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Click here to subscribeCarlo Marochetti, bronze figure, Emanuel Philip Duke of Savoy. 19th century. The spectacular figure depicts the duke riding a battle horse in armor, with a drawn sword. Figure on a marble plinth, marking and date at the bottom. H 30 cm, W 25.5 cm, D 13 cm. Width: 25cm, Height: 30cm, Depth: 13cm, Weight: 5kg, Condition: Good, Material: Bronze
An early 20th century cobalt blue cased dome topped porcelain cased mantle clock, decorated with gilt painted and enamel fleur de lys decoration, the brass dial with black Arabic numerals, raised on rectangular plinth base, 21cm high. The movement winds, sets and is ticking, although the pendulum is missing, it comes with key.In overall good condition, showing only two tiny nibbles to the base edges and some slight rubbing to the gilt surfaces around the dial. (see additional picture on listing)
Colonial School. Viceroyalty of Peru. 18th century."Saint Martin de Porres"Polychromed alabaster sculpture. On its original plinth.45.5 x 27 x 15.5 cm.An impeccable and tender alabaster sculpture of the first mulatto saint of Latin America. A friar born in the Viceroyalty of Peru (1579-1639) belonging to the order of the Dominicans.Dressed in the white habit of his order, although it has been polychromed in blue on this sculpture, perhaps to give the illusionary effect of tonality to the white alabaster, he carries in his hands his favourite devotions: the Crucified Christ, for whom he gave himself three daily disciplines recalling his sufferings on the Cross, and the heart full of Love with which he humbly dedicated himself to the most destitute.Patron saint of public health workers, who used to tell the sick the phrase: "I cure you, God heals you." These words suggested that he did everything in his power to heal the physical body, while God was the one who actually acted through him and healed the most important thing: the soul.
English School. Midlands. Nottingham. Gothic. Circa 1350 - 1375."Mary Magdalene"Alabaster sculpture with remnants of polychrome and gilding.Measurements without plinth: 46.5 x 14.5 x 13.5 cm.Height with plinth: 57 cm.From the mid-14th century until the iconoclastic crisis, which occurred with the Anglican Reformation in the 16th century, alabaster sculpture workshops flourished in central England, especially around Nottingham. There was a great boom in monumental and funerary sculptures, as well as in reliefs or altarpieces intended for the local market and for export.Alabaster carving, mainly extracted from the quarries of Tutbury and Chellaston near Nottingham, took on industrial proportions in England between the mid-14th and early 16th centuries. The market for altarpieces and small devotional images was very extensive. It included not only religious foundations but also bourgeois classes. Hundreds of English alabaster sculptures were exported, some as far as Iceland and Santiago de Compostela.Similar examples to this one, representing saints in sculpture rather than the more usual reliefs, include, for example, the wonderful Virgin and Child, which is part of the collection of the British Museum in London, inventory number 2016,8041.1 (https://www.britishmuseum.org/collection/object/H_2016-8041-1) with a face very similar to that of this Mary Magdalene.As indicated in the Museum's description of the sculpture we are comparing, regarding dating: "This places the statue at the very beginning of the period when alabaster began being used as a luxury material for sculptural compositions. The raw material was quarried in Derbyshire and Staffordshire and there is sufficient evidence to suggest that many of the early workers of the stone were based in the Midlands. The condition and technical finesse of this figure represents the highest levels of English sculpture in alabaster.The early artists who worked alabaster in the Midlands attracted the attention of King Edward III who in 1363 ordered a carved alabaster altarpiece from Peter the Maceon of Nottingham. These sculptures from the King’s chapel at Windsor, along with the majority of comparable pieces in situ were destroyed during the English Reformation.."Another sculpture from the mid-14th century, The Virgin and Child, is preserved in the collections of the Victoria & Albert Museum in London, with inventory number A.140-1946. (https://collections.vam.ac.uk/item/O70632/standing-virgin-and-child-statuette-unknown/)Other comparable pieces, although from the 15th century and already characteristic of Nottingham production, would be, for example: the mid-15th-century Saint Fiacre, which is part of the collections of the Metropolitan Museum of Art in New York, inventory number: 25.120.227. (https://www.metmuseum.org/art/collection/search/472307) or Saint Jude, which is kept in the Victoria & Albert Museum in London, inventory number A.60-1946 (https://collections.vam.ac.uk/item/O70146/st-jude-statuette-unknown/) Bibliography:Cheetham, Francis. English Medieval Alabasters. Oxford: Phaidon-Christie's Limited, 1984. p. 191 (cat. 118)
Winnie Hall Good Luck From Stone Henge 1 Oil paint on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Winnie Hall lives and works in London. Hall graduated in 2020 with a BA in Fine Art from Chelsea College of Arts and went on to have a studio and take part in Conditions Studio Programme based in Croydon. In 2022 she was selected for Bloomberg New Contemporaries, showing works in Ferens Art Gallery, Hull and South London Gallery in Peckham. In September 2022, Hall was granted funding to develop her practice from the Arts Council. In January 2023, Hall's work was acquired by the Government Art Collection. She recently finished a 6-month residency at OOF Gallery, situated in Tottenham football stadium, exploring the crossovers of art and football. Education BA Chelsea College of Arts 2017 - 2020 Select Exhibitions/Awards Awards/Prizes/Grants: New Contemporaries 2022 Awarded Develop Your Creative Practice Arts Council Funding Sep'22 Selected Exhibitions 2023: 'Gate Keeper' - Plinth Online Exhibition 20th June - 21st August 3D Women: 'Works That Never Came To Life' - Art Hub,Deptford (Curated & Exhibited) Royal Academy Summer Exhibition - Royal Academy, 21st June - 21st August 'The World Of Gazza!!' - OOF Gallery, Tottenham, London - April - September '23 'It's Like That' - Coleman Projects, Bermondsey,London Twenty Nineteen - Campbell Works, Stoke Newington,London 2022: New Contemporaries - South London Gallery, London New Contemporaries - Humber Street Gallery and Ferens Art Gallery, Hull Conditions Group Show - Whitgift Centre, Croydon Oasis Academy Shirley Park, Workshop Outcome Exhibition - Turf Projects,Croydon StaffShow - Green and Stone,Fulham Sugarcoated - Changing Room Gallery,Soho 2021: Curated and exhibited : 3D Women! - Platform Southwark, London Mascot - Best Wishes,Camberwell,London Conditions Group Show, - Whitgift Centre,Croydon Are You Lonesome Tonight - WhitGift Centre (solo) - Croydon Work In Progress:Elvis - Project Space,Croydon Statement about AOAP Submitted Artwork For this years Art On A Postcard auction, I enjoyed playing with the idea of a postcard, finding humour in sending a postcard 'from Stone Henge' and a postcard for a wisdom tooth lost. Considering who it might go to and who might be sending it. I am someone who often sends postcards, and also collects a selection of Good Luck postcards from different counties in Kent. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Winnie Hall Good Luck From Stone Henge 2 Coloured pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Winnie Hall lives and works in London. Hall graduated in 2020 with a BA in Fine Art from Chelsea College of Arts and went on to have a studio and take part in Conditions Studio Programme based in Croydon. In 2022 she was selected for Bloomberg New Contemporaries, showing works in Ferens Art Gallery, Hull and South London Gallery in Peckham. In September 2022, Hall was granted funding to develop her practice from the Arts Council. In January 2023, Hall's work was acquired by the Government Art Collection. She recently finished a 6-month residency at OOF Gallery, situated in Tottenham football stadium, exploring the crossovers of art and football. Education BA Chelsea College of Arts 2017 - 2020 Select Exhibitions/Awards Awards/Prizes/Grants: New Contemporaries 2022 Awarded Develop Your Creative Practice Arts Council Funding Sep'22 Selected Exhibitions 2023: 'Gate Keeper' - Plinth Online Exhibition 20th June - 21st August 3D Women: 'Works That Never Came To Life' - Art Hub,Deptford (Curated & Exhibited) Royal Academy Summer Exhibition - Royal Academy, 21st June - 21st August 'The World Of Gazza!!' - OOF Gallery, Tottenham, London - April - September '23 'It's Like That' - Coleman Projects, Bermondsey,London Twenty Nineteen - Campbell Works, Stoke Newington,London 2022: New Contemporaries - South London Gallery, London New Contemporaries - Humber Street Gallery and Ferens Art Gallery, Hull Conditions Group Show - Whitgift Centre, Croydon Oasis Academy Shirley Park, Workshop Outcome Exhibition - Turf Projects,Croydon StaffShow - Green and Stone,Fulham Sugarcoated - Changing Room Gallery,Soho 2021: Curated and exhibited : 3D Women! - Platform Southwark, London Mascot - Best Wishes,Camberwell,London Conditions Group Show, - Whitgift Centre,Croydon Are You Lonesome Tonight - WhitGift Centre (solo) - Croydon Work In Progress:Elvis - Project Space,Croydon Statement about AOAP Submitted Artwork For this years Art On A Postcard auction, I enjoyed playing with the idea of a postcard, finding humour in sending a postcard 'from Stone Henge' and a postcard for a wisdom tooth lost. Considering who it might go to and who might be sending it. I am someone who often sends postcards, and also collects a selection of Good Luck postcards from different counties in Kent. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Winnie Hall Postcard For a Tooth Coloured pencil on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by AOAP About Winnie Hall lives and works in London. Hall graduated in 2020 with a BA in Fine Art from Chelsea College of Arts and went on to have a studio and take part in Conditions Studio Programme based in Croydon. In 2022 she was selected for Bloomberg New Contemporaries, showing works in Ferens Art Gallery, Hull and South London Gallery in Peckham. In September 2022, Hall was granted funding to develop her practice from the Arts Council. In January 2023, Hall's work was acquired by the Government Art Collection. She recently finished a 6-month residency at OOF Gallery, situated in Tottenham football stadium, exploring the crossovers of art and football. Education BA Chelsea College of Arts 2017 - 2020 Select Exhibitions/Awards Awards/Prizes/Grants: New Contemporaries 2022 Awarded Develop Your Creative Practice Arts Council Funding Sep'22 Selected Exhibitions 2023: 'Gate Keeper' - Plinth Online Exhibition 20th June - 21st August 3D Women: 'Works That Never Came To Life' - Art Hub,Deptford (Curated & Exhibited) Royal Academy Summer Exhibition - Royal Academy, 21st June - 21st August 'The World Of Gazza!!' - OOF Gallery, Tottenham, London - April - September '23 'It's Like That' - Coleman Projects, Bermondsey,London Twenty Nineteen - Campbell Works, Stoke Newington,London 2022: New Contemporaries - South London Gallery, London New Contemporaries - Humber Street Gallery and Ferens Art Gallery, Hull Conditions Group Show - Whitgift Centre, Croydon Oasis Academy Shirley Park, Workshop Outcome Exhibition - Turf Projects,Croydon StaffShow - Green and Stone,Fulham Sugarcoated - Changing Room Gallery,Soho 2021: Curated and exhibited : 3D Women! - Platform Southwark, London Mascot - Best Wishes,Camberwell,London Conditions Group Show, - Whitgift Centre,Croydon Are You Lonesome Tonight - WhitGift Centre (solo) - Croydon Work In Progress:Elvis - Project Space,Croydon Statement about AOAP Submitted Artwork For this years Art On A Postcard auction, I enjoyed playing with the idea of a postcard, finding humour in sending a postcard 'from Stone Henge' and a postcard for a wisdom tooth lost. Considering who it might go to and who might be sending it. I am someone who often sends postcards, and also collects a selection of Good Luck postcards from different counties in Kent. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Jason Line Two Pots Oil on Canvas on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Jason Line is a British artist and lives in London. Although his subject matter is varied, Jason's main area of interest has been the still life, either concentrating on the subject closely or expanding out to take in the surrounding interior. The arrangements vary in their complexity of composition whether it's a single lemon perched quietly on a plinth, or if it's a mass of objects sprawled out on the studio floor. Education Camberwell School of Art Gloucestershire College of Art Select Exhibitions/Awards SELECT EXHBITIONS SOLO SHOWS 2023 Setting the Scene. 155A Gallery, London 2021 Still Lifes from the Studio. MARCH Fine Art, San Francisco, USA GROUP SHOWS BP Portrait Award, NPG, London The Royal Society of Portrait Painters, Mall Galleries The Painter Stainers Prize, Mall Galleries The New English Art Club, Mall Galleries. (Elected member since 2021) Gallery Representation 155A Gallery, London Statement about AOAP Submitted Artwork Jason Line works directly from observation and the still life has long been the main area of his interest. The object and arrangement are always carefully examined with a particular focus on the relationship and tension between forms so that every component is integral to each other and to the whole. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Jason Line Objects Against the Light Oil on Canvas on paper Signed on Verso 10 x 15cm (3¾ x 5¾ in.) This lot has been curated by Katherine Kittoe About Jason Line is a British artist and lives in London. Although his subject matter is varied, Jason's main area of interest has been the still life, either concentrating on the subject closely or expanding out to take in the surrounding interior. The arrangements vary in their complexity of composition whether it's a single lemon perched quietly on a plinth, or if it's a mass of objects sprawled out on the studio floor. Education Camberwell School of Art Gloucestershire College of Art Select Exhibitions/Awards SELECT EXHBITIONS SOLO SHOWS 2023 Setting the Scene. 155A Gallery, London 2021 Still Lifes from the Studio. MARCH Fine Art, San Francisco, USA GROUP SHOWS BP Portrait Award, NPG, London The Royal Society of Portrait Painters, Mall Galleries The Painter Stainers Prize, Mall Galleries The New English Art Club, Mall Galleries. (Elected member since 2021) Gallery Representation 155A Gallery, London Statement about AOAP Submitted Artwork Jason Line works directly from observation and the still life has long been the main area of his interest. The object and arrangement are always carefully examined with a particular focus on the relationship and tension between forms so that every component is integral to each other and to the whole. You must not reproduce, duplicate, copy, sell, resell or exploit any works. In doing so, you endanger our relationships with artists, and directly jeopardise the charitable work we do.
Historical Interest. Early 20th Century Superb Sterling Silver Cast Model of The Submarine H.M.S Vulcan In Rough Waters, Raised on a Shaped Wooden Plinth, With Sterling Silver Plaque, Which Reads - Presented to Lieutenant E.C.CARRE.R.N. By The Captain and Officers of The Vulcan 13th September 1915, Hallmark London 1915, Makers Marks For Page, Keen and Page of George Street, Plymouth Devon. Size 13 Inches - 32.5 cms In length, 3.5 Inches - 8.75 cms High. Total Weight with Wooden Base 830.9 grams. Excellent Condition, Very Low Estimate.
A bronze mounted marble column pillar of variegated white marble, a circular mount (top missing), resting on a deep Corinthian bronze capital with a matching bronze base atop a stepped square marble plinth on four bronze corner feet, 41in. (104cm.) high. *Broken marble side panel to base and top missing.
A Chinese patinated bronze and hardwood covered censer probably early 20th century, of rectangular form, with two hooped handles and taotie mask decoration on a keywork ground, raised on four lion mask supports, impressed seal mark to underside, the reticulated hardwood cover with cloud scroll carving and fo dog finial, 10½in. (26.7cm.) high. *Old chip to one foot. Crack to one end of hardwood cover and chip to corner of the top plinth on the cover, below the finial. Some corrosion to interior of censer.
A small collection of 19th & 20th century Chinese porcelain including a famille rose export plate, depicting floral sprays, 9in. (22.8cm.) diameter; famille rose punch bowl, depicting birds and insects in flowering trees; blanc-de-chine fo dog, raised on rectangular plinth; famille rose wall pocket, depicting figures in a garden setting, 10½in. (26.8cm.) long; small famille rose bowl, orange seal mark to base; blue glazed fo dog; teapot; plate. * Plate with yellowing; Punch bowl with crack and nibbles to rim; Blanc-de-chine fo dog with restoration to bottom corner of plinth; Wall pocket with rubbing to enamel; Small bowl with hairline from rim 10mm;, nibbles to rim; Teapot with tiny flea-bite nibbles, plate good.
A silver two handled Challenge bowl engraved "Hertfordshire Agricultural Society, Hatfield Show Challenge Bowl presented by the Right Hon Lord Mount Stephen for the best shorthorn in the show the property of a tenant farmer" won by J.H. Robinson Esq. in 1929 & 1930, "Walker & Hall, Sheffield mark, wooden plinth, 18in. (45.7cm.) wide, 7¼in. (18.4cm.) high..
A 19th century ormolu mounted ebonized bombe Boulle free standing corner cabinet with serpentine front and white marble top, the central door opening to reveal two shelves, flanked by ormolu mounted putti, on three curved feet above a shaped plinth base, 27½ x 18¼ (69.8 x 46.4cm.) x 43½in. (110.5cm.) high *Good condition.
A Victorian inlaid walnut and ormolu mounted credenza with two mirrored doors opening to reveal two shelves flanked by two open quarter lune compartments with a mirrored back, each with two ormolu galleried shelves, raised on a plinth base 72 x 16in. (182.9 x 40.6cm.), x 42½in. (107.9cm.) high. *Lock is stuck on cupboard door.
A French brass architectural mantel clock 19th century, the white Roman enamel dial fronting a two-train movement with outside countwheel strike on a bell, stamped 'H.L.F.' and with Japy Fils exhibition mark, numbered 1120, the case with flaming urn and vine fruit finials to the pagoda top, turned columns and flared plinth base, 15in. (38cm.) high. * Condition: Winds and runs. Strikes correctly. Hairlines to dial. Gilt to case worn throughout. Decorated scrollwork panel below dial heavily worn, with only a trace of design remaining.
A French red lacquered slate mantel clock early 20th century, the twin train movement signed 'O. Berger A Paris 101', with half hour outside countwheel strike on a bell, gilt, foliate chased dial, the slate case with gilt and red lacquered decoration, on a plinth base with baluster moulded angles, 8in. (20.25cm.) high. *Winds and runs. Some chips and wear to the lacquer to the edges and raised detail. Left side panel on the plinth base is a later wooden replacement and there is a small wooden repair piece to the back right corner of the top.
An English, late 19th century, elaborately carved oak musical three train long case clock the brass arched dial with a silvered chapter ring and Arabic numerals enclosing a subsidiary second dial below twelve, a strike dial in the arch, ‘Westminster Chime/Silent’ within pierced scrolling spandrels, the case having a carved hood and surmounted by a scallop shell and floral carving, the glazed trunk door flanked by carved fruit, nut and floral design and glazed sides, all raised on a plinth with a carved central panel of ribbons and flowers, 26 x 17¼ x 100in. high.
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