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EARLY 20TH CENTURY GERMAN CARVED OAK MANTEL CLOCK, BY WINTERHALTER AND HOFFMEYER, 6" silvered roman chapter ring with matted gilt centre, regulation and strike/silent subsidiary dials and pierced gilt spandrels powered by an event day movement, striking on two gongs, housed in an arch topped case with turned finials, piereced side frets and carved borders, raised on a plinth base, 15 1/4" (38.7cm) high, complete with pendulum and key
19TH CENTURY FRENCH BLACK MARBLE COMBINATION MANTEL CLOCK AND ANEROID BAROMETER, the clock with 5" two part roman enamelled dial with visible brocot escapement, powered by an eight day movement striking on a bell, above a matching 4 1/2" enamelled barometer dial with painted scale from 25 to 31 housed in an arch top case with canted forecorners and plinth base, 16 1/2" (42cm) high
VICTORIAN MAHOGANY LARGE LIBRARY BOOKCASE, THE MOULDED CORNICE ABOVE A PAIR OF GLAZED CUPBOARD DOORS, ENCLOSING FOUR ADJUSTABLE SHELVES TO THE INTERIOR, THE LOWER SECTION WITH A PAIR OF MAHOGANY LINED AND COCKBEADED DRAWERS, FITTED WITH CARVED HANDLES ABOVE A PAIR OF FIELDED PANELLED CUPBOARD DOORS, RAISED ON A PLINTH BASE, 95 1/2 IN (242.5CM) HIGH, 59 1/2 IN (151.2CM) WIDE
VICTORIAN LARGE MAHOGANY SECRETAIRE LIBRARY BOOKCASE, the moulded cornice (af.) above an arched pair of glazed cupboard doors, enclosing four adjustable shelves to the interior and three short drawers below, all fitted with turned wood knobs, the long secretaire drawer to the lower section with two panelled faux drawer front, enclosing a birds eye maple front of pigeon holes and drawers, above a pair of arched panelled cupboard doors, flanked by scroll carved corbels and raised on a plinth base, 8`5" (2.57m) high, 4`1 1/4" (1.25m) wide
VICTORIAN MAHOGANY BOOKCASE, THE MOULDED CORNICE ABOVE A PAIR OF GLAZED CUPBOARD DOORS ENCLOSING THREE ADJUSTABLE SHELVES TO THE INTERIOR, FLANKED BY CARVED CORBELS, THE LOWER SECTION WITH A LONG CUSHION MOULDED FRIEZE DRAWER ABOVE A PAIR OF DRILL PANELLED CUPBOARD DOORS, FLANKED BY MATCHING CORBELS AND RAISED ON A PLINTH BASE, 7FT. 5IN. (2.26M) HIGH, 3FT. 10IN. (1.17M) WIDE.
MID VICTORIAN MARQUETRY INLAID AND GILT METAL MOUNTED WALNUT DISPLAY CABINET, the oblong top with moulded ebonised edge, above a frieze with central scroll inlay and pair of glazed cupboard doors, enclosing two shelves to the plush lined interior, flanked by floral cast corbels and conforming scroll inlays to the uprights, raised on a chamferred plinth base, with turned ebonised feet, 41 1/2" (105.4cm) high, 42" (106.7cm) wide
EARLY TWENTIETH CENTURY OAK BOOKCASE, the moulded cornice above a pair of fifteen panelled astragal glazed cupboard doors, enclosing three adjustable shelves to the interior, the lower section with a matching pair of nine panelled astragal glazed cupboard doors, enclosing a single adjustable shelf to the interior, raised on a plinth base, 77" (195.6cm) high, 47" (119.4cm) wide
AFTER ALLEGRAIN, patinated bronze full length portrait of Venus on rockwork with circular plinth. On bronze base. 11.25" High. Together with After Canova, a patinated bronze portrait of Aphrodite with drapery, on circular stepped base and bronze plinth. 11.5" High. A pair. Early 20th century. (2).
An early 19th century mahogany bookcase, with a detachable cornice above three astragal glazed doors, the central one sliding and enclosing four fixed shelves with later plush lining, the base with eight short drawers fitted later brass handles and Victorian brass locks, on a plinth base, 95.5in (243) cm h, 74.5in (189cm) w, 20.75in (53cm) d.
A late 19th Century French Brass four glass Mantel Clock, the plinth-shaped case set with four heavily bevelled glass panels, to a gilt bezel with 4" fancy Arabic enamel dial, with outside minute track and pierced blued steel hands, to a circular brass movement marked Japy Frerez, with twin mercury pot pendulum and anchor escapement with strike on a blued steel coil gong, height 13"
A last quarter of the 19th Century Rosewood cased five glass Mantel Timepiece, Hasluck of London, the plinth shaped case with plateau top, set with heavy bevelled glass, over similar side panels with plain glazed front and back doors, to a moulded mid-section and plain frieze, on corner mounted short bracket feet, to a 4" signed and silvered dial, with foliate engraved spandrels and Roman chapter ring with outside minute track and spade hands, to a single chain fusee movement with plates united by four pillars, to a brass mounted platform escapement, height 9 ¼"
A mid-19th Century ebonised and brass mounted Bracket Clock, Walter Young of 156 Strand, London, the overhanging cornice surmounted by a plateau and facetted pediment, to a panelled surround with brass inlaid canted corners, to applied ring and rosette brass side handles, over fishscale sound frets, to a plinth base, and raised on bracket and ball feet, to a cast brass bezel, enclosing a 6" signed and painted Roman dial, with outside minute track and steel moon hands, to a signed movement with plates united by five knopped pillars, and pull repeat and anchor escapement and strike on a coiled gong, height 13"
A mid-19th Century Rosewood cased Timepiece, the overhanging cornice to a plateau and facetted pediment, to glazed doors and sides, with plain plinth base and raised on four compressed bun feet, to a 3" silvered Roman dial, with outside minute track and blued steel moon hands, to a single fusee movement with plates united by four knopped pillars and anchor escapement (case and movement associated), height 7 ½"
A late 19th Century Mahogany and lacquered brass Electric Timepiece, The Bulle Clock, No F800M, the mahogany overhanging cornice to a brass frame set with four glazed panels, and raised on a mahogany plinth base, to a lacquered brass post set with 3 ½" silvered Arabic dial and blued steel spade hands, to a cylindrical pendulum and magnetised and shaped rod, and with battery compartment to the base, height 10 ¼"
An early 20th Century lacquered metal gravity Timepiece, the drum-shaped case with glazed panel and reverse painted Roman numerals and minute track, to an exposed pivoting pendulum and escape wheel, to baluster finials to twin hexagonal columns, and raised on a plinth base with compressed bun feet, height 10 ½"
A large late 19th Century French lacquered Brass four glass Mantel Clock, Roblin & Fils Freres, 26993, the plinth-shaped case set with four heavily bevelled glass panels, to an acanthus leaf cast bezel enclosing a 4¼" Roman enamel chapter ring, with outside minute track and blued steel moon hands, to a gilt engraved centre, with visible Brocot escapement, to a signed circular brass movement, with twin pot mercury pendulum, with anchor escapement and strike on a bell, height 14½"
An early 19th Century French gilt bronze figural Mantel Clock, the baluster plinth-shaped case raised on scrolling supports and surmounted by a seated artist being heckled by a critic, both in 18th Century costume, to a 3" engine-turned and silvered dial, with painted Roman numerals and blued steel moon hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell (bell lacking), height 18 ½"
A late 19th Century Gothic revival gilt metal and porcelain Mantel Clock, the shaped and pierced plinth base raised on scrolling and knopped feet, centred with a romanticised gilt highlighted panel of a maiden and knight, to a panelled oval body flanked by military trophies with standard bearers flanking a panelled mask, to a domed pediment surmounted by a striking bell, to a circular 3 ½" Roman dial with stylised Gothic Roman numerals amidst gilt highlights and panelled foliate decoration with gilt trefoil hands, to a circular brass movement with back mounted count wheel, to strike on a base mounted gong, together with the bell to the tower, height 18"
An early 20th Century green onyx and lacquered brass Mantel Clock, the plinth-shaped case with serpentine front and overhanging cornice to four bevelled and glazed panels, to a plinth base, and raised on four bladed feet, to a cast brass bezel enclosing 3 ½" Roman enamel dial with outside minute track, Arabic quarters and blued steel moon hands, to a circular brass movement with anchor escapement, twin pot mercury pendulum and strike on a blued steel coiled gong, height 12 ½"
A late 19th Century black slate and green variegated marble Mantel Timepiece, the plinth-shaped case with serpentine front and inset panels, to a cast and beaded brass bezel enclosing a 3 ½" Roman and Arabic dial with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement, height 10 ½"
An early 20th Century Oak cased and boxwood line inlaid Mantel Timepiece, the waisted case on plinth base raised on four ball feet, to a brass bezel enclosing a 3 ¼" Roman enamel dial with outside minute track and blued steel hands, to a circular brass movement signed "R and Co", with platform escapement, height 7 ¼"
An early 20th Century simulated Rosewood Mantel Clock, the lancet shaped case flanked by cast and applied Brass swing handles to a plinth base and raised on splayed Bracket feet to cast Brass bezel with convex glass, enclosing a 4" Arabic enamel dial with outside minute track and blue steel spade hands, to a circular Brass movement with anchor escapement and strike on a coiled going, height 10"
A late 19th Century French pink marble and patinated mixed metal Clock Garniture, the plinth-shaped case surmounted by cast figure of a young maiden bringing in the harvest, to a plinth-shaped case, raised on cast and applied scrolling mounts, to a cast brass bezel enclosing a 3" painted enamel dial with Arabic numerals, outside minute track and gilt fleur-de-lys hands, to a circular brass movement with strike on a bell, height 22"; together with a pair of five light Candelabra Side Pieces, each decorated in a similar manner (3)
A late 19th Century French pink marble and patinated mixed metal mounted Mantel Clock, the plinth-shaped case surmounted by a cast figure of a young maiden holding aloft a bunch of grapes, on a naturalistic ground, to a stepped breakfront case raised on cast and applied scrolling mounts, and centred with a cast brass bezel, enclosing a 3" Arabic enamel dial (hairline), with outside minute track, gilt metal centre and fleur-de-lys hands, to a circular brass movement, with back mounted count wheel, and anchor escapement, strike on a bell, height 28"
A fine mid-19th Century gilt, bronze and Sevres mounted Mantel Clock, with breakfront plinth-shaped case surmounted by a flaming urn with applied side handles, with further pineapple type finials, over half-round sides and shaped mask, to an acanthus leaf mounted base with further foliate panels, and raised on bladed feet, the panels depicting musical trophies and putti, together with birds and floral decoration within gilt borders to a cobalt blue background, with a similarly decorated 3 ½" Roman dial with white lozenges, within gilt borders and floral garlands, gilt spade hands, with a circular brass movement and anchor escapement, strike on a bell, height 15 ½"
A late 19th Century black slate and gilt metal mounted Timepiece Garniture, the architectural case with applied cast brass frieze, over reeded columns, to a plinth base, and flanked by portico type side pieces each with further frieze detail beneath domed covers, with five pillar column support centred with a classical figure on circular bases, to an Arabic enamel chapter ring with outside minute track and circular brass movement, with anchor escapement (3)
An early 20th Century Oak cased Mantel Clock, the arched case on a plinth base, to a cast brass bezel enclosing a 3 ½" Roman enamel chapter ring, with outside minute track to a gilt matted centre, and black painted fleur-de-lys hour hand (minute missing), to a circular brass movement, with anchor escapement, strike on a coiled gong, height 11"
A late 19th Century stained Walnut and Porcelain panel inset Mantel Clock, the plinth shaped case with castellated pediment and freestanding finials, with corner mounted freestanding columns, to a mask set with panelled blue and white floral plaques, enclosing a 4" circular dial, with Arabic lozenges and gilt fleur-de-lys type hands, to a circular Brass movement with anchor escapement and strike on a coiled gong , height 14 ½"
A mid 20th Century Mahogany and Boxwood line inlaid Mantel Clock, the arched case with a plinth base and raised on four compressed bun feet, to a lacquered Brass bezel enclosing a 5" Silvered Arabic dial with outside minute track and blued Steel hands, to a Brass spring driven movement with anchor escapement, strike on a coiled gong
An early 20th Century Mahogany cased Barograph, the Mahogany lift-off cover set with five glazed panels, each heavily bevelled, to a moulded plinth base, fitted with a twin compartmental drawer to the base, fitted with a lacquered Bras seven bellow mechanism, with Aluminium arm to an 8-day spring driven drum, with attached paper label and ink bottle, bearing an applied Ivorine nameplate, A & N C S Ltd, Westminster
A late 19th Century French Paris Porcelain Mantel Clock, the "C" scroll and foliate gilt highlighted case decorated with floral sprays to white back panels within blue borders, and raised on a similarly decorated plinth base, to a cast and stepped bezel enclosing a 2 ½" Roman enamel dial, signed "Hry Marc of Paris", with outside minute track and blued steel hands, to a circular brass movement with back mounted count wheel and silk suspension, strike on a bell, height 12"
A late 19th Century French gilt bronze Mantel Timepiece, the plinth-shaped cased with scalloped corners and musical trophy applications, flanked by a costumed male figure playing a hand drum, to a plinth base and raised on bladed feet, to a 2 ½" Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with replacement platform escapement, height 8"
A late 18th Century Oak cased 8-day Long Case Clock, Beverley of Caistor, the arched hood with swan neck pediment and Brass ball finials, to an ogee throat and long trunk door, with plinth base, to a 12" first period painted dial, signed to the arch, within Gilt Gesso spandrels, to a retouched Roman and Arabic chapter ring, enclosing subsidiary seconds and date sector, with pierced Steel hands, to a signed false plate and movement with plates united by four knoped pillars, with anchor escapement and strike on a bell, (movement and case associated), height 80"
An Oak cased 8-day Long Case Clock, signed John Reynolds of Hagbourn, the arched hood with freestanding columns to an ogee throat and long arched trunk door, to a plinth base, to a 12" arched Brass dial, signed to a boss in the arch, over foliate spandrels enclosing a Roman and Arabic chapter ring, with outside minute track to a matted centre and subsidiary seconds with pierced and stamped steel hands, signed false plate, the movement with plates united by four knoped pillars with anchor escapement, strike on a bell, height 85½"
A mid 19th Century Mahogany cased 8-day Long Cased Clock, J Wilson of Ilkeston, the hood with swan neck pediment over freestanding baluster columns to a moulded ogee throat and short trunk door, with canted corners and cross banded plinth base, to a 13" 3rd period painted arched Dial, decorated to the arch with pheasant shooting scene over floral spandrels enclosing a Roman chapter ring with outside minute track and subsidiary seconds and date sector, and pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and anchor escapement, strike on a bell, height 87"
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173487 item(s)/page