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Lot 680
Peter J. Bailey (1951-), "Spirit of the Horse", initialled on base, from a limited edition, 2001, upon a rectangular plinth, bronze, height 28cm.; 11in. "Following my work as a painter of equine subjects, particularly the Arabian horse and its history over the last 300 years, through to today`s thoroughbred. This bronze sculpture following the Arabian in my painting of The Darley. I have tried to capture the essence of this beautiful creature, as its cousins provide today in the Mid East & indeed all over the world".
Lot 695
Oak longcased clock signed J Jarvis, Whitchurch, the painted break arch Roman dial with subsidiary seconds and date aperture, eight-day movement striking the hour, in a swwan neck hood with fluted columns on a fluted trunk and set out plinth, height 216cm (two weights, pendulum, winding key)
Lot 696
George III oak longcased clock signed Thomas Birchall, Nantwich, the square brass dial with a re-silvered chapter ring and field, subsidiary seconds and date aperture, on an eight day movement in a a blind fret hood with plain columns, on a quarter column trunk on set out plinth, height 220cm (pendulum, two weights, winding key).
Lot 622
Gustave Moreau (1826-1898), a white marble sculpture representing autumn, she stands wearing a loose tunic with her left hand raised to shield her eyes from the sun, a wheatsheaf under her right arm, signed 'G Moreau' on the adjacent tree trunk, 100cm (39.5 in) on later variegated green marble plinth The handle of the sickle in her right hand lacks its blade. The little finger from her left hand has been glued back
Lot 670
The Cabinet Roller Organ' by 'Autophone, Ithaca, NY' and seventeen wooden cylinders, the rectangular mahogany case with a glazed window on to the iron peg studded cylinder and mechanism operating the bellows and stops, the winding handle to one side below, 46cm (14 in) wide across the ebonised plinth foot In working order, with the case in reasonable condition.
Lot 693
Henry Jones, London, a month going walnut parquetry and oyster veneered longcase clock, purchased from Charles Thornton of York in 1960, the hood with fretwork frieze above barleytwist pilasters, paterae inlaid rectangular trunk door with lenticle, the square brass 10inch dial signed 'Henry Jones London' below, winged mask spandrels, matted centre with date aperture and seconds dial, the movement with 5 pillars (of which two are latched), outside countwheel striking, all upon a similarly inlaid plinth. Note: Henry Jones, a well known maker, was apprenticed in 1654 to Edward East, Free of the Clockmakers Company in 1663, Master of the Company in 1691 and died in 1695. 187cm (73in) - Some new elements to case,repolished and sold as seen
Lot 707
John Smith, Chester, a George III mahogany eight day longcase clock, the swanneck pediment above a 14 inch brass dial with rolling moon, engraved centre with seconds dial and date aperture, Rococo style gilt spandrels, shaped top trunk door flanked by reeded quarter columns on a canted panelled plinth and ogee feet 237cm (92in) Some re-polishing to case, movement recently serviced, some packing under seat board.
Lot 708
A mahogany longcase clock of small proportions, circa 1920s, the well moulded case with brass 13cm (5in) dial marked 'Tempus fugit' to the arch, with three train movement chiming on 4 gongs (one lacking), raised on a brick effect plinth and ogee bracket feet 121cm (47in) Sold as seen. The movement may be later and altered.
Lot 787
A 19th century Blashfield type terracotta urn, moulded with Ram's head handles, on a marble plinth inset with a bronze plaque of Old Testament subject Urn 28cm high (11in) 38cm diameter (15in) Plinth 56cm high (22in) 44cm wide (17in) 44cm deep (17in) Losses to the goat horns of one handle, one large corner chip and other chips to the marble plinth
Lot 789
A George III mahogany breakfront library bookcase, with gothic arched glazed doors above and panelled doors below, adjustable shelves, on a plinth base 267 x 263 x 58cm (104 x 103 x 23in) Small old veneer patch to the front edge, good figuring in the timber, some knocks to the corners, most noticeable on the plinth base
Lot 795
An early 19th century parcel gilt and marble console table, a veined marble top on an ivory painted stand with leaf and berry relief moulded frieze, on scroll carved bracket legs, each carved with gilded leaves, to a concave plinth base veneered in maplewood 97 x 146 x 63½cm (38 x 57 x 25in) Some veneer losses and marks to the base and old repair to the back corner of the marble.
Lot 838
A Victorian figured ash pedestal desk, stamped Taylor & Sons, New Bond Street, London, of serpentine outline with green leather lined top, fitted nine drawers and a kneehole cupboard, open columns and on a plinth base 66 x 140 x 70cm (26 x 55 x 27in) Some scratches to the leather, replaced columns, otherwise the veneers are good
Lot 815
A VICTORIAN GOTHIC STONE FONT IN 15TH C STYLE, c1840 with octagonal bowl and spiral pillars, on stone plinth, 117cm h, bowl 79cm w Provenance: Holy Trinity Church, Trinity Square, Nottingham. Holy Trinity Church was built by the Derby architect Henry Isaac Stevens (1806-1873). Consecrated in 1841, the church was demolished in 1958. ++Damage and weathering, having been used as a garden ornament for about 50 years
Lot 645
Lynn Chadwick, R.A. (1914-2003) bronze sculpture of a female seated upon a rectangular plinth, impressed 'C28S 1985' to underside, edition 2/9, 6in. (15.3cm.) high. * CONDITION REPORT: In good condition, with no damage or restoration noted. No wear to patination. Accompanied by a grey and white marble plinth, but not fixed in place - underside has some old blu-tac where it was used to steady the bronze on the plinth.
Lot 656
A hand built model of a multi shot mortar cannon the 4in. 12 shot brass barrel with screw pole adjustable trajectory mechanism to front, on pivotal plinth, 6½in. (16.5cm.) long; together with two others, comprising a single fire 3in. brass barrel mortar cannon on shaped cradle, 5in. (12.5cm.) long; and a similar miniature example, 1¼in. (3.2cm.) long. (3) * CONDITION: All three models in good condition, with no damage noted.
Lot 485
An 18th century Channel Islands longcase clock by Nicolas Blondel the brass arched dial signed on a silvered roundel to the arch, 'Nicolas Blondell a Guernesey', with silvered chapter ring and subsidiary seconds at noon, date aperture at six, matted brass centre, pheasant and cornucopia spandrels, the eight day movement with anchor escapement, in an oak case with flared pediment on turned pilasters, arched trunk door or pierced butterfly hinges, plain plinth base, reduced in height, 77in. (195.5cm.) high.
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