An Austrian Lenzkirch No.728089, single-weight longcase regulator with white enamel Roman dial with a carved oak arched hood over a trunk with a glazed door revealing a substantial pendulum, supported on a simple plinth foot. 22 cm diameter dial, 54 cm wide x 32 cm deep x 198 cm high.Note: The weight is sadly missing but the pulley and a key is present. From the estate of a local watchmaker/clockmaker.The catgut is loose on the drum but the movement looks intact.Sadly the former owner became I'll for a protracted time and so some of these clocks are unfinished projects,See the extra images supplied.As stated in the description this timepiece is missing its weight.The dial doesn't seem to have been re-enamelledThe case is in good order and is very clean this might be as a result of re polishing at some point.
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A Victorian oak single fusee mantle timepiece with carved "drum-head" case and a simple unnamed Roman dial on a plinth base with bracket feet. 30 cm diameter dial, 39 cm wide x 16 cm deep x 50 cm overall height. Together with a 1940s Ellliot triple train walnut and chrome mantle clock of geometric form, 34 cm wide.The drum head has now been reunited with its correct pendulum and winds freely and is ticking away without hesitation or pause, this is, of course, no guarantee of reliability or accuracy.The Elliot triple train clock winds on all trains but runs for a little while and then stops.
John Russell of Falkirk; A George III mahogany-cased 8-day longcase clock, the one-piece silvered broken arch Roman & Arabic dial with a moon phase dial with painted detail, the hood with swan neck pediment and fluted pilasters, the case with blind fret detail above arched trunk the plinth with a moulded foot. 36 cm dial, 54 cm wide x 26 cm deep x 228 cm overall height.John Russell was the most famous of Falkirk's clockmakers. He was born in 1745 in Denny or Dennyloanhead and was originally a blacksmith or Wright. By 1770 he had become a clockmaker in Falkirk. IN 1780 he was elected as a Stentmaster to represent the town's watch and clockmakers. Russell made longcase clocks, musical clocks, watches, thermometers, and barometers and also installed the Town clock in the Steeple. Credit: Feel Falkirk websiteA private collectionThe clock comes with two cast iron weights and a pendulum. The clock would have been functioning and is equipped with gut lines, the bell staff is broken and the bell has been fractured but glued back together.the dial is good and bright but shows a crack, see images.This was from the home of a local clock restorer who sadly diedi can not guarantee the clock being in working order but can not see why it wouldnt be but it will obviously need work to re-seat/replace the bell and bell staff.Update: Inhave now set up the clock and it runs without any problems, obviously this is no guarantee of reliability of accuracy.I will updat later. JRL 13.16 23/05/23
A Large & Spectacular Collection of Microscope Slides, The Cabinet - English, c.1880, unsigned but very much in the style of Beck, constructed of French polished mahogany with a large carry handle on the top, with paneled sides and a plinth base, glazed door opening to reveal 14 drawers to hold 36 standard slides and a deep drawer in the base to hold accessories, each drawer with a pull and a porcelain label with a brass frame, the cabinet 42.5cm wide The drawers are mostly full of microscope slides all in very good and clean condition, slide makers include Fred Enock, Russel London, Bourgogne a Paris, Amos Topping, A. C. Cole, Norman,, Smith Beck & Beck, Edmund Wheeler, J B. Dancer Microphotographs, J. D. Moller, W. A Firth, along with many others.
A Large & Fine Collection of Diatom Microscope Slides, The cabinet, English, c.1900, unsigned, constructed of a light hardwood French polished on a plinth base, glazed door opening to reveal 29 drawers each to hold 3 rows of 14 slides giving a total capacity of 1218, with a deep drawer at the base for accessories, cabinet width 47cm depth 33cm height 55cm, lock & key but screws missing, the slide collection is entirely of diatoms by makers such as J. D. Moller, Wendle, Holstein; E Thum, Leipzig; C Baker 244 High Holborn; Watson & Sons 313 High Holborn; J. B. Dancer, Manchester; J. T. Norman; C. M. Topping; E Wheeler 48 Tollington Rd, London; T. W Robertson; A. C Cole; C. N Peal, Fernhurst, Ealing; Clarke & Page; R. I. Firth; W. A. Firth
A fine Victorian Mahogany British, Irish & Scottish Lepidoptery Collection & Cabinet, The Cabinet - English, c.1880, with a small circular plaque marked 'CABINET WORK BY J. J. HILL & SONLONDON N. W. 10' , the cabinet in 4 sections each section with 10 drawers, each drawer on hidden bearer runners with lift-off framed glass lids and integral camphor cell, two pulls and a single brass label holder to the front, cabinets with removable locking front covers, with plinth base and top panels, most of the butterflies with labels giving the collectors name, locations, and date, with one of the 4 sections empty of butterflies assembled cabinet height 138cm x width 107 cm x depth 48cm The Collection was put together by Geoffrey Alfred Cole, born in 1902 in Swindon, Somerset, the younger of two sons born to Samuel Barrett and Anne (nee Gammon) Cole. The collection was begun around 1912 whilst Geoffrey was a student at Leighton Park School, Reading. Geoffrey trained as an accountant and in 1939 he joined the Ministry of Pensions and was posted to Belfast as a hospital accountant during the 2nd World war. Following this Geoffrey was assigned to various different hospitals culminating in a posting to Queen Mary’s Hospital, Roehampton. In 1945 he joined the fledgling National Health Service as treasurer of the South-East Metropolitan Health Service. Although technically a hobby, Geoffrey’s knowledge gained him a reputation as an eminent amateur lepidopterist. His extensive collection of native British Butterflies has been beautifully preserved and presented. This collection was originally one of two collections; the other being a collection of native British Moths. On his death, Geoffrey generously donated the moth collection to a national institute to ensure that it would continue to be studied and maintained by the scientific community.
A Good Victorian Microscope Slide Cabinet English, c.1880, unsigned, constructed of French polished mahogany with plinth base and glazed door, with 21 slide drawers each capable of holding 3 rows of 8 standard slides giving a total capacity of 504 slides, each drawer with a white ceramic label to each side and a wooden pull, with a single deep drawer to base, campaign-style brass handle to top,with lock and key, containing a few microscope slides most diamond engraved possibly by C. M. Topping (x43)
AN INDIAN BRONZE FIGURE OF VISHNU AND A STELE15TH/16TH CENTURY OR EARLIERThe four-armed deity standing on a rectangular plinth, with his right hand resting on a mace, together with a stele of a seated bodhisattva, 369g and 267g, 13.7cm and 8cm. (2)Provenance: from a private collection, London.
A CHINESE BRONZE FIGURE OF AVALOKITESVARA SADAKSRI19TH CENTURY OR EARLIERThe four-armed bodhisattva seated in dhyanasana on a double lotus plinth, her principal hands in anjali mudra, with the two other hands raised and holding attributes, adorned with jewellery and crown, 505g, 14cm. Provenance: a private London collection, acquired prior to 2000.
AN ITALIAN SILVER CANDLESTICK, PROBABLY STEFANO SCIOLET II, ROME, SECOND QUARTER 19TH CENTURY milled with formal borders, circular base rising to support a triform plinth below three leaf-headed openwork paw feet at the base of the flared cylindrical stem, with three drop-ring lion masks below the pedestal urn sconce and attached nozzle, 889 standard Papal States mark and lozenge mark, 32.5cm high, base lead weighted
A GEORGE V SILVER EQUESTRIAN FIGURE OF AN OFFICER OF THE ROYAL HORSE GUARD (BLUES), F. PHILLIPS OF ALDERSHOT, LONDON, 1927 realistically modelled as an officer in full dress uniform, his sword held upright, mounted on his horse at a walk, on naturalistic base stamped 'F. PHILLIPS / ALDERSHOT', set on an ebonised stepped rectangular plinth with applied silver presentation plaque, 46.5cm high overall, silver figure 31 x 28cmThe rectangular plaque engraved with three columns of officer's names and ranks, beginning with Lieut. Col. Lord A.R. Innes-Ker D.S.O. below the inscription reading : Presented to Lieutenant W.M. Sale by his brother officers on the occasion of his marriage.The recipient, Brigadier Walter Morley Sale (1903-1976), had a distinguished military career. The son of a diplomat, he was born in Yokohama, Japan. He joined the Royal Horse Guards (Blues) in the early 1920s, being promoted Lieutenant in 1924 and Major in 1938. He married the Hon. Hilda Margaret Islay, the daughter of Lord Southampton, in 1928. Awarded the OBE in 1940 for his services in Palestine, he finally retired from the army as an acting Brigadier in 1945. From 1955 until 1961 he served as an Extra Equerry to HM The Queen, for which he received the CVO.F. Phillips of Wellington Street, Aldershot are recorded between 1890-1963, latterly trading as F. Phillips (H. Phillips & R.A. Garratt), supplying militaria related medals, trophies and presentation pieces across the Empire.For another of the same model, see Bonhams, London, 3 June 2015, lot 34.
AFTER JEAN-CLAUDE ROSSET (1706-1786): VOLTAIRE AND ROUSSEAU a pair of French bronze figures, probably Paris, late 19th century, each philosopher modelled clutching an opposing cane and standing on a Siena marble square plinth set into a palmette bordered bronze base, 43 and 44.5cm highProvenance: the Estate of Louisa Service OBE (1931-2021), sold by order of the executors.
A Composite English Pikeman's Armour Circa 1640 Of blackened iron, comprising a pot helmet with two-piece rounded skull with low turned comb, the base of the skull with a row of dome-headed rivets between incised lines, the downturned brim with recessed turned border with rivets en suite and struck with the mark of the London Armourer's Company, crowned 'IR' mark (James II armoury mark) and maker's initials 'F' of John Frankling (some rivets missing, peaks damaged), gorget of two plates each with turned borders, the front plate with maker's mark 'WC' of William Crouch, breast-plate with medial ridge drawn-out to a point above the skirt, turned and gilt at the line engraved neck and arms, and struck beneath the former with maker's mark 'ID', possibly of John Dawston, together with a further crowned 'IR' arsenal mark, back-plate shaped to the back and also struck with crowned 'IR' mark, rectangular tassets each of six simulated upward-lapping lames and with turned gilt borders, riveted hinges, and two pivot-hook and pin catches for later adjustable shoulder-straps reinforced with riveted plates: on an adjustable wooden stand mounted on a black painted wooden plinth Footnotes: Provenance H.M. Tower of London Tiverton Castle, Sotheby's Summers Place, Antique Arms and Armour, 7 December 1998, lot 3011 A number of similar armours with contemporary munition finish and gold painted borders and rivets are in the Royal Armouries, Leeds. For further information regarding the makers and their marks see Thom Richardson, The London Armourers Of The 17th Century, 2004, passim For further information on this lot please visit Bonhams.com
ARCHIBALD KNOX FOR LIBERTY & CO; a Tudric pewter comport with shaped circular top with embossed stylised detail and a planished body, on three rocket form columns terminating on a circular plinth base with stylised detail, impressed marks and numbered 01161 and Solkets mark, height 27.5cm.Condition Report: Light surface wear and scratches, minor very minimal denting and knocks, the base is flat.
A late 19th century Chinese Canton Famille Rose bud vase, with clobbered decoration of a four claw dragon and flowers, height 16cm, on a later plinth base.Condition Report: General age wear rubbing and wear to the gilding and enamels consistent with age, a paint blister to each dragon head.
JOSEPH LORENZL FOR GOLDSCHEIDER; a large and impressive figure, 'The Butterfly Girl', decorated in shades of yellow, blue and pink, on a black oval plinth base, factory marks and impressed number 5235261065 to the underside, height 46cm.Condition Report: Light glaze crazing throughout the figure, and to the legs, there is a vertical hairline crack which terminates from the top of her right arm and runs down the wing dress, approx 11cm in size, this does go through to the front and is only visible to the back of the figure, there is a pin head glaze flake to the oval plinth base and the odd minor light scratch. A couple of small nicks to two of the finger tips.
LESLIE HARRADINE FOR ROYAL DOULTON; a figure HN 1270 'The Swimmer' circa 1928-1938, height 19cm.Condition Report: Very fine crazing to the glaze, hairline crack running around the left knee, hairline crack running through the base which runs into the back plinth and base of the figure, pin head nibble to plinth base.
A Victorian brass oil lamp, with frosted cranberry glass shade, etched with floral detail above the cut glass cranberry glass reservoir, terminating on a Corinthian column plinth base, height 75cm.Condition Report: The chimney appears to be in fair condition, the shade has no visable hairline crack or chips just slight surface ware, the front has minor surface wear and the column has slight tarnishing.
An Art Nouveau oil lamp with green and clear glass shade etched with floral detail above the moulded green glass reservoir, terminating on circular brass plinth base with Art Nouveau detail, height including chimney 61cm.Condition Report: The chimney has light surface ware, the shade has some bubbling/imperfections throughout, the front has slight bubbling/imperfections and light surface ware.
An early 20th century oil lamp with green and clear shade, with frosted floral decoration on a panelled ground, with moulded green glass reservoir, terminating on a black plinth base, height in chimney 59cm.Condition Report: The chimney appears in good condition, the shade has small chips around the rim of the base and imperfections around the top rim, the front has some light surface ware.
A late 19th/early 20th century oil lamp, with dome shaped cranberry coloured shade, with etched floral decoration above the moulded glass reservoir terminating on a brass plinth base, height including chimney 60cm. Condition Report: The chimney has a few minor chips around the rim, the shade has minor chips around the rim of the bass, the front has minor surface ware. No drill holes. Glass imperfection to a section of the rim of the reservoir.
A 20th century decorative oil lamp converted to electricity, with painted glass resevoir decorated with thistles, on a square brass base terminating on four paws on onyx plinth base, height excluding fitting 40cm, with a pair of Victorian twin handled gilt brass and marble garniture vases (3) Condition Report: The drill hole for the wire goes through the brass central column.
A late Victorian oil lamp, the cloudy glass reservoir with opaque detail and frosted glass shade, terminating on a Corinthian column and black plinth base, height including chimney 74cm.Condition Report: There is a fine crack that terminates from the rim and runs into the body of the reservoir, the shade with minor chipping to the rim.
A late Victorian brass oil lamp, with cranberry and clear glass shade with etched floral decoration above the cranberry glass reservoir, terminating on a Corinthian column, on a black plinth base, height including chimney 65cm.Condition Report: There appears to be no cracks or chips to the shade or chimney, there is a split to the base and tarnishing to the column also is slightly bent.
A French four piece amboyna veneered bedroom suite with gilt metal mounts, comprising triple door wardrobe, with central bevelled panel, flanked by a pair of panelled doors, on plinth base, width 184cm, depth 56cm, height 218cm, with a bedstead, width 150cm. PLEASE NOTE - THE TWO BEDSIDE TABLES DO NOT ACCOMPANY THE WARDROBE. Condition Report: The bedside cupbaords are not part of this lot.
A Victorian inlaid rosewood octagonal topped sewing cabinet, the hinged cover enclosing fitted compartment with sewing accessories, on four sabre supports terminating on a shaped square plinth base with four scrolling feet, height 72cm, together with a Victorian inlaid side table of rectangular form, width 88cm.
A reproduction mahogany kidney shaped desk, with an arrangement of nine drawers, on plinth base, height 76cm, width 150cm, depth 71cm.Condition Report: Some light scratches and marks to the top, General marks and scuffs to the drawers, aperture and base through use. A little grubby arts but overall fair.
MAPPIN & WEBB; a Victorian hallmarked silver epergne with cut glass flute and dish, terminating on a hallmarked silver column and circular plinth base, and three paw feet, London 1888, height 46cm.Condition Report: A cut glass flute with a slither chip to the bottom section, tarnishing and wear, otherwise good.
SALLY TUFFIN FOR DENNIS CHINAWORKS; a limited edition preserve jar and cover on circular plinth base, the cover with mounted polar bear finial, the plinth base applied with six further polar bears, signed, impressed marks and no.12-20, height 12cm.Condition Report: Light glaze crazing to the body and cover, otherwise appears good with no further signs of faults, damage or restoration.
SALLY TUFFIN FOR DENNIS CHINAWORKS; a limited edition trumpet vase decorated with trees on a circular plinth base, relief decorated with five elephants, signed, impressed marks and no.15-20 to the underside, height 18cm.Condition Report: Light glaze crazing to the underside, otherwise appears good with no further signs of faults, damage or restorations.
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