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Lot 318
A George III oak longcase clock, 33cm white dial, dummy winding holes, Roman chapter, signed Jas Ashton/Tideswell, subsidiary seconds dial, 30 hour movement striking on a bell, the hood with curly pediment, fluted brass capped columns, shaped door with Baroque brass escutcheon, flanked by fluted quarter columns, plinth base, 207cm high James Ashton was a third generation member of the extensive clockmaking dynasty which flourished on both sides of the Derbyshire/Cheshire border, being grandson of Samuel Ashton of Tideswell and son of Samuel's younger son, Aaron, also of Tideswell. The elder branch of the family flourished at Ashbourne and Macclesfield, James himself was born c. 1769, was apprenticed to his father 1783-1790 and married Sarah Shepley (a relative of John Shepley of Derby, clock maker) at Glossop in September 1791, working into the second decade of the 19th century.
Lot 160
Pair of Staffordshire liver and white Spaniels, raised on oval plinth bases, 10 1/2" high Condition: Small paint losses throughout, otherwise good. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid. Kind Regards Keys I Fine Art Auctioneers LLP
Lot 182
Pair of late 19th Century Continental Parian type figures of young man and woman in period dress, raised on plinth bases, no makers marks apparent and some losses throughout Condition: He has losses and repair to right arm and hand, left hand is missing, chip to bow on right shoe. She has losses to right hand, minor chips to sleeves of dress and front of base. 12inches tall. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid. Kind Regards Keys I Fine Art Auctioneers LLP
Lot 348
A 20th Century Dresden Model of a female figure with attendants cherubs and doves, raised on a plinth base, decorated throughout in colours, cross swords mark to base, 8 1/2" high Condition: Loss to left hand of cupid, otherwise good condition. Please note: Keys Fine Art Auctioneers take great care to ensure that any statements as to attribution, age, date, origin, provenance and condition are reliable and accurate but it should be noted that all such statements are skilled opinions prepared with due care, if provenance (written or historical fact) cannot be produced. However, Keys Fine Art Auctioneers do not guarantee that condition reports, whether included in the catalogue, or given at a later time, cover all aspects of an item(s) condition. All clocks, watches and mechanical items are sold on behalf of vendors by Keys Fine Art Auctioneers strictly on an “As Found” basis. No guarantee or warranty is issued or given in anyway, either written or verbal and therefore refunds will not be issued on the basis of the Lot not being “in working order”, “incomplete”, or “not in original condition”. Keys Fine Art Auctioneers would respectfully ask that prospective buyers view Lots in person, wherever issues regarding condition are seen as important to them, satisfying themselves as to the condition, completeness and originality of any Lot on which they intend to bid. Kind Regards Keys I Fine Art Auctioneers LLP
Lot 134
A 19th century mahogany, boxwood and ebony lined roll top cylinder bureau, the rectangular top above a tambour slide, opening to a fitted interior of pigeon holes and small drawers, above a pull out writing surface with hinged leather writing slope, above a central frieze drawer flanked by four small drawers, the sides with pull out brush slides, raised on plinth bases, 122cm wide x 106cm high x 71cm deep
Lot 212
A late 19th/ early 20th century French onyx, ormolu and champleve enamel mantle clock MUMMERY & SON, PARIS, the circular dial with Arabic numerals and twin train movement striking on a gong, enclosed within a bevelled glass case supported by foliate cast Corinthian columns, with urn surmount, raised on a plinth base with foliate cast circular feet, 44cm high x 22cm wide
Lot 215
A late 19th/ early 20th century ormolu and marble mantle clock, the circular enamel dial with Arabic and Roman numerals supported on a fluted marble column flanked by putti holding a bird cage, with birds nest, chicks and birds surmount, on a shaped plinth base with four tapered cylindrical feet, 27cm high x 15.5cm wide
Lot 3
A 17th/ 18th century walnut, oyster veneered, marquetry inlaid and ebony lined longcase clock Nichs. Bodle East Grinsted, the 10" square brass dial with Roman Numeral chapter ring and pierced spandrels, the four pillar movement striking on a bell, enclosed within an architectural hood supported by reeded columns, the trunk door decorated with panels of flowers and foliage with an oval-shaped bullseye, on a rectangular base and slightly shaped plinth, pendulum and weight present, 207cm high
Lot 48
A Victorian burr walnut and gilt metal mounted bookcase, the rectangular top above a concave frieze with inlaid details, above a pair of glazed cupboard doors opening to a velvet lined interior of two shelves, enclosed by shell and foliate cast mounts, raised on a plinth base, 119cm wide x 106cm high x 36cm deep
Lot 60
An early 19th century mahogany bookcase, the moulded cornice and detail frieze above a pair of astragal glazed cupboard doors opening to a fitted interior of three sliding shelves above a pair of panelled cupboard doors opening to a fitted interior of two small drawers and open shelves, raised on a plinth, 131cm wide x 231.5cm high x 42cm deep
Lot 87G
A late 19th century walnut and ebonised breakfront bookcase, the shaped rectangular top with an egg and dart carved border above a pair of bevelled glass astragal glazed cupboard doors enclosing an adjustable shelf, flanked by corresponding cupboard doors, over five open recesses, raised on a plinth base, 243cm wide x 120cm high x 44cm deep
Lot 96
An Aesthetic Movement amboyna and ebonised breakfront credenza by Gillow & Co., the rectangular top above a central glazed cupboard door opening to a velvet lined interior of two shelves, flanked by panelled cupboard doors centred with rectangular panels of twin handled urns issuing flowers and foliage, raised on a plinth base, stamped marks, 148.5cm wide x 101.5cm high x 41cm deep
Lot 1273
LARGE FRENCH BRONZE - AFTER EMILE PICAULT a large bronze in the classical style, of a winged figure of a lady. In it is inscribed, La Reconnaissance Est a Memoir Du Coeur and mounted on a square plinth. With a plaque which is dated, 11 Juillet 1912, and signed E Picault, with a impressed mark underneath (possibly a foundry mark) 28 3/4ins (73cms) high
Lot 1282
ROYAL WORCESTER BIRDS including RW3476 Chaffinch (Hen), issued from 1951 (this is dated 1978) and with a wooden plinth. Also with another Chaffinch (Chaffinch Fringilla Coelebs, 1978), both with certificates and wooden bases, both number 56. (2) RW3476 is listed as not put into full production, with only a few samples known.
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173444 item(s)/page