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Click here to subscribeA George III period mahogany breakfront bookcase the stepped moulded cornice above a central astragal glazed cupboard door enclosing shelves, flanked by a pair of conforming doors, the lower section with a central raised panel door flanked by two conforming doors enclosing shelves, on plinth bases 260cm wide, 244cm high, 45cm deep
A pair of early 19th century Egyptian Revival giltwood console tables inscribed Chenou, Paris each with a ledge back depicting a relief of a pharaoh flanked by crocodiles and stiff leaf capitals and a rectangular rouge marble top above a frieze of hieroglyphs and animal symbols, including alligators, hyenas, scarabs, birds and scorpions, held aloft by a winged sphinx formed in green patinated composition and incised with the maker's name behind the shoulder, the lower portions comprising mirror backs within reeded giltwood frames, on plinth bases (2) 99cm wide, 106cm high, 46cm deep Note: The design of the sphinx closely recalls that used in the trade label of William Bullock (illustrated in Clive Wainwright, George Bullock -Cabinet Maker, 1988, p.42, fig.13).
A Regency period cast iron and giltmetal mounted fire basket To a design by George Bullock the raised and pointed back panel cast with scrolls centred by an anthemion above a fire basket with spire finials and a turned crossbar, each side supported on twin monopaedic cabriole legs with leaf cast knees and lion paw feet, raised on rectangular plinth bases 93cm wide, 62cm high, 39cm deep
A Victorian period satinwood and rosewood side cabinet attributed to Donald Ross, with gilt brass mounts, the mottled white marble top within a leafy gadrooned edge above a dot and trellis parquetry frieze, the glazed panel door enclosing two velvet lined shelves, the rounded corners with ribbon tied trophy mounts and further trellis inlay, the sides glazed, on a rounded plinth base 77cm wide, 108cm high, 36cm deep
A 19th century Meissen porcelain figure group emblematic of taste, from the series depicting the senses, the figure has a semi-clad lady eating apples with a monkey at her side taking fruit from the bowl that stands on a plinth beside her, she stands with a cherub eating from a bowl on a rococo base, mounted with a mouth devouring a sausage and a ham on a platter, all painted in colours bearing the crossed swords mark to base and the incised numerals 1042, 30cm (12in) high
A late Victorian circular two handled rose bowl, the wide frieze cast in the Etruscan manner, and with bold leaf capped scroll handles, partly reeded lower bowl and circular footrim, 9ins diameter x 7ins high, by F.E., Birmingham 1887 (weight 30ozs), and ebonised plinth for same with presentation inscription plaque “To Allan Harrison Hall, 6th Jan. 1887”
A late 18th/early 19th Century “North Country” mahogany longcase clock by Wilkenson of Preston, the 14ins square enamelled dial with Roman and Arabic numerals, subsidiary seconds dial and date dial, the spandrels decorated with birds and nests to the eight day two train movement striking on a bell, contained in mahogany case inlaid with boxwood stringings and crossbanded, moulded scroll pediment and plain turned pillars to hood, the shaped trunk door with plain quarter columns, on bracket feet, 87ins high (with slight damage to edge of dial and split to plinth)
An early 20th Century mahogany longcase clock of 18th Century design, retailed by H. Grantham of Manchester, the 10ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds and date dials and showing phases of the moon to arch, to the eight day two train movement striking on a bell, contained in mahogany case with arched and moulded cornice and turned and stop fluted columns to hood, shaped, crossbanded and figured veneered trunk door flanked by fluted quarter columns, astragal panelled plinth and on ogee bracket feet, 83ins high
An 18th Century mahogany longcase clock by John Fladgate of London, the 12ins arched brass dial with silvered chapter ring and Roman and Arabic numerals, subsidiary seconds dial and date aperture and with strike/silent dial to arch to the eight day two train five pillar movement striking on a bell, contained in mahogany case with caddy top and turned, fluted and brass stopped pillars to hood, arched trunk door and plinth with raised rectangular panel, on bracket feet, 92ins high Note : John Fladgate recorded working Conduit Street, London, Apprenticed 1743, Clockmaker and died 1781. For a period up to 1775 he was in partnership with Richard Wilder as Fladgate & Wilder. The business was carried on by his widow to 1793
A George III gentleman’s mahogany dwarf wardrobe with triple reeded edges to top, the centre fitted four sliding trays enclosed by a pair of panelled doors flanked by four drawers to each side, on plinth base, 73ins wide x 20ins deep x 40ins high Provenance : From the Estate of the Late W.F. Deedes (Lord Deedes of Aldington), removed from “New Hayters”, Forge Hill, Aldington, Ashford, Kent
A Victorian mahogany cylindrical topped bureau bookcase, the upper part with moulded cornice, fitted three shelves enclosed by a pair of arched glazed doors and carved leaf scroll brackets to sides, the base with cylindrical enclosing maple veneered interior, fitted pigeon-holes and four small drawers, and pull-out writing surface, cupboard under enclosed by a pair of arched panelled doors with conforming brackets, on plinth base, 48ins wide x 24ins deep x 89ins high
AN ALABASTER & GILT SPELTER MANTEL TIMEPIECE, French, the annular chapter ring with Roman numerals, the single train movement with cherub in a swing pendulum, the drum case surmounted by an urn, on curvilinear supports, rectangular plinth and scrolling gilt metal feet, 32cms high (urn repaired)
AN OAK & MAHOGANY LONGCASE CLOCK, PETER BARRATT, St Day, the 33cms broken arch brass dial signed on a silvered medallion in the arch as above, with silvered chapter ring, Roman numerals, Arabic five minute intervals, matt centre with subsidiary seconds dial, gilt pierced foliate spandrels, the four pillar movement with anchor escapement, rack striking on a bell, the case with swans neck pediment on fluted pillars, long trunk door flanked by fluted pilasters, panelled plinth and ogee bracket feet, 88" high (with pendulum, weights and case key)
A late 19th/early 20th Century Chinese silver presentation Goblet heavily embossed with songbirds amongst prunus and with vacant cartouche on naturalist stem cast as a tree trunk with roots spreading over the stepped circular base, on original ebonised plinth, Chinese character mark and letters to side of foot, 17.5cms high 7oz
A late Victorian blond oak breakfront library bookcase, the upper section having a fret carved frieze with lion mask and fret carved pilasters, flanking adjustable shelves, the base having recessed geometric moulded cupboard doors, again flanked by lion mask fret carved pilasters, the doors enclosing a single shelf, all raised upon a plinth, height 232cm, width 242cm (Illus.)
A Victorian mahogany breakfront fitted wardrobe, having a centre mirror door within scroll moulded surround, enclosing a fitted interior of linen slides and three long drawers, flanked by twin recessed panel doors enclosing hanging space, the left with base drawer, all raised upon a plinth, height 213cm, width 224cm
A circa 1830 Miles & Edwards rosewood freestanding open bookshelf in two sections, the upper section having a single adjustable shelf within fluted pilaster, matching base with two further adjustable shelves, all raised on a plinth, both sections stamped Miles & Edwards, Oxford Street, London, width 153cm (Illus.)
A mid Victorian figured walnut and marquetry inlaid bowfront credenza, the whole with ormolu and gilt metal mounts, having a scroll marquetry frieze, bowed centre, four quarter veneered recessed panel door, with marquetry stringing and opening to reveal a velvet lined shelved interior, all within ormolu chutes and sabots, flanked by twin bowed and glazed corner doors, again with velvet lined shelved interior and raised on a shaped plinth, width 168cm (Illus.)
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