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A Wilkinson toby jug of Marshal Foch, 1918, designed by Sir Francis Carruthers Gould, seated with a glass of champagne, the bottle inscribed 'Au Diable Le Kaiser', the plinth with animals, black printed mark, Carruthers Gould facsimile signature and retailers mark for Soane and Smith, no. 133.A, 30cm high This jug was produced as a limited edition along with ten others to celebrate the allied leaders of World War I
An 18th Century oak longcase clock movement by Francis Ransford of London, the 12ins square brass dial with wide silvered chapter ring with Arabic and Roman numerals and subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in 19th Century oak case with shaped pediment and turned pillars to hood, panelled trunk door and astragal moulded panel to plinth, on bracket feet, 82ins high
A late 18th Century oak longcase clock by William Wilks of Wolverton, the 12ins arched brass dial with wide silvered chapter ring with Roman and Arabic numerals, the silvered dial to centre with subsidiary seconds dial and date aperture to the eight day two train movement striking on a bell, contained in plain oak case with scroll pediment and turned and fluted pillars to hood, inlaid frieze above shaped door with fluted quarter columns, the plinth with astragal moulding, on single plinth base, 86ins high
An 18th Century mahogany longcase clock by Hariman of Workington, the 12ins square brass dial with wide silvered chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture, with turned winding holes to the eight two train movement striking on a bell, contained in plain mahogany case with shaped pediment and turned and fluted pillars to hood, arched trunk door with raised panel to plinth, on bracket feet, 83ins high
An early 19th Century mahogany longcase clock by Warry of Bristol, the 13ins arched painted dial with Arabic numerals, subsidiary seconds dial and date aperture and "Rocking Ship" automaton to arch to the eight day two train movement striking on a bell (missing), contained in figured mahogany case inlaid with chequered stringings and bandings, with moulded scroll pediment, and turned and spiral reeded columns with Corinthian capitols, and panelled plinth, 89ins high (not working - pendulum and weights present, but generally in need of restoration). Note : Thought to be John Warry Senior of Bristol, circa 1775-1830, or his on John Junior, 1830-1842
A 19th Century oak and mahogany longcase clock by R.H. Goodwin of Macclesfield, the 14ins arched painted dial with Roman numerals, and subsidiary seconds dial and calendar dial, the arch decorated with a view of Canterbury Cathedral and cottages to spandrels to the eight day two train movement striking on a bell, contained in oak and figured mahogany case with scroll pediment and turned pillars to hood, the shaped trunk door flanked by plain quartered columns, the plinth base on ogee bracket feet, 89ins high. Note : R.H. Goodwin recorded working Macclesfield 1857-1865
A George III mahogany longcase clock by Wickes of London, the 12ins arched silvered dial with Roman and Arabic numerals and with subsidiary seconds and calendar dials, Strike/ Silent dial to arch, to eight day two train five pillar movement striking on a bell, contained in figured mahogany case with arched top and moulded cornice and turned, fluted and brass stopped columns to hood, shaped figured mahogany veneered trunk door flanked by fluted and brass stopped quarter columns, plinth with raised astragal moulding, the double moulded plinth with bracket feet, 87ins high
A late 17th/early 18th Century walnut and floral marquetry longcase clock by Barnes of London, the 12ins square brass dial with silvered chapter ring and Roman and Arabic numerals, subsidiary seconds dial and date aperture and turned winding holes, the spandrels cast with cherubs holding a crown within wheat ear pattern engraved borders to the eight day two train five pillar movement striking on a bell, contained in case with narrow moulded cornice and fretted frieze, spiral turned pillars to hood, the door panel filled with marquetry depicting cherubs, masks, flowers and scroll work and crossgrained mouldings to edge of door within scroll work borders, with gilt framed lentical, and the plinth similarly inlaid with birds and floral ornament, and with moulded plinth, 87ins high (plinth with restoration and movement fully restored). Note : Thought to be by George Barnes, apprenticed London 1693
A late 17th Century walnut and marquetry longcase clock by Brounker Watts of London, the 10ins square brass dial with narrow chapter ring with Roman and Arabic numerals, subsidiary seconds dial and date aperture and with winged cherub's head spandrels and engraved borders to the eight day two train five pillar movement with outside locking plate striking on a bell, contained in walnut, ebonised and marquetry case with deep moulded cornice and spiral turned columns to hood, the trunk door inlaid with marquetry panel depicting birds, flower and leaves, and with circular lentical, confirming lower panel and moulded plinth, 79ins high (case partly reveneered and rebuilt). Note : Brouncker Watts recorded working Fleet Street, London, apprenticed 1684, clockmaker 1693 and died 1719
A Victorian partner's oak kneehole desk, the top inset with brown leather cloth, with moulded edges and rounded corners, fitted nine drawers to one side and three frieze drawers and cupboards to reverse, on plinth bases, 59ins x 40ins x 28ins high (cracked in places, worn and rubbed and generally in need of restoration)
A Victorian figured walnut credenza with bowed ends, the whole inlaid with boxwood stringings and walnut bandings, and with gilt metal mounts, the centre fitted with a cupboard enclosed by a single inlaid panelled door flanked by display cabinets, each fitted two velour lined shelves enclosed by a bow-fronted glazed door, the plinth base with bun feet, 62.5ins wide x 16.5ins deep x 41.5ins high
A pair of Victorian figured walnut and gilt metal mounted dwarf open front bookcases, the deep frieze and uprights crossbanded in rosewood and with gilt metal floral and leaf scroll brackets, each fitted two open shelves, on plinth base, 32ins wide x 12.75ins deep x 43ins high (one somewhat damaged)
A Victorian figured walnut desk with recessed front and rounded front corners, the top now inset with a tooled writing surface, fitted one central drawer above recessed cupboard enclosed by a pair of arched panelled doors flanked by four drawers to each side, on plinth base, 54ins wide x 23.5ins deep x 30ins high
A Victorian figured walnut four drawer wardrobe by Heal & Sons of London, with shallow moulded cornice, the interior fitted four sliding trays, two short and two long drawers to centre section flanked by six sliding trays to right side and hanging compartment to left side, enclosed by four figured panelled doors, on plinth base, 96ins wide x 23ins deep x 81ins high
A mahogany break-front bookcase of Georgian design, the upper part with moulded cornice and fitted six shelves enclosed by two pairs of "Fourteen Pane" astragal glazed doors, the base fitted two short and two long drawers to centre flanked by cupboards enclosed by plain panelled doors, plinth base, 96ins wide x 20ins deep x 86ins high
A set of three Kerr & Binns (Worcester) porcelain figurines, each of bare-breasted robed maidens standing on circular bases, each glazed in bright enamels, two with printed shield mark and date code for 1862, and one with Worcester green printed standard mark 1862 (one with crude repair to plinth), height 25cm
An early 19th century Derby type three piece vase garniture, each of classical urn form, having faux marbled interiors, beaded edges, each having an oval reserve containing a basket of flowers within gilt borders, on a peach ground, the whole raised on a waisted socle and square faux marble plinth, the largest height 24cm (restored)
Dame Elisabeth Frink DBE, RA (1930-1993)-St Edmund, bronze signed and numbered 2/9 Meridian Bronze London impressed foundry mark, height 41cm (16¼”), standing on a green marble plinth. Footnote; Dame Elisabeth Frink was commissioned at the time of the closure of the West Suffolk County Council (WSCC) in the reorganisation of local government in the 1970s. A full size version of this statue stands behind the Norman Tower, Bury St Edmunds, Nine scale models were cast, Dame Elisabeth Frink herself kept No.1/9. This example was given to the vendors’ father, a prominent member of the WSCC for the ‘special price’ of £200. It is known that one was bought by the Deputy Lieutenant of Suffolk as a present for Lord Stradbrooke, the retiring Lord Lieutenant at that time, two others were also offered to sponsors including this example, and three were apparently offered for commercial sale, although the prices and to whom they went are not known. Apparently this bronze was originally earmarked for Elisabeth Frinks mother as there had been some delay in the production of the other statues. Elisabeth Frink was born in Thurlow, Suffolk. She is widely recognised as the greatest British sculptor of her generation. St Edmund, King of the East Angles, is the original patron saint of England and there is an ongoing campaign to re-instate him. King Edmund was tied to a tree, filled full of arrows and eventually beheaded because he refused to renounce his faith to the Danish/Viking invaders. His influence was felt across the country and led to the building of the most important abbey in the region at Bury St Edmunds. Mystery surrounds where his remains are buried and many miracles have been associated with him.
A circa 1900 Continental porcelain mantel clock in the Rococo taste, the heavy C-scroll and acanthus embellished balloon case enamel decorated with floral sprays and reserves flanking a silvered dial, having Roman numerals (lacking bezel and one hand), twin winding holes for a French brass eight day cylinder movement having outside countwheel striking on a bell, height 29cm, the whole on a giltwood and gesso Rococo plinth
A French Empire style alabaster and gilt metal portico clock, having a dental cornice, gilt metal applied frieze with mythical birds, silvered dial having Roman numerals, gadrooned gilt metal border, twin winding holes for a French brass eight day cylinder movement having outside countwheel, striking movement, all raised upon a stepped plinth (lacking pendulum), height 44.5cm
An early Victorian mahogany secretaire bookcase, the upper section having stepped cornice and plain frieze above twin arched glazed doors enclosing adjustable shelves, the base having fitted secretaire drawer, with four pigeonholes within a surround of satinwood fronted drawers and gilt tooled leather inset writing surface, all above twin recessed panel doors and raised upon a plinth, height 237cm, width 132cm
An early 20th century mahogany bookcase cabinet in the Georgian taste, having a Greek Key moulded cornice and plain frieze above twin astragal glazed doors enclosing adjustable shelves, the base fitted single long drawer above twin recessed fielded panel doors enclosing shelved interior, all raised upon a plinth, height 211cm, width 94cm
A Mahogany and Lacquered Brass Barograph by Negretti & Zambra, London, with seven stage vacuum, brass cylinder with cover enclosing the clockwork mechanism, mercury thermometer, set with ink bottle and ivorine maker's tablet, enclosed by a hinged and bevel glazed four panelled cover, a graph drawer to the plinth base, 36cm
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173444 item(s)/page