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Lot 1
A mid 18th century style pine corner cupboard, the carved swan neck pediment above a dentil and fluted frieze to a painted domed interior with shaped shelves, enclosed by a pair of arched panel doors flanked by applied foliage carving and fluted pilasters, the base with a pair of cupboard doors on a plinth, 7ft 8in (233.7cm) h, 3ft 9in (114.2cm) w. Incorporating earlier elements.
Lot 1
A Victorian oak linen press, by Gillows, the detatchable moulded cornice above a divided interior, enclosed by a pair of arched panel doors, the base with two short and two long drawers one stamped Gillows, Lancaster, on a plinth. 6ft 11.75in (212.6cm) 4ft 7.75in (141.6cm) w and a matching marble top wash stand, 3ft (91.4cm) h 3ft 3in (99cm) w (2).
Lot 1
A cast terracotta vase and cover, in the antique manner, with a lobed cover, above a lobed collar with scrolled handles, above an ovoid tapering body decorated with classical figures above a band of stylised anthemion and foliage, on a stepped circular base carved with leaves and guilloche, on a circular plinth h.143cm., w.48cm. W
Lot 1
A WILLIAM AND MARY STYLE WALNUT LONGCASE CLOCK, the slender quarter veneered trunk with oval glass lenticle above a rectangular plinth base, the arched hood with baluster turned side columns, parquetry border and inlaid stylised sun surmounted by a fretwork frieze, the 9" square brass dial with a silvered chapter ring with Roman numerals and floral engraved centre with thirty hour movement, 90".
Lot 1
A Victorian mahogany collector's cabinet in the form of a miniature mirror door wardrobe, with ogee moulded cornice over twin foliate carved crest applied mirror panel doors enclosing two short and three long graduated drawers with ceramic handles to interior, on moulded plinth base with disc feet, 38cm high, 31cm wide; and a Regency mahogany sarcophagus shaped tea caddy, (2).
Lot 1
An Edwardian inlaid mahogany eight-day mantel timepiece, retailed by W F Price, 1 & 2 Broad Quay, Bristol, the French movement with platform lever escapement and white Roman numeral dial, in arch-top case with stepped ogee shaped sides and conch shell panel inlay centred front, on plinth base with brass bun feet, 23.5cm high.
Lot 1
A French Gothic Revival belge noir, red and green marble eight-day mantel clock circa 1870, the bell-striking movement with two-piece white Roman numeral enamel dial with visible brocot escapement to centre, in rosette centred gable pedimented rectangular case, with gilt foliate corner spandrels flanked by pilasters to front and on shaped scroll decorated plinth base, 49cm high.
Lot 1
A South Gloucestershire line inlaid mahogany eight-day longcase clock dated 1820, the four-pillar rack and bell striking movement with 13.5 inch circular white painted Roman numeral dial signed 'Henry Wilkes, Thornbury & Wootton, 1820' to centre, the case with arched shaped crest over break-arch pedimented hood with fluted Corinthian pilasters, with rectangular trunk door flanked by canted corners beneath, on conforming plinth base with shallow skirt, 211cm high. Henry Wilkes is recorded in Dowler, Graham 'The Gloucestershire Clock and Watch Makers' as working from Thornbury in the early 19th century.
Lot 1
A Victorian walnut cased weight-driven public timepiece, the substantial iron and brass single train movement with deadbeat escapement and wood rod pendulum, the dial with cream Roman numeral chapter ring and open centre exposing motion work, in a panelled rectangular case with glazed side doors and hinged front, on plinth base, 143cm high, 68cm wide, 45cm deep.
Lot 1
A George III London mahogany eight-day longcase clock circa 1770, the five-pillar rack and bell striking movement with 12 inch brass break-arch dial with square calendar aperture and applied silvered nameplate 'James Milner, London' to the matted centre within a silvered Roman numeral chapter ring with Arabic minutes, the angles with Indian mask spandrels and with Strike/Silent dial between dolphin mounts to arch, the break-arch top case with cavetto cornice to hood over break-arch trunk door and plain plinth base with moulded skirt, 221cm high. A James Milner is recorded in Britten's 'Old Clocks and Watches and their Makers' as working in London from 1737.
Lot 1
A Regency line inlaid mahogany eight-day longcase clock, the four-pillar rack and bell striking movement with 13 inch cream painted Roman numeral circular dial with subsidiary seconds and calendar dials to centre, the break-arch pedimented case with concave sided crest and reeded angles to hood over crossbanded trunk door flanked by conforming angles to trunk, on plinth base with bracket feet, 220cm high.
Lot 1
A mahogany crossbanded oak longcase clock, now with four-pillar eight-day rack and bell striking movement to the 12 inch square brass dial with subsidiary calendar dial to the foliate engraved silvered centre inscribed 'John Lawrence 1775', within applied silvered Roman numeral chapter ring and cast rococo spandrels, the flat-top case with turned hood columns over shaped-top crossbanded trunk door flanked by quarter columns, on plinth base, 202cm high.
Lot 1
An oak and mahogany 30-hour longcase clock circa 1830, the bell-striking movement with 12.5 inch white painted Roman numeral break-arch dial with arch calendar aperture to centre and floral decorated spandrels, the arch decorated with a pheasant, the swan neck pedimented case with turned hood pilasters and short trunk door over plinth base, 207cm high.
Lot 1
A French belge noir and verde antico marble drum-head mantel clock circa 1890, the eight-day bell-striking movement with visible brocot escapement to the two-piece Roman numeral enamel dial, the case with side scrolls supporting movement drum, on plinth base with shallow arcade apron, 32cm high.
Lot 1
A George III inlaid figured mahogany eight-day longcase clock with moonphase circa 1790, the four-pillar rack and bell striking movement with 12 inch white painted break-arch Roman numeral dial, the centre with subsidiary seconds and calendar dials and signed 'Thomas Vennall, Rye', with polychrome and gilt rose painted spandrels and moonphase to arch, the case with fretwork arch crest to the break-arch hood with fluted pilasters, over break-arch trunk door and applied panel plinth with fan inlaid angles, on moulded skirt base, 205cm high. A Thomas Vennall is recorded in Loomes, Brian 'Watchmakers & Clockmakers of the World, Vol 2' as working from Deal 1826-9. This clock may well be an earlier example by this maker or by a relative.
Lot 1
An unusual Regency brass inlaid rosewood drum-head mantel clock case, with white enamel Roman numeral dial within a foliate inlaid octagonal surround with ring side handles and turned finial, over contrepartie inlaid shaped apron and plinth with unusual scene of horseman performing tricks with five horses, on bun feet, 54cm high.
Lot 1
A late 19th century German walnut eight-day quarter striking bracket clock, the twin-train gong-striking movement punch stamped 'W&H, Sch' for Winterhalter & Hoffmeyer to backplate, the 7x6 inch brass dial with matted centre, applied silvered Roman numeral chapter ring, subsidiary Fast/Slow and Strike/Silent dials to upper corners and foliate cast spandrels, in a triangular pedimented case with foliate carved infill over fluted Corinthian pilasters, on moulded plinth base, the sides with hinged fretwork side panels, 41cm high.
Lot 1
An 18th century Wiltshire mahogany eight-day longcase clock, the four finned pillar rack and bell striking movement with 12 inch brass break-arch dial with square calendar aperture and subsidiary seconds to the matted centre, within an applied Roman numeral chapter ring with Arabic minutes and fleur de lys half-hour markers, the angles with Indian mask pattern spandrels beneath a domed boss signed 'Thomas Wentworth, Sarum' between dolphin cast mounts to the arch with herringbone engraved borders, now in a Bristol area inlaid mahogany case with swan neck pediment over Corinthian pilasters and wavy edge door to hood, canted angles and break-arch conch shell inlaid trunk door, on shaped panel applied plinth base with double skirt, movement and dial circa 1730, case circa 1780, 226cm high. Thomas Wentworth (II) is recorded in Snell, Michael 'Clocks & Clockmakers of Salisbury' as working up to 1740, he was Mayor of Salisbury in 1719. A movement and dial by his father is also included in the sale, Lot 578.
Lot 1
A rack striking 30-hour grandmother clock with penny moon, part 18th century, the four-pillar bell-striking movement with 7 inch square brass dial with penny moon and arch calendar aperture to the foliate engraved centre within silvered Roman numeral chapter ring and foliate cast spandrel applied angles, in a modern oak case with moulded pediment and turned pilasters to hood over long trunk door and plinth base, 163cm high.
Lot 1
An oak cased 30-hour grandmother clock, part 18th century, the four-pillar outside countwheel striking movement now with 8.75 inch square brass dial with foliate engraved centre within an applied Roman numeral chapter ring with fleur de lys half-hour markers and signed 'Nick's Bodie, East Grinstead' to lower edge with applied female mask pattern spandrels to angles, the case with moulded pediment and bobbin turned hood pilasters over rectangular trunk door and panelled plinth base, composite, case probably part 18th century, 173cm high.
Lot 1
A mahogany cased longcase clock, the eight-day single fusee four-pillar movement with Harrison's maintaining power and deadbeat escapement within A-shaped plates, the associated 12 inch square brass dial with arched calendar aperture and recessed nameplate inscribed 'Jo'n Bagnall, Dudley' to the foliate engraved matted centre, within an applied Roman numeral chapter ring with Arabic minutes and mask and scroll cast spandrel mounted angles, the later shaped-top pediment case with Corinthian hood pilasters over rectangular trunk door and panelled plinth base, composite, 203cm high.
Lot 1
A West Country inlaid figured mahogany eight-day longcase clock circa 1830, the four-pillar rack and bell striking movement with unusual 13 inch convex centred cream painted Roman numeral break-arch dial, with arched calendar aperture and subsidiary seconds dial within painted night-time cottage scenes to spandrels and conforming scene of The Old Woodman to arch, the break arch top case with wavy shaped edge crest and spiral turned Corinthian pilasters to hood over short panel inlaid trunk door between conforming twist pillar mounted angles, on crossbanded and line inlaid plinth base with bracket feet and shaped apron between, 225cm high. The scene to the arch is probably taken from an engraving by Bertolozzi after Thomas Barker of Bath entitled 'The Old Woodman', the model was called George Kelston who was well known in the Bath area in the 1790s. See 'The Barkers of Bath', an exhibition catalogue, Victoria Art Gallery, Bath, 17 May - 28 June 1986 p.27.
Lot 1
A French month-going mantel regulator circa 1820, in later mahogany four-glass case, the circular movement with external pinwheel escapement on the backplate, outside countwheel strike and substantial grid-iron compensated pendulum, the convex Roman numeral enamel dial signed 'Gravant A Paris', with centre seconds within fine engine-turned gilt bezel, the plinth form case with ebonised mouldings and fluted uprights, on stepped plinth base, 51cm high.
Lot 1
An early 19th century scumbled pine 30-hour longcase clock, with outside countwheel bell-striking movement and 11.75 inch square white painted Roman numeral dial with arch calendar aperture, polychrome painted bird perched on flowering branch decoration and signed J'N. Spurrier' to centre within rose painted spandrels, in a swan neck pedimented case with turned hood pilasters over rectangular trunk door and plinth base with moulded skirt, 209cm high.
Lot 1
An inlaid oak, mahogany and yew eight-day longcase clock with moonphase circa 1825 the rack and bell striking movement with 14 inch white painted Roman numeral break-arch dial with arched calendar aperture, subsidiary seconds, polychrome painted views of windmills and signed 'Jn'o Smith, Wrexham' to centre with rose painted spandrels and moonphase to arch, the swan neck pedimented case with reeded hood pilasters over parquetry panelled frieze to throat and fretwork crested panelled short trunk door centred with conch shell cartouche flanked by turned pilasters to angles, on conforming inlaid and banded plinth base with bracket feet, 228cm high. A John Smith is recorded in Baillie, G H 'Watchmakers & Clockmakers of the World' as working in Wrexham up to 1830.
Lot 1
An oak cased eight-day longcase clock, the four-pillar rack and bell striking movement with 12 inch white painted Arabic numeral dial with arched calendar aperture, subsidiary seconds dial and signed 'R. Foot' to centre, the angles with rose painted spandrels beneath gilt rosette and festoon decorated arch, in a later break-arch pedimented case with break-arch door and canted angles to trunk, on plinth base, 197cm high.
Lot 1
A Somerset oak cased 30-hour longcase clock circa 1770, the posted countwheel striking movement with 12 inch square brass Roman numeral dial, with arched calendar aperture and subsidiary seconds dial to the foliate scroll engraved centre within applied chapter ring with Arabic minutes and signed 'Nich. Roper, Oakhill' to lower edge, the angles applied with mask and scroll cast spandrels, now in a swan neck pedimented case with conch shell inlaid rectangular trunk door and recessed panel to plinth, lacking pilasters and door to hood, 211cm high.
Lot 1
An oak eight-day longcase clock circa 1740, the four finned pillar rack and bell striking movement with 12 inch square brass dial with square calendar aperture and subsidiary seconds dial to the matted centre, within silvered Roman numeral chapter ring with fleur de lys half-hour markers and Arabic minutes, the angles with applied female head pattern spandrels, the case with concave sided pediment and integral door columns to hood over long trunk door and plinth base with moulded skirt, 205cm high.
Lot 1
A French Louis Phillipe Gothic Revival ormolu portico mantel clock, the eight-day bell-striking movement with elaborate grid-iron compensated pendulum, the bob cast as a rose window, the twelve-piece Roman numeral enamel cartouche dial with conforming cast centre, the case with leafy pointed arch centre and arcaded frieze over cluster column uprights and moulded plinth base, 44cm high.
Lot 1
A Paris porcelain eight-day mantel clock circa 1860, the outside countwheel bell-striking movement with blue on white enamel Roman numeral dial signed 'Hodgkins & Co, A Paris', in a plinth form scroll sided waisted case, polychrome floral painted with shaped panels on a gilt and blue fishscale and lattice ground, on integral scroll supports, 22cm high.
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173444 item(s)/page