail above a reeded frieze, on brass ball feet, 62cm high together with an associated wall bracket. See illustration
Lot 545
AN EARLY VICTORIAN FIGURED MAHOGANY SIDEBOARD, the moulded rectangular top with a foliate carved, galleried back, fitted with four drawers to the frieze, and on twin pedestals, each enclosed by an arched panel door, flanked by scrolling brackets, internally fitted with two drawers and a bottle drawer respectively, plinth base, 231cm x 70.5cm x 157cm. See illustration
Lot 581
A VICTORIAN WALNUT AND MARQUETRY INLAID DAVENPORT, the raised stationery compartment enclosed by a hinged lid, above a hinged writing slope with inset leather scriver, enclosing a fitted interior, the box base with four graduated drawers and opposing dummy drawer, scrolling front supports, shaped plinth base, on cushion feet, 53.5cm wide x 79cm high
Lot 5
Four polished marble spheres with stands, 20th century, comprising a green serpentine example, 20cm diameter, with waisted black marble plinth, 12cm high; a marmo portoro example, 13.5cm diameter, with waisted rouge marble plinth, 8cm high; and a pair of serpentine marble examples, with black composition plinths
Lot 28
A Continental sculpted ivory group of William Tell and his Son, late 19th century, portrayed standing, Tell with his crossbow resting on his right shoulder, on a cylindrical plinth, 14cm high; a sculpted ivory model of a bird, 19th century, 8cm high; and a Continental sculpted ivory model of man in Mediaeval dress, the Pied Piper, late 19th century, 9cm high
Lot 55
An Empire ormolu and marble mounted twin light candelabrum, early 19th century, the engine milled urn sockets with laurel cast undersides, on scrolling foliate cast branches rising either side of a thyrsus, on a wrythen rod held aloft by a standing amorino, on a cylindrical white marble plinth with engine milled circlets, on a square marble base, 41cm high
Lot 68
A Berlin part glazed and biscuit porcelain and gilt metal mounted columnar table lamp, early 20th century, the reeded and acanthus clad shaft above a knopped moulding and domed acanthus-clad boss, the hexagonal section plinth with laurel swags and stepped base, blue sceptre mark to underside, 48cm high including electrical fitment
Lot 98
* A George III inlaid mahogany eight-day longcase clock with moonphase, D. Collier, Eccles, early 19th century the four pillar rack and bell striking movement with 14 inch square white painted Roman numeral dial with arched calendar and ‘axehead’ moon apertures and signed D. Collier, Eccles to the seated lamb painted centre, the spandrels painted with female figures emblematic of the four seasons, the case with pierced swan neck crest above cavetto cornice, baton inlaid frieze and turned columns to hood, oval paterae inlaid frieze to throat over gothic ogee arch shaped trunk door flanked by reeded pilasters to angles, on crossbanded plinth base with canted angles and ogee bracket feet.
Lot 99
A Scottish George III tortoiseshell japanned eight-day longcase clock Robert Clidsdale, Edinburgh circa 1775 The five pillar rack and bell striking movement with 12 inch brass break-arch dial with calendar aperture and narrow silvered subsidiary seconds ring to the matted centre within an applied silvered Roman numeral chapter ring with Arabic five minutes to outer track and gilt female mask and scroll cast spandrels to angles beneath arch with circular silvered boss signed Rob.t Clidsdale, Edinburgh above Strike/Silent switch and flanked by dolphin cast mounts, in a pagoda pedimented case with glazed aperture to upstand and three quarter columns to hood above break-arch door decorated in raised gilt and polychrome with oriental figures within a garden terrace landscape on a mottled ‘shell’ ground to trunk, on conforming plinth base with moulded skirt, (case with restoration) 234cm (92ins) high. Robert Clidsdale is recorded in Smith, John OLD SCOTTISH CLOCKMAKERS 1453-1850 as being apprenticed to Alexander Brand in 1738, he gained his Freedom in 1754 and worked presumably until his death in 1786.
Lot 100
A George III oak eight-day longcase clock, Josiah Kember, Shaw, circa 1775 The four pillar rack and bell striking movement with 12 inch square brass dial with subsidiary seconds dial and calendar aperture to the ho-ho bird and foliate scroll engraved matted centre within applied silvered Roman numeral chapter ring with fleur-de-lys half hour markers, Arabic five minutes to outer track and signed Jos. Kember, Shaw to lower edge, the angles with bird and urn cast spandrels, the case with shallow box upstand, ogee cornice and foliate blind fret to frieze above three quarter columns to hood, rectangular caddy moulded door to trunk, on plinth base with moulded skirt, 210cm (82.5ins) high. Josiah Kember is recorded in Baillie, G.H. Watchmakers & Clockmakers of the World as working in Shaw 1771-7.
Lot 179
A mahogany partners pedestal desk, in George III style, 20th century, moulded rectangular top, leather inset, and arrangement of nine drawers around the central kneehole, flanked by engaged pilasters, plinth bases, 78cm high, 140cm wide, 85cm deepPlease note: This is not a Partner`s Desk, the cupboards and drawers on opposing side do not open
Lot 277
A George IV mahogany circular dining table, circa 1825, top with moulded edge, octagonal stem, concave sided plinth, turned feet, 75cm high, the top 163cm diameter, 75cm high, the top 163cm diameterPlease note: This table is of George IV style, of recent manufacture and not as described in the catalogue
Lot 329
A Victorian walnut and marquetry bookcase, circa 1860, the upper section with a pair of glazed doors opening to shelves and decorated with floral marquetry and gilt metal mounts, the base with a pair of gilt metal mounted doors with floral marquetry arrangement and stringing, opening to shelves, on a plinth base, 209cm high, 127cm wide, 40cm deep Provenance: The Earls of Strathmore and Kinghorne; Miss Joy Betty Marina Lyon (1902-1956), Keltie Castle, Dunning, Perthshire, and Goring Hall, West Sussex; by descent to Elizabeth Carnegie-Arbuthnot (d. 1986), Hampton Court Lodge; by descent to Laura Nepean-Gubbins (d. 1995), London.
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172950 item(s)/page