George III eight day longcase clock with brass arched dial, signed - Thomas Langford, London, with strike / silent in arch, subsidiary seconds and date dials, rococo spandrels, in fine flame-mahogany case with brass ball spikes, fluted and brass inlaid pilasters on bracket feet, 241cm high (key, pendulum and two brass cased weights present) CONDITION REPORT Movement generally is in poor condition, it is very dirty and parts of it may be jammed. It does not appear to go. Some of screws securing spandrels to face may not be original, although there are no obvious signs that movement and dial did not start life together. Both lines are broken and may be perished. Holes in seat board do not match any holes in the cheeks - although quite a good fit dial / movement may not be original to case. Case needs attention, some mouldings are damaged, one door hinge is loose, other is broken. Bottom plinth may have been added. Hood carcass is cracked, some veneer is damaged, metal grille in pediment is damaged
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Victorian mahogany desk, the tooled leather inset top with rachetted slope, having nine drawers about the kneehole and opposing dummy drawers, raised on plinth base, 172cm x 76cm CONDITION REPORT Sound original condition, original leather top has some scuffs and wear, splits to one end, beading damage to drawers and splits to drawer fronts, minor veneer damage
Good mid-19th century white marble sculpture depicting an infant holding a bird and cat seated beside, on oval marble plinth, 70cm high, 72cm wide, together with associated faux marble plinth CONDITION REPORT bird's beak has losses to terminal, crack at rear of plinth, some in-filling here, minor chips to cats ears, overall some general wear, possibly some weathering although mainly fine detail is present. associated faux marble plinth with minor disrepair
19th century Continental novelty abalone and gilt metal etui in the form of a large pearl, surmounting metal push-button releasing hinged sides, enclosing circular tier holding various sewing accoutrements, raised on oval alabaster plinth, 18cm high, together with two similar smaller etuis (3)
Early Indian carved stone figure of Ganesh, on tapering square column, 45cm high, mounted on presentation stand CONDITION REPORT Statue is 45cm high with stand total height is 50cm. Condition is good with overall muted detail commensurate with significant age and wear, figure is largely intact, some losses to the front edge and corners of plinth
Follower of Claude Michel Clodion (1738 - 1814), good 19th Continental bronze figural group depicting two female musicians and attendant cherub, apparently unsigned, on naturalistic domed socle and marble plinth, total height 72cmProvenance: Colin Stodgell Fine Art, From the Haussner Collection. CONDITION REPORT marble plinth probably associated, bronze in good original conditiion, good rich patination
Good and substantial late 19th / early 20th century French bronze figural group depicting two classical female beauties and attendant lion gathered around a leaf-clad plinth, on lobed rectangular base, inscribed - 'Lerolle Fabt.' but believed possibly after Mathurin Moreau (1822 - 1912), 63cm high CONDITION REPORT minor wear, basically good original condition
Georges H. Laurent, pair of Art Deco bronze figures of foxes, each signed and numbered - 150, 151, 10cm high, raised on black square marble plinth CONDITION REPORT One figure detached from base, some chips to edge of marble. figures themselves were silvered with traces remaining (see photographs)
Auguste Henri Carli (1868 - 1930), Art Nouveau carved marble and alabaster bust of a young woman wearing a bonnet, on angular plinth base, signed - 'Carli', 27cm high CONDITION REPORT small loss to front rim of her bonnet, minor losses to extremities of plinth, overall a little wear but mostly good original condition
Late 19th / early 20th century Japanese carved ivory figure of a woodman, holding a pipe and carrying a bundle of sticks, on naturalistic plinth - red signature plaque to underside, 15cm high, together with Japanese carved ivory okimono of a demon seated upon a mythical beast, with tiger below and another of a figure mending a sail (3)
Art Deco cold-painted and ivory mounted figure, by Josef Lorenzl, the sinuous dancing female on circular signed plinth and onyx and marble wedge-form plinth, 26cm high CONDITION REPORT Little finger missing from outstretched hand of figure. Various small chips to edges of onyx base, some spots / pitting to arms and legs
Stylish early 20th century silver plated tantalus, the locking bar with surmounting carrying handle, enclosing three cut glass decanters, each with faceted stopper and plated wine label, on plinth base, 35cm wide CONDITION REPORT No maker's mark, one decanter has large rim chip, another with smaller rim chips, key present, generally otherwise fine
A Mixed Lot of OO Gauge 2-rail Locomotives, including a boxed Bachmann 'Green Arrow' 2-6-2 and tender, VG, box G, with two unboxed Hornby 'King Arthur' class SR 4-6-0's (both renamed/numbered), a BR black Ivatt 2-6-0, LNER B12 loco only, a re-modelled Tri-ang 0-6-0T and a kit-built 0-6-2T in LNER black on plinth, mostly F-G, some damages (10 inc tenders)
Victorian mahogany bookcase secretaire, moulded cornice above a plain frieze, the upper section with glazed doors, enclosing adjustable shelves, carved corbels, the base with a rectangular top, moulded edge, secretaire drawers, enclosing a fitted interior above two cupboards, two panelled doors, plinth base, width 140cm, depth 56cm, height 237, splits, veneer off.
An unusual George III mahogany and ebony crossbanded twin pedestal sideboard/deskFitted with five short drawers and two double depth drawers with brass swan neck handles, raised on a plinth base, height 87cm, width 135cm, depth 69cm. CONDITION REPORT: Top with large crack, general surface scuffs and cracks throughout 69cm deepNote- the description should say that it has five short drawers and two deep draws to the base, seven drawers in total
A George V silver two handled prize cup with moulded rim and girdle, C-scroll handles on circular foot rim, 8ins high by Walker and Hall, Sheffield 1934 (with presentation inscription ) (weight 20ozs) and ebonised plinth base for same, a set of twelve George VI silver tea spoons of Art Deco design by Josiah Williams and Co, London 1937 in fitted case and a small selection of other silver ware (combined weight 11ozs)
A 19th Century brass framed skeleton clock, the 6ins diameter fretted silvered chapter ring of shaped outline, to the eight day single train fusee movement with passing strike on one bell, supported within twin shaped and fretted brass plates and with turned conical feet, 14ins high mounted on ebonised oval plinth and with oval glass dome for same, 17ins high overall
An early 20th Century French mahogany cased mantel clock by Japy Freres, No. 11546, the 4ins diameter white enamel dial with Roman numerals, to the eight day two train movement striking on a gong, contained in arched topped case with scroll mouldings and inlaid with stringings and urn, on rectangular plinth base and ball feet, 9.75ins high, and with presentation plaque to front dated 1899-1921
A late 19th Century German rosewood cased mantel clock by Junghans, the arched brass dial with silvered chapter ring with Arabic numerals, subsidiary seconds dial and chime/silent dial, to the eight day three train movement striking on four gongs, contained in arched topped case inlaid with floral and scroll ornament and stringings and on plinth base with flat bun feet, 17.5ins high
A 19th Century French mahogany cased mantel clock by Samuel Marti No. 460148, the 4ins diameter white enamel dial with Roman numerals, to the eight day two train movement striking on a gong, contained in mahogany arched top case with central pineapple finial and four ball finials to corners, on rectangular base with ball pattern feet, 12ins high, and a 19th Century French rosewood and floral marquetry cased mantel clock by Bally of Paris, No. 1638, the 3.25ins white enamel dial with Roman numerals, to the eight day two train movement striking on a bell, contained in rectangular case inlaid with floral marquetry and on plinth base, 9ins high
A late 18th Century oak longcase clock by Robert Apps of Battle, the 11ins square painted dial with Arabic numerals, to the thirty hour weight driven movement striking on a bell, contained in plain oak case with scroll pediment and plain turned pillars to hood, on plinth base, 81ins high (lacking feet) Note: Robert Apps recorded as born circa 1752, died 1821
An early 20th Century mahogany longcase clock of "Georgian" design, the 12.5ins arched brass dial with silvered chapter ring and with raised brass Arabic numerals within circular cartouches, with subsidiary seconds dial, to the eight day three train movement striking and chiming on five gongs, contained in mahogany case inlaid with boxwood stringings, with shaped and moulded cornice, shaped trunk door inlaid with figured panel and with conforming plinth base, on bracket feet, 85ins high
An 18th Century walnut longcase clock by John Richards of Honiton, the 12ins square brass dial with silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, to the eight day two train movement striking on a bell, contained in case with moulded cornice and split turned columns to hood, the door inset with circular glass lenticle, on plinth base, 85ins high Note:- A John Richards recored working as a Clockmaker in Tiverton circa 1710
A Victorian ebonised, burrwood, and gilt metal mounted dwarf display cabinet, the whole inlaid with burrwood bandings and stringings, the front inset with three porcelain circular and oval plaques painted with profile bust of classical figures, with moulded edge to top, the frieze with gilt metal moulding, fitted three shelves enclosed by single glazed door on plinth base, 30.5ins wide x 13.5ins deep x 48ins high
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