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Garden Statuary: Circle of Jan Pieter van Baurscheit: A rare carved gritstone figure of Venus, Low Countries, early 18th century on later stone plinth, 200cm high. Jan Pieter van Baurscheit was born at Wormersdolf near Bonn in 1669 and became a student of Peter Scheemakers in Antwerp. One of the most notable sculptors of the Low Countries, his work is well represented in the Rijksmuseum, Catalogue Nos 360-363. As well as working on a number of Antwerp churches, the majority of his work is classical in subject. He worked in marble as well as sandstone. He also worked with his son Pieter van Baurscheit the younger (1699-1768) who eventually became director of the Antwerp academy. They supplied garden sculpture to a number of patrons in the Netherlands and there are a few examples of their work in England, including a set of six marble vases carved with classical scenes at Waddesdon Manor built for Baron Ferdinand de Rothschild and now a National Trust property. Venus, the goddess of love, is represented in various guises. In this figure, the dolphin represents her birth from the sea, whilst the grapes she is holding represent "Sine Baccho et Ceres friget Venus" a quotation from the Roman comic dramatist Terence, implying that love grows cold without the stimulus of wine and feasting. This theme was especially popular in the 17th century with Flemish artists and sculptors, following Ruben’s treatment of it.
A late 19th century continental silver-mounted paper knifetwo indistinct marks, the handle cast as a lion rampant holding a shield, engraved initials, and on an architectural style plinth, chased decoration of flowers, engraved date of 1693, the whole to a tapering tortoiseshell blade; together with a carriage clockLength: 24.5cm
Fine quality Victorian Aesthetic period pollard oak compactum wardrobe with moulded cornice and enclosed by central mirrored cupboard door and flanking panelled doors between projecting fluted pilasters, the central section fitted with slides and three graduated drawers flanked by hanging spaces, raised on plinth base, stencil to rear for Sopwith & Co. Newcastle upon Tyne, 218cm wide x 215cm high x 71cm deep
Victorian mahogany compactum wardrobe with cavetto moulded cornice and three arched doors enclosing slides, drawers and hanging space, raised on plinth base, 195cm wide x 65cm deep x 215cm high CONDITION REPORT Breaks down into 5 sections : cornice one side section of wardrobe, double section of wardrobe breaks down into two parts, top and bottom. Base is also separate. Minor general wear and tear commensurate with age, no severe damage
Good George III mahogany and satinwood crossbanded bookcase of narrow proportions, dentil moulded arched cornice centred by carved foliate patera, the upper section with adjustable shelves enclosed by pair of astragal glazed doors, the base with deep drawer and enclosed by pair of cupboard doors below, on plinth base, together with alternative reduced height cornice, 93cm wide x 42cm deep x 242cm high
Ludwig Eisenberger (act 1895 - 1920): Art Nouveau bronze figure of a female bather, holding a scallop shell, signed to the naturalistic rocky plinth base, 17.5cm high, raised on green marble plinth CONDITION REPORT Very minor surface scratches on bronze, basically good original condition, a little damage and repair to back left corner of plinth
After Giambologna (1529 - 1608), pair of 19th century French bronze figures of Mercury and Fortuna, each raised on Sienna marble stepped socle with putti relief frieze, inscribed to plinth - 'Jean de Bologne', total height 85cm CONDITION REPORT Fortuna - break at the base of her trumpet, also crude wire repair to trumpet. A few slight losses to edges of marble pedestal. Mercury - grazing to his nose, small crack at his standing ankle elsewhere minor damage commensurate with age
19th century and marble bust in the classical style of a young child wearing drapery. 43cm high together with associated sandstone plinth CONDITION REPORT Height excluding plinth is 43cm, height approx. 60cm. Significant weathering and some loss of definition on the features. No discernible significant damage just minor chips and wear to terminals of drapery sandstone plinth with various losses
A 19th century French ormolu mounted Sienna marble mantel clock, surmounted by a figure group of the Seduction of Aegina over the double plinth base with applied mounts, raised on five toupie feet, the 3.5 inch gilt brass and enamelled dial with Roman chapter ring and blued steel hands, the two train drum movement with brocot type suspension and rack strike on a bell, height 17.75in.
A second quarter of the 19th century gilt and patinated bronze mounted antico verdi marble mantel clock, Naudin & Bazelaire, surmounted by a seated figure of Justinian over the double plinth base with applied ormolu mounts, the 3.75 inch engine turned silvered dial with Roman chapter ring and blued steel moon hands, signed Naudin Bronzier and Bazelaire horlogère, the two train drum movement with silk suspension and outside countwheel strike on a bell, height 22.25in.
Robert Sanderson, London. An early 19th century mahogany eight day longcase clock, the case of characteristic form with break arch hood and stop fluted quarter columns to the trunk over a plinth base, the 12 inch brass dial with silvered Roman and Arabic chapter ring beneath the signed arch with moonphase and age of moon, the foliate engraved centre with subsidiary seconds and calendar aperture, the two train weight driven movement with anchor escapement and rack strike on a bell, the T shaped front plate secured to the backplate by five knopped pillars, H.7ft 1.5in.
Nathaniel Seddon, St James's, London An early 18th century walnut longcase clock, the hood with doric columns over plain trunk and long front door, raised on a plinth base (reduced), the 11.75 inch brass dial with Indian mask spandrels, Roman and Arabic chapter ring with fleur de lys half hour and cruciform half quarter hour markers, the matted centre with subsidiary seconds and calendar aperture, the two train weight driven movement with anchor escapement and rack strike on a bell, the plates united by five knopped and finned pillars, H.6ft 9in.
A very fine example of H.M. Prison Dartmoor French Prisoner of War bone model of a Third Rate English Man Of War 74 gun fighting ship set upon a galleried bone plinth with hand painted waves & flag colours within its period straw work mirrored back case, been in same family since 19thC. Case measures 15.75in wide x 12.75in high x 7in deep. Provenance: From Hollywood House
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