A late 19th Century French black slate Mantel Clock, retailed by Alan and Daws of Norwich, the architectural pediment to an overhanging cornice over freestanding Corinthian columns and stepped plinth base, bearing presentation plaque to cast and beaded bezel, enclosing a 4 ¼” chapter ring, with engraved and gilt highlighted Roman numerals, with further gilt fleur-de-lys hands and matted centre, to a circular brass movement with anchor escapement and strike on a coiled gong, height 15 ½”
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A late 19th Century black slate and variegated Marble mounted Mantel Clock, the plinth-shaped case to a cast brass bezel with bevelled glass enclosing a 3 ½” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement with back mounted count wheel and anchor escapement, strike on a bell, height 9”
A mid-20th Century Mahogany and boxwood line inlaid Mantel Clock, Gustav Becker, the lancet shaped case raised on a plinth base, to cast brass bezel with bevelled glass enclosing a 5 ¼” silvered Arabic dial with outside minute track and blued steel spade hands, to a square brass movement with anchor escapement and strike on four rods, height 14 ¾”
An early 20th Century Walnut cased Mantel Clock, Junghans, the overhanging cornice surmounted by an arched pediment, over half ring turned columns, to a moulded plinth base, with spun brass bezel enclosing a 3 ½” Roman dial, with outside minute track and pierced steel hands, to a signed rectangular brass movement with anchor escapement and strike on a coiled gong, height 14”
A mid-20th Century Mantel Clock, the arched case surmounted by a brass carry handle, over an arched brass door with bevelled glass, to a moulded plinth base, and raised on outswept bracket feet, to a 5 ¾” silvered arched dial, with applied Arabic chapter ring and blued steel hands, to a replacement Smiths movement with strike on a coiled gong, height 14”
An early 20th Century Walnut cased Mantel Clock, the drum-shaped case on scrolling supports and plinth base, to a spun brass bezel enclosing a 5” Roman enamel chapter ring, with outside minute track and matted centre with blued steel fleur-de-lys hands, to a rectangular brass movement with anchor escapement, strike on a coiled gong, height 10 ½”
An early 20th Century green onyx and gilt metal mounted Mantel Clock, the architectural case with arched pediment, set with a low relief frieze panel, over four freestanding columns, and further half-fluted columns and raised on a stepped plinth base, to a cast and beaded bezel, enclosing a 4” Arabic enamel chapter ring, with outside minute track, matted centre and blued steel fleur-de-lys type hands, to a circular brass movement with anchor escapement, height 12”
A late 19th Century gilt spelter Figural Mantel Clock, the drum-shaped case surmounted a broken column and flanked by a man in 18th Century costume holding a cabbage, to a shaped and scrolling plinth base, to a 3” Roman enamel dial with outside minute track and blued steel moon hands, to a circular brass movement signed A C & B of Paris, with back mounted count wheel, anchor escapement and strike on a bell, height 12”
A late 19th Century gilt spelter Figural Mantel Timepiece, the drum-shaped case surmounted by a young boy fishing and holding a fishing basket, with a naturalistic base and scrolling pierced mount, to a 3” Roman enamel dial with outside minute track and moon hands, to a circular brass movement with short bob pendulum, the whole contained beneath a glass dome (dome A/F), on an ebonised plinth, height 16”
An early 19th Century Oak cased 30 hour Long Case Clock, the overhanging cornice with swan neck pediment over freestanding baluster columns, to a moulded throat and long arch trunk door with plinth base, to a 12” square painted second period dial, with Arabic numerals and quarters, painted with roses and tulips to the spandrels, further replicated to the centre over a date sector with pierced and stamped brass hands, to a movement with plates united by four knopped pillars, and anchor escapement, strike on a bell, height 79”
A mid-20th Century Mahogany cased Long Case Clock, unsigned, the overhanging cornice to a plain frieze to freestanding baluster columns and moulded throat to a long trunk door and plinth base, to a 9 ½” square brass dial with applied angel mask spandrels enclosing a Roman and Arabic silvered chapter ring, and further floral engraved centre with blued steel pierced hands, to a triple weight driven movement, with anchor escapement and strike on 12 rods, height 77”
A mid-18th Century 8 day Long Case Clock, in associated Oak case, John Ingram of Spalding, the 12” square brass dial with engraved wheat ear border, to cast and pierced scrolling foliate and mask spandrels, enclosing a Roman and Arabic chapter ring, with outside minute track, inside quarters, fleur-de-lys half-hour markers and signed to the base, to a matted centre with subsidiary seconds, ringed winding squares and engraved date aperture surround, with pierced and blued steel hands, to a movement with plates united by four knopped pillars and strike count wheel, with anchor escapement and strike on a bell, and contained within a 20th Century Oak case with overhanging cornice, plain frieze, ¾ columns, moulded throat, long trunk door with glazed lenticle and plinth base, height 80”
A late 19th Century papier-mâché Decanter Cabinet, of tall rectangular form, the hinged cover decorated with a colour print of a fox with a mallard, within a Greek key border, and further inlaid mother-of-pearl detail, to hinged front doors, and interior fitted with non-matching glasses and two (of three) decanters, on a stepped and shaped plinth base, height 20”
A Victorian ebonised bracket clock By Barrie, Edinburgh, in the George II style the arched dial signed Barrie, Edinburgh, with subsidiary second/strike dial and fret pierced spandrels, the 8-day movement with anchor escapement and striking on a gong, the domed case with loop carrying handle, and pierced sound frets, raised on a moulded plinth base with toupie feet 30cm wide, 51cm high, 18cm deep
A George III oak longcase clock By Jo Kirkwood Redpath with eight day movement, the arched brass dial and chapter ring with Arabic and Roman numerals, subsidiary second dial and date aperture, surrounded by spandrels, the swan neck pediment with brass urn finial over column flanked door, moulded trunk door, plinth base, raised on bracket feet
A George III mahogany longcase clock By C. Brotherston, Dalkieth the arched enamel and painted dial with Roman numerals, subsidiary date and second dials, with eight day movement, the swan neck pediment over door flanked by fluted columns, inlaid trunk door flanked by fluted quarter columns, plinth base raised on bracket feet 224cm high
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173444 item(s)/page