A Fine Victorian mahogany RegulatorBy Thomas Porthouse, 10 Northampton Square, London, Maker to the AdmiraltyWith an arched case, fully glazed door, on plinth base, the 12in dial, fully signed, with subsidaries for hours and seconds, and sweep centre minutes, finely made blued steel hands, the substantial plates with turned pillars screwed to each end, wheels of six crossings, deadbeat escapement with jewelled pallets, maintaining power, with steel pendulum rod supporting a glass jar (for mercury not supplied)183cm high, (1 weight, 1 pendulum, 2 case keys and 1 bent scale)Active 1821-1860. Succeded by Porthouse and French and moved to 16 Northampton Square in 1863. Condition Report The case has been repolished and restored. There is carcass movement to the veneers on the arch which have cracked. There is no inspection door in the arch. The movement is clean albeit dusty and with some finger marks. There is no mercury to the pendulum. Weight replaced. The weight pulley is from a longcase clock. Pillar screws are all 'chewed' in the slots but using the wrong sized screwdriver. Not currently working.
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A late Edwardian mahogany Longcase clock of small sizeIn the George III style, with a swan-neck pediment above twin-fluted columns and glazed dial door, the trunk with pendant acorns between palmettes, the arched glazed door between quarter-fluted columns, on quoin corners, on plinth base with similar quoin corners, on ogee bracket feet, the 8in arched brass dial with moon phase in the arch, above silvered chapter ring, with foliate engraved dial plate, the substantial twin train movement with deadbeat escapement and maintaining power, striking the hours on a bell, with wood rod glazed mercurial pendulum, (2 weights, 1 mercury pendulum)184cm high Condition Report This charming clock is in very good overall condition and was running prior to consignment. It is a high quality case and movement. The dial plate and moon disc are thick gauge. The dial plate has three formerly drilled winding holes plugged with brass and engraved over at the front and two dial feet fixings now filled. The seatboard screws line up and there is no evidence of another position. One can only surmise that the manufacturer was re using a dial plate originally planned for a bigger dial as the filled winding holes are for a bigger movement.
A walnut longcase clock The movement with later engraved nameThe case with a moulded pediment above blind fret, glazed door flanked by a spiral-turned column to each side above the trunk inset with a panel door and a brass-outlined roundel, on a stepped base and plinth; the 12in square brass dial with engraved hatching to the edge, crowned cherub spandrels, silvered chapter ring with engraved minutes 1-60, pierced blued steel hands, enclosing a matted centre with seconds subsidiary and calendar aperture, the twin train four-pillar movement, with thin plates, engraved NDW to the lower part of the backplate, rack strike on a bell and anchor escapement, the fly engraved H. Kempton, case and movement associated, the case restored and reconstructed, incorporating earlier elements, (1 pendulum and 2 weights)217cm high Condition Report The case is in good condition. It has been repolished fairly recently. The carcass is a softwood, not oak. The top section of each cheek is replaced so the joint is hidden within the trunk. They have lined it up to the original score line. The movement is inscribed Gould but NOT BY HIM AND IS NOT of Gould's quality. Interestingly the back of the dial plate is punched to force the metal forward and I surmise the original maker's signature was ground out hence the need to bring the metal 'forward' with the punching. The chapter ring has Gould's rare and unusual style of minute numbering but the hand of the engraver does not have the period flourish of Gould's. A weak impression. The fifth pillar has been removed.
A George III brass-mounted mahogany striking bracket clockBy Williamson, Royal Exchange, LondonThe arched case with a single pad top surmounted by a brass carrying handle above a moulded pediment, with hinged panel door and inset convex glass brass bezel, on stepped plinth with brass blocks (ball feet lacking), the 8in. circular white-painted dial, signed, the twin train fusée movement with arched plates, anchor escapement, signed to the backplate, with screw lock pendulum block and strike on a bell, (1 pendulum and 1 case key)41cm high Condition Report (1 pendulum)Signed backplate.Wire gut.
An unusual Late Louis XVI provincial mahogany thirty-hour RegulatorLate 18th / early 19th CenturyWith an arched pediment above convex glass and berried laurel surround, with hinged panel door carved with ribbon-tied festoon, glazed oval, above tapering lower part, with stepped plinth, the 10in circular enamel dial with pierced gilt latten hands, the movement with arched plates, four pillars and deadbeat escapement, with plain iron rod pendulum with brass bob, (1 pendulum).238cm high
A mahogany, satinwood, marquetry and line-inlaid threetrain quarter-chiming Longcase clockThe case with swan-neck pediment, later inlaid to the front with foliate marquetry, with glazed door above a small trunk door, on a stepped plinth, the 14in arched brass dial with moonphase, with substantial three train movement quarter-chiming on eight bells and the hours on a coiled gong, the case early 19th Century, the marquetry inlay, dial and movement Edwardian, (3 weights and 1 pendulum).237cm high Condition Report The clock is in un restored condition. In general the case is in good order. However some attention is required around the dial glass crossbanding as it is placed over a small edge of the glass and with the putty drying has cracked and fallen off over the years. Marks and knocks consistent with age. Moulding to underside of right hand hood moulding broken. Left hand moulding just below hood is mis aligned Other chips and veneer losses. Movement is dirty and requires a full service.
A George III mahogany Longcase clockThe movement by Robert Allam, LondonThe case with an arched pediment, above glazed door and fluted column, the trunk inset with an arched panel door, between canted angles, on plinth base, the 12in dial, signed in the arch, with silvered chapter ring, seconds subsidiary and calendar aperture, the movement with anchor escapement, and rack strike on a bell (case and movement associated), (2 weights, 1 pendulum, 1 key and 1 case key)220cm high
A giltbrass-mounted ebonised quarter repeating bracket timepieceIn the late 17th Century style, probably ContinentalThe domed-top case with a scrolled handle above four finials, with glazed front and back door, the sides each with a foliate panel above a glass panel, on stepped plinth and bun feet, the 7 1/4in. dial with silvered cherub mask spandrels, silvered chapter ring enclosing a matted centre, the four-pillar movement with chain fusée, verge escapement and pull-quarter repeat work; case and movement associated, restorations and replacements39cm high Condition Report This is the property of a collector. The case is in good condition. The ebonising recently refreshed? The repeat works but only rings 7 times. The case, movement and dial are associated. There are some elements which are old, perhaps the dial. The movement plates and pillars appear 19th century. Decoartive though.
An early 20th century bronze figure of a seated female, wearing a long dress sat on a plinth with an open jewellery casket at her feet, her hands raised to her ear to take out an earring, her head and arms in carved ivory, mounted to a marble plinth base, signed to the cast Schlietstein, height 23cm.
A grey painted bookcase cabinet, with architectural cornice fitted with novelty chimney pots over four glazed doors and four panelled cupboards on a plinth base, 271cm wide x 263cm high. Condition Report The cornice is later and can be unscrewed. The paint is dripped all over, otherwise in good condition. It is 216.5cm high without the cornice.
An oak 30 hour longcase clockBy Triggs & Busby, GuildfordEarly 19th CenturyThe hood with swan-neck pediment, with column uprights, the trunk with inset rectangular door, on plinth base, the 12in square white painted dial inscribed Triggs & Busby, Guildford (faded), with pierced blued steel hands, the 30-hour movement with external countwheel strike on a bell, movement possibly associated, (1 weight and 1 pendulum).202cm high
A Queen Anne walnut Month-going Longcase clockThe movement by Windmills, LondonThe hood with moulded pediment, above three-quarter columns, the trunk with rectangular door, above plinth base and stepped foot, the 12in square brass dial signed on the chapter ring Windmills London, with seconds subsidiary and calendar aperture, fine quality five-pillar movement with external countwheel strike on a bell, case and movement probably associated, (2 weights, 1 pendulum and 1 key).221cm high Condition Report As stated in the description the movement and case are associated.The hood has a small piece of moulding lost from the top left cornice.The veneer fillets around the Goass hood panels are broken and repaired. The trunk door has carcass movement and resultant cracks in veneer on both cleats. The plinth also has two carcass veneee cracks. The has been other restoration and repairs and possibly some moulding replacement with the passage of time. The fret is a replacement.The movement is clean and was running prior to consignment. There are two filled holes in the upper section of the dial plate beneath each corner spandrel. For some reason these have been highlighted by the application of a small amount of varnish on the movement side? The seatboard is a replacement. It is oak and is 20th century.
A mahogany Longcase clockEarly 19th centuryThe arched hood with two columns above the trunk door, on plinth base, the 12in arched white painted dial inscribed Danl. Davis, Cheltenham, with gilt hands and date sector aperture, twin train movement with rack strike on a bell (case and movement associated), (2 weights, 1 pendulum).203cm high Condition Report The clock is in good restored condition. We understand from our vendor they purchased it around 30 years ago at Harrods?The case has been polished. The dial refreshed and the movement cleaned. It may however now require a light service as a little dusty?An attractive furnishing clock.
A George III oak and mahogany Longcase clockBy Robert Felmingham, StradbrookThe arched hood with shaped cresting, three finials, flanked by fluted columns, the trunk with arched panel door inlaid with a conch shell, on plinth base, the 12in white painted dial decorated with a seated female figure by an anchor in an oval in the arch, the spandrels with strawberries and foliage, with seconds subsidiary and pierced brass hands, the twin train movement with rack strike on a bell, (2 weights, 1 pendulum and 1 key).216cm overall
A George III mahogany Longcase clockBy William Curtis, ExeterThe arched hood with moulded pediment above fluted columns, the trunk with an arched door, flanked by fluted-quarter columns, on plinth inset panel base, the 12in arched silvered dial with moonphase in the arch 'High Water at Exmouth', the twin train movement with rack strike on a bell, (2 weights, 1 key and 1 pendulum).210cm high Condition Report The clock is in unrestored condition. The case has marks and knocks consistent with age. Some small veneer chips, underside right of dial and left side of plinth mainly. Movement is dirt and requires a service. The dial has some surface faults in the underlying brass, most probably original casting faults. These appear at 2:30, 4:30 and 9 o'clock. Also the two lower dial feet rivers show through. The case and movement may be associated.
A George III mahogany and brass line-inlaid Longcase clockBy Joshua Harrocks, Lancaster The case with swan-neck pediment above fluted uprights, above a trunk with arched door and quarter-fluted columns, on plinth base with canted angles, ogee bracket feet, the 13in arched brass dial with unusual cherub mask spandrels, signed in the arch with moonphase aperture, silvered chapter ring with Dutch influence arcaded outer minute ring, foliate engraved centre with seconds subsidiary, the twin train movement with anchor escapement and rack strike on a bell, (2 weights and 1 pendulum)249cm high overall Condition Report The clock is in overall good condition. The case appears to have been cleaned and some polishing done. The inlay is brass. There is some splitting to the plinth and the corner mouldings have parted at their joint. The clock had been running until fairly recently before consignment. The dial has some surface dirt to the silvered centre. The movement appears clean and in good order.
A George III small giltmetal-mounted ebonised bracket timepiece with pull-quarter repeat By John Ellicott, London, circa 1760The inverted bell-top case with brass carrying handle above a moulded pediment, the glazed front door with arched panel, the back door similar, flanked to each side with two glazed panels, on plinth base and block feet; the 5in. arched brass dial, signed John Ellicott, London on a silvered roundel to the arch, above silvered chapter ring enclosing a matted centre, blued steel hands and calendar aperture, the chain fusée movement with four turned pillars, anchor escapement (formerly verge) foliate engraved backplate, signed to the centre, with pull-quarter repeat on three bells, and with sliding bell-hammer block and fine quality repeat work below the dial; restorations, (1 pendulum)39cm highJohn Ellicott II succeeded his father of the same name. A Fellow of the Royal Society, he was appointed Clockmaker to the King. Recorded as working in 1728, he died in 1772. Condition Report (1 pendulum)The clock ticks when wound. It is a timepiece so does not strike the hour. However it is pull-quarter repeat which allows the user to pull a cord which comes through the side to give the last hour and quarter. This mechanism works but the cord needs replacing as it's broken and too short to go through the case.The movement was formerly verge escapement and has been converted to anchor. There are no frets or glass to the sides. The left hand edge moulding of the pediment is loose. The dome joints are split, secure but could be improved. The dial silvering is a bit flat and the wax infill to the chapters is lost in places. The brass frets in the door spandrels are replaced. Some veneer chips and losses to the dial surround fillet.The height with handle up is 38cm.
A large Edwardian mahogany three train quarter-chiming Longcase clockThe case carved all over with foliage, with an arched hood above glazed door and sides, on plinth base, the arched silvered and gilt 14in dial with moon phase, with Chime/Silent and 4 Bells/8 Bells selectors to the sides, with seconds subsidiary, the substantial three train movement with deadbeat escapement, maintaining power, quarter striking on eight tubular gongs and on the hour on a larger ninth tubular gong, with glazed mercurial pendulum and three substantial nickel-plated cylindrical weights, (3 weights, 9 tubes, 1 mercury pendulum and 1 key).252cm highA clock with very similar carved case was formerly in the Time Museum, Rockford, Illinois, USA and sold 'Masterpieces from The Time Museum, Part Two', Sotheby's New York, 19 June 2002, lot 175. Condition Report The clock is in good original condition. As stated in the description there are nine tubes, none of which are stamped. There are also the three weights. The case appears to be in good original condition. Some shrinkage cracking to the carved elements in the door. Some minor repairs to hood. Both frets are in good condition. The movement is substantial and has been running upto a couple of years ago we understand. It is clean and may just require a light service, oil etc?. One of the seatboard brass finger tightening screws needs re fixing. I cannot see any maker's stamp. Maximum height assembled is 255 cm.
A late George II chinoiserie decorated Longcase clockThe movement by Richard Simpson, YarmouthThe case with a pagoda pediment above glazed door flanked by columns, the trunk inset with an arched door, decorated with pavilions and figures, on plinth base, the 12in arched brass dial with BRITONS STRIKE HOME engraved on a ring in the arch, above silvered chapter ring, seconds subsidiary and calendar aperture, the twin train rack striking movement with a bell, (2 weights, 1 pendulum, 1 case key and 1 key)220cm high
A Louis XVI ormolu and biscuit porcelain mantel clockThe movement by Pierre Gavelle, ParisModelled with two figures, above a white enamel dial, signed Gavelle L'e, Paris, with twin train movement, silk suspension and countwheel strike on a bell, on stepped plinth and wooden base, (1 pendulum and 1 key).47cm high overallPierre Gavelle is recorded working in Rue St. Denis, Paris, 1771-1789 Condition Report Overall in good condition. Surface dirt to porcelain. Some repair to her right hand fingers. One acanthus square mount is lost from plinth. See main image. Left claw foot below dial appears to be a replacement. It is not gilded and not as sharp as other. Wooden base is repolished. Some splits in wood minor though, marks and knocks consistent with age. Dial is good some small chips to edge at 2:30 and around pendulum adjustment square. Movement appears clean, it may need a service?
Dambuster relic, Large piece of the gear box from the Lancaster of John Vere Hopgood, DFC & Bar, which was shot down in the Dambuster Raid. Fixed to a wooden plinth and given to our vendor Jim Shortland 617 Sqn historian by Bill Townsend. Gibson selected Hopgood as his deputy for the attack against the Mohne Dam. While awaiting take off Hopgood spoke with Dave Shannon, telling him that he had had a premonition that he would not survive the mission. Gibson responded to the premonition with, Hoppy, tonights the night; tomorrow we will get drunk. Hopgood took off in the first group alongside Gibson and Mick Martin. It was on the journey to the Mohne that Hopgoods aircraft AJ M (M Mother) was hit by flak while passing the airfield at Dulmen. Hopgood along with gunners George Gregory and Tony Burcher were injured but they continued the attack. There is a possibility that Gregory was killed by flak at this point. The damaged aircraft reached the dam where they attacked at 00:32, ten minutes after Gibson. However, they were struck again by anti-aircraft fire and their bomb was released too late. It bounced over the dam and exploded on a power station on the other side. The aircraft was fatally damaged at this point and Hopgood remained at the controls, gaining height to allow his crew to bail out. Rear gunner, Pilot Officer Tony Burcher, remembered hearing Hopgood say; Get out you damn fool. If only I could get another 300 ft. I can't get any more height. John Fraser, John Minchin and Tony Burcher jumped, but the already injured Minchin did not survive. However, Fraser and Burcher survived and were made prisoners of war. AJ M crashed in a field near Ostonnen, 6 kilometres (3. 72 miles) from the dam. The bodies of Hopgood, Brennan, Navigator Kenneth (Ken) Earnshaw from Bridlington and Gregory were found inside. Good Condition. All autographs are genuine hand signed and come with a Certificate of Authenticity. We combine postage on multiple winning lots and can ship worldwide. UK postage from £4.99, EU from £6.99, Rest of World from £8.99.
LANSERE, EVGENIJ ALEKSANDROVIC LANSERE, EVGENIJ ALEKSANDROVIC 1848 Morsansk - 1886 St. Petersburg Titel: Berittener Soldat mit Gewehr. Technik: Bronze. Maße: 32cm. Bezeichnung: Kyrillisch bezeichnet auf der Plinthe: E. Lansere. Gießerstempel: Auf der Plinthe Gießerstempel mit Datierung: 1882. Provenienz: Privatbesitz, Deuschland. Erläuterungen zum Katalog Evgenij Aleksandrovic Lansere Russland 19.Jh. Bronzen Reiter / Reiterin Bronze Militär LANSERE, EVGENIJ ALEKSANDROVIC LANSERE, EVGENIJ ALEKSANDROVIC 1848 Morsansk - 1886 St. Petersburg Title: Mounted Soldier with Rifle. Technique: Bronze. Height: 32cm. Notation: Inscribed in Cyrillic on the plinth: E. Lansere. Foundry Mark: On the plinth Foundry mark with date: 1882. Provenance: Private ownership, Germany. Explanations to the Catalogue Evgenij Aleksandrovic Lansere Russia 19th C. Bronzes Horseman / Horsewoman Bronze Military
NAVELLIER, EDOUARD NAVELLIER, EDOUARD Paris 1865 - 1944 Titel: Rhinozeros. Technik: Bronze: Maße: 20,5cm. Bezeichnung: Bezeichnet auf der Plinthe: E. Navellier. Provenienz: Privatbesitz, Deutschland. Erläuterungen zum Katalog Edouard Navellier Frankreich 19./20. Jh. Bronzen Tier Bronze Exotik NAVELLIER, EDOUARD NAVELLIER, EDOUARD Paris 1865 - 1944 Title: Rhinoceros. Technique: Bronze. Measurement: 20,5cm. Notation: Inscribed on the plinth: E. Navellier. Provenance: Private ownership, Germany. Explanations to the Catalogue Edouard Navellier 19th/20th C. Bronzes Animal Bronze Exotic
GRATSCHEFF, ALEXEI PETROVICH GRATSCHEFF, ALEXEI PETROVICH 1780 - 1850 Moskau Titel: Reiter mit Speer im Galopp. Technik: Bronze auf Maße: 33 x Bezeichnung: Kyrillisch bezeichnet auf der Plinthe: Ale. Gratscheff. Rahmen/Sockel: Holzsockel. Provenienz: Privatbesitz, Deuschland. Erläuterungen zum Katalog Alexei Petrovich Gratscheff Russland Russische Schule 1.H. 19.Jh. Bronzen Reiter / Reiterin Bronze Militär GRATSCHEFF, ALEXEI PETROVICH GRATSCHEFF, ALEXEI PETROVICH 1780 - 1850 Moscow Title: Galloping Rider with Spear. Technique: Bronze on Measurement: 33 x Notation: Inscribed in Cyrillic on the plinth: Ale. Gratscheff. Frame/Pedestal: Wooden plinth. Provenance: Private ownership, Germany. Explanations to the Catalogue Alexei Petrovich Gratscheff Russia Russian School 1st half of 19th C. Bronzes Horseman / Horsewoman Bronze Military
SCHREYVOGEL, CHARLES SCHREYVOGEL, CHARLES 1861 New York - 1912 Hoboken Titel: The Last Drop. Trapper mit seinem Pferd. Technik: Bronze auf Maße: 30 x Bezeichnung: Bezeichnet auf der Plinthe: Copyrighted 1903 by / Char. Schreyvogel. Literatur: Catalogue of the Collection of the Museum of Western Art, Denver 1983, S. 110, Abb. 76 (abgebildet ist ein weiterer Guß der Serie); G.A. Reynolds: American Bronze Sculpture: 1850 to the Present, Newark 1984, S. 23. S. Campbell: The American West - People, Places, and Ideas. New York 2001, Abb. 62 (abgebildet ist ein weiterer Guß der Serie); L.D. Rosenfeld: A Century of American Sculpture - The Roman Bronze Works Foundry, New York 2002, S. 138. Ein Trapper mit seinem Pferd, zusammen teilen sie sich den letzten Rest des Wasservorrats. Diese archetypische Version des Lonesome Cowboy als modellierte und in Bronze gegossene Figurengruppe diente dem Künstler ursprünglich lediglich als Studienvorlage, nach der er um die Jahrhundertwende das gleichnamige Gemälde "The Last Drop" entwickelte, heute im Tacoma Art Museum (Tacoma, Washington). Charles Schreyvogel, geboren und gestorben in den USA, kam in den Jahren 1886-1890 zum Studium nach München, wo er bei seinem Landsmann Carl Marr lernte, der später Direktor der Akademie wurde. Zurück in Hoboken reiste er ab 1893 mehrfach in den Westen der Staaten in die dortigen Indianerreservate. Die Motive, die er dort fand, wurden zu seinem Lebensthema, für das er noch heute hoch angesehen und gesucht ist. Er wurde zum Maler der Indianer und Cowboys, der das Leben im amerikanischen Wilden Westen dokumentierte. Viele seiner Werke werden heute in den dortigen Museen ausgestellt. Die Bronze "The Last Drop", eine von nur sehr wenigen dreidimensionalen Bildwerken des Künstlers, brachte es vom reinen Studienobjekt zu eigener Berühmtheit. Die in der New Yorker Gießerei gefertigte und nummerierte Auflage findet sich in zahlreichen Museen der USA, u.a. im Rockwell Museum of Western Art, Corning, New York und im Museum of Western Art, Denver, Colorado. Erläuterungen zum Katalog Charles Schreyvogel USA Münchner Schule 2.H. 19.Jh. Bronzen Pferde Bronze Reiter / Reiterin SCHREYVOGEL, CHARLES SCHREYVOGEL, CHARLES 1861 New York - 1912 Hoboken Title: The Last Drop. Trapper with his horse. Technique: Bronze on Measurement: 30 x Notation: Inscribed on the plinth: Copyrighted 1903 by / Char. Schreyvogel. Literature: Catalogue of the Collection of the Museum of Western Art, Denver 1983, p. 110, ill. 76 (illustrated is another casting from the series); G.A. Reynolds: American Bronze Sculpture: 1850 to the Present, Newark 1984, p. 23. S. Campbell: The American West - People, Places, and Ideas. New York 2001, ill. 62 (illustrated is another casting from the series); L.D. Rosenfeld: A Century of American Sculpture - The Roman Bronze Works Foundry, New York 2002, p. 138. A trapper with his horse, together they share the last remnants of the water supply. This archetypal version of the Lonesome Cowboy as a group of figures modelled and cast in bronze originally served the artist merely as a study model, after which he developed the painting of the same name, "The Last Drop", at the turn of the century, now in the Tacoma Art Museum (Tacoma, Washington). Charles Schreyvogel, born and died in the United States, came to Munich between 1886 and 1890 to study under his countryman Carl Marr, who later on became director of the academy of arts. Back in Hoboken he travelled from 1893 several times to the western part of the states to the Indian reservations there. The motifs he found there became his life theme, for which he is still highly regarded and sought after today. He became the painter of the Indians and cowboys, who documented the life in the American Wild West. Many of his works are exhibited in the museums there today. The bronze "The Last Drop", one of only very few three-dimensional pictorial works by the artist, went from being a mere study object to becoming famous in its own right. The numbered edition, produced in the New York foundry, can be found in numerous museums in the USA, including the Rockwell Museum of Western Art, Corning, New York and the Museum of Western Art, Denver, Colorado. Explanations to the Catalogue Charles Schreyvogel USA Munich School 2nd half of 19th C. Bronzes Horses Bronze Horseman / Horsewoman
NAVELLIER, EDOUARD NAVELLIER, EDOUARD Paris 1865 - 1944 Titel: Tuareg auf einem Kamel. Technik: Bronze. Maße: 37,5cm. Bezeichnung: Bezeichnet auf der Plinthe: E. Navellier. Provenienz: Privatbesitz, Deutschland. Erläuterungen zum Katalog Edouard Navellier Frankreich 19./20. Jh. Bronzen Tier Bronze Reiter / Reiterin NAVELLIER, EDOUARD NAVELLIER, EDOUARD Paris 1865 - 1944 Title: Tuareg on a Camel. Technique: Bronze. Height: 37,5cm. Notation: Inscribed on the plinth: E. Navellier. Provenance: Private ownership, Germany. Explanations to the Catalogue Edouard Navellier 19th/20th C. Bronzes Animal Bronze Horseman / Horsewoman
English, 3/4 19th Century, plaque to inside of door reads W Watson & Son 313 High Holborn, London, constructed of French polished mahogany on plinth base, glazed door to front with lock and key, containing 28 drawers each capable of holding 3 rows of 12 standard slides, each drawer with pull with number in centre and porcelain labels to each side, professionally prepared slides by makers including: many diatom slides by W. A. Firth, J D Moller, cabinet 57cm tall x 32cm deep x 39cm wide (approximately 500 slides)
A Georgian mahogany serpentine fitted dressing chest, circa 1770, with four long drawers flanked by reeded columns on a plinth base, height 84cm, width 116cm, depth 61cm.Condition report: There are numerous old restorations and repairs. Handles are original. The slide from the top drawer is missing as are any lids that may have been. There is no mirror. Many extra photos now added.
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173487 item(s)/page