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Click here to subscribeAn early 20th Century Mahogany Cased Mantel Clock, the plinth-shaped case with serpentined pediment over brass fish scale sound frets, to a plinth base and raised on ball feet, to a brass bezel with bevelled glass enclosing a 4 ¼” silvered Roman dial with outside minute track signed “Racine – Dublin”, to an associated circular brass movement stamped “R & C”, with anchor escapement and strike on a coiled gong, height 11 ¼”
A late 19th Century Oak cased Mantel Clock, the drum shaped case on scrolling supports to a plinth base, with brass bezel and bevelled glass enclosing a 4 ¾” Roman enamel dial (hairlines), with blued steel moon hands, to a circular brass movement with anchor escapement, back mounted count wheel and strike on a bell, height 9 ½”
An early 20th Century Open Boxwood Line Inlaid Mantel Clock, the shaped case with barber’s pole inlaid and further strung detail on a plinth base, and raised on ball feet, to a beaded brass bezel with bevelled glass enclosing a 3 ½” Arabic chapter ring with outside minute track and gilt centre, with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a blued steel coiled gong, height 10 ¾”
An early 20th Century Stained Walnut Triple Barrel Mantel Clock, Winterhalder & Hofmeier, the arched case with reeded and canted corners on a plinth base, to a 6” silvered Roman dial with outside minute track (lacking bezel) with chime/silent lever at 9, and blued steel pierced hands, to a rectangular brass movement with anchor escapement and strike on five blued steel and coiled gongs, height 12 ½”
An early 20th Century Oak Cased Triple Barrel Mantel Clock, Gustav Becker, and retailed by Barron Clark & Co – Peterborough, the arched case with overhanging pediment over freestanding barley twist columns, on a plinth base and raised on compressed bun feet, to a 5” arched brass dial with subsidiaries for regulation and chime/silent, over a Roman chapter ring and blued steel fleur-de-lys hands, to a signed brass movement with anchor escapement and strike on five straight rods, height 11 ¼”
An early 20th Century German Walnut Mantel Clock, HAC, the plinth-shaped case with fish scale pediment surmounted by a freestanding urn over further ¾ finials, to a plain trunk and raised on a spreading moulded base on compressed bun feet, a spun brass bezel with double glass enclosing a 4” Roman enamel chapter ring with outside minute track, to a signed movement with anchor escapement and strike on a blued steel coiled gong and bearing paper trade labels and No 3080, height 17 ½”
A mid-20th Century Mahogany Cased Mantel Clock, the drum-shaped case on scrolling supports with plinth base and bracket feet, to a spun brass bezel with convex glass enclosing a 5 ¼” silvered Arabic dial with outside minute track and black painted hands, to a triple spring driven movement, with platform escapement and strike on four rods, height 8 ¼”
A late 19th Century Black Slate Mantel Clock, the architectural case with Palladian pediment and four free-standing columns, to a plinth base with cast and beaded brass bezel with bevelled glass enclosing a 3 ½” Roman enamel chapter ring (hairlines), to a gilt centre and blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 11”
A late 19th Century Black Slate Mantel Clock, the architectural case with shaped and broken pediment, with four freestanding columns to a plinth base, and cast brass bezel with bevelled glass enclosing a two-part Arabic enamel dial, with outside minute track, gilt highlighted centre with blued steel fleur-de-lys hands, to a circular brass movement with anchor escapement and strike on a coiled gong, height 12”
A mid-20th Century Oak Cased Triple Barrel Mantel Clock, the arched and waisted case with a plinth base, to a spun brass bezel with convex glass, enclosing a 5 ½” silvered Roman dial with outside minute track and black painted hands, to a triple spring-driven movement with anchor escapement and strike on five rods, height 8 ¾”
A late 19th Century Black and Rouge Marble Mounted Mantel Clock, the plinth-shaped case with inset detail and further engraved and gilt highlighted floral detail, to a beaded bezel with bevelled glass enclosing a 5” black chapter ring, with applied gilt Roman numerals to a sunk centre with visible Brocot escapement and gilt hands, to a circular brass movement with anchor escapement, strike on a bell, height 12 ½”
A late 19th Century Black Slate and Variegated Marble Mounted Timepiece Garniture, the plinth-shaped case with arched pediment to a beaded bezel and Arabic enamel dial signed “Oscar Doutrelon de Try, Aux Nille Pendulee, Lille”, and with black painted fleur-de-lys hands, to a circular brass movement with anchor escapement; together with a matching pair of urn-shaped side pieces (3)
An Oak and Mahogany 30 Hour Long Case Clock, signed John Thomas – Crewkerne, the associated case with overhanging cornice and applied swan neck pediment with three ring turned finials over freestanding columns, to a moulded throat and long trunk door, raised on a plinth base, to a 10 ¾” square brass dial, with silvered Roman and Arabic chapter ring with outside minute and inside quarters track with fleur-de-lys type half-hour markers, and matted centre with date aperture at 6, and demi-lune nameplate applied at 12, with black painted pierced hands to a 30 hour movement with corner pillar supports, with anchor escapement and strike on a bell ( associated), height 78”
A mid-19th Century Mahogany Cased 8 Day Long Case Clock, ? – Bristol, the case with arched hood and shaped pediment with urn-shaped finials over freestanding barley twist columns, to a moulded throat and short trunk door flanked by further barley twist columns, and panelled section, on a plinth base with bracket feet, to a 13” arched dial decorated with a lake scene over ruinous churches enclosing a Roman chapter ring with outside minute track, subsidiary seconds and date sector with pierced and stamped brass hands, to a plain false plate and movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 91”
A mid-19th Century Oak, Mahogany and Rosewood Marquetry Inlaid 8 Day Long Case Clock, unsigned, the hood with swan neck pediment and further equestrian inlaid detail with further floral, foliate and bird inlay over half bobbin turned columns, to a moulded throat and short and shaped trunk door with further replicated inlaid detail, and also flanked by half turned columns on a panelled plinth base with canted corners, to a 14” third period arched and painted dial depicting children gathering water to the arch with cottage and ruined ecclesiastical corners, enclosing a Roman chapter ring with outside minute track with subsidiary seconds and date sector, and fitted with pierced and stamped brass hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 90”
An early 19th Century Scottish Mahogany and Boxwood Line Inlaid 8 Day Long Case Clock, David Duff – Kinross, the arched hood with circular brass bezel to a moulded throat and reed quarter columns flanking a long arched trunk door, to a panelled plinth base, and raised on bracket feet, to a signed 13” Roman dial with Arabic quarters and subsidiaries for seconds and date with black painted spade hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement, strike on a bell (associated), height 79 ½”
An early 19th Century Oak Cased 8 Day Long Case Clock, W Bearn – Wellingborough, the arched cased with swan-neck pediment and later applied caryatid mount with further spread eagle and globe finials over freestanding columns, to a moulded throat and shaped long trunk door and reduced plinth and bracket base, to a 12” arched 2nd period painted dial, painted to the arch with a female figure denoting Prosperity, within gilt floral highlights and further painted rose spandrels enclosing a Roman chapter ring with Arabic quarters and star hour markers with minute track enclosing subsidiary seconds and date sector, with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement, strike on a bell, height 79”
A mid-19th Century Mahogany Crossbanded and Oak 8 Day Long Case Clock, Thos Hall ? of ?, the arched hood with swan neck pediment over fluted freestanding columns, to a moulded throat and shaped trunk door flanked by canted corners to a plinth base on bracket feet, the 13” third period painted dial decorated to the arch with a young woman gathering grain, over gilt highlighted floral spandrels enclosing a Roman chapter ring with outside minute track and with subsidiaries for seconds and date, and with pierced and stamped brass hands, to a signed false plate and movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 85”
A 19th Century Oak Cased 30 Hour Long Case Clock, R V French of Maidstone, the case with overhanging cornice and plain frieze to a gilt capped ¾ columns and moulded throat to a long trunk door and plinth base, to an 11” third period painted square dial, with gilt highlighted floral spandrels enclosing a Roman chapter ring with outside minute track and with subsidiaries for seconds and date with black painted hands, to a movement with plates united by four knopped pillars and with anchor escapement and strike on a bell, height 73 ½”
A mid-20th Century Stained Oak Triple Weight Long Case Clock, the stepped pediment to a glaze and panelled door with plinth base on bracket feet, to an 11” silvered Arabic dial with outside minute track and black painted hands, to a triple weight-driven movement with anchor escapement, strike on eight rods, height 79”
A late 19th Century tall Bookcase Cabinet, with swan neck pediment moulded with foliage and rosettes over moulded dentil cornice, and two arched panelled doors enclosing fitted adjustable shelving, the lower section with two frieze drawers over two panelled doors enclosing cupboard on a plinth base, 36” wide, 103” high
A 19th Century Oak and Mahogany full height Corner Cupboard, the cornice inlaid with Sheraton style panels over an astragal glazed door, with plush-lined interior and glass shelving, and central drawer below flanked by dummy drawers, the lower section with a panelled door enclosing cupboard with fitted shelving on a plinth base, 29” wide, 86” high
A Chinese porcelain famille rose two handled vase, 20th century, of archaic form, the faceted, segmented body divided by borders of archaistic dragons interspersed by diamond bosses, each panel decorated with one of the bajixiang or Buddhist symbols, below a plantain leaf border and on a spreading ruyi head plinth, with pierced birds head handles, apocryphal underglaze blue Qianlong seal mark to the base, 23.5cm high Provenance: According to the vendor, this piece was given to a relative in 1945 by the Japanese port authorities during his time as an oil tanker captain for Shell Oil. His was the first Shell Oil tanker to dock in Japan following the Second World War. Note: For a similar vase dated to the Qianlong period see Christies London, 7th November 2006, sale 7270 lot 228
An oak thirty hour longcase clock, second quarter 19th century the 12 inch square painted dial signed `W M Edwards, Bishops Castle`, with centred date aperture within a ring of Arabic numerals and leaf painted corner spandrels the hood with swan neck pediment over square glazed hood door between reeded front corner hood pilasters over a short rectangular trunk door on a box base and skirting plinth, 204cm high NOTE: Douglas J Elliott notes William Edwards, Bishops Castle 1776-1851 Clock and Watchmaker, Church Street, 1822/3 - 1850 in Shropshire Clock and Watchmakers
A mid 18th century oak thirty hour longcase clock, the 11 inch square brass dial signed `Harrocks, Emo Bridge` with centred date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and pierced corner spandrels, the hood with square glazed door flanked by turned front corner hood pilasters over an ogee arched trunk door on a boxed base with later skirting plinth, 195cm high NOTE: G H Baillie notes - Joshua Harrocks Lancaster and Eamont Bridge 1748-1759 in Watchmakers and Clockmakers of the World volume One
An oak thirty hour longcase clock, early 18th century, the 10½ inch square brass dial signed `Vaughan, Watlington`, within a ring of both Arabic and Roman numerals, between Rococo style pierced spandrels, the thirty hour bird cage movement striking on a single bell, the hood with pagoda top over ¾ turned front corner hood pilasters, above a rectangular long trunk door fitted with later brass key escutcheon, on a plank box base with later skirting plinth, 207cm high
A mid 19th century oak crossbanded mahogany eight day longcase clock, the 14 inch painted arched dial signed `Roberts, Shrewsbury` with centred subsidiary seconds dial and date dial within a ring of Roman numerals and architectural painted spandrels under a painted arch depicting a female figure carrying bushels of corn, the hood with swan neck pediment over an arched hood door flanked by reeded front corner hood pilasters over a short trunk door flanked by quarter reeded pilasters on a single panel box base and skirting plinth, 213cm high
A brass carriage clock, early 20th century, the key wound spring driven movement striking on a coiled gong, the case with swing handle, over a 2½ inch dial with inner ring of Roman numerals, outer ring of Arabic numerals, on a cut-out plinth base along with a leather covered hinged lid carry case (at fault), 13.5cm high
A George III thirty hour oak longcase clock the 11 inch square brass dial signed `J N Tibbot, New Town`, with centred date aperture within an inner ring of Roman numerals, outer ring of Arabic numerals and pierced cherub moulded spandrels, the hood with blind fret frieze over a square hood door between fluted front corner hood pilasters, over an ogee arched long trunk door between fluted quarter pilasters on a wide planked box base and later skirting plinth (at fault) 199cm high NOTE: G H Bailey notes John Tibbot, Newtown, Wales, born 1757 died 1820 worked from 1777-97 in Watchmakers and Clockmakers of the World Volume One
An oak and mahogany eight day longcase clock, the 12 inch square brass dial with centred subsidiary seconds dial and date aperture within a silvered chapter ring of Roman and Arabic numerals, within pierced corner spandrels, the hood with swan neck pediment over turned front corner hood pilasters above a crossbanded short trunk door raised on a cut-out plinth, 207cm high
A mahogany eight day longcase clock, the 12 inch arched brass dial signed `Jam Bullock, London`, with centred subsidiary seconds dial and date aperture within a inner ring of Roman numerals, outer ring of Arabic numerals and scrolling leaf moulded pierced spandrels under a strike / silent dial to the arch, the hood with pagoda pediment over an arched glazed hood door between fluted tapering front corner hood pilasters, above a long flame veneered arched trunk door between quarter fluted front corner trunk pilasters over a single panel box base with later skirting plinth, 245cm high
An early 20th century oak file cabinet, the arrangement of three rows of nine short drawers fitted with pressed metal fix loop handles with card holders (some handles replaced), opening to revealing three sided drawer linings with remnants of paper listings and sprung metal holders, on an ogee moulded plinth base (at fault), 84cm wide, 125.5cm high, 45cm deep Note: From the estate of Ted Hughes (Poet Laureate), the cabinet from his study which remained largely unchanged for thirty six years.
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