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Lot 1218
A Victorian mahogany sideboard, the shaped back with scroll carved cresting, fitted three frieze cushion fronted drawers, recessed central cupboard flanked by sliding trays and drawer, enclosed by four arched panelled doors with carved brackets to side, on plinth base, 72ins wide x 21ins deep x 59.5ins high
Lot 1214
A Victorian walnut and gilt brass mounted dwarf display cabinet, the top with incurved front edge inlaid with stringings, fitted two cloth lined shelves enclosed by a pair of arched glazed doors framed with gilt brass leaf mouldings, flanked by gilt brass brackets, on plinth base with bold gilt brass leaf moulding, 46ins wide x 14ins deep x 42ins high
Lot 1213
A Victorian mahogany break front sideboard, the shaped and moulded back with cartouche scroll and leaf carved cresting, fitted recess central shelf enclosed by a pair of arched panelled doors, flanked by bow front drawers and cupboards under, enclosed by shaped panelled doors, on plinth base, 74ins wide x 25ins deep x 53ins high
Lot 1228
A late Victorian walnut two tier corner cupboard, the upper part with spindle turned gallery and turned and reeded finials, moulded and dentil cornice, on slender turned front supports, incurved frieze carved with floral scroll ornament and cornucopia, fitted two shelves enclosed by a single door inset with five bevelled glass panels, fall front cover under with conforming carved front, the base fitted cupboard enclosed by a pair of raised panelled doors, on plinth base
Lot 134
LATE NINETEENTH CENTURY BLACK SLATE AND GILT METAL MANTLE CLOCK, the 4" Roman dial, indistinctly signed, powered by a drum shaped movement, stamped H&F, PARIS, striking on a bell, and housed in a flat topped case surmounted by a reclining classical figure, set above a heavy pair of captive lion mask ring side handles, and raised on a moulded plinth base, 10 ½" (26.7cm) high
Lot 136
EARLY TWENTIETH CENTURY JUNGHANS, GERMAN OAK CASED MANTLE CLOCK, the 6" brass dial with silvered Arabic chapter ring, matted centre and pierced gilt spandrels, powered by a movement striking on a gong, and housed in an architectural case with moulded arch cresting and egg and dart border to the shaped plinth base, 14 ½" (36.8cm) high
Lot 168
MID VICTORIAN INLAID FIGURED WALNUT AND ORMOLU MOUNTED CREDENZA, the moulded burr cut top above a scroll inlaid frieze and central panelled cupboard door with scroll work inlay and leaf moulded ormolu border, flanked by inlaid free standing columns, and pair of glazed bow fronted end cupboard doors, each enclosing two shelves to the plush lined interior, raised on a conforming shaped plinth base, 41" (104.1cm) high, 65" x 17 ¼" (165.1cm x 43.8cm)
Lot 13
A mahogany and marquetry inlaid watch stand in the form of an arched mantel clock, inlaid with Classical maidens flanking a central plinth with floral swags, the base with birds on oak branch, raised on base with shaped apron and splayed legs, H.41cm (total), together with an 8 day open face pocket watch (2)
Lot 710
moulded in relief depicting Neptune riding a dolphin with trailing rush reins, a band of stylised oak leaves above pointed leaves, the body terminating in a gadrooned tapering column onto a spreading circular foot adorned with leaf decoration, on a plinth base decorated with stylized anthemion ornaments, one leaf repaired, lacking one dot, impressed Wedgwood mark, impressed crescent mark 42cm highLITERATURE Clifford, T. “Some English Vases and their Sources Part I”, Transactions of the English Ceramic Circle, vol 10, part 3 (1978): 164 and passim Dawson, A. British Museum: Masterpieces of Wedgwood, London: British Museum Press, 1995, illustrated on p.35, figure 26This piece forms part of the V&A Collection and was modelled by John Flaxman Sen. (1726 - 1795) in 1776 and manufactured by Josiah Wedgwood and Sons in circa 1840. John Flaxman Sen. was one of a number of plaster makers in London who supplied Bentley and Wedgwood with models and casts, usually but not always copies from classical, French or Italian sources. “The plasters are preserved at the Wedgwood Museum and may be based on a French source by Claude Michel, called Clodion (1738-1814), a sculptor best known for his terracotta figures and bas reliefs. The basalt vases are known as the ‘wine and water ewers’ or the ewers ‘Sacred to Bacchus’ and ‘Sacred to Neptune’ (Fig. 26), the satyr symbolising wine, and the triton riding on a dolphin representing water. They are amongst the most elaborately modelled pieces ever produced by the Wedgwood factory. Both bear the Wedgwood & Bentley mark which occurs in an usual form on the water ewer (Fig. 27). The shape was popular during the eighteenth and nineteenth centuries in various materials including silver and even malachite. The Wedgwood vases were made in jasper ware in the late eighteenth century, and in majolica (lead-glazed earthenware) and bone china in the nineteenth century.” Dawson, A. British Museum: Masterpieces of Wedgwood, London: British Museum Press, 1995, p.35, figure 26
Lot 345
A WILLIAM IV ROSEWOOD BOOKCASE the outswept cornice surmounted by a rectangular pediment flanked by foliate pierced scrolls, plain frieze, a pair of glazed and panelled doors below enclosing four shelves, flanked by carved and fluted columns, shaped apron, on plinth feet 214cm high, 148cm wide, 53cm deep
Lot 712
AN ART DECO BRONZE DANCING FIGURE, JOSEF LORENZL (1892 - 1950), CIRCA 1930 modelled as a female dancer in costume striking a pose, green patina, on a moulded green onyx column, on a green onyx plinth base, stamped Argentor Wien, signed Lorenzl, wear to patina48cm highJosef Lorenzl (1982 -1950) was an Austrian sculptor and ceramicist of the Art Deco period, working during the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886 – 1947). Lorenzl started his career working at a foundry in the Vienna Arsenal where he learned the techniques of bronze casting. Specifically, the female form was a great source of inspiration, as seen in this example. Some figurines where incorporated into clocks, lamps and lighters amongst other things and some of his figurines were attached to Brazilian green onyx plinths. This particular work bears the Argentor foundry stamp, which was situated in Vienna. - S-L. F.
Lot 159
A VICTORIAN MAHOGANY PEDESTAL DESK the moulded rectangular top with a gilt-tooled leather-inset writing surface, a long frieze drawer below, flanked by a pair of short frieze drawers, each pedestal comprising three graduating drawers, on plinth feet, on castors 80cm high, 122cm wide, 75,5cm deep
Lot 100
EDWARDIAN MAHOGANY SECTIONAL BOOKCASE with a pair of outer panelled cupboard doors with moulded tops, the interiors with shelves, flanking a pair of breakfront central cupboards with moulded tops above two pairs of glass doors with adjustable shelves to the interiors, with four frieze drawers and two pairs of panelled cupboard doors below, standing on a plinth base, 193.5cm x 314cm
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173487 item(s)/page