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Click here to subscribeA good Victorian Mahogany Dressing Chest, shaped mirror in curved supports which stand on a pair of flight of two jewellery drawers, moulded top over central narrow single panel door flanked by two flights of three drawers, Pine lined with curved fronts, standing on plinth base. 48" wide x 65" high x 19" deep
A superb aesthetic movement late 19th c. Puginesque style Oak mirror back Sideboard, cruciform carved top rail over rectangular mirror with shelf over triple panel back-board, the whole back in stop chamfered frame with geometric line carving and triangular motifs, the base having similar carving to the edges, three single arch topped panel doors with carved detail, standing on a shaped plinth base. 71" wide x 77" high x 25 1/4" deep
An 18th century oak longcase - the hood with glazed door over a trunk door to a flat fronted plinth base, the 11" square brass dial with Roman numerals, mask head scrolling spandrels, matted centre, date aperture - inscribed John Huggins, Ashwellthorp - 30 hour striking movement on a bell - Height 196 cm
Two blanc-de-chine figures of Oriental ladies, each raised on wooden plinth base, together with a blanc-de-chine figure of an Oriental gentleman on wooden base, and a Chinese porcelain polychrome decorated vase CONDITION REPORTS Blanc-de chine figure of seated Guanyin : in basically sound order but in need of a clean, some wear marks and black stains to base. Standing figure of Guanyin - in basically good, sound order, though with some slight wear to base. Figure of standing Buddha : in good order, but with some marking to base. Vase : basically sound, though with some craqueleur effect to the inside of the neck and some slight bubbling and scratching to glaze on the outside throughout, some slight discolouration to the base of the neck to one side suggesting some sort of treatment to the glaze, perhaps indicating restoration, various bubbling and pitting to the glaze throughout (see photos).
A pair of late 19th century French patinated bronze figures of Giuliano & Lorenzo de Medici after Michelangelo, each figure depicted in a heroic idealized classical style as an ancient Roman soldier seated on a plinth each signed 'R Tion, Sauvage' to the left hand side of the base, each standing on an ebonised square wooden base, 18 and 18.5cm high Reductions after the original 1520-1534, which are central sculptures above the Medici tombs in the Medici chapel in the church of St. Lorenzo in Florence
A William IV rosewood Wellington secretaire chest, the arrangement of two short over a deep secretaire drawer with two false drawer fronts over three short deep drawers all fitted with turned rosewood knob handles, the secretaire drawer hinged to reveal an interior of four pigeon holes over two short drawers, the drawers secured by a right hand side locking bar, raised on a skirting plinth, 58cm wide, 124cm high, 42cm deep
A Victorian mahogany barrel top pedestal desk fitted with twin knob handles opening to reveal an arrangement of pigeon holes and short drawers over a pull-out writing surface on two pedestals of three short drawers fitted with brass swing handles raised on a skirting plinth with hidden castors, 152cm wide, 116cm high, 76.5cm deep
A Royal Doulton brown matt model of `Spirit of Earth`, on a wooden plinth, DA 61B, three Beswick models of horses, comprising `The Winner` brown matt, model No. 2421, a Stocky Jogging Mare brown gloss, third version, model No. 855/1090, and Arab Xayal charcoal grey, model No. 1265 (chipped ear and foot), and two Franklin Mint models of horses, comprising `Black Beauty` and `The Red Pony`.
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