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THREE PIECES OF GEORGE V SILVER, COMPRISING; Christening MUG, 3"" (7.6cm) high, initialled, Birmingham 1925, SMALL PEDESTAL TROPHY BOWL, 2"" (5.1cm) high, Birmingham 1931 on wooden plinth and an ENGINE TURNED NAPKIN RING, initialled, Birmingham, TOGETHER WITH A CHILD`S SILVER BELL with mother o`pearl teething ring, initialled, marks rubbed, 6oz weighable silver (4)
A 17th century style mahogany bracket clock, the case having a bell top, set silvered broken arch Arabic dial with chime/silent and slow/fast subsidiary dials, bears retailers plaque Lister & Sons, Newcastle on Tyne, set two train 8-day movement, chiming gongs, the dial flanked by chamfered fluted corners raised on a plinth base with brass bracket feet, H. 51 cm,W. 34 cm.
A large Victorian Minton urn With twin mask handles flanking scenes of playing children, above fruiting vines and eagles, standing on a spreading plinth base, probably modelled by Pierre Emile Jeannest and painted by Thomas Kirkby, the underside with small date code for 1856. 31 cms high. CONDITION REPORTS: Some slight fritting, chipping, crazing, general wear.
A pair of 19th century Berlin painted porcelain columns Each decorated with floral sprays above a stepped plinth base, with further floral sprays and an armorial panel. Each 47.5 cms high. (2) CONDITION REPORTS: One having been broken off from base, re-glued and interior bolted, some gilt and paint loss, one with top restored, possibly previously fitted as candelabra.
A 17th/18th century oak spice cabinet The rectangular top above the florally marquetry inlaid panelled door enclosing an arrangement of seven geometrically inlaid drawers, standing on a stepped plinth base with ball feet. 33 cms wide. CONDITION REPORTS: Scuffing/scratching/splitting, feet replaced, handles replaced, general wear.
An 18th century style burr walnut framed dressing table mirror The shaped mirror plate flanked by twin uprights with brass loop handles, above the plinth base with two frieze drawers, standing on ogee bracket feet. 62 cms high. CONDITION REPORTS: Some splits, scuffs and scratches, some slight veneer losses, general wear.
A 19th century carved ivory campana form urn and cover The removable lid with a pineapple finial above acanthus carvings, the main urn decorated with cupid and two reclining nude female figures above further acanthus carvings issuing twin pierced Bacchic mask headed handles, standing on a spirally turned column with spreading domed plinth base. 22 cms high. CONDITION REPORTS: Some staining and splitting, some slight fritting and general wear, two pins to base of handles possibly later.
A late 19th/early 20th century bronze group Formed as two horses with jockeys up, standing on a naturalistic plinth base and a separate ebonised plinth base. 32 cms wide. CONDITION REPORTS: Generally in good condition, expected wear, both slightly loose, base scuffed, reins and whip slightly misshapen.
A Chinese ivory tusk carving Formed as courtly figures in a landscape, with painted decoration, the front with inscribed signature, standing on a white metal inlaid carved hardwood plinth base. 51 cms wide. CONDITION REPORTS: Some splitting and staining, some fritting, wear to paint, some small areas of restoration, base possibly later.
A 19th century gilt bronze mounted mahogany mantel clock The finial mounted domed top above the pierced gilt bronze face with silvered chapter ring with Roman and Arabic numerals and twin winding apertures, flanked by trailing gilt bronze caryatids, standing on an acanthus cast plinth base with bracket feet. 35.5 cms high. CONDITION REPORTS: Generally in good condition, some general wear.
JOHN PACE, Bury St. Edmunds, a 19th century brass skeleton clock The upright movement above a pierced dial with Arabic numerals, standing on domed plinth base inscribed John Pace, Bury St. Edmunds and numbered 257, housed under a glass dome, standing on an ebonised base with brass ball feet. 40 cms high. CONDITION REPORTS: Overall good, some general wear.
A 19th century gilt bronze and marble mantel clock The ribbon tied and floral swag mounted oval face painted with cherubs, the white enamel dial with Roman numerals above a separate patent date and days aperture, over the scroll and shell cast central section and white marble plinth presentation plaque, standing on florally cast bun feet. 57 cms wide. CONDITION REPORTS: Some gilt loss/wear, two feet lacking, some fritting to marble, some slight wear to dials, name to dial rubbed, general wear.
A 19th century cloisonne decorated bronze mantel clock The domed finial mounted top above the cloisonne decorated dial with Arabic numerals and twin winding apertures over a further cloisonne decorated panel, flanked by turned columns, standing on a spreading plinth base with bun feet. 28.5 cms high. CONDITION REPORTS: Some losses and restorations to cloisonne, general wear, not guaranteed in working order.
A 19th century French cloisonne decorated brass four glass mantel clock The cloisonne decorated domed stepped top above the jewel encrusted dial with Arabic numerals flanked by cloisonne decorated uprights above a stepped plinth base. 33 cms high. CONDITION REPORTS: Some enamel chips/losses, some scuffing and scratching, general wear, clock not guaranteed in working order.
A 19th century French cloisonne decorated ormolu mantel clock The pierced domed top above a seated cherub over the cloisonne decorated dial with Roman numerals and twin winding apertures, flanked by two cherubs leaning on columns above the stepped plinth base with bun feet. 39 cms high. CONDITION REPORTS: Some general wear, some elements slightly loose, bezel lacking from front, pendulum lacking, some slight enamel wear.
A Victorian silver coffee pot, hallmarked London 1886, maker's mark of Charles Stuart Harries Of half gadrooned form, standing on a beaded spreading plinth base. 26 cms high. CONDITION REPORTS: Some scratching and surface wear, slight denting, area of loss to bottom tip of handle, approximately 18.5 troy ounces.
A George III silver cream jug, hallmarked London 1790, maker's mark of Peter and Jonathan Bateman The main body engraved with initials, standing on a spreading column with a plinth base. 15 cms high. CONDITION REPORTS: Some scratching and surface wear, slight denting, some misshaping, approximately 3.5 troy ounces.
A large Victorian oval swing mirror, hallmarks indistinct The pierced ribbon headed oval silver framed enclosing a bevelled plate, the column and plinth base silver plated. 73.5 cms high. CONDITION REPORTS: Some pins missing to frame, some silvering damage to mirror, some plate loss and general wear.
A late 19th century Continental silver mounted amethyst desk clock Of shaped balloon form, the white enamel dial with Arabic numerals, the florally pierced silver border decorated with various jewelled stones, standing on a domed plinth base and housed in original plush lined case. 9.75 cms high. CONDITION REPORTS: One cabochon missing, base slightly loose, some slight fritting, crack to reverse, general wear, slight wear to case.
An early 19th century Russian silver, diamond and enamel mounted malachite desk clock, in the style of Carl Faberge, stamped for 88 zolotniks, with maker's mark of AR The rectangular main body mounted with an Imperial eagle finial and set with an engine turned gilt dialled clock with Arabic numerals bordered by a narrow band of enamelled laurel wreath decoration inset with four small diamonds, the plinth base with central scrolling floral and anthemion spandrel above the cast winged paw feet. 14 cms high. Note: Marks of workmasters whose signatures appear in conjunction with Faberge's mark but have not been identified include AR. Similar elements of this clock can be found on various Faberge items including on pages 38 and 130 of Carl Faberge Goldsmith to the Imperial Court of Russia by Snowman, published by Debrett and entry 105 in Faberge of the Russian Master Goldsmiths by Gerard Hill. CONDITION REPORTS: Some cracks/restorations to malachite, some scuffing and scratching, general wear, clock face glass missing.
A late 19th century/early 20th century carved Indian ivory figure of a Buddah in robes standing before a vase, with gilt detail to the base of the vase, the figure 15cm high (at fault), and an ivory carving of an Indian elephant from the same period, 5cm high, on a rectangular plinth (at fault) (2 items)
Blacket Wallace, an early 19th century oak and mahogany longcase clock, the broken scrolled pediment with eagle ball finials above an arched moon phase dial, with silvered chapter and pierced spandrels, enclosing an eight day bell striking movement above three-quarter length drawer flanked by quarter turned reeded, pilasters, box base and plinth, 231cm.
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173444 item(s)/page