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Lot 1009
19th century Copeland Parian Ware figure, after R Monti, modelled as Lady Godiva, upon a circular titled plinth, signed and dated verso R Monti 1870, impressed to base Copyright Reserved Copeland, overall H22cmCondition Report: General wear commensurate with age, including surface scratches and nicks.Several small losses to drapery and to belt, and cracks running up base of cloak at back of figure.
Lot 1262
William Wilson of Cambridge - George III oak cased 8-day longcase clock, with a pagoda pediment and three brass finials, break arch hood door beneath with attached reeded pilasters and brass capitals, rectangular trunk with a long break arch top door on a plain plinth with applied double skirting, brass dial with cast spandrels and a silvered strike/silent feature to the arch, silvered chapter ring with Roman numerals, five minute Arabic's, minute track and matching steel hands, engraved and silvered dial centre with seconds dial and square calendar aperture, dial pinned directly to a rack striking movement with a recoil anchor escapement, striking the hours on a cast bell. With weights, key and pendulum.William Wilson is recorded as working in Cambridge c1780.Dimensions: Height: 240cm Length/Width: 44cm Depth/Diameter: 23cm
Lot 1258
Thomas Hutchinson of Leeds - 18th century 8-day oak longcase clock with as broken arched pediment and moulded cornice, with a conforming hood door flanked by plain turned pilasters with gesso capitals, long trunk door with a wavy top on a square plinth with a raised panel, brass dial with cast spandrels, engraved silvered dial centre and chapter ring with Roman numerals, five minute Arabic's and minute track, with pierced steel hands, seconds pointer, arched calendar aperture and silvered boss engraved with the makers name to the break arch, dial pinned to a rack striking two train movement with a recoil anchor escapement. With weights and pendulum. Thomas Hutchinson is recorded as working in Leeds from 1760-90.Dimensions: Height: 230cm Length/Width: 44cm Depth/Diameter: 22cm
Lot 1272
George III mahogany twin pedestal partner's desk, moulded rectangular caddy top with tooled leather inset, one side fitted with nine drawers and the opposing side fitted with single drawer, two false drawers and two panelled cupboards, ornate cast gilt metal handles and handle plates, on plinth baseDimensions: Height: 76cm Length/Width: 123cm Depth/Diameter: 98cmCondition Report:Warp to the cupboard doors,
Lot 1265
Benjamin Maud of London - 8-day mahogany longcase clock c 1770, with an open fretted swan necked pediment and urn finial, break arch hood door flanked by reeded pilaster with Corinthian capitals, trunk with blind fretwork, reeded quarter columns and a break arch trunk door with a glazed lenticle, short plinth with raised beaded moulding on a stepped base, brass break arch dial with spandrels, matted dial centre, recessed seconds and date apertures with a silvered chapter ring, cartouche name plate and engraved silvered boss depicting a bird of prey to the arch, with a recoil anchor escapement and rack striking, striking the hours on a cast bell. With weights and pendulum.Benjamin Maud is recorded as working in London pre-1760, becoming a member of the London Clockmakers Company in 1782. Maud's death is recorded in 1819.Dimensions: Height: 232cm Length/Width: 40cm Depth/Diameter: 20cm
Lot 1244
French - Late 19th century 8-day white marble and gilt metal portico clock garniture, the clock surmounted by an urn and raised on a pair of cylindrical pillars above a rectangular plinth base, white enamel dial with Arabic numerals and floral garlands, twin train countwheel striking movement, striking the hours and half hours on a bell, with a sunburst pendulum and gilt Louis XVI hands, garniture with matching twin light candelabra. With Key. Candelabra H 30cm.Dimensions: Height: 44cm Length/Width: 23cm Depth/Diameter: 10cm
Lot 1342
George III oak dresser base, rectangular top with rounded corners over moulded frieze rail, canted corners with turned quarter columns, fitted with three drawers with moulded edges flanked by two cupboards, enclosed by ogee arched fielded panelled doors, panelled sides, moulded plinth baseDimensions: Height: 79cm Length/Width: 215cm Depth/Diameter: 54cm
Lot 1095
After the Antique, early 20th century bronze figure group, modelled as Pan holding cymbals, with infant Bacchus upon shoulders, stood beside a tree stump with fruiting vines, pan flute and clock, upon rectangular plinth, overall H70cmCondition Report:General wear commensurate with age, including scratches and wear to patina revealing green Verdigris.
Lot 1247
French - Late 19th century brass cased 8-day mantle clock, with a break arch top surmounted by a reeded urn with handles, brake front case with finials and recessed reeded columns on a stepped plinth raised on scroll feet, brass dial with cartouche roman numerals and brass hands within a glazed dial bezel, twin train rack striking movement, striking the hours and half-hours on a bell. With pendulum. Dimensions: Height: 56cm Length/Width: 25cm Depth/Diameter: 15cm
Lot 1264
Goodyer & Son of Guildford - George II mid 18th century 8-day oak longcase clock, c1740, with a caddy top and deep cornice with a blind frieze beneath, hood with glazed side panels, square hood door with attached pillars and gesso capitals, plain rectangular trunk with a long flat topped door on a plain plinth with applied skirting, brass dial with a matted centre and ring turned key holes, small seconds dial and square date aperture, slivered chapter ring with Roman numerals, five minute Arabic's, minute and quarter hour tracks and fretted steel hands, dial pinned directly to a two train weight driven rack striking movement with five ring turned movement pillars, striking the hours on a bell, with repeat chord. With weights, pendulum and key.James Goodyer and his son are both recorded as working in Guildford (Surrey) 1740- 50.Dimensions: Height: 189cm Length/Width: 42cm Depth/Diameter: 24cmCondition Report: Seat board replaced.
Lot 1302
Howard & Sons. - 19th century walnut twin pedestal desk, moulded rectangular top with tooled leather inset, fitted with nine drawers with circular pressed brass handle plates decorated with urns, each drawer fitted with a 'Hobbs, London' lock, on plinth base, the upper right-hand drawer stamped 'Howard & Sons, Berners St.' and with paper labelDimensions: Height: 73cm Length/Width: 122cm Depth/Diameter: 61cm
Lot 1376
19th century rosewood buffet credenza, bombe form with shaped and moulded top, two central glazed doors with foliate moulded gilt slips, the red fabric-lined interior fitted with a single shelf, flanked by open shelves with raised gilt metal lips, the uprights decorated with shell and flower head carved cartouche mounts, acanthus leaf scroll carved lower mounts, on shaped and moulded plinth base Dimensions: Height: 100cm Length/Width: 183cm Depth/Diameter: 53cmCondition Report:Some lifting to the veneer. Warp to the top. General signs of age and use. Small losses etc. See images.
Lot 1117
After Charles Valton, bronze, modelled as a lion, upon bronze plinth signed C H Valton, with foundry seal for J B Deposee, and black marble plinth base, overall H20cm L26cmCondition Report:General light wear commensurate with age and use, including surface scratches and some wear to patina.
Lot 1243
Breguet A Paris - Mid-19th century 8-day French portico clock, ebonised case with brass and cloisonne inlay, on a rectangular plinth with a shaped base, white enamel dial with blue Roman numerals, minute track and steel trefoil hands, cast brass bezel with scroll and foliate decoration and a conforming gridiron pendulum, twin train going barrel movement with a countwheel strike sounding the hours and half-hours on a bell, with an ebonised base and glass dome. Dimensions: Height: 54cm Length/Width: 40cm Depth/Diameter: 20cmCondition Report:Glass dome cracked at the sides.
Lot 1270
Late 19th century mahogany console or pier table, rectangular green marble top over a break-front frieze inlaid with brass scroll work panels, reed and ribbon gilt metal and wooden beaded applied mouldings, on turned and fluted front supports, plain mirror back over plinth platform baseDimensions: Height: 81cm Length/Width: 106cm Depth/Diameter: 50cm
Lot 1261
18th-century profusely carved oak longcase clock - with a pagoda pediment, upstands and carving, break arch hood door flanked by reeded pilasters with brass capitals, trunk with canted corners and a spire topped door, square plinth with applied skirting, break arch brass dial with wheatsheaf engraving and cast cherub and crown spandrels, engraved break arch with the London clockmakers name John Gordin, silvered chapter ring with Roman numerals, five minute Arabic's, minute and quarter hour tracks, matted dial centre with ringed winding holes, square date aperture and seconds ring, dial pinned to a five pillar movement with inside countwheel striking, striking the hours on a cast bell. With weights and pendulum. John Gordin, is possibly a mis-spelling or phonetic spelling of John Gordon, of London, who worked from Ludgate Street in the parish of St. Gregory by St. Pauls. Apprenticed in 1689 and died in 1732 when his will was proven.Dimensions: Height: 230cm Length/Width: 44cm Depth/Diameter: 23cm
Lot 1245
French - late 19th century 8-day patinated and silvered brass cased mantle clock, with a tiered pediment surmounted by a central finial with mounted flambé finials to the corners, silvered two-part dial with Roman numerals, steel hands and a cast bezel flanked by two circular columns with Corinthian capitals, with contrasting applied filigree decoration to the pediment, pillars and front of the case, rectangular stepped plinth with a decorative base on block feet, Japy Freres twin train Parisian movement with square movement plates and rack striking, sounding the hours and half-hours on a coiled gong. With pendulum.Dimensions: Height: 50cm Length/Width: 30cm Depth/Diameter: 17cm
Lot 1267
Edwardian mahogany artist's cabinet once belonging to the British artist Eli Marsden Wilson (1877-1965), raised panelled back mounted by carved brackets, sloped and hinged glazed lid enclosing paint holders and compartments, up-and-over panelled door revealing three slides, fitted with two banks of five graduating drawers with recessed brass handles, on skirted base.Together with a quantity of artists' equipment and tools including paints, paintbrushes, charcoal, chalks, etc. and various prints relating to the life of the artist, including Quaker anti-war posters, Victorian Stevengraphs, and various chromolithographs Provenance: Removed from the studio of Eli Marsden Wilson. The cabinet comes to us for sale through family descent. The vendor is descendant of Marsden. Many further etchings removed from the cabinet are being sold in the Spring Art Sale, Friday 15th March 2024, Lots 265-271.Notes: born in Ossett, Eli Marsden Wilson was the only son of Alfred Wilson, a foreman beamer, and Emma Marsden, and had five sisters. After studying at Wakefield College of Art, he moved to the Royal College of Art in London, where he became a pupil of Sir Frank Short. He had his first exhibit at the Royal Academy in 1905, the same year he married fellow artist Hilda Mary Pemberton.A Quaker, vegetarian, and pacifist, he was a conscientious objector in World War I and as such was imprisoned in 1917 for two years. In September 1922 he was commissioned by Princess Marie Louise to produce miniature etchings for Queen Mary's Dolls' House at Windsor Castle; two such etchings are being sold in the Spring Art Sale, Friday 15th March 2024, Lot 265.Dimensions: Height: 144cm Length/Width: 97cm Depth/Diameter: 70cmCondition Report: The cabinet is generally in good condition. It has been used. Some losses, mainly a chunk missing from the right-hand upper corner (image attached). The leather strap handles for the slides have been damaged and no longer function. The rear castors and blocks have been removed and potentially need reattaching, however, it sits OK on its plinth without them. Split to the left-hand side. Damaged divisions to one drawer and the occasional loss in others. General signs of age and use: scratching, dents, scuffs and wear.
Lot 1263
William Gostling of Diss (Norfolk)- Late 18th century 8-day oak longcase clock c1780-90, break arch top with scalloped cresting and three brass finials, glazed break arch hood door flanked by turned pilasters with brass capitals, trunk with a long trunk door and rounded top on a square plinth with an applied and shaped skirting, early painted Wilson of Birmingham dial with Roman numerals and five minute Arabic's, matching steel hands and second pointer, arched square ended calendar aperture with date disc behind, floral spandrels within gesso borders and a painted rocking automaton representing Mercury to the break arch, dial pinned via a false plate to a weight driven rack striking movement with a recoil anchor escapement, striking the hours on a cast bell. With pendulum weights and key. William Gostling (II) is recorded as working in Diss from 1774 to 1797, succeeded by widow Anne and son George . The dial of this clock is illustrated and discussed in detail in M.F. Tennants book "The Art of The Painted Clock Dial" Francis Tennant was a highly respected 20th century painted dial restorer and wrote two books on the restoration and history of longcase clocks with painted dials.Dimensions: Height: 225cm Length/Width: 45cm Depth/Diameter: 23cm
Lot 1260
John Greaves of Newcastle - Mid-18th century 8-day oak longcase clock with a flat top, double cornice and break arch hood door flanked by two turned pilasters, trunk with canted corners and a spire topped door with crossbanding, rectangular plinth raised on bracket feet, brass dial with cast spandrels and penny-moon dial and pointer to the arch, matted dial centre with a silvered chapter ring and seconds ring, chapter with Roman numerals, five minute Arabic's, minute and quarter tracks, square date aperture and fettled steel hands, dial pinned to a rack striking movement with a recoil anchor escapement. With pendulum and weights.Dimensions: Height: 210cm Length/Width: 45cm Depth/Diameter: 25cm
Lot 1096
20th century bronze, modelled as Mercury with caduceus, winged talaria and winged petasus, one foot upon an architectural support, upon black marble breakfront plinth, overall H63cmCondition Report: Wear to patina revealing green Verdigris. General surface scratches, deeper scratches and nicks. Bronze uneven on marble base.Marble base with some small losses, and missing plaque to front.
Lot 1241
Winterhalder & Hofmeier- German 8-day oak cased mantle clock, in an architectural styled case with a gable pediment and recessed carving to the tympanum, square brass dial flanked by carved reeded pilasters and capitals, with open carved silk backed sound frets on a shaped plinth with padded feet, brass dial with cast spandrels and silvered chapter, Roman numerals, minute track and stylised gothic hands, conforming chime/silent and pendulum regulation dials, twin train going barrel movement with quarter-hour striking on two coiled gongs and the hours on one.With pendulum.Dimensions: Height: 40cm Length/Width: 29cm Depth/Diameter: 20cm
Lot 1065
Early 20th century silver five piece cruet set, comprising pair of peppers, pair of open salts with blue glass liners, and mustard and cover, each decorated with rams masks, neo-classical patera and husk swags, and raised upon square plinth with four husk feet, hallmarked Robert Frederick Fox, London 1911, 1912 and 1913Condition Report: Approximate total weight excluding glass liners, 645 grams (20.74 ozt)General wear commensurate with age and use, including surface scratches and nicks.A few small indentations and knocks throughout, some feet slightly knocked and pieces slightly unsteady. Hallmarks with some wear, particularly makers marks.Blue glass liners with a few nicks to edges.
Lot 1266
John Abbot of London – early 18th century walnut 8-day longcase clock c1740, hood with glazed side panels and tall swept pagoda pediment above a break arch hood door with attached pillars and gesso wooden capitals, long trunk door with a conforming break arch top on a rectangular plinth with applied shaped skirting, brass dial with a matted center and continuous herringbone engraving to the surround, cast spandrels, silvered chapter with Roman numerals, five minute Arabic’s, minute track and inner quarter hour track, subsidiary seconds dial and square date aperture, silvered tempus fugit boss to the break arch, dial pinned directly to a rack striking movement, striking the hours on a bell. With weights and pendulum.Dimensions: Height: 250cm Length/Width: 45cm Depth/Diameter: 22cm
Lot 1330
Victorian design inlaid figured walnut credenza sideboard, shaped form with crossbanded and book-matched top, the frieze rails inlaid with foliage scrolls and flower heads, central panelled door inlaid with floral urn flanked by two glazed doors, on shaped plinth base inlaid with foliate decoration, mounted by cast gilt metal masks and floral egg and dart beading Dimensions: Height: 117cm Length/Width: 187cm Depth/Diameter: 50cmCondition Report:Rear right foot is dethatched and will need reattaching. The left-hand shelf is missing.
Lot 1251
Henry Marc - Early 20th century 8-day French art deco mantle clock c1910, in a green mottled marble case with a stepped flat top and deep moulded plinth, brass framed bevelled front and rear glass doors, two part enamel dial with a visible Brocot deadbeat escapement and pendulum regulation, steel moon hands and Roman numerals, Parisian twin train rack striking movement with a visible twin file mercury pendulum, striking the hours and half-hours on a bell.Dimensions: Height: 35cm Length/Width: 25cm Depth/Diameter: 19cm
Lot 1097
After Christopher Gabriel Allegrain (1710-1795), Venus au bain, bronze, upon square plinth, Impressed F Barbedienne Fondeur, the base impressed C G Allegrain Fecit 1767, and bearing Barbedienne foundry seal, overall H51cmCondition Report:General wear including scratches, scuffs and wear to patina, revealing green Verdigris.
Lot 1008
Rare 19th century Minton turquoise glaze majolica 'The Reader' flower holder, after Albert Carrier-Belleuse, modeled as a maiden in classical drapery reading whilst leaning against the pillar back of the helmet shaped cistern detailed with a caryatid and floral swags, the whole upon an oval plinth with Greek key border, with impressed marks beneath, H44cmCondition Report: General wear commensurate with age and use, including some crazing to the glaze and discolouration, and some deeper cracks to the glaze.Small loss to edge of cistern.
Lot 1256
John Bancroft of Scarborough - a fine late George III 8-day mahogany longcase clock, with an elaborate pagoda pediment, brass ball and eagle finials and oval conch shell inlay, break arch hood door flanked by reeded pilasters with brass Corinthian capitals, trunk with inlaid canted corners and a break arch trunk door with "Zulu shield" inlay, conforming plinth with with shaped feet to the front, painted dial with moon work, upright Arabic numerals for the hours and quarter minutes, subsidiary seconds and date dials and stamped brass hands, floral spandrels on a green background with gilt highlights, dial pinned via a cast iron falseplate to a rack striking movement with an anchor escapement, striking the hours on a cast bell. With weights and pendulum.John Bancroft is though to have worked in London prior to working in Scarborough c1770-1807.Dimensions: Height: 234cm Length/Width: 47cm Depth/Diameter: 23cm
Lot 1240
William IV - 8-day twin fusee bracket clock in a mahogany case, with a serpentine top and carving beneath, with silk backed sound frets and canted corners on a shallow plinth raised on cushion feet, painted steel dial with Roman numerals, minute track and steel moon hands, convex glass within a brass bezel and silvered slip, rack striking five pillar movement sounding the hours on a bell. With key and London regulation pendulum.
Lot 395
A Moorcroft pottery table lamp, decorated in the Hellebore pattern, by Nicola Slaney, with a cream shade, 57cm high overallOverall condition looks to be complete and intact. The base is screwed to a wooden plinth, so we have removed it. Dusty. Removed from a house clearance where it was in use.
Lot 1520
George Lumley of St Edmundsbury (Bury St Edmunds) - a George III oak longcase clock, having an 11" square brass dial, signed to the engraved centre, with brass Roman and Arabic chapter ring, cast brass spandrels, rolling date dial, 30-hour weight-driven striking on a bell, the case with plain door to reduced boxbase, h.201cmClock complete and runs.Seat board and cheeks replaced.Door with key, but does not function (locked).New base to plinth.Otherwise in generally good original condition with evidence of age wear only.
Lot 1567
An early Victorian rosewood Wellington secretaire chest arranged as six long drawers, the top two as one, having a fall front and opening to reveal a fitted interior, the whole raised upon a plinth, width 63cm, depth 40cm, height 113cmStands well.With key and lock functions well.No locking side flaps.Minor veneer losses to base of plinth, otherwise very good with minor age wear only.
Lot 1158
A George III silver pedestal swing handled sugar basket, the body of alternating textured and plain gadroooned form with vacant wreath cartouche, having a pierced border adorned with swags and bows, to a waisted conforming pedestal on square plinth, the swing handle having pierced and floral boss decoration, with blue glass liner (broken), maker Samuel Wood, London 1774, h.12.5cm (handle down), unable to remove liner without damaging it further
Lot 1560
A pair of circa 1830 mahogany cupboards, each having recessed arched panelled doors enclosing shelved interiors with base drawers, all raised upon a plinth, width 52cm, depth 38cm, height 80cmBoth stand well.Colour to both very good.No splits.Both doors close well, no warping.No key.Overall both good, with modest age wear and stains etc.Both with new back panels.
Lot 1566
A Victorian rosewood Wellington secretaire chest arranged as seven graduated drawers with drawers 3 and 4 disguised as a secretaire having a fall front with locking flap, width 58cm, depth 39cm, height 125cmStands well.Splits to top.No key.Some losses and repairs to veneer on plinth.Right hand side with some bleaching.Small veneer section to top front edge re-stuck.Colour a bit faded.
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