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A good quality mahogany and satinwood banded bookcase in the Georgian style, the projecting cornice above four geometrically glazed astragal doors, enclosing eight adjustable shelves, the base fitted with two frieze drawers and two panel cupboards below, raised on a plinth base (207cm x 191cm x 53cm)
A mixed lot including a mahogany box with rectangular hinged top with moulded edge with unfitted interior, on plinth base (h.16cm x 32cm x 24cm), an early 20thc stuffed child's toy rabbit, a white metal fork converted to bangle, stamped Devonshire Hotel, a compact bearing a map of Texas to lid, two jewellery boxes and a collection of keys (a lot)
An early 20th century mahogany Globe Wernicke five-tier stacking bookcase, having typical hinged glazed doors, raised on a shaped plinth, label to interior, w.86cmCondition report: One knob missing.One drops down at one end when is use, otherwise all actions good.Stands well.No worm apparent.With numerous scuffs and scratches etc throughout.Each shelf height 24cm and depth 20cm.
A Victorian mahogany and gilt tooled tan leather inset twin pedestal partners desk, having an arrangement of nine drawers opposing further frieze drawers and pedestal cupboard doors, width 152cmCondition report: Kneehole height 61.5cm,Locks missing from each lower pedestal drawer.Desk top is straight.No warping to cupboard doors.Stands well and is structurally sound.Areas of restoration throughout.Long running horizontal split towards front of top surface.Long running vertical split to rear cupboard door, and one other smaller split to the same panel.Losses, scuffs and wear to leather surface.Plinth has been re-coloured.General knocks and scuffs throughout.
A LATE 19TH CENTURY GRAINGER & CO, WORCESTER LARGE RETICULATED POT POURRI VASE AND COVER, the urn-shaped vase pierced and gilded with scrolling foliate with forked serpent handles, raised on a tapering square plinth, the domed cover with pierced and gilt finial, base with blue printed mark with date code for 1898, the cover with brown printed mark with date code for 1893. 51cm by 25cm (a/f)The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Cover and base, dated 1893 and 1898. Repaired - between the vase body and the base there should be a knopped stem, there is putty residue between the vase body and the 'cup' of the stand, possible repair to one handle as the central join where the top and bottom sections split, some rubbing and scratching to gilding. Condition report made 210121.
A GEORGE III POLLARD OAK 30-HOUR LONGCASE CLOCK, SIGNED MATHEW BOLD DE BOLD, the 12 inch square brass dial with silvered chapter, the hood with swan neck pediment and free-standing reeded columns, the case with reeded quarter columns flanking a crossbanded door with shaped top, raised on a plinth base. 220cm high
A 17TH CENTURY OAK 30-HOUR LONGCASE CLOCK, the 9.5 inch square brass dial signed Thomas Cattell Londini Fecit, with single pointer, applied winged cherubic mask spandrels, the hood with moulded caddy top, the trunk with long slender rectangular door, raised on a plinth base. 192cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Back boards replaced, case and movement in our opinion are original.
AN EARLY 19TH CENTURY MAHOGANY BREAKFRONT SIDE CABINET, with two pairs of cupboard doors interspersed by pilasters, raised on a plinth base. 107cm high, 214cm wide, 55cm deepThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.In generally good clean condition commensurate with age.
A VICTORIAN MAHOGANY OPEN BOOKCASE, with leaf and fruit carved corbels, raised on a plinth base. 147.5cm high, 92.5cm wide, 29cm deepThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Light overall surface wear, back left edge with small chip and the right side with small area of white paint-like residue.
Aimé-Jules Dalou (1838, Paris-1902, ebd.), "Le Terasseur" , impressionistische Darstellung eines Arbeiters mit Schaufel über der Schulter, Bronze grün patiniert, signiert "Dalou", umlaufend in Plinthe bezeichnet "Bronze Susse Fres. Edts. Paris cire perdue", damit korrespondierender runder Gießerstempel, H.13,8cmAimé-Jules Dalou (1838, Paris-1902, ibid.), "Le Terasseur" , impressionistic depiction of a worker with shovel over his shoulder, bronze green patinated, signed "Dalou", circumscribed in plinth inscribed "Bronze Susse Fres. Edts. Paris cire perdue", corresponding round foundry stamp, h.13,8cm
Julius Paul Schmidt- Felling (1835, Berlin-1920), Paar Chryselephantine- Figuren "Bauern", Bronze/ Elfenbein geschnitzt, um 1900, ein Feldarbeiter mit Sense über der Schulter und eine Bäuerin beim Säen, jeweils auf der Plinthe signiert und auf Natursteinsockel montiert, Gesamthöhe 26cm, ohne Sockel 19cmJulius Paul Schmidt- Felling (1835, Berlin-1920), pair of Chryselephantine figures "Farmers", carved bronze/ivory, c. 1900, a field worker with a scythe over his shoulder and a farmer's wife sowing, each signed on the plinth and mounted on a natural stone base, total height 26cm, without base 19cm
Monatsfigur November / Schütze, KPM Berlin, Mitte 20.Jh., H.11,2cm, aus der Folge ”Die zwölf Monate”, Entwurf Friedrich Elias Meyer um 1775, unterglasurblaue Zeptermarke und rote Reichsapfelmarke, Pinselnummer "140/262", naturalistische Ausformung mit polychromer Aufglasurbemalung, quadratische Plinthe mit Baumstütze (Jagdmesser und Jagdbeute in der Hand bestoßen)Monthly figure November / Sagittarius, KPM Berlin, mid-20th century, h.11,2cm, from the series "Die zwölf Monate", designed by Friedrich Elias Meyer c. 1775, underglazed blue sceptre mark and red imperial orb mark, brush number "140/262", naturalistic design with polychrome onglaze painting, square plinth with tree support (hunting knife and prey bumped in hand)
schreitender Akt, Ottmar Obermaier für Rosenthal, 1930er Jahre, Bisquitporzellan, in Plinthe signiert "O.Obermaier" und datiert "1931", Frauenakt in Schrittstellung, den Kopf leicht geneigt, die Arme leicht angewinkelt, H.43cmWalking nude, Ottmar Obermaier for Rosenthal, 1930s, bisque porcelain, signed "O.Obermaier" and dated "1931" in plinth, female nude in stride, the head slightly tilted, the arms slightly bent, h.43cm
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173487 item(s)/page