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John Marshall, Chulmleigh, an oak longcase clock having a thirty-hour duration plated movement striking the hours on a bell with an outside countwheel, the ten-inch square brass dial having a raised chapter ring engraved with black Roman numerals and quarter hours to the inner aspect, the dial centre engraved with a farmhouse scene and the maker`s name `Jno Marshall, Chulmleigh`, with cast brass `shell` spandrels to the four corners, the flat-top oak case with three-quarter columns to the hood, long door and standing on a shaped plinth, height: 209cm. * John Marshall, born 1745, is recorded as working in East Street, Chulmleigh, Devon with his home address being Wackrells House which was left to his wife Mary following his death on the 24th of May 1817.
William Garrett, London, a mahogany longcase clock having a five-pillar (fifth pillar removed), eight-day duration movement striking the hours on a bell, the twelve-inch break-arch brass dial having a raised silvered chapter ring engraved with black Roman numerals and five-minute outer Arabic numerals, with cast brass `c-scroll` spandrels to the corners and arch, the silvered centre engraved with `c-scroll` decoration, with a subsidiary seconds dial and date aperture and blued steel hands, with a silvered boss to the arch engraved with the maker`s name `Willm Garrett, London`, the mahogany veneered case having a break-arch trunk door with applied mouldings to the base and standing on a shaped plinth, the break-arch hood having a swan-necked pediment with a brass `ball and spire` finial and having fluted columns with brass capitals, with brass bound weights, height: 230cms (inc. finial) * William Garrett is recorded as working in London from before 1777 until at least 1815.
Thomas Ivory, Dundee. A Georgian mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch arched painted dial having black Roman hour numerals, gilt scroll corner spandrels, subsidiary seconds dial and date aperture, decorative brass hands and signed `Thos. Ivory, Dundee`, with a `strike/silent` dial within the arch, the mahogany case having a break-arch trunk door, fluted canted corners, inlaid `Sheraton-style` shell inlay to the base and trunk corners, the base with a double plinth and a shaped, moulded panel, the break-arch hood having plain columns with brass capitals and brass `ball-and-spire` centre finial, height, 206cm (not inc finial) * Thomas Ivory is recorded in Dundee between 1793 and 1825 being admitted as a burgess of the town in July 1795. As a skilled draughtsman he gave up clockmaking in the 1800`s to work for publishers and engineers.
James Woolley, Codnor, a carved oak longcase clock having an eight-day duration movement striking the hours on a bell, the twelve-inch break-arch dial having a penny moon with moon date below and showing the date and time of high water, the raised, silvered chapter ring engraved with black Roman numerals, floral half-hour markings and `meeting-arrowhead` half-quarter markings, the matted dial centre having ringed winding holes, and a heart shaped cartouche engraved with the makers name `Ia Woolley, Codnor`, with wheatear border engraving, the oak case carved throughout and having a caddy top, lenticle to the trunk door, a raised plinth to the base and quarterd columns, with giltwood capitals, to the hood, height: 244cm. * James Woolley, born circa 1700 in Codnor, Derbyshire, was a celebrated maker who was one of a number of the family working as clockmakers. He often signed his clocks `Wolley` as in this example. He died in 1786.
Charles Absolon, London, a Georgian mahogany longcase clock having an eight-day duration, five-pillar movement with dead-beat escapement, striking the hours on a bell with an internal rack, the thirteen-inch round silvered dial having decorative blued steel `scroll` hands and engraved with black Roman numerals, outer Arabic five minute markings, a subsidiary seconds dial and the maker`s name `Chas. Absolon, London`, the mahogany break-arch case having fluted quarter-columns to the trunk with cast-brass capitals and brass inlay, the base having a shaped raised panel and standing on a double plinth, the hood having a full opening front door with cast bezel, fluted canted corners with brass inlay and round glazed side panels, height: 212cm. * Charles Absolon is recorded as working in London in the late Eighteenth century.
A 17th Century Italian carved walnut side cupboard in two parts, the upper part with a projecting moulded cornice and dentil frieze with central foliate scroll panel enclosed by a pair of doors with paper scroll panels decorated with masks, drapery and pendant fruit and foliage, within moulded surrounds and lunette foliate borders, between triple sculptured caryatid figures wrapped with garlands of drapery and fruit, the lower part having a frieze fitted with two short drawers between sculptured masks and cupboard below enclosed by a pair of panel doors decorated with scrolls and swags of fruit, between fluted and foliate pilaster stiles, on a moulded plinth with bun-shaped feet, 145cm (4ft 9in) wide, 187cm (6ft 1 1/2 in) high.
An Italian sculpted terracotta bust of a bearded man, possibly Homer or Socrates in his agony, by Paolo Viola, dated 1742, the grimacing face rising to dexter, the neck with stressed musculature, inscribed to the reverse Gen 205, 1742, Scultato 27 detto, Paolo Viola fecit, later mounted on a cylindrical Breccia marble plinth, 26cm high overall, (the terracotta damaged and restored)
A Continental patinated bronze and marmo nero Belgio mounted model of a reclining putto, last quarter 19th century, portrayed reclining on drapery against a truncated column, reading a book with his right arm resting on another, the rectangular section plinth with moulded edge, 26.5cm high, 30cm wide
A Victorian mahogany inverted breakfront pedestal desk, circa 1870, by E.A. Gilham, Canterbury, with nine drawers around a kneehole on plinth base, 76cm high, 128cm wide, 63cm deep, bearing stencilled maker’s mark beneath pedestal. Provenance: Hardy family of Chilham Castle, Kent and thence by descent
A Victorian bird’s eye maple cabinet bookcase, circa 1860, in the manner of Holland & Sons, moulded cornice, an arrangement of open shelves flanked by lappet terminals, a pair of grille panelled cupboard doors, plinth base, 212cm high, 116cm wide, 41cm deep. Provenance: Hardy family of Chilham Castle, Kent and thence by descent
An early 19th Century Scottish mahogany longcase clock with eight day movement striking on a bell, the painted circular dial with Roman numerals, subsidiary seconds and date dials and inscribed `....Lanark`, the circular moulded hood with hinged glazed door above carved foliate scroll mouldings, the tapered trunk with bow front door and turned pilasters on a panelled base and plinth, height approx 191cm, together with two weights and a pendulum.
A 19th Century pine longcase clock with thirty hour movement striking on a bell, the painted square dial with Arabic numerals and inscribed `Symonds, Reepham`, the hood with glazed door above a rectangular trunk door on a plain base and plinth, height approx 199cm (restoration), together with pendulum and weight.
A mid-18th Century oak longcase clock with thirty hour movement striking on a bell, the square brass dial with chapter ring framing an engraved rococo scroll centre with date aperture and inscribed `Peter Odell, Hitchin`, all cornered with pierced and cast foliate scroll spandrels, the hood with caddy top above a blind fretwork frieze and glazed door with turned columns, the trunk with rectangular door on a plain base and plinth, height approx 216cm, together with pendulum and weight (some faults).
A 20th Century gilt metal and hardstone clock garniture, the clock with eight day movement striking on a bell, the enamel dial with Arabic numerals, the case with acanthus wreath surmount above six column supports on a rectangular plinth, together with a pair of matching ornaments, together with a pendulum and key, height of clock approx 36cm.
A 19th Century oak longcase clock with eight day movement striking on a bell, the painted break arch dial with Roman numerals, subsidiary seconds and date dials and inscribed `W. Keith Inverness` beneath a painted fruit basket to arch, the arched hood with glazed door, the trunk with arched door on a plain base and plinth, height approx 214cm, together with two weights (lacking pendulum and faults).
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173444 item(s)/page