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An early 20th century inlaid mahogany bracket clock, the domed top inlaid with a vase of flowers and leaves, above a glazed door with canted corners on a plinth base, the silvered dial with a silvered chapter ring and Roman numerals, also three subsidiary dials for Strike/Silent, Slow/Fast and Old St Paul`s and Westminster, the spring driven movement striking on a series of gongs with wall bracket. 60.5 cm high
A George III mahogany longcase clock, the arched hood with open fret work cresting and brass globes with brass stop fluted columns above an arched long trunk door, box base and plinth, the 31cm brass dial with moonphase to the arch, applied gilt spandrels, applied silvered chapter ring with Roman numerals, a separate seconds subsidiary dial and calendar dial inscribed "John Holmes, London", the eight day movement striking on a bell, 235cm high
A 19th century oak cased longcase clock, the hood with a moulded cornice and ionic columns above a long trunk door, box base and plinth, the 30cm square brass dial with separate gilt spandrels, brass dial, seconds subsidiary dial and calendar aperture inscribed, "Jeremiah Johnson, Exchange Alley" the incomplete movement striking on a bell 199.5cm high
An oak quarter chiming eight-day longcase clock, late 18th century and later, the substantial late 19th century four pillar triple train movement with deadbeat escapement, Harrison`s maintaining power and chiming a choice of two tunes on eight/four bells every quarter with hour strike on a gong, now applied to the earlier 13.25 inch square brass dial incorporating recessed subsidiary seconds dial, vestigial calendar aperture within rectangular reserve engraved Watk. Owen, LLanrwft to the symmetrical foliate scroll engraved centre within applied Roman numeral chapter ring now incorporating Silent/Chime and 4 Bells/8Bells switches and with Arabic five minutes to outer track, the angles with fine rococo scroll cast spandrels, now in a case with open triangular pediment and fluted columns to hood above shaped top caddy moulded door flanked by conforming quarter columns to trunk, on raised panel fronted plinth base with canted angles and moulded skirt incorporating bracket feet, 209cm (82.25ins) high.
An Italian walnut and bone inlaid bookcase, second half 19th century, of inverted breakfront form and carved throughout with floral and foliate motifs, the central open section flanked by a pair of cupboard doors opening to shelves and on a moulded plinth base and gadrooned feet, 106cm high, 196cm wide, 48cm deep
A Charles I oak joint stool, circa 1630 and later, with plain frieze with moulded edge above turned pillars and stretcher base, 55cm high, the top 30cm x 43cm, together with an oak bible box, late 17th/early 18th century, the top with strap hinges and on plinth base, 19cm high, 54cm wide, 32cm deep
After Albert-Ernest Carrier Belleuse, (French, 1824 - 1887), an Austrian painted terracotta bust of a maiden by Goldscheider, Brunhaut, late 19th century, portrayed with head turned to sinister beneath a hood formed of an eagle`s head, the wings enshrouding her and descending to the loosely draped decolletage, on an integral rectangular section plinth, inscribed `Carrier-Belleuse` to one side and stamped `REPRODUCTION RESERVEE 1773/70/12` to the reverse, 71cm high. See Pinhas, Ora Goldscheider Shepton Beauchamp 2006, p. 39 for an illustration of the smaller version of this model
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173444 item(s)/page