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Click here to subscribeOak drumhead double fusee bracket clock, the 9" gilt chapter ring signed Webster, Queen Victoria St and enclosing an engine turned centre, the movement also signed on the back plate, striking on a large gong and with locking pendulum, within an applied foliate and egg and dart carved case, upon a stepped plinth, 17" high (pendulum and winding key)
Art Deco black and white marble veined two train mantel clock garniture, the movement with outside countwheel striking on a bell, the 3.5" square silvered dial within a breakfront case upon a rectangular shaped black marble plinth, 15" high; also with a pair of matching side pieces, 10.25" high (pendulum and key)
A LARGE LATE 19TH CENTURY FRENCH REPEATING CARRIAGE CLOCK the gilt brass case with moulded top supported on four reeded Corinthian columns on plinth base with applied filigree decoration, the 3" masked porcelain dial with Arabic numerals fronting an eight day spring driven movement striking and repeating on a gong, movement stamped 'GH' 20cm high handle up.
VULLIAMY, LONDON. No. 614. A REGENCY BRONZE, ORMOLU AND WHITE MARBLE LIBRARY MANTEL CLOCK the case surmounted by a flambe finial above a 3" gilt engine turned dial with Roman numerals flanked by two classical female figures reading books mounted on a white marble plinth, the signed eight-day fusee movement having anchor escapement and circular plates 27cm high
CARDINAUX A PARIS. A LARGE EARLY 19TH CENTURY BRONZE, ORMOLU AND SIENNA MARBLE FIGURAL MANTEL CLOCK modelled as Julias Cesar standing on a Sienna marble plinth supported on ormolu lion head feet, the 4" convex enamel dial with Roman numerals fronting an eight-day spring driven movement with silk suspension striking the hours/half hours on a bell 71cm high
JOSHUA MARTINEAU ST. MARTINS COURT, LONDON. A LATE 18TH CENTURY TRIPLE PAD TOP FLAMED MAHOGANY VERGE BRACKET CLOCK the arched top case with triple pad top and fitted carrying handle above hinged doors and glazed side windows; standing on a moulded plinth with brass bracket feet. The 6.75" brass dial with rococo cast brass spandrels, silvered chapter ring with five minute markers and Roman chapter ring, enclosing a matted centre with arched name plaque, date dial, mock pendulum aperture and strike/silent dial to the arch. Fronting an eight day fusee movement with five knopped pillars, pull repeat, verge escapement and striking the hours on a steel bell - signed on the back plate 28.5cm wide, 20cm deep, 40cm high handle down
RAINGO, PARIS. A LARGE 19TH CENTURY FRENCH ORMOLU FOUR-GLASS STYLE MANTEL CLOCK the case inset with four bevelled glass panels and acanthus leaf border on plinth base with repoussé frieze depicting classical cherubs, the 5.5" convex porcelain dial with blue Roman numerals and black Arabic outer numerals fronting an eight-day spring driven movement with masked sunburst pendulum striking the hours/half hours on a bell 44.5cm high
A RARE AND UNUSUAL 19TH CENTURY SKELETON CLOCK WITH LORD NELSON INTEREST the gilt brass frame of scroll design surmounted by the Royal Coat of Arms above the Prince of Wales Feathers and a scallop shell, the three enamel plaques above the dial depicting Lord Nelson, HMS Victory and a young Princess Victoria, the 2" enamel dial with Roman chapter ring surrounding a painted coastal scene and moonphase aperture fronting an eight-day chain driven fusee movement with deadbeat escapement mounted on a rosewood plinth 32cm high
J. BENNETT, NORWICH. A SMALL MID 19TH CENTURY ROSEWOOD FOUR GLASS MANTEL CLOCK the case of square form on an ogee-moulded plinth and bun feet with five glass panels enclosing a 3.5" square silvered engraved dial with Roman numerals fronting an eight-day chain driven fusee movement with anchor escapement and brass bob pendulum 23cm high
A 19th CENTURY FRENCH MARBLE AND ORMOLU MOUNTED MANTEL CLOCK the case surmounted by a classical seated woman reading a book on black marble plinth above a white marble and antico verde marble case with ormolu mounts and carved scrolled sides enclosing a 3.5" porcelain dial with Roman numerals fronting a spring driven eight-day movement striking the hours/half hours on a bell 39.5cm high
AN EARLY 19TH CENTURY FRENCH ORMOLU FIGURAL MANTEL CLOCK the case having a porcelain sphere and winged cherub standing on a stool on plinth base with relief panel enclosing a 3.5" porcelain dial with Roman numerals fronting an eight day spring driven movement with outside count wheel and silk suspension striking the hours/half hours on a bell 38cm high
JAMES MUIRHEAD, 90 BUCHANAN, GLASGOW. A MID 19TH CENTURY ROSEWOOD DOUBLE FUSEE LIBRARY CLOCK the rectangular case supported on an ogee-moulded plinth inset with five glass panels enclosing a 5.5" square silvered scroll engraved dial with Roman numerals fronting an eight-day double chain driven fusee movement striking the hours on a bell, signed on the backplate 33cm high
A.R. GUILMET. A LATE 19TH CENTURY FRENCH FIGURAL MYSTERY CLOCK the gilt spelter figure of a classical maiden holding a brass bob pendulum mounted on a black marble plinth with lion mask loop handles and lion paw feet enclosing a 4" marble dial with gilt Roman numerals and skeletonised centre fronting a spring driven eight day movement striking the hours/half hours on a bell, backplate with makers stamp 63cm high
THOMAS COLE, LONDON. AN EXTREMELY RARE BURR WALNUT TABLE REGULATOR BRACKET CLOCK the case of tapering form with molded pediment and plinth base enclosing an 8" silvered dial with Roman numerals and engraved cartouch signed 'THOMAS COLE' fronting a high quality eight-day chain driven fusee movement with deadbeat escapement and Harrison's maintaining power, also with typical Cole features such as his spherical pendulum and subsidiary gearing so that the winding hole is below the dial 37.5cm high - There is one other known example of this type of clock, it is in the Railway Museum in Swindon and was made for the Royal Waiting Room at Windsor Station
A LATE 18TH CENTURY HEPPLEWHITE FIGURED MAHOGANY BREAKFRONT BOOKCASE the shaped pediment with carved flowerhead corners enclosing a fan-shaped centre with swag decoration, above four astragal glazed hinged doors revealing adjustable shelves. The bottom section with unusual book slides above a configuration of two side drawers and two small drawers flanking a central secretaire drawer fitted with pigeon holes and small drawers, fitted with rococo style swan-neck handles, above a cupboard base section with hinged doors having flame veneered oval panels, revealing folio slides and adjustable shelves; standing on a moulded plinth base 306cm wide 53cm deep 284cm high.
A FINE MID 19TH CENTURY EXHIBITION QUALITY FLORAL MARQUETRY AND ORMOLU MOUNTED EBONISED AND KINGWOOD CROSS-BANDED SIDE CABINET having shaped sides with an inlaid top above a panelled frieze with a mask head centre, a pair of hinged doors with circular gilt bronze plaques depicting Diana and Baucus surrounded by corner flower sprays and figural side mounts; standing on a plinth base 132cm wide 44.5cm deep 102cm high.
A FINE 19TH CENTURY FRENCH ORMOLU-MOUNTED KINGWOOD SIDE CABINET WITH SERVES STYLE PORCELAIN PANELS having a white marble top above a relief cast brass panel decorated with grape vines, a hinged door revealing fitted shelves, decorated with an oval porcelain plaque depicting winged cherubs surrounded by floral decorated plaques, flanked by canted corners with ormolu mounts, standing on a shaped plinth base 85cm wide 45cm deep 116cm high.
ALFRED DUBUCAND; a late 19th century French patinated bronze cockerel with impressed signature, mounted on oval rouge marble plinth base titled 'Chanteclair', height including base 10cm. Additional InformationBronze somewhat loose on base, this will need tightening, general surface wear commensurate with age and handling throughout, some nibbles to the base of the marble plinth with scratches, nicks etc.
ALEXANDER MILLAR (Scottish, born 1960); limited edition bronze, 'Together Forever', signed to reverse and numbered 65/95, raised on black marble plinth, height 45cm. (D)Provenance: presented with certificate of authenticity from Washington Green Fine Art and receipt of purchase from Castle Galleries of Wolverhampton.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
ALEXANDER MILLAR (Scottish, born 1960); limited edition bronze, 'My Way', signed to reverse and numbered 34/95, raised on black marble plinth, height 42.5cm. (D)Provenance: presented with certificate of authenticity from Washington Green Fine Art and receipt of purchase from Castle Galleries of Wolverhampton.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk
ALEXANDER MILLAR (Scottish, born 1960); limited edition bronze, 'No Walkies for Me', signed to base and numbered 36/95, raised on black marble plinth, height 38cm. (D)Provenance: presented with certificate of authenticity from Washington Green Fine Art and receipt of purchase from Castle Galleries of Wolverhampton.Additional InformationThis lot qualifies for Artist Resale Rights. For further information, please visit http://www.dacs.org.uk.A few chips to base and surface scratches, otherwise ok.
A pair of 19th century French bronze twin handled urns with rams heads to each joint and foliate detail including applied swags to the square section yellow marble plinth bases, height 24.5cm (2). Additional InformationSome light surface wear and small nibbles to bronze, marble plinths have chips and nibbles, particularly to bases and corners.
VAUCHEZ OF PARIS; a late 18th century yellow metal verge pocket watch, the case back decorated in two tone yellow metal depicting a female figure and cherub beside a plinth within a garden, the white enamel dial inscribed 'Vauchez a Paris', with Roman numerals and Arabic minute markers, the movements signed Vauchez a Paris, no.7561, with pierced balance cock, silvered regulator disc and rounded baluster columns, the case unmarked, diameter of dial 3.5cm, diameter of case 4.4cm.Additional InformationThe case is in good condition, the decoration is still crisp, the inner rim has a split to the band beneath the dial approx 4mm, the white enamel dial has a small surface chip which has been restored to the right of the winding hole obscuring part of the 2, this area approx 6mm x 3mm. Light surface scratches to the dial, The movement ticks when wound.
A late 19th century French gilt metal eight day mantel clock surmounted by female personification of Liberty holding torch and book, the circular dial set with Roman numerals and flanked by porcelain panels painted with putti with third panel beneath, the movement stamped 'R & G Paris & London Best Warranted 3470', height 31.5cm, on giltwood plinth base (af). Additional InformationNo guarantee of working order, dial has numerous hairline cracks to 9 o'clock area with further dirt, spots, marks etc, and also lacking glass, clock has lost the cover of the movement, the porcelain panel to the left has small hairline crack, wear and tear throughout, rubbing to the gilding of both clock and base, distress to the fabric on the base, surface pitting, discolouration, etc. There have been losses to some of the leaves as well.
THOMAS BAYLEY OF BURTON; a George III oak, mahogany crossbanded and line inlaid eight day longcase clock, the broken swan neck pediment above a brass face, the silvered chapter ring set with Roman and Arabic numerals, with foliate spandrels and inscribed maker's name, the arched long door flanked by columns and raised on plinth base to bracket feet, height 220cm.Additional InformationLength of face 45.5cm, width 32.5cm, diameter of dial 30.4cm.
JOSHUA STANCLIFFE OF BARKISLAND; a George III oak longcase clock, the caddy top above brass dial set with Roman numerals and date subsidiary dial, with painted moon phase, inscribed with maker's name, flanked by two columns above shaped slender single door, on plinth base with bracket feet, height 215cm.
J WADLETON OF DEVONPORT; an early 19th century mahogany cased longcase clock, the arched dial set with Roman numerals, subsidiary Arabic numeral seconds dial and rolling date aperture, engraved 'Tempus Fugit' beneath bird with further foliate detail, the case with barleytwist quarter columns on plinth base and associated bracket feet, height 213cm.Additional InformationThe turned columns either side of the hood are associated later replacements, there are splits to the arch of the hood, the dial has scratches, marks and discolouration, hands later replaced, the trunk also with splits, the lower base with a split to the front through the panel, the foot section associated as stated, further general wear throughout.
J COLLIER OF CHEADLE; a 19th century oak and mahogany crossbanded longcase clock, the broken swan neck above floral painted rectangular enamel dial set with Roman numerals, date aperture and second subsidiary dial, flanked by fluted pillars above shaped door and plinth base with bracket feet, height 230cm.
A late Victorian/Edwardian oak bookcase, the glazed upper section above twin drawers and cupboard doors on plinth base, the doors and drawers set with Arts and Crafts style handles, width 152cm.Additional InformationLacking several back panels, general surface wear, scratches and staining throughout, split to both sides of the base, losses to moulding, later additions.
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