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A late Georgian oak longcase clock, with moulded arched and pillared hood, full length trunk door with thumb nail moulding over a plain base on plinth, the 30cm brass square arched dial having rocking tempus fugit figure over a silvered ring marked with his name and that of Wm Batt-Petersfield, silver chapter ring and subsidiary second ring and date aperture, applied figural spandrels, 8 day movement striking a bell, 215cm high.
A Victorian walnut serpentine fronted Davenport:, the superstructure with a lidded, fitted and galleried stationery compartment and sloping tooled leather inset writing surface enclosing a maple veneered fitted interior with two small drawers, the side containing four short drawers and with foliate carved cabriole front supports, on a plinth base with bun feet and castors, 55cm wide.
A Victorian walnut veneer piano top Davenport:, the elevating superstructure with a pierced fret gallery and lidded fitted stationery compartment, the curved hinged fall enclosing a sliding tooled leather inset adjustable writing surface and two small drawers, the side fitted with four short drawers and with turned and spiral fluted columns to the front, on a plinth base with bun feet and castors, 57cm wide.
A French gilt bronze group of bacchante, late 19th century, after Claude Michel Clodion, modelled as two nymphs, one holding aloft a tambourine, flanked by an infant faun, pipes and thyrsus at their feet, the naturalistic base with cast signature `Clodion`, stamped `5069` and `Percheron` to the underside, 57.8cm high raised on a turned marble plinth, 15cm high
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